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Download the thesis - South Eastern Centre Against Sexual Assault

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life can be rejoined after a fracturing through loss. This concept offers hope that<br />

meaning can be rediscovered after <strong>the</strong> loss of a loved one and through a period of<br />

mourning. Like death, trauma reshapes one’s worldview; in <strong>the</strong> context of sexual<br />

trauma, I suggest a grieving process reshapes a victim’s internal world to enable an<br />

unfolding into a mainstream world.<br />

Some mourning requires guidance, but unfortunately little specific guidance appears<br />

available in grief or trauma texts to assist victims of sexual abuse through this period.<br />

However, through sharing <strong>the</strong>ir visual language, artists are well placed to provide some<br />

of <strong>the</strong> guidance needed to confront and express loss, and to <strong>the</strong>n experience a<br />

renewed sense of meaning and purpose. Doris Brett’s commentary that “<strong>the</strong> poem’s<br />

mission is to go to <strong>the</strong> heart of grief, and to return with something even greater than<br />

grief”, although not referring specifically to visual art-making, suggests <strong>the</strong> service art<br />

can provide to mourning.<br />

Community Acknowledgement of Trauma<br />

Community acts of remembrance, such as war memorials and ceremonies that grow<br />

out of tragedies such as <strong>the</strong> Port Arthur shootings and <strong>the</strong> 2009 Victorian Bushfires,<br />

serve many purposes. They create a space for public acknowledgement, for receiving<br />

affirmation that <strong>the</strong> pain and sorrow felt is an au<strong>the</strong>ntic and legitimate response.They<br />

also offer an opportunity to receive public support and to give those not directly<br />

involved <strong>the</strong> opportunity to share with <strong>the</strong> affected community. Many community acts<br />

of remembrance are <strong>the</strong> result of small groups working passionately, but unofficially,<br />

toge<strong>the</strong>r to put form to experiences of trauma (Winter and Sivan). As Bennett (2005)<br />

argues, this sort of response is an attempt to find a language that represents <strong>the</strong><br />

process of moving from individual suffering, <strong>the</strong> realm of traumatic memory, into a<br />

place of social interaction (31).<br />

Community acts of support and remembrance offer processes for meaning-making,<br />

assist victims cope and find benefit in <strong>the</strong>ir circumstances and, in <strong>the</strong> longer term, can<br />

act as a means of restructuring a view of life. They can assist victims and those<br />

affected by trauma to understand that few situations are completely negative. James<br />

42

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