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Audrey Woulard - Professional Photographer Magazine

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espite being stuck in rush-hour<br />

traffic on an unsually warm<br />

autumn afternoon in Chicago,<br />

<strong>Audrey</strong> <strong>Woulard</strong> is upbeat and talkative. As she<br />

wends her way home to the suburbs from her<br />

downtown studio loft, <strong>Woulard</strong> is energized, even<br />

though she’s been shooting all day. Not<br />

much seems to faze her. Not traffic. Not<br />

babies urinating on her. Not even balancing<br />

motherhood—she has four boys aged five to<br />

15—with a weekly average of 35 photo<br />

sessions in studio and on location.<br />

Success came quickly to <strong>Woulard</strong>, who<br />

had been a professional photographer just a<br />

couple of years when a guide for new moms,<br />

“City Baby Chicago,” anointed her one of the<br />

city’s top children’s photographers in 2004.<br />

Early this year she acquired an agent to<br />

handle her editorial work, which sharply<br />

increased after a catalog assignment for<br />

Pottery Barn Kids.<br />

Her work has also appeared in InStyle<br />

magazine, Better Homes and Gardens magazine,<br />

the Chicago Sun Times newspaper, and<br />

on CBS news. She was chosen to be one of<br />

14 photographers nationwide featured in the<br />

2007 book, “<strong>Professional</strong> Children’s Portrait<br />

Photography: Techniques and Images from<br />

Master <strong>Photographer</strong>s” (Amherst Media).<br />

Three years ago she stopped marketing<br />

altogether. Word of mouth and repeat<br />

customers keep volume high.<br />

All this was unexpected. Born in<br />

Winfiled, Ill., a village about 30 miles west<br />

of Chicago, <strong>Woulard</strong> earned a degree in<br />

computer science at the University of<br />

Illinois. As her children were born, she<br />

faced the uncomfortable choice between<br />

career and full-time mothering. She chose<br />

to stay home but grew restless. Her<br />

husband, Byron, bought a small Fuji digital<br />

camera hoping it would give her a creative<br />

outlet. She photographed her kids—a lot.<br />

“Then I got serious about it,” she recalls,<br />

when she borrowed her father’s Pentax SLR<br />

camera. “I started shooting every single day<br />

and bought a big purse so I could carry the<br />

camera with me everywhere. I didn’t intend for<br />

it to be a career, but when people started seeing

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