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I

t was a build led by the view. The expanse of

Lake Wānaka beckoned from the north, with

Ruby Island beautifully picture-framed by the

distant mountains. It would have been a shame

for those who dwelt within the house not to be

able to see it from every room, so architectural

designer Pete Barham made it happen.

Where traditionally there may have been

walls, Pete and the client decided there

needed to be three-metre floor-to-ceiling

windows in order to encapsulate the view.

This means there is a bit of wizardry going

on – you can see right through the dwelling,

from the hidden lounge area at the back of the

house through to the central courtyard and

the front living room, out to the stage that is

Lake Wānaka.

It’s a marvel for the unlearned, but, according

to Pete, it makes good architectural common

sense.

“You don’t want to be hidden from it

[the view]; you want to arrange the building

around these things in order to have the view

throughout. The east, west and south views are

nondescript, with large retaining walls and other

houses, so you have to do what you can to

look out to that north view,” he says.

“A lot of structure and work has gone into

the front elevation to make sure it’s totally

glazed so every room and every space within

the house can see the view.”

The external use of materials also seems

to build on that view. The cold, solid metal

exterior alludes to the mountains and the

stillness of the lake, while the cedar timber

cladding brings in the warmth of the natural

environment. The cedar softens the places

where you may engage with the building: the

central courtyard and the battens near the front

entrance.

“The battens to the entry tie it into the

ground and create a bit of separation from the

outdoor living,” says Pete.

A perfect design for a holiday home, where

the lure of the water will prove to be too much

to leave those kayaks in storage over winter.

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