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e-Orch Teaching Manual: Curriculum and Resources

Author: Chi-hin LEUNG Publisher: Department of Cultural and Creative Arts, The Education University of Hong Kong This publication was supported The Education University of Hong Kong Copyright © 2020 Department of Cultural and Creative Arts, The Education University of Hong Kong. All rights reserved. ISBN 978-988-79103-1-2

Author: Chi-hin LEUNG
Publisher: Department of Cultural and Creative Arts, The Education University of Hong Kong

This publication was supported The Education University of Hong Kong

Copyright © 2020 Department of Cultural and Creative Arts, The Education University of Hong Kong. All rights reserved.

ISBN 978-988-79103-1-2

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INTRODUCTION

Music is a part of our universal human birthright. This is not limited to passive

listening and appreciation, but also extends to music-making itself. New

Zealand musicologist Christopher Small introduced the idea of “musicking”

in 1998 which emphasized that “Music is not a thing at all but an activity,

something that people do”. Inspired by Small, e-Orch makes use of musiking

as its teaching philosophy: to take part in music by performing, appraising,

rehearsing, practicing, or composing. Going beyond music appreciation with

active participation in music-making is one of the keys to music teaching and

learning.

The e-Orch strategy is grounded on learner-centred approaches, which include

appraising, performing and composing to enable students to experience the

whole cycle of music-making. By embedding music technology in the project

e-Orch, it allows students to actively participate in music. The project aims

to lower the barriers of music-making, as well as to introduce a broad set of

knowledge and skills, attributes and values to all participants regardless of

their music background – to produce Music for All.

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