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44<br />
a<br />
4<br />
A NDREW POWELLill<br />
'My biggest current project is a fully animated feature called<br />
'Magic'. This film will be a comedy medieval fantasy, with<br />
overtones of some of my favourite authors, like Terry<br />
Pratchett, JRR Tolkien, and Monty Python. The story is mostly<br />
serious, but also has scenes where we just HAD to have a little<br />
fun.<br />
*Co-author of the script, and personal friend of mine, Bob<br />
Milne, came up with a scene where the main characters<br />
encounter a troop of Vikings on a portage.<br />
What I'd REALLY like to do is get Terry Pratchett's perrnission<br />
to work on a cartoon version of his Disc World novels.<br />
That would really sell!'<br />
Amiga hardware and software used: use Disney<br />
Animation Studio for Pencil Test animation, Deluxe Paint 5,<br />
Brilliance 2.0, Photogenics 1.25 NTSC for clean-up and<br />
colourisation, and MainActor Pro for final production and<br />
editing.<br />
'I know Disney Animation Studio is getting more than a little<br />
obsolete these days, but it is totally geared for animators<br />
who recognise the tools it offers. I use it to get the line animation<br />
done, and then I can move my work to a more<br />
advanced program.<br />
"DPaint and Brilliance have always been the most popular<br />
packages, but Photogenics is a total MUST-HAVE for serious<br />
artists. For Hardware I use a Tabby Graphics Tablet and the<br />
trusty GVP G-Lock genlock. Both are great because of their<br />
affordabilibi,<br />
UHE CREATION 11111111<br />
11<br />
The Amiga is an excellent creative platform and many<br />
famous artists have benefited from the machine.<br />
Arguably the most famous was Andy Warhol, who<br />
1111<br />
once commented, "The thing I like most about doing<br />
this kind of art on the Amiga is that it looks like my<br />
work". Others include Dave Gibbons, the man behind<br />
1the<br />
Watchmen comics, and the Aardman Animations<br />
team. Andrew Powell offers his views on why he<br />
11 thinks the Amiga has a winning formula:<br />
"The bottom line would be the price of equipment<br />
and ease of use. I would need to use a Pentium 130<br />
11.<br />
with an Mpeg board and 100 Mb of RAM to get the<br />
same results I get with my A4000/040 with 113 Mb<br />
RAM. The fact that the Amiga is so geared for video<br />
11111<br />
makes it the most cost effective choice amongst all the<br />
machines out there. It's also a whole production stu-<br />
111 dio in-a-box, where I can get 66 Frames Per Second<br />
(NTSC video) in two to 256 colours on-screen, in High-<br />
Resolution.<br />
- Can you give us an idea of how the Amiga helps<br />
your work?<br />
41110-<br />
AMIGA COMPUTING<br />
OCTOBER 199c<br />
OOLS OF THE TRADE<br />
For a budding artist there are many options<br />
available for the Amiga which will help you<br />
achieve your desired effect. These vary<br />
from the basic paint packages to rendering<br />
and animation. There are plenty available<br />
of good quality, but your choice will<br />
depend on what you want to do with it.<br />
TVPaint has always proved very popular as<br />
a professional option, and with a Wacom<br />
graphics tablet you have an excellent art<br />
environment in which to produce your<br />
masterpieces.<br />
Although expensive in price, the latest<br />
version, 3.0, proves a desirable option for<br />
the serious computer user because of the<br />
many features it offers. These include the<br />
Big Edit option, which is invaluable to commercial<br />
artists as it takes away the problem<br />
of resolution demanding huge amounts of<br />
memory. This works by defining the size of<br />
the project, then selecting a scaled area to<br />
work on. Another aspect which impressed<br />
was the layers function, which lets you<br />
view multiple 24-bit images on the same<br />
1screen whilst still being able to edit them<br />
independently. You can view layers A, B, or<br />
C, work on them and view them together.<br />
TV Paint does require a graphics card to<br />
work, though.<br />
One of the older but still superior<br />
options is Deluxe Paint. It is now up to version<br />
five and has still kept up with the best<br />
of them. Deluxe Paint offers the user the<br />
ability to create pictures and animate. On<br />
the pictures side it offers realism in that the<br />
media you wish to paint on can be chosen<br />
from various oil canvasses to wire mesh.<br />
The brush types, however, are limited to<br />
watercolour, felt tip, oil and chalk, For<br />
Deluxe Paint 5, the airbrush feature was<br />
completely overhauled and the animation<br />
option improved to allow you to enter your<br />
key animation frame at both the beginning<br />
"I mainly use paper and pencil to get most of the character<br />
animation done in rough. Let's face it, sketching<br />
with a pencil and paper is a LOT quicker that trying to<br />
do the same thing with a mouse or a graphics tablet,<br />
When the drawings are done, I can scan them using a<br />
flat-bed scanner, and use the computer for the final<br />
line and adding colour.<br />
'Doing animation the traditional way requires<br />
reams of paper, coloured pencils and acetate sheets,<br />
not to mention a peg-bar, hi-8 camera, lights, film.. I<br />
could go on... Really!<br />
'The Amiga takes the place of some of the really<br />
expensive stuff and lets me get on with my work without<br />
totally blowing my budget. Plus, it speeds up the<br />
process so much that I can do the jobs that would normally<br />
require three or four other maniacs working<br />
alongside me.<br />
"And lets face it, using the Amiga to do artwork is<br />
actually fun and enjoyable. It's a medium that<br />
allows an artist to make sharing their work as easy<br />
as copying a file or dicking a link."<br />
2<br />
and end points of your sequence. ..<br />
Brilliance 2 is also worth mentioning.<br />
difficult to get hold of these days, but if<br />
faster than DPaint and has a proper 24version<br />
with fast HAM-8 display.<br />
Almathera's Photogenics is also a hi<br />
regarded product which provides both<br />
painting package and image process<br />
Version two, complete with an overhati<br />
and new features, was released only<br />
month. Almathera decided to put this sec<br />
ond version on CD, making installation ve<br />
quick and also allowing more room<br />
example files and a tutorial. To paint it<br />
Photogenics, you work on an invisible la<br />
sort of like a protective film over your a<br />
inal image. This means you can draw Mai<br />
to your hearts content, and if you're not<br />
happy with it, you can wipe it without da<br />
aging the original image. Version two a<br />
provides plug-ins called Effects, whicli<br />
allow you to apply an effect in three different<br />
ways rather than just being able to add<br />
it to the paint layer. It also has a virtual<br />
image function which allows you to cut o<br />
an area of the larger picture and paint on<br />
separately.<br />
Image FX has been mentioned in this<br />
article previously - for many artists, along<br />
with ADPro, it is the essential image<br />
processor for the Amiga. Image AC it stil<br />
being developed for the Amiga and has<br />
recently received a major new update<br />
Version 2.6 has many new features, including<br />
a fire generator, bubble effects and a<br />
film grain facility.<br />
If you're feeling inspired after all this,<br />
simply turn to this month's coverdisk for a<br />
demo of a new 24-bit art package<br />
called Art<br />
Effect.<br />
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