SandScript 2022
Art & Literature Magazine
Art & Literature Magazine
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40<br />
Shell Sign<br />
Isaac Zierenberg<br />
Digital Image<br />
“What’s good man?”<br />
“Nothing much just getting stoges”<br />
“Bett, whatchu want”<br />
“A pack of Newport shorts”<br />
“Bett, can I see your ID?”<br />
“I don’t have it, but I’m in here all the time”<br />
“Bett, that will be nine eighty-seven”<br />
“Thanks, have a good day man”<br />
“Bett”<br />
Of course, I always have my ID, and the guy or gal behind the counter knows I have it. Most of them are<br />
underage as well, and really too high to care. It is comforting to know I am not the only person in Utah that does<br />
not go to the temple every month. After a smoke, I am back on the road.<br />
My plug lives in West Valley, the only real “bad part” of Salt Lake. The highway west rolls through the<br />
industrial district passing warehouses and truck depots. The warehouses never see much use. It seems some spiteful<br />
city planner has spaced them too far apart to gossip with each other. They seem lonely. This whole stretch of road is<br />
lonely and every week it pleads with me to turn around, I don’t.<br />
I pull into West Valley and park the car in the public park. Every time I wait here feels like an eternity. I<br />
twiddle my thumbs to Mary-Louise Kelly and pray I can get what I think I need. This is the only reason I ever pray.<br />
I watch the kids on the playground and think about my siblings on the other side of the mountains, until the sight<br />
of a Nissan snaps me out of reality.<br />
The driver of this Nissan is a pudgy girl of Asian descent in her mid-twenties. Always accompanied by an<br />
anxious Yorkie. I know her as Brit, and she claims to be a figure skater (something I doubt) when she isn’t delivering illicit<br />
substances. She parks and signals me over. I hop in, and the small talk begins. This is an art that most drug dealers neglect<br />
to learn. Brit is a master. She asks me how things are going and how the weather is up in the mountains. Sometimes we<br />
talk for half an hour. I see she does this because she is terribly lonely as well. Eventually, we agree on an amount and a<br />
price. My usual, an Eightball, and two punishers for the weekend. About two hundred dollars depending on the state of<br />
the market. After paying up she offers me a bump for the road, and we cut up lines on the center console. It tastes like a<br />
high school chemistry lab and feels like autumn in Baja. This is the reason I was down here. We exchange the customary<br />
“stay safe out there” go on our way.<br />
If I wasn’t high on the way down, I am now. The trip home feels a little more comfortable knowing I<br />
accomplished the objective. On the way down, I was terrified of getting in an accident, not because I might get<br />
injured or worse, but because I would not be able to pick up. (Although I might get free Dilaudid at the hospital).<br />
On the way up at least I know if I die it won’t hurt as much. Mary-Louise talks faster now.<br />
This comfort lasts until the bump Brit had given me wore off, as I am passing Jordanelle. The<br />
incomprehensible demoralization we addicts often feel sets in. I can’t believe it happened again. Couldn’t I have<br />
found a better use for two hundred dollars and two hours of driving? The lights of the mega-million-dollar homes<br />
across the reservoir reflect off the water to my over dilated eyes, or maybe the sun is coming up, neither one is<br />
pleasant. I cry. Sometimes it seems Jordanelle cries with me. I cry not because of the immeasurable guilt I feel. And<br />
not because of the fear I have of my dwindling prospects for the future. I cry because I can’t understand why I do all<br />
this, and because I will have to do it all over again next week.<br />
41