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ZEKE Magazine: Spring 2022

Sustainable Solutions to the Climate Crisis Indigenous Fire by Kiliii Yuyan
 The Indigenous Peoples' Burn Network is training others in an ancient technique of ecological restoration, which is to safely light low-intensity fires in wet seasons that remove the small fuels on the forest floor. Nemo's Garden by Giacomo d'Orlando
 Nemo’s Garden—the world’s first underwater greenhouses of terrestrial plants—represents an alternative farming system dedicated to those areas where environmental conditions make the growth of plants almost impossible. Permagarden Refugees
 by Sarah Fretwell The Palabek refugee settlement in Northern Uganda, with the staff of African Women Rising’s (AWR) Permagarden Program, works with refugees to utilize the existing resources—seeds, rainfall, limited land, and “waste”—and together build an agriculture system designed to help the environment regenerate and get stronger as it matures. Sustainable Solutions to the Climate Crisis
 by Antonia Juhasz Interview with Kiliii Yuyan by Caterina Clerici Dispatches from Ukraine by Maranie Staab Book Reviews Edited by Michelle Bogre

Sustainable Solutions to the Climate Crisis

Indigenous Fire by Kiliii Yuyan

The Indigenous Peoples' Burn Network is training others in an ancient technique of ecological restoration, which is to safely light low-intensity fires in wet seasons that remove the small fuels on the forest floor.

Nemo's Garden by Giacomo d'Orlando

Nemo’s Garden—the world’s first underwater greenhouses of terrestrial plants—represents an alternative farming system dedicated to those areas where environmental conditions make the growth of plants almost impossible.

Permagarden Refugees
 by Sarah Fretwell
The Palabek refugee settlement in Northern Uganda, with the staff of African Women Rising’s (AWR) Permagarden Program, works with refugees to utilize the existing resources—seeds, rainfall, limited land, and “waste”—and together build an agriculture system designed to help the environment regenerate and get stronger as it matures.

Sustainable Solutions to the Climate Crisis
 by Antonia Juhasz
Interview with Kiliii Yuyan by Caterina Clerici
Dispatches from Ukraine by Maranie Staab
Book Reviews Edited by Michelle Bogre

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BRIEFLY<br />

NOTED<br />

COMPILED BY MARISSA FIORUCCI<br />

CAMPESINO CUBA<br />

By Richard Sharum<br />

Gost Books, 2021 | 208 pages | $60<br />

to eighty-five who have spent their entire<br />

lives living, raising families, and toiling<br />

the land in the most remote regions<br />

of their country. Campesino Cuba was<br />

awarded an Honorable Mention for the<br />

2021 <strong>ZEKE</strong> Award for Documentary<br />

Photography.<br />

THE WEATHER IS FINE<br />

By Benedikt Partenheimer<br />

Hatje Cantz, 2021 | 128 pages | $65<br />

BETWEEN GIRLS<br />

By Karen Marshall<br />

Kehrer Verlag, 2021 | 268 pages | $50<br />

We all know Cuba as that<br />

land of classic but disintegrating<br />

American cars, Fidel<br />

Castro, cigars, colorful architecture,<br />

and béisbol. Yet all of these stereotypes<br />

are centered on the nation’s few urban<br />

centers, even though 85 percent of<br />

Cuba is rural. Dallas-based documentary<br />

photographer Richard Sharum<br />

takes us into this seldom-shown world<br />

in Campesino Cuba. Over a four-year<br />

period, Sharum traveled across rural<br />

Cuba, exploring the lives of these<br />

isolated farmers and their relationship<br />

to the land. In 106 duotone images,<br />

Sharum captures the lush tropical landscapes,<br />

the rhythms of daily life, and<br />

the people at work and play. The result<br />

is a rich document of life in the countryside<br />

at a time of transition when the<br />

younger generation is leaving in search<br />

of wider opportunities in the cities.<br />

The book includes essays by Cuban<br />

historian Aldo Daniel Naranjo and writer<br />

Domingo Cuza Pedrera as well as the<br />

powerful voices of six Campesino men<br />

and women ranging in age from nineteen<br />

Not only do we live in a period<br />

of rapid, exciting change, but<br />

we are also in the midst of the<br />

Anthropocene age. The environment<br />

and climate are transforming in the<br />

wake of human-driven turbo-capitalism.<br />

Benedikt Partenheimer’s work, The<br />

Weather is Fine, makes it possible to<br />

imagine—sensorily as well as contextually—the<br />

close connection and increasing<br />

imbalance between humans and<br />

the earth. Photographs of fascinating,<br />

impressive elegance reveal processes of<br />

ecological and cultural transformation.<br />

What makes these pictures so irresistible<br />

is the human influence factor: the<br />

painterly mist of air pollution floating<br />

above urban panoramas, the ambivalence<br />

of mountain reflections in melted<br />

glacier water. The price of beauty is<br />

inscribed into each image, rendering<br />

Partenheimer’s work aesthetically intriguing—but<br />

above all, existentially important<br />

and politically controversial.<br />

Benedikt Partenheimer studied photography<br />

at the RMIT University, Melbourne,<br />

and Parsons School of Design, New York.<br />

His work has been shown around the<br />

world and showered with awards. He<br />

lives in Berlin.<br />

In 1985, Karen Marshall began<br />

photographing a group of teenagers<br />

in New York City. Her intent was<br />

to look at the emotional bonding that<br />

happens between teenage girls and<br />

to document the emblematic relationships<br />

that often develop at this time in<br />

their lives. Ten months later, Molly, one<br />

of the girls in the group, was hit by a<br />

car and killed. Marshall resolved to<br />

keep the project going and continued<br />

to photograph the girls in various ways<br />

over the years. Although Molly would<br />

forever remain 17, the other girls would<br />

become women. Between Girls evolved<br />

into a thirty-year meditation on women’s<br />

friendships.<br />

Karen Marshall is the recipient of<br />

grants and support from private foundations.<br />

Her photographs have been<br />

exhibited internationally and are part<br />

of several collections. She is the Chair<br />

of the Documentary Practice and Visual<br />

Journalism program at The International<br />

Center of Photography in New York City.<br />

60 / <strong>ZEKE</strong> SPRING <strong>2022</strong>

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