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Download the thesis - South Eastern Centre Against Sexual Assault

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implicit and explicit memories into a comprehensive narrative of trauma and its<br />

aftermath (Rothschild 150) and <strong>the</strong> reconfiguration of a victim’s belief that all close<br />

relationships are dangerous, thus enabling more satisfactory connections with o<strong>the</strong>rs.<br />

This is a form of “social recovery”, as trauma psychiatrist Richard Mollica puts it. Once<br />

a victim reaches <strong>the</strong> understanding and experiences <strong>the</strong> trauma as a past experience,<br />

and functions well in social, work and family situations <strong>the</strong> goals of <strong>the</strong>rapy have been<br />

met, says Mollica (Mollica; Mollica, Chhim and Mitchell).<br />

While <strong>the</strong> efficacy of trauma <strong>the</strong>rapy for many victims is accepted, substantial<br />

impediments to achieving <strong>the</strong>se goals are also well documented. In addition to <strong>the</strong><br />

difficulties of fully capturing <strong>the</strong> trauma in thought, memory and speech <strong>the</strong>re is <strong>the</strong><br />

struggle to encompass <strong>the</strong> full range of human responses to it, particularly <strong>the</strong><br />

challenging emotions. Avoidance and distractions are o<strong>the</strong>r problems. These can<br />

impede a victim from reaching a comprehensive acknowledgement of and resolution to<br />

<strong>the</strong> trauma.<br />

Many external factors also contribute to wellbeing following trauma, loss and grief.<br />

Rothschild suggests trauma <strong>the</strong>rapists take an inventory of a client’s resources when<br />

taking <strong>the</strong> trauma history. In an inventory of resources, which she notes are acquired<br />

before and after <strong>the</strong> trauma, Rothschild names functional, physical, interpersonal,<br />

psychological and spiritual resources, and includes creativity as a psychological<br />

resource. The inventory can raise survivors’ awareness of <strong>the</strong> resources <strong>the</strong>y have<br />

already used in overcoming <strong>the</strong> trauma and its aftermath and draws attention to <strong>the</strong><br />

significant part survivors played in <strong>the</strong>ir own survival. A survivor with a range and<br />

number of resources has a better prognosis for recovery (Rothschild 188). One<br />

question being asked in this <strong>the</strong>sis is what contribution to a trauma survivor’s<br />

resources can be offered by art, <strong>the</strong> artist and art-making.<br />

How creative community participation can help victims reach a sense of wellbeing is<br />

one consideration in this <strong>the</strong>sis. There is much to be gained by reconnecting those<br />

isolated by trauma with <strong>the</strong> world around and finding a community of people with<br />

whom <strong>the</strong>re is a shared experience (Laub, Herman). Winter uses <strong>the</strong> term “fictive kin”<br />

to describe a group created through a shared experience coming toge<strong>the</strong>r for a specific<br />

purpose. In embracing <strong>the</strong> idea of a chosen family, <strong>the</strong> term denies <strong>the</strong> paradox of<br />

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