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Download the thesis - South Eastern Centre Against Sexual Assault

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anger becomes chronic and “inappropriate or misdirected anger can interfere with<br />

interpersonal relationships and job stability” (61). Left unsaid is what is appropriate or<br />

directed anger following trauma. Pat B Allen, in Art is a Way Knowing, suggests art is<br />

a way of knowing about many things, including fear, life and grief, yet in omitting to<br />

include anger in her ruminations she neglects to contemplate <strong>the</strong> contribution art<br />

makes to understanding and expressing this very human and legitimate emotion.<br />

Allen’s omission is not unique; <strong>the</strong>re appears to be considerable reluctance to engage<br />

in a conversation about anger and little guidance as to how this emotion might be<br />

confronted and expressed, or how consolation from it might be found.<br />

These challenging emotions are an unavoidable burden for victims. They stick in <strong>the</strong><br />

throat; <strong>the</strong>y cannot be spat out or swallowed, <strong>the</strong>n passed through <strong>the</strong> system to be<br />

expelled as waste. For o<strong>the</strong>rs <strong>the</strong>y are undesirable and confronting; many wish <strong>the</strong><br />

victim would “just get over it” quietly and without sullying <strong>the</strong> communal space. Judy<br />

Atkinson is one who, in Trauma Trails, tackles this thorny subject. In her work with<br />

indigenous Australian communities, a space was provided for individuals to express <strong>the</strong><br />

full extent of <strong>the</strong>ir anger, some of which is included in <strong>the</strong> book. Atkinson points to its<br />

insidiousness and destructiveness, describing how <strong>the</strong> impacts of childhood harm such<br />

as being fearful, insecure and alone had led to adult feelings of anger, hurt and shame<br />

(150); and it was <strong>the</strong> expression of anger that unmasked feelings of fear, grief,<br />

sorrow, anguish or sadness. According to Atkinson <strong>the</strong> feelings and stories of loss<br />

would emerge from narratives about anger, and it was with this complete range of<br />

feelings that work towards healing was undertaken. This work helped victims<br />

understand <strong>the</strong> legitimacy of <strong>the</strong>ir anger and also <strong>the</strong> illegitimacy of expressing it<br />

through violence (247-8).<br />

In trauma and grief work, avoiding an engagement with difficult emotions, particularly<br />

anger, may be due to a number of factors, one of which is <strong>the</strong> potential for <strong>the</strong><br />

expression of anger to cause harm to <strong>the</strong> self or o<strong>the</strong>rs. Ano<strong>the</strong>r is that some methods<br />

used or suggested for <strong>the</strong> expression of anger, such as punching a cushion, scribbling,<br />

shouting, or even talking, may provide short-term release but be less useful in<br />

achieving real resolution. Fur<strong>the</strong>r, an expression of anger may be ineffectual when<br />

directed towards somebody o<strong>the</strong>r than <strong>the</strong> person responsible for it, which may leave<br />

victims with a continuing unresolved sense of <strong>the</strong> emotion. These problems with<br />

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