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For more than a decade, beginning in the early<br />

1970s, Leon Kirchner inspired the exploration of<br />

new areas of the reper<strong>to</strong>ire, including such works<br />

as Stravinsky Les Noces, Messiaen Oiseaux Exotiquex,<br />

<strong>and</strong> the Schoenberg Chamber Symphony.<br />

20<br />

new music<br />

p Arnold Steinhardt, Shmuel Ashkenasi, Leon Kirchner, Raphael Hillyer<br />

He helped <strong>to</strong> establish a Resident Composer program,<br />

which has included such young composers as John<br />

Adams, David del Tredici, <strong>and</strong> Tison Street. It remains<br />

a vital part of the <strong>Marlboro</strong> experience, <strong>and</strong> recent years<br />

have seen visits from György Kurtág, John Harbison,<br />

George Benjamin, <strong>and</strong> Thomas Adès, among others.<br />

“I remember that first night that I came <strong>to</strong> <strong>Marlboro</strong>, when these players were giving their all <strong>to</strong> this very<br />

difficult work of Roger Sessions, the Viola Quintet, <strong>and</strong> the feeling of finding in this place, in the middle<br />

of a forest, five individuals working so concentratedly <strong>and</strong> so unbelievably lovingly over this very, very<br />

difficult work. That picture was the picture of <strong>Marlboro</strong>.” — Leon Kirchner

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