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Oregon Coast Waves - 1.11

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Artists gallop to a good cause<br />

here was romance in the air, and ponies on the<br />

horizon in August of 1993 when Talley Winthrop<br />

went on her fifth date with her future husband, John<br />

Woodmark. Over dinner, John revealed he owned<br />

an eclectic herd of quarter horses. He invited Talley to ride<br />

along with him to pick up his “lease payments,” and meet<br />

his unique herd: 250 mechanical kiddie ride ponies, each of<br />

which required a 25¢ payment to ride — hence, the “quarter<br />

horse” designation.<br />

Fast forward 30 years, long after the ponies had been retired<br />

and the Woodmarks were long-married. Thirty or so<br />

remaining ponies were stabled in the Woodmark warehouse,<br />

high above on a dusty, moldy, shelf. Talley’s creative eye began<br />

to formulate an artistic vision — one where each of the ponies<br />

would be refurbished, restored and re-imagined.<br />

Thus, the Pony Up! Quarter Horse Project was born. The<br />

finished works will be sold at a virtual auction, with 100<br />

percent of the profits to benefit the Wade J. Woodmark<br />

Foundation of Depoe Bay, a nonprofit organization honoring<br />

the late son of John and Talley Woodmark, who passed away<br />

in 2005.<br />

The first project pony galloped off to Mission Viejo, Calif.,<br />

where renowned landscape artist Lee Munsell created “A<br />

Mighty Rushing Wind.” Over the next year, several <strong>Oregon</strong><br />

coast artists lassoed their own ponies as part of the project.<br />

Native Depoe Bay daughter Sal Strom created “JaxAl Wade,”<br />

directly honoring Wade and two other lost area sons, whose<br />

faces and signatures figure prominently in her design.<br />

Well-known Newport artist Leighton Blackwell is at work<br />

on his pony. Jewelry designer and personal friend of Wade,<br />

Amy Pattison, bejeweled her pony “Perseverance,” as a tribal<br />

princess, featuring several techniques of wire wrapping.<br />

Up and coming artists Teresa Teel and Kim Tune delivered<br />

“Zerah,” resembling a tidepool treasure, and “Echo,” using<br />

BIC pen & ink art.<br />

Meanwhile, back at home, Talley, and friends Jenn Graham<br />

and Margaret Boone are hard at work on a pony triptych<br />

utilizing Ponderosa <strong>Oregon</strong> sunstones, leather work and<br />

creating a tribute to a sister lost too soon. In total, more than<br />

30 ponies have galloped off to artists across the United States,<br />

England and Australia.<br />

Many ponies are corralled at the Silver Heron, Blue Heron and<br />

Purple Starfish in Depoe Bay, the Newport branch of Umpqua<br />

Bank, and the Bridgewater Bistro in Astoria. Colin M. Park is<br />

the official project photographer, whose work will be featured<br />

in the limited edition coffee table book. Photos may be seen<br />

on the Pony Up Quarter Horse Project Facebook page. Bids<br />

may be placed by contacting Talley@SilverHeronGallery.com,<br />

or on PUQHP.com, currently under construction.

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