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ENGL 5010: Week Four/Thursday Slide Deck

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<strong>ENGL</strong> <strong>5010</strong><br />

<strong>Week</strong> <strong>Four</strong>:<br />

Responding To<br />

Student Writing<br />

Part 2


Haswell 600<br />

In essence they propose commentary that 1)<br />

facilitates rather than judges, 2) emphasizes<br />

performance rather than finished product, 3)<br />

provides double feedback before and after<br />

revision, and 4) helps bridge successful drafts by<br />

requiring immediate revision.


Haswell<br />

604<br />

The best mark is that which allows students<br />

to correct the most on their own with the<br />

least help. An obvious pedagogical truth—<br />

but one that runs counts to the still<br />

established tradition of full correction.


Wilhoit 77<br />

When you read a student’s paper and respond to it as a<br />

reader, you indicate which aspects of the student’s paper<br />

you found interesting, informative, thought-provoking,<br />

humorous, moving, exciting, or boring. When done well and<br />

consistently, this type of response can help your students<br />

form a clearer sense of what it means to write for “real”<br />

readers, not just for teachers who grade their work.


Wilhoit 77<br />

Thinking through the counterpositions<br />

you raise helps students develop their<br />

critical thinking skills and teaches them<br />

how to produce more rhetorically<br />

sophisticated papers.


Wilhoit 81<br />

[T]he tendency of some teachers to “appropriate” their<br />

students” texts. Through their extensive comments,<br />

teachers essentially rewrite the student’s paper—<br />

substituting their thoughts and language for the student's. If<br />

a student incorporates all of these changes when revising,<br />

the final draft would be more the teacher’s than the<br />

student’s.


Wilhoit 86-87<br />

correcting <br />

emoting<br />

describing<br />

suggesting<br />

questioning<br />

reminding<br />

assigning


Wilhoit 90<br />

Do not fall into the trap of believing that students<br />

only learn in class if they have the benefit of your<br />

commentary on their work: they will learn quite a<br />

bit on their own if you design writing assignments<br />

that challenge their thinking or require them to<br />

apply course material in interesting ways.


Wilhoit 101<br />

Teachers who hope to use grades to<br />

motivate students must never sacrifice<br />

the first goal of grading, though: to<br />

provide students an honest, qualitative<br />

assessment of their writing.


Wilhoit 103<br />

Whether you follow your department’s grading standards or develop<br />

standards of your own, your goal is consistency: as you work through a set<br />

of papers, essays receiving the same grade ought to be comparable in<br />

quality. You also want to have clear reasons for the grades you assign. A<br />

grade ought to be based on the quality of a student’s writing and<br />

reasoning. If a student questions a grade, you should be able to point to<br />

specific places in the text where the writing is strong or weak, and you<br />

should be able to explain how those passages helped you determine the<br />

essay’s grade.


Wilhoit 103-04<br />

holistic <br />

atomistic<br />

portfolio


Wilhoit 107-08<br />

An Argument Against Grading


Anson et al 35<br />

Instead, they continue to labor under a trialand-error<br />

model of learning that fails to<br />

engage them fully in the process of critically<br />

considering their structural, rhetorical,<br />

informational, and linguistic choices.


Anson et al 37<br />

Such drafts should represent neither stellar<br />

nor dreadful responses; rather, they should be<br />

“interestingly problematic” in order to<br />

engage students in a discussion of both<br />

obvious and more subtle issues and concerns.


Anson et al 37<br />

[W]hen students analyze sample texts with the goal<br />

of trying to explain, to themselves and others,<br />

what it means to produce such texts<br />

successfully, they are learning skills and strategies<br />

useful in other discursive settings where texts,<br />

and their standards, may be unfamiliar to them.

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