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Waikato Business News July/August 2022

Waikato Business News has for a quarter of a century been the voice of the region’s business community, a business community with a very real commitment to innovation and an ethos of co-operation.

Waikato Business News has for a quarter of a century been the voice of the region’s business community, a business community with a very real commitment to innovation and an ethos of co-operation.

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6 WAIKATO BUSINESS NEWS, JULY/AUGUST <strong>2022</strong><br />

Labour of wild is a labour of love<br />

Raglan local Lisa Uphill always knew there was something<br />

creative she wanted to pursue as a career and couldn’t quite<br />

find her groove until hat-making came along.<br />

It was a birthday gift from<br />

her partner Tom to attend<br />

a hat-making tutorial that<br />

set the wheels in motion and<br />

landed Lisa her dream job.<br />

“Monika Neuhauser<br />

(Pirongia-based milliner)<br />

taught me how to make a hat,<br />

and since then I have been<br />

obsessed. I’ve spent every spare<br />

hour that I have researching<br />

hat-making and refining my<br />

craft because I just love it so<br />

much.”<br />

That hat-making tutorial<br />

was a little over a year ago and<br />

since then Lisa has made over<br />

30 hats and another 10 are in<br />

production.<br />

“I’ve traded in the Netflix<br />

for hatting,” she laughs. “I definitely<br />

feel the pull to come here<br />

(her studio) and potter with the<br />

hats.”<br />

It was friends who made up<br />

the first of her customers but as<br />

her social media following has<br />

grown, so too has her customer<br />

base, including a client in New<br />

York.<br />

“I'm so grateful to the people<br />

who have supported me by<br />

ordering hats and showing me<br />

love on social media...it literally<br />

keeps me going.”<br />

Lisa’s boutique hat-making<br />

business Labour of Wild<br />

is based in her Raglan home<br />

where all the magic of bringing<br />

someone’s dream hat to life<br />

takes place.<br />

It is here that she starts the<br />

process off with a client consult;<br />

every hat Lisa designs and<br />

makes is not only a piece of art,<br />

it also fits like a glove.<br />

A tool called a conformer,<br />

which looks a bit like an instrument<br />

of torture, measures the<br />

exact contour of the hat wearer’s<br />

head. As Lisa points out<br />

there are universal head sizes<br />

but much like a fingerprint, a<br />

person’s head will have its own<br />

unique contour.<br />

This is one of the points of<br />

difference in a hat that Lisa<br />

makes; once finished and atop<br />

the wearer’s head it will feel like<br />

it’s meant to be there.<br />

The 34-year-old calls herself<br />

a hat maker not a milliner.<br />

Lisa Uphill<br />

The hats she makes are similar<br />

to the traditional fedora<br />

or western hat typically worn<br />

by men, but as fashion dictates<br />

they have become popular<br />

with women over the past few<br />

decades as well.<br />

“I consider myself to be a<br />

hat maker because I don't make<br />

fascinators and what, typically,<br />

were women's hats.”<br />

Using rabbit, or sometimes<br />

the more expensive beaver<br />

felt, a hat takes Lisa around 15<br />

hours to construct.<br />

As well as being made to<br />

fit like a glove, Lisa spends<br />

time during the client consult<br />

talking about the design and<br />

each hat becomes a one-of-akind<br />

heirloom piece with little<br />

flourishes to capture the wearer’s<br />

style.<br />

Like the beautiful olivegreen<br />

hat that has a swashbuckler<br />

design etched in the top for a<br />

client who loves pirates, or the<br />

ivory wedding hat for the bride<br />

adorned with the shell used by<br />

the groom to pop the question.<br />

Each hat is so stunning they<br />

could easily be displayed as artwork<br />

when not being worn.<br />

Like many young entrepreneurs<br />

these days, Lisa understands<br />

the importance of having<br />

an online presence to<br />

market her brand.<br />

Not only did her partner<br />

Tom gift the hat-making tutorial<br />

that ignited Lisa’s hatting<br />

passion, he is also the creative<br />

behind Labour of Wild branding<br />

and website.<br />

Being a creative with a<br />

graphic design background<br />

Lisa says she was a tough customer<br />

but she put her faith in<br />

his vision for the brand.<br />

“Tom has his design agency,<br />

which is a huge help to me. I'm<br />

aware of how lucky I am. It’s<br />

very professional looking and<br />

I have Tom to thank for that.<br />

I know how hard it is at the<br />

beginning for a small business<br />

to afford to get a decent looking<br />

website and branding.”<br />

In a short space of time Lisa<br />

set about purchasing the tools<br />

she needed to make great hats.<br />

“I just knew from the offset<br />

that this was my thing. I was<br />

pretty quick to pour a lot of my<br />

savings into buying the equipment<br />

so that I could make life<br />

easier and do a good job. I've<br />

been saving for a long time and<br />

I spent probably half of my life<br />

savings on all the equipment.<br />

It wasn't cheap but it was an<br />

investment.”<br />

Sourced from overseas, the<br />

fur felt starts out as a rough<br />

hat body which Lisa transforms<br />

using traditional hat-making<br />

methods involving heat, steam,<br />

pressure and fire.<br />

One of the first tools she<br />

purchased was a steam iron<br />

used to saturate the hat with<br />

steam to stretch the felt over<br />

the hat blocks.<br />

“I started out with a household<br />

iron and it’s possible to get<br />

by with household tools but it’s<br />

more labour intensive.”<br />

She has also replaced a<br />

wooden spoon with a fancy tool<br />

aptly named a pusher downer<br />

which gives the brim crease a<br />

sharp definition.<br />

“It's a very Kiwi thing to be<br />

resourceful. Kiwis just seem<br />

to know how to do everything<br />

with what they have available,<br />

especially in small towns. So,<br />

I took on a bit of that and just<br />

tried to make do with whatever<br />

I could to begin with.”<br />

Originally from the UK, Lisa<br />

and Tom came to Aotearoa in<br />

2015 with their backpacks and<br />

very little else.<br />

They came with the intention<br />

of making Raglan their<br />

home. Tom’s design agency<br />

HNDRX is set up to work<br />

remotely. Lisa started work-<br />

ing for a local electrician where<br />

she is still part-timer but hatting<br />

has definitely become a<br />

full-time occupation. Not that<br />

Lisa’s complaining, she knows<br />

she’s found her ‘thing’. It’s<br />

what wakes her up in the morning<br />

and what she goes to sleep<br />

thinking about.<br />

“When my friends ring or<br />

visit they know I’ll be in my studio,”<br />

she laughs.<br />

The name Labour of Wild<br />

was born from a brainstorming<br />

session with Tom to evoke the<br />

feeling of it being a labour of<br />

love, and Lisa says, the amount<br />

of manual labour that goes into<br />

the craft. ‘Wild’ conjures up<br />

the endless design possibilities<br />

with each hat being wildly<br />

unique.<br />

“A hat is a great vehicle for<br />

self-expression and it's wild in<br />

the sense that it's not the norm.<br />

It's such an honour to be able<br />

to keep this age-old craft alive<br />

and I am so lucky to be rubbing<br />

shoulders with Raglan's talented<br />

creative types, it's such<br />

an inspiring community.”<br />

Mercury and Hikotron<br />

partner on nationwide<br />

EV charging network<br />

Mercury is supporting<br />

Hamilton start-up<br />

Hikotron in its<br />

rollout of a New Zealand-made<br />

smart AC charging network<br />

for electric vehicles. Hikotron<br />

have rolled out several 7kW<br />

AC destination chargers<br />

throughout the <strong>Waikato</strong> region<br />

and are planning to expand<br />

nationwide, starting with 500<br />

public charge points by 2026.<br />

Mercury general manager<br />

sustainability Lucie Drummond<br />

says in New Zealand a<br />

lot of the early focus has been<br />

on public fast DC charging to<br />

minimise ‘black spots’ in the<br />

country’s charging network.<br />

“In more mature overseas<br />

markets around 80% of public<br />

chargers are slower AC<br />

units at locations where people<br />

naturally park, for example<br />

near retail, hospitality, business<br />

hubs, apartment buildings,<br />

master-planned communities,<br />

off-street parking sites<br />

and community facilities.<br />

“We believe there’s great<br />

potential for destination AC<br />

charging in New Zealand’s<br />

charging ecosystem and love<br />

Hikotron’s focus on designing<br />

their hardware robustly<br />

for public spaces. It’s a great<br />

reflection of the local talent we<br />

have right here at home, with<br />

the entire design and build of<br />

their high-tech chargers and<br />

supporting mobile app being<br />

done here in New Zealand.”<br />

Mercury’s partnership with<br />

Hikotron is for an initial threeyear<br />

period and considers<br />

electricity supply, joint brand<br />

and marketing and broader<br />

EV charging initiatives. The<br />

partnership will also explore<br />

opportunities to streamline the<br />

charging experience for Mercury<br />

customers.<br />

“Renewable electricity is<br />

New Zealand’s competitive<br />

advantage. We’re excited to<br />

play a role in supporting New<br />

Zealand’s low carbon transition,<br />

including by making<br />

e.transport more accessible<br />

through wonderful partnerships<br />

like this,” Drummond<br />

says.<br />

Hikotron director Stephanie<br />

O’Callaghan says the<br />

Hikotron team are excited<br />

about the partnership with<br />

Hikotron co-founders Larry Muijiwijk,<br />

Ron Smits and Stephanie O’Callaghan.<br />

Mercury and delivering EV<br />

charging across the country.<br />

“We plan to roll out our cutting-edge<br />

technology throughout<br />

the country, giving EV<br />

owners the confidence to travel<br />

from destination to destination<br />

knowing they can charge their<br />

vehicle upon arrival.<br />

“The charger design is<br />

based on learnings from<br />

proven European infrastructure,<br />

with further design and<br />

high-tech improvements<br />

including two pending patents<br />

that address common EV<br />

charging infrastructure pain<br />

points. Hikotron is vertically<br />

integrated allowing for rapid<br />

response in maintenance, continuous<br />

research and development,<br />

and an investment that<br />

remains in New Zealand.”<br />

On average a 1-hour 7kW<br />

charge at a Hikotron charger<br />

provides 45km of range.<br />

Future sites will have a mixture<br />

of 22kW and 7kW chargers<br />

to suit different lengths of<br />

stay and vehicle types.<br />

The Hikotron charger is<br />

designed specifically for public<br />

spaces and incorporates<br />

Type 2 sockets which allow all<br />

EVs to connect and charge.<br />

This design is recommended<br />

by Waka Kotahi NZ Transport<br />

Agency for public AC charging<br />

as it avoids tethered cables<br />

which are susceptible to damage<br />

and other safety issues.<br />

EV drivers can download<br />

the Hikotron mobile app from<br />

Google Play or Apple Store.<br />

They use the app to scan the<br />

QR code on the charger, plug<br />

in their vehicle, and then tap<br />

on ‘Start charge’. The cable is<br />

locked in until the user taps on<br />

‘End charge’.<br />

The Hikotron app also<br />

enables users to locate an<br />

available charger nearby, monitor<br />

how much power is being<br />

drawn while charging, and<br />

make payments.

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