ENGL 3860: Metaphysical Graffiti Slide Deck

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Because the body-of-sensation is always stubbornly present in scenes of writing, there can be no affectless compositions. In order to more fully answer the question of what writing does, therefore, we need a model that takes affect’s operations into account. Edbauer | (meta)Physical <strong>Graffiti</strong> | 133
Using graffiti as an unruly exemplar, I read three familiar topoi—context, style, and signification —across scenes of graffiti in order to explore writing’s affective dimensions that are often neglected in composition […] More specifically, I argue that rhetoricity itself operates through an active mutuality between signification and affect. Edbauer | (meta)Physical <strong>Graffiti</strong> | 134
Page 1 and 2: P#UB$LICS@ metaPhysical &# Graffiti
Page 3 and 4: The public A public Discursive Publ
Page 5 and 6: Zines are a perfect example of this
Page 7 and 8: Roman Graffiti from Pompeii, c. 70
Page 9: Yet, what Trimbur’s model does no
Page 13 and 14: S@OME# SPINOZA@ This primacy of aff
Page 15 and 16: The sensation of such a relation, m
Page 17 and 18: Style is that which opens sites for
Page 19 and 20: A writing’s impact may not have t
Page 21 and 22: Style is more than the genre, voice

ENGL 3860: Metaphysical Graffiti Slide Deck

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