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Right click here and “save as” to download - Marlboro Music

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It often seems that the most<br />

inspired music-making takes place<br />

when musicians play more for<br />

pleasure than for ‘business.’ It is that<br />

spirit of striving for an ideal, <strong>and</strong> the<br />

joy of exploring music in depth with<br />

equally committed colleagues, that<br />

permeates so much of what we, as<br />

audience members, get <strong>to</strong> hear each<br />

summer in Vermont. The <strong>Music</strong>ians<br />

from <strong>Marlboro</strong> <strong>to</strong>uring program allows<br />

others around the country <strong>to</strong> share<br />

in this experience during the regular<br />

concert season.<br />

In the musical world of the early 1960s,<br />

<strong>to</strong>uring chamber music groups were<br />

generally limited <strong>to</strong> string quartets<br />

<strong>and</strong> a few piano trios. <strong>Music</strong>ians from<br />

<strong>Marlboro</strong> offered something quite<br />

new when it began in 1965-66: It was<br />

26<br />

musicians FrOm marlBOrO<br />

the first program <strong>to</strong> annually present<br />

ensembles of mixed instrumentation<br />

<strong>to</strong> communities around the country. It<br />

was a chance <strong>to</strong> hear masterworks of<br />

the chamber music reper<strong>to</strong>ire as well<br />

as more unusual pieces—for example,<br />

many heard works such as the<br />

Messiaen Quartet for the End of Time<br />

<strong>and</strong> the Shostakovich Eleven Songs<br />

from Jewish Folk Poetry for the first<br />

time at a <strong>Music</strong>ians from <strong>Marlboro</strong><br />

concert—<strong>and</strong> also a chance <strong>to</strong><br />

discover young musicians who would<br />

become some of our most treasured<br />

artists. The recollection of Juilliard<br />

Quartet violist Samuel Rhodes helps<br />

tell the s<strong>to</strong>ry:<br />

“I had the honor of taking part<br />

in two of the three <strong>to</strong>uring<br />

groups during the first season.<br />

Since then, I have participated<br />

in the <strong>to</strong>urs many times…<br />

<strong>and</strong> so have experienced the<br />

process from ‘both sides of the<br />

aisle’—as a young musician <strong>and</strong><br />

as an experienced professional.<br />

When I was one of the younger<br />

musicians, I was tremendously<br />

inspired <strong>and</strong> challenged by<br />

artists such as Madeleine Foley,<br />

Felix Galimir, <strong>and</strong> Lilian Kallir,<br />

as well as by my peers. Now as<br />

a senior member, I feel a joyous<br />

responsibility <strong>to</strong> once again<br />

immerse the supremely talented<br />

young musicians in the wonders,<br />

the precise interactions, <strong>and</strong> the<br />

technical dem<strong>and</strong>s of musicmaking<br />

on the highest level.”<br />

— Samuel Rhodes<br />

t Efe Baltacigil, Frank Huang,<br />

Hyunah Yu, Eric Nowlin,<br />

Samuel Rhodes, Tai Murray<br />

u (<strong>to</strong>p) Murray Perahia,<br />

Isidore Cohen, Nobuko Imai,<br />

Timothy Eddy<br />

u (bot<strong>to</strong>m) András Schiff,<br />

Hiroko Yajima, Gary Hoffman

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