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STEAM Education in Music: Research, Teaching Design and Resources

Author: Chi-hin LEUNG Publisher: Department of Cultural and Creative Arts, The Education University of Hong Kong This publication was supported by the Teaching Development Grant [Project ref. no. T0191] Copyright © 2018 Department of Cultural and Creative Arts, The Education University of Hong Kong. All rights reserved. ISBN 978-988-79103-0-5

Author: Chi-hin LEUNG
Publisher: Department of Cultural and Creative Arts, The Education University of Hong Kong

This publication was supported by the Teaching Development Grant [Project ref. no. T0191]

Copyright © 2018 Department of Cultural and Creative Arts, The Education University of Hong Kong. All rights reserved.

ISBN 978-988-79103-0-5

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SCHEME OF WORK (SECONDARY SCHOOL S1-3)

Overall Objectives: To nurture students’ creativity and critical response in music through innovative STEAM activities and to enhance

their understanding of musical characteristics in electronic music through performing and listening

Key Stage: 3

Total Number of Periods: 8 periods, 40 minutes per period

Learning Targets*

Learning Activities

Learning Objectives

CI SP CR MC Listening Performing Creating

Generic Skills /

Value and Attitudes

Assessment Resources

Students learn to:

1. describe and analyse electronic

music with suitable musical

terms

2. use appropriate style to

interpret graphic notation with

electronic instruments

3. design an electronic instrument

with the use of the electronic

building blocks with suitable

controller

4. apply technology to create a

composition for the electronic

instrument

5. notate the composition with

graphic score

6. perform the original

composition

7. develop a list of criteria for

appraising compositions and

performance

• Listen to Ligeti’s

Artikulation with the

graphic score, complete

the listening worksheet

and describe and analyse

the music characteristics,

such as:

i. pitch;

ii. rhythm;

iii. timbre;

iv. graphic notation;

v. mood

• Develop a list of criteria for

assessing compositions

and performances,

such as:

i. cohesion ofcomposition

and title/idea

ii. structure and duration

of the composition

iii. appropriate instrument

designed with suitable

performance ritual

iv. accuracy of the graphic

notation

v. accuracy of rhythmic,

pitch and dynamic in

the performance

• Conduct peer assessment

on composition and

performance based on

predetermined criteria

• Perform Ligeti’s

Artikulation based

on the graphic

score with

electronic

instruments

• Perform the workin-progress

by

classmates

• Perform the

compositions in

groups

• Create an electronic

instrument in

group from

scientific, technological

and mathematical

perspectives and

complete the invention

worksheet, such as:

i. frequency of pitch

ii. signal generators

iii. controllers

iv. modulators

v. modifiers

• Create a short

composition in groups

and complete the

composition planning

worksheet

• Make a brief oral

presentation on

instrument-building

and creation process

• Creativity

• Collaboration skills

• Communication skills

• Critical thinking skills

• Information technology

skills

• Mathematical skills

• Problem solving skills

• Self-learning skills

• Self-management skills

• Respect for and

appreciation of others’

work and performance

• Positive and active

learning attitude

• Observe students’

development in

attitudes and generic

skills to adjust the

learning and teaching

strategies accordingly.

• Use listening worksheet

to assess students’

ability to identify

the characteristics of

electronic music.

• Assess oral presentation

• Assess students’

composition and

performances based on

predetermined criteria.

• Scores, audio/video

recordings and a

listening worksheet on

Ligeti’s Artikulation

• Electronic building

blocks

• Computer

• Online resource

• Invention worksheet

• Composition worksheet

• Self-reflection worksheet

for creation

• Peer assessment

worksheet on

composition and

performance

* Learning Targets: CI – Developing Creativity and Imagination SP – Developing Music Skills Processes

CR – Cultivating Critical Responses in Music MC – Understanding Music in Context

Sources: Ligeti, György (1958). Artikulation. Mainz Germany: B. Schott's Söhne

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