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At Marlboro, exceptional young professional musicians get to play together with—rather than simply be coached by—master artists. It is a dynamic learning experience, born on this Vermont hilltop, that has helped to develop new generations of musical leaders. Side by Side “I was 19 when I first went there...Before that, I had played chamber music, but mainly with schoolmates and friends; when we felt a piece was ready, we’d take it to a teacher—but I never had the opportunity to work on it from the beginning with an established artist. In Marlboro, I could do this with many pieces, and my first year was a kind of revelation: There were suddenly so many valid points of view and so many exciting ways to make music. Totally different ways. There was a new freedom in my life.” — Murray Perahia Madeline Foley rehearses the Debussy Cello Sonata with 15-year-old Richard Goode; Goode returned 30 years later to share his ideas with Joshua Bell, who came to Marlboro for his first of three summers at age 17, and with Asako Urushihara.
p Samuel Rhodes, Alexander Schneider Violist Samuel Rhodes came to Marlboro in 1960, at 19, for the first of nine summers. His experience at Marlboro prepared him well for his invitation to join the Juilliard Quartet. For the last 20+ summers, he and his wife, violinist Hiroko Yajima (this is one of 62 Marlboro marriages), have returned to share their Marlboro experiences, and more, with a new generation. u Brian Chen, Samuel Rhodes 19
Page 1: MARLBORO MUSIC 60th AnniversAry ref
Page 4 and 5: Audience outside Dining Hall, 1950s
Page 6 and 7: p Marlboro’s founders: Marcel Moy
Page 8 and 9: In August, 1957, Jaime Laredo and I
Page 10 and 11: Rudolf Serkin promised us time the
Page 12 and 13: 12 planting musical traDitiOns Marl
Page 14 and 15: Growing up in Marlboro in the 60s,
Page 16 and 17: 16 reFlectiOns FrOm an auDience mem
Page 20 and 21: For more than a decade, beginning i
Page 22 and 23: Twenty years ago, we paid tribute t
Page 24 and 25: For those who have followed Marlbor
Page 26: It often seems that the most inspir
Page 29 and 30: t Benjamin Beilman, Jonathan Biss,
Page 31 and 32: p (top) Scott St. John takes childr
Page 33 and 34: After supper on day two, I join a g
Page 36 and 37: Over the last six decades, recordin
Page 38 and 39: There is an ancient apple tree at t
Page 40 and 41: Piano Rieko Aizawa Lydia Artymiw Ne
Page 42 and 43: Piano Philip Aaberg Elena Abend Pie
Page 44 and 45: Stephanie Chase Leland Chen Robert
Page 46 and 47: p (left) Sarah Dussing, Anthony McG
Page 48 and 49: p (left) Yuzuko Horigome, David Soy
Page 50 and 51: p Paula Robison, Felix Galimir, Ric
Page 52 and 53: Charles Hois Fred Holmgren Boyde Ho
Page 54 and 55: David Amram Samuel Barber George Be
Page 56: creDits Conception & Editor: Frank

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