Leseprobe_Women Composers

More documents

Recommendations

Info

Visual 18: Leyla Hanımefendi, with Yusuf Razi, Vedat; Nezihe and Feride. (1888). Visual 19: Nezihe Hanım (right), Tevfik Bey; Mimar Vedat; Şevket Bey. Visual 20: Program of Bayönder. Visual 21: Newspaper clipping from Son Posta. 30.09.1931, 1. Visual 22: Hüseyin Hilmi and his family, Vienna, c.1915. (back) Kemal, Ömer, and Osman. Visual 23: Ayşe Aliye and Nazife, Vienna. Visual 24: Ayşe Aliye, Nazife and Selahaddin Nusret, Lesbos. Visual 25: Nazife Güran’s signatures since 1952 and her carte-de-visite. Visual 26: Ali Nusret, Yılmaz and Nazife Güran, 1964. Visual 27: Güran Family, 1968, Switzerland. Visual 28: Danyal Nahit Kerven and Yüksel Koptagel, Istanbul, 1974. Visual 29: Leyla Hanımefendi and her piano. Visual 30: Kemani [Violinist] İhsan Bey, Hanende [Singer] İbrahim [Uygun] Bey and Leyla Hanımefendi on the piano, doing meşk. 1926, Istanbul. Visual 31: Ayşe Aliye during a piano lesson, c.1917, Vienna. Visual 32: Nazife Aral’s student ID. Visual 33: Nazife Aral at the piano, in Prof. Tiessen’s class. Visual 34: Young Yüksel at her piano. Visual 35: Baha Koptagel, Yüksel Koptagel, Joaquín Rodrigo, and Victoria Kamhi. Visual 36: With Alexander Tansman and his class Santiago, 1959. Visual 37: “Poet and Composer Leyla dies” (Title) “The poet who died at the age of 84 was an enlightened and distinguished Turkish woman” (subtitle) “Poet and composer Leyla” (photo caption). Visual 38: “Vahdet Nuri’s Concert” (title) “we passionately congratulate the prospective star of the Turkish opera” (last sentence above the photo) “our precious artist Miss Vahdet Nuri who performed a successful concert yesterday” (photo caption). Visual 39: “Young Turkish artist Miss Nazife Salahattin Aral, who had been studying in the Berlin Conservatory, performed a concert on Berlin radio, yesterday at five (pm). Music lovers listened to the young artist’s, who have been laboring music since the age of 13, piano concert with interest, where she only played her compositions Boğaziçi [Bosphorus], Karadeniz [Blacksea], Akşam [Evening], Çal Çoban [Play Shepherd], Oyun Havası, Zeybek.” (the news body). Visual 40: “The interesting life of our cellist, who received a high degree medal and diploma from the Conservatory of Geneve” (Subtitle) Miss Feyha Talay, whom Atatürk called “Little Lady” with her tambour and cello. (photo caption). Visual 41: The mansion in which Leyla Hanımefendi resided in Beşiktaş. Visual 42: The location of the mansion in which Nazife Aral-Güran resided in Şişli. 17
Visual 43: Nazife Aral-Güran’s Mansion before it was demolished, 1975. Visual 44: Location of Kaptanpaşa Houses where the Koptagel Family resided in Nişantaşı. Visual 45: Leyla Hanımefendi, in a meşk session with Kemani İhsan Efendi and Hanende İbrahim [Uygun] Bey. 1926, Istanbul. Visual 46: Leyla Hanımefendi playing her harmonium. Visual 47: Nazife Güran and <strong>Women</strong> Musicians Club Meetings (Nancy Wittler, Judith Uluğ, Nazife Güran (standing up), Gönül Gökdoğan, Yıldız Künutku, and Selma Berk.) 18
Page 1 and 2: Nejla Melike Atalay WOMEN COMPOSERS
Page 4 and 5: Nejla Melike Atalay Women Composers
Page 6: To my one and only beloved family
Page 9 and 10: CHAPTER II Institutionalisation of
Page 11 and 12: Music - Interactivity on Multiple L
Page 13 and 14: Many thanks also to the Istanbul Or
Page 15 and 16: LIST OF ABBREVIATIONS BEO. Bâb-ı
Page 17: LIST OF FIGURES Figure 1: The funda
Page 21 and 22: Following graduation, I travelled t
Page 23 and 24: [Saz] Hanımefendi (1850?-1936) was
Page 25 and 26: feel the need to thematise Leyla [S
Page 27 and 28: about what the criteria for inclusi
Page 29 and 30: If reading of the texts were limite
Page 31 and 32: women musicians outside the palace
Page 33 and 34: 32
Page 35: and these terms became central conc

Leseprobe_Women Composers

Create successful ePaper yourself

Delete template?

Save as template?