Preface <strong>National</strong> <strong>English</strong> <strong>Skills</strong> 7 is a practical workbook that addresses the Australian Curriculum by broadening students’ understanding of language and literature and further developing their literacy skills. It seeks, through a diversity of texts, to engage the interest of the students and to enrich their <strong>English</strong> experience. In addition to literary texts, it draws on television, newspapers, magazines, films, popular culture, the internet, photography, paintings, reference material, picture books and more. Extracts have been chosen to represent a wide variety of cultural perspectives, including Aboriginal and Asian. The focus of <strong>National</strong> <strong>English</strong> <strong>Skills</strong> 7 is on developing the reading, writing, speaking, listening, language, spelling and thinking skills that are at the heart of the Australian Curriculum. Throughout the workbook there is a logical and sequential development of skills and knowledge. Opportunities are provided for students to engage in imaginative and critical thinking. The exercises and activities are suitable for both classroom use and homework tasks. Preface vii
Acknowledgements The author and publisher are grateful to the following for permission to reproduce copyright material: Photographs Dreamstime/goldenkb, 147 (right); Flagstaffotos, 152; Getty Images /amanda productions, 153 (left), /Hulton Archive, 14, /Minden Pictures, 101, /moment, 157; Herald & Weekly Times/David Caird, 83 (both), /Bruce Magilton, 3; iStockphoto/4bphoto, 150, /al_ter, 52, /auradesign, 114 (bottom), /dsi, 10, /Burton Hill, 132, /holgs, 29, / iceninephoto, 109, /inhauscreative, 72, /lodi Jacobson, 79, /Pete Karas, 108, /hougaard malan, 135, /martin-dm, 18, / Jody Menard, 110, /Nemo1024, 126, /pix hooks, 139, /psd photography, 114 (top), /shiffti, 53, /somerset retrievers, 2 (left), /technotr, 81, /toos, 75, /two humans, 1 (left), /urban cow, 1 (centre), /viorika, 153 (right), /Deborah Wolfe, 133; Movie Store Collection, 58, 60; Picture Desk/Kobal, 5, 54, 55, 56, 57, 86, 87; Shutterstock, 42, /amattel, 131, / Benis Arapovic, 1 (right), /Ricardo Esplana Babor, 44, /Igor Borodin, 94, /Mark Bridger, 147 (left), /Kevin Britland, 115, /emberiza, 156, /Fouquin, 39, /Amy Nicole Harris, 28, / Irabel8, 107, /Dusan Jankovic, 35, /Juhku, 89, /Alexsandar Kamasi, 27 (top), /frentise khojdysz, 17, /Melissa King, 105, /Abramova Kseniya, 124, Bruce MacQueen, 50, / mana photo, 25, /Mcarter, 111 (right), /my-summit, 27 (bottom), /olly, 103, /paparazzit, 93, /Photosani, 22, /DL Pohl, 111 (left), /prism68, 155, /Thorsten Rust, 46, /Ian Scott, 40, /Sergey Skieznew, 49, /James Steidl, 117, /Studio 37, 143, /Anutka T, 73, /Breck Woldt, 140. Other material Cover and extract from Parvana’s Journey by Deborah Ellis, Allen & Unwin, 2002, reproduced with permission by Allen & Unwin (for ANZ) and House of Anansi Press, Groundwood Books, Canada (for Oceania), 95; Story and artwork Mundiba and the honey, reproduced with permission by Michael & Jo Connolly, Dreamtime Kullilla- Art, Redcliffe, Qld, 64–5; Screenshot of Roald Dahl’s website homepage, reproduced with permission by Dahl Literary Estate, 85; Advertisement for Praise Mayonnaise used with permission of Goodman Fielder © 2010, 4; Cover of True Spirit by Jessica Watson, reproduced with permission by Hachette Australia, 2010, 2 (right); Cover of The Lion, The Witch and the Wardrobe by C S Lewis, William Collins & Sons, UK, 1980, reproduced with permission by HarperCollins, UK, 129; Poem ‘Road Up’ by Norman Nicholson from Collected Poems by Norman Nicholson, reproduced with permission by David Higham and Associates UK, 109; Extract ‘John’s Story’ from The Stolen Children: Their Stories, edited by Carmel Bird, Random House, 1998, reproduced with permission by the Human Rights Commission, 68; Article ‘Hi everyone, want to come over for a play?’ by Cheryl Critchley, Herald- Sun, 10 February 2010, 82–3; Article ‘Bow wow vows’ by Eleni Hale, Herald-Sun, 5 July 2009, 3; Film Review ‘The Fantastic Mr Fox’ by Leigh Paatsch, Herald-Sun, 31 December 2009, 87; Cartoon ‘Ginger Meggs’ by James Kemsley. Reproduced with permission of the Trustees of the Estate of the Late James Kemsley and Jimera/ Winslow Investments Pty Ltd, 26; Extract ‘Growing up on Stradbroke Island’ from As the Twig is Bent edited by Terry Lane, Collins Dove, Blackburn, Victoria, 1979, © Terry Lane, 10; Extract from The Lion, The Witch and The Wardrobe by C S Lewis, Fontana Books 1980, copyright © C S Lewis Pty Ltd, UK, 1950. Extract reprinted by permission, 128–29; Cover and extract from Macquarie Colour Compact Dictionary, Macmillan/Macquarie, 2010, 45; Poem Storytime by Judith Nicholls, Faber & Faber UK, © Judith Nicholls, 20; Magazine Covers Jan/Feb 2010, and Jan/Feb 2009 editions of Australian Cyclist, reproduced with permission of Nuance Multimedia Australia, 6 (both); Cover and extract from Tomorrow When The War Began by John Marsden, Pan Macmillan, Sydney, 1993, reprinted with permission of Pan Macmillan Australia Pty Ltd. Copyright © JLM Pty Ltd 1993, 98; Poem ‘The Boxer’ by Emma Payne, London, from Poetry for Pleasure, by Sadler and Hayllar, Macmillan, 1991, © Emma Payne, reproduced with permission by Emma Payne, 103; Cover and extract from Mao’s Last Dancer by Li Cunxin, Young Readers Edition, Puffin Books, Penguin Australia, 2003, reproduced with permission by Penguin Group (Australia), 30–1; Cover and extract from Killer Whale by Justin D’ath, Puffin Books/Penguin, 2008, reproduced with permission by Penguin Group (Australia), 99–100; Cover and short story ‘Smart Ice-cream’ from Funniest Stories by Paul Jennings, Puffin Books, 1985, reproduced with permission by Penguin Group (Australia), 113–15; Cover and extract from Space Demons by Gillian Rubenstein, Omnibus Books/Penguin, 1986, reproduced with permission by Penguin Group (Australia), 92; Cover and extract from Lockie Leonard: Human Torpedo, by Tim Winton, Puffin Books, 1990, reproduced with permission by Penguin Group (Australia), 24; Cover and extract from Zlata’s Diary by Zlata Filipovic, Viking, UK, 1993, reproduced with permission by Penguin Group UK, 33; Extract from Smith by Leon Garfield, Puffin Books, UK, 1968, reproduced with permission by Penguin Group UK, 97; Extract from ‘The Fox and the Goat’ from Fables of Aesop, translated by S A Hanford, Penguin Classics, 1954, reproduced with permission by Penguin Group UK (print rights), 146; Cover from The Stolen Children: their stories, edited by Carmel Bird. Published in March 1998. Reprinted by permission of Random House Australia, 68; Poem ‘The Sea’ by James Reeves, © James Reeves, from Complete Poems for Children (FaberFinds). Reprinted by permission of the James Reeves Estate. Anthology available at www.faber. co.uk/faberfinds, 107; Cover and extract from Harry Potter and the Philosopher’s Stone by J K Rowling, Bloomsbury, London, 1997. Copyright © J K Rowling 1997, 130–31; Cartoon ‘World Environment Day’ by Phil Somerville © Phil Somerville, 12; Screenshot of website home-page © The Smith Family, 7; Film review ‘Rabbit-Proof Fence’ by Doug Anderson, Sydney Morning Herald, 26 October 2009, 5; Extract from Magpie Island by Colin Thiele, Puffin Books, 1986, reproduced with permission by Rhonda Thiele, Queensland, 2011, 151–52. Poem ‘We are going’ from My People by Oodgeroo of the Tribe Noonuccal, Jacaranda, 4th edition, 1970, John Wiley & Sons Australia Ltd, 2008. Reproduced with permission of John Wiley & Sons Australia Ltd, 66. While every care has been taken to trace and acknowledge copyright, the publisher tenders their apologies for any accidental infringement where copyright has proved untraceable. They would be pleased to come to a suitable arrangement with the rightful owner in each case. viii Acknowledgments
- Page 1 and 2: WORKBOOK National English Skills 7
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- Page 25 and 26: Language Introducing nouns A noun i
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- Page 31 and 32: Plays and films Plays, films, telev
- Page 33 and 34: Novels A novel has all the features
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Spelling rules How to form noun plu
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Adding ‘ing’ 1 When changing th
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7 Looking at the movies Camera shot
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2 Look at the White Witch and the s
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Film posters Charlie and the Chocol
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Shrek 2 There have been four Shrek
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• • • Creating a fantasy stor
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8 The Dreaming and beyond Stories f
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The dispossessed Oodgeroo Noonuccal
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The stolen children The words ‘th
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The English also borrowed new words
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Greek words in English There are ma
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9 Words in action Your success as a
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Vocabulary building Key words For e
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Synonyms and antonyms A synonym is
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Using antonyms Select an antonym fr
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10 Multimedia texts What is a multi
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Understanding multimedia 1 What is
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3 List the five major sections on t
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Understanding multimedia 1 What doe
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2 Design a website Imagine that you
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Plot The plot is the novel’s stor
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Structure A winter scene District i
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Describing the setting 1 Where is t
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•• Robyn •• Meeting the cha
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Determination But I wondered if Cap
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12 Poets paint word pictures What i
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Identifying similes Identify the si
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Comprehending the metaphor 1 Throug
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6 ‘And howls and hollos long and
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5 Who are the ‘surgeons in shirt-
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13 The short story What is a short
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All the same, there was something s
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3 Why don’t the other kids like t
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14 Heroes What is a hero? A hero is
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How well did you read? 1 What is th
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out to his father for help, but Dae
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8 The sailors tied him to the mast
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Modality can be strong, moderate or
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15 Fantasy What is fantasy? Fantasy
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4 ‘How cold you look’. What phy
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How well did you read? 1 What is th
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lnserting adverbs Replace the words
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16 Let’s punctuate When we are sp
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Full stops, question marks and excl
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Commas and capitals Rewrite the fol
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8 the ranger declared californian r
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Whose indicates possession. Whose c
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How well do you read? 1 Why had the
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Clauses Language Clauses and animal
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Animal words The sounds of animals
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the ground trembling, the grass tea
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Giving a speech Careful planning an
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Presentation suggestions 1 Use your
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Your imaginary speech I am: Introdu
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Back-of-the-book dictionary accumul