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Get Out! GAY Magazine – Issue 489

Featuring content from the hottest gay and gay-friendly spots in New York, each (free!) issue of Get Out! highlights the bars, nightclubs, restaurants, spas and other businesses throughout NYC’s metropolitan area that the city’s gay a population is interested in.

Featuring content from the hottest gay and gay-friendly spots in New York, each (free!) issue of Get Out! highlights the bars, nightclubs, restaurants, spas and other businesses throughout NYC’s metropolitan area that the city’s gay a population is interested in.

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BY JIM SILVESTRI

Catching Up With

CHERRY JUBILEE

A longtime NYC drag hostess, Cherry Jubilee is best known as the creator and

producer of nightlife’s biggest evening: the GLAM Awards! Here, we dish about

the 23rd annual GLAMs, slated for January 30th!

PHOTO CREDIT: WILSONMODELS

DESIGN BY: DAVID SERRANO

Interview

Hello, Cherry! You

must be so busy with

everything right now!

I would say so. But

things are coming along

nicely. It’s a very exciting

time. And after a year of

lockdown, I’m super happy

to be busy.

So, online GLAM

voting just closed and I

understand

that the

response has

been one of

the largest

ever.

The largest

response

ever by far! I

was initially

worried that

the pandemic

may put a

damper on

things. But

thankfully,

that didn’t

happen. The

enthusiasm

of people in

NYC nightlife

is huge this

year, and it’s

definitely

one of those

years where

we see a big

insurgence of new talent.

So that may be one reason.

And Brooklyn has come

out in full force like no

other year before. It’s one

of the most inclusive and

diverse years ever. I love

that!

Last year, during

lockdown, the GLAMs

went digital, honoring

nightlifers who produced

online content. That

must’ve been a huge,

unique challenge.

Digital is a completely

different animal. Putting

together a pre-recorded

broadcast is very

technically challenging…

especially when it’s your

first time. And the fact

that you’re attempting

this during a raging

pandemic is definitely a

new kind of challenge.

But it’s as important in a

digital production as it is

in a live one that you are

working with talented and

professional folks. That

makes it easier and more

enjoyable. I learned a lot

and was very happy with

the results. But I’m hoping

never to have to do it

again.

The GLAMs return to

Sony Hall as a live event

on January 30th. Is live

event producing just like

riding a bike or do you

have to relearn how to do

everything, lol?

After putting in at least

three months of work

every year for over two

decades, you can pretty

much go on automatic

pilot once that time of year

rolls around. Even after a

year off. I’ve definitely got

it down at this point. I just

jump right back on that

bike and go!

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