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In the final chapter, Chapter VII, the composers’ production spaces are surveyed,<br />
based on the concept of space, with particular attention paid to the limitations<br />
of space and its relation to place. This chapter presents the similarities and<br />
differences between the production spaces of the composers in a continuity, while<br />
investigating real or potential results of experiences in public and private spaces<br />
by forcing the borders between the two. The social dimension of space is emphasised<br />
by investigating the social networks/circles of the composers, and the<br />
relationships established with and within these circles; while examining these<br />
aspects, the practices of meclis [assembly], toplanma [gathering], and salon are surveyed,<br />
along with their effects and contributions.<br />
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