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For those who have followed Marlboro over the years, it has been a delight to see a wonderful sense of continuity. Artists who came as young professionals in the 1960s, 1970s, and 1980s, including Co-Artistic Directors Richard Goode and Mitsuko Uchida, have returned to give back to another generation what they had gained from the founders and other early mentors and to share their own fresh ideas. For Goode, performance is just a part of the exploration process, not the essence of what Marlboro is really about: “The whole idea is to make the study of the work the main thing, which it can and should be.” 24 marlBOrO tODay Mitsuko Uchida, in a ten-page New Yorker magazine profile on Marlboro, summed up her feelings: “In Marlboro, you get a different way of not only looking at the world but also of looking at life. If you spend weeks together, day in and day out, eating the meals together, chatting and sitting around and drinking the beer together…you begin to get a basic outline of what it really means to be a musician, as opposed to flying from one city to the next and rehearsing the ‘Archduke’ Trio for half an hour and then already walking on-stage. Ultimately, Marlboro is about the concept of time. We have time to rehearse, time simply to think.”
q (left) Korbinian Altenberger, Mitsuko Uchida, Susan Babini; (right) Tai Murray, Richard Goode, Nicholas Tzavaras 25
Page 1: MARLBORO MUSIC 60th AnniversAry ref
Page 4 and 5: Audience outside Dining Hall, 1950s
Page 6 and 7: p Marlboro’s founders: Marcel Moy
Page 8 and 9: In August, 1957, Jaime Laredo and I
Page 10 and 11: Rudolf Serkin promised us time the
Page 12 and 13: 12 planting musical traDitiOns Marl
Page 14 and 15: Growing up in Marlboro in the 60s,
Page 16 and 17: 16 reFlectiOns FrOm an auDience mem
Page 18 and 19: At Marlboro, exceptional young prof
Page 20 and 21: For more than a decade, beginning i
Page 22 and 23: Twenty years ago, we paid tribute t
Page 26: It often seems that the most inspir
Page 29 and 30: t Benjamin Beilman, Jonathan Biss,
Page 31 and 32: p (top) Scott St. John takes childr
Page 33 and 34: After supper on day two, I join a g
Page 36 and 37: Over the last six decades, recordin
Page 38 and 39: There is an ancient apple tree at t
Page 40 and 41: Piano Rieko Aizawa Lydia Artymiw Ne
Page 42 and 43: Piano Philip Aaberg Elena Abend Pie
Page 44 and 45: Stephanie Chase Leland Chen Robert
Page 46 and 47: p (left) Sarah Dussing, Anthony McG
Page 48 and 49: p (left) Yuzuko Horigome, David Soy
Page 50 and 51: p Paula Robison, Felix Galimir, Ric
Page 52 and 53: Charles Hois Fred Holmgren Boyde Ho
Page 54 and 55: David Amram Samuel Barber George Be
Page 56: creDits Conception & Editor: Frank

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