- Page 1: 49 27 5 36
- Page 5 and 6: Foreword
- Page 8 and 9: Hero image for da:ns LAB 2020 Co-Im
- Page 10: da:ns LAB 2020 Produced by Dance Nu
- Page 13 and 14: da:ns LAB Report Foreword Shawn Chu
- Page 15 and 16: FUSE #5 our working processes by re
- Page 17 and 18: da:ns LAB Keynote Address Tang Fu K
- Page 19 and 20: FUSE #5 complaints. It’s disease
- Page 21 and 22: FUSE #5 corporeal features. So inst
- Page 23 and 24: FUSE #5 from other pandemics, such
- Page 25 and 26: ELEMENT#6 Viral Archives: Study Not
- Page 27 and 28: FUSE #5 cake that she learnt to mak
- Page 29 and 30: FUSE #5 The vegetables to be pickle
- Page 31 and 32: ELEMENT#7 Report Chan Hsin Yee
- Page 33 and 34: FUSE #5 Day 1 We began the workshop
- Page 35 and 36: FUSE #5 Day 2 While Juan was sleepi
- Page 37 and 38: FUSE #5 morning darkness and quiet,
- Page 39 and 40: FUSE #5 Top: Juan Dominguez. Photo
- Page 41 and 42: FUSE #5 WALKING LANDSCAPE SLOW (art
- Page 43 and 44: FUSE #5 For author Rebecca Solnit,
- Page 46 and 47: Emma Fishwick’s presentation at S
- Page 48 and 49: Walking reflection on the objects a
- Page 50 and 51: Walking Top, Bottom: Studio install
- Page 53 and 54:
Post-Residency Reflections Rebecca
- Page 56 and 57:
Bird-watching / (2018) by Rebecca
- Page 58 and 59:
Post-Residency Reflections Bird-wat
- Page 60 and 61:
Bird-watching / (2018) by Rebecca
- Page 62 and 63:
@whereismysapo @whereismysapo (2405
- Page 64 and 65:
@whereismysapo perhaps you were per
- Page 66 and 67:
@whereismysapo “What, do you imag
- Page 68 and 69:
@whereismysapo Screenshot provided
- Page 70 and 71:
Choreography Theory—Seven Fragmen
- Page 72 and 73:
Choreography Theory—Seven Fragmen
- Page 74 and 75:
Choreography Theory—Seven Fragmen
- Page 76 and 77:
Choreography Theory—Seven Fragmen
- Page 78 and 79:
On Kitsch We love to hate kitsch 1.
- Page 80 and 81:
On Kitsch Chapter 3: Adulteration I
- Page 82 and 83:
On Kitsch References 1. Mini Mansio
- Page 84 and 85:
Projections, Paper Dolls, and Effig
- Page 86:
Projections, Paper Dolls, and Effig
- Page 90:
Paper Doll cutouts by Jereh Leung
- Page 93 and 94:
Finding Soultari’s Lenggang: Walk
- Page 95 and 96:
FUSE #5 The Lenggang as the Gendere
- Page 97:
Pok! video stills by Charmaine Poh
- Page 100 and 101:
Finding Soultari’s Lenggang: Walk
- Page 102 and 103:
Finding Soultari’s Lenggang: Walk
- Page 105 and 106:
FUSE #5 Quirky Facts about Malay Da
- Page 107 and 108:
FUSE #5 example of a prominent annu
- Page 109 and 110:
The Problematic Danseuse Nirmala Se
- Page 111 and 112:
FUSE #5 In this practice-led resear
- Page 114 and 115:
The Problematic Danseuse by Nirmala
- Page 116 and 117:
The Problematic Danseuse “courage
- Page 118 and 119:
The Problematic Danseuse Hence whil
- Page 120:
The Problematic Danseuse subversive
- Page 123 and 124:
FUSE #5 Read against the backdrop o
- Page 125 and 126:
FUSE #5 daughters in the dance clas
- Page 127 and 128:
FUSE #5 the dance was also that of
- Page 129 and 130:
FUSE #5 Indian Culture and the Perf
- Page 131 and 132:
About Dance Nucleus Dance Nucleus i