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RE:IJSNC, Issue 1, Volume 2, May 2012 - Ocean Seminary College

RE:IJSNC, Issue 1, Volume 2, May 2012 - Ocean Seminary College

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Restoration Earth: An Interdisciplinary Journal for the Study of Nature & Civilization, 1(2)<br />

These words speak of both nature and sexuality.<br />

Unlike the later patriarchal demeaning of women,<br />

sexuality and nature, these expressions do not demean<br />

natural forces and expressions—but rather<br />

both claim and honor their abundant expression.<br />

Most women understand maternal qualities, and<br />

have also experienced passion and sensuality—but<br />

how many women have experienced the journey<br />

into the underworlds to confront the power of<br />

their dark sister? The hymn describing Inanna’s<br />

journey into the depths of the underworld, where<br />

she is killed by her dark sister Ereshkigal is a story<br />

of both meeting and being consumed by power. It<br />

is also a story of death and resurrection 7—a journey<br />

leading to integration and wholeness. When<br />

Inanna returns, she confronts the fact that her consort<br />

Dumuzi has taken over her throne. She then<br />

replicates Ereshkigal’s power as Inanna banishes<br />

Dumuzi and claims her position—a throne she can<br />

hold with or without her lover. Although there are<br />

other renditions 8 of this Sumerian legend, I believe<br />

this version speaks to what happened as patriarchy<br />

robbed women of their equality in life. It also illuminates<br />

the work that women need to accomplish<br />

in order to reclaim their inherent royalty as we are<br />

all expressions of divine life and as such automatically<br />

have equality (more on thrones later in the<br />

article).<br />

In the beginning of this story, Inanna starts a<br />

journey based on compassion. She has learned that<br />

her sister, Ereshkigal, queen of the underworld, is<br />

suffering for the loss/death of her consort. Inanna<br />

wants to comfort her sister despite the warnings of<br />

those around her. It is said that the journey into<br />

the underworld is a dangerous one—and that it<br />

could bring on her death. But Inanna is determined<br />

to go to her dark sister. She does concede their<br />

warnings in that she tells her devoted servant Ninshubar<br />

to take some form of action if Inanna has<br />

not returned in three days—for it is the law of the<br />

underworld that one cannot leave after entering it.<br />

Inanna descends through the seven gates into the<br />

underworld, explaining that she is going to Ereshkigal’s<br />

realm in order to mourn the loss of Ereshkigal’s<br />

husband. At each gate she then relinquishes<br />

her royal garments and jewels until, after passing<br />

the final gate, Inanna enters the realm of Ereshkigal,<br />

naked and stooped over. Inanna begins the<br />

26<br />

journey with the intent of bringing comfort to her<br />

sister, but it is not received. Instead, Inanna is met<br />

with her sister’s destructive power.<br />

Although this story has strong elements of a shamanic<br />

journey, it is also a powerful metaphor about<br />

knowing the feminine power hidden in the underground<br />

of our inner beings. As long as this innate<br />

power is unconscious it can act in destructive ways.<br />

Perhaps the recognition of it has the capacity to destroy<br />

the limited image previously held of one’s self<br />

as a woman—a recognition that can precipitate a<br />

rebirth leading to wholeness. We must bring our<br />

power out of the shadows. The balance of beauty<br />

and power is the wholeness that is needed in order to<br />

heal our fractured and endangered world. 9<br />

During the late 80s, I was doing a lot of healing<br />

breath work. I began seeing that unconscious emotions,<br />

and also great depths of power, were hidden<br />

within the body. When the breath is focused it can<br />

stimulate neural networks and power centers. Cellular<br />

memories, primal, instinctual energies, can awaken<br />

the body–mind from its unconscious slumber<br />

(Thurman, 1994; Washburn, 1994; Mijares, <strong>2012</strong>).<br />

Memory is inherent within the genes and cellular<br />

structures of DNA. This memory contains the stories<br />

of our genetic ancestors and those of the collective<br />

unconscious. These memories also contain dramas<br />

depicting human pathos. They are teeming with narratives<br />

of destruction, power, and beauty. Repressed<br />

feelings, memories, ego-states, sub-personalities, and<br />

archetypal forces can be hidden in energy blocks. In<br />

short, deep forces were awakening within me.<br />

Because I had been raised in a very violent and<br />

unloving family, I did not know how to speak up for<br />

myself nor had I learned to value my feelings. Although<br />

I had much compassion for others, coupled<br />

with a deeply rooted sense of integrity and responsibility,<br />

I did not know how to protect my boundaries<br />

in difficult relational experiences. One day I was going<br />

over to my friend’s house to pick up some papers.<br />

She was an older woman who had taken the<br />

time to teach me much of what she had learned as an<br />

editor for a major publishing house, but she was also<br />

a domineering woman—who would drain others<br />

with lengthy conversations about her past. That day<br />

had been a particularly difficult one, and so I told her<br />

I would not be able to stay and chat. She immediately<br />

began to dominate the situation, and my time. Sud-

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