Carols for Choirs 6
for SATB, accompanied, and unaccompanied To celebrate the centenary of the Oxford University Press Music Department, this volume of 50 new carols complements the five previous volumes, bringing new names and styles to the series while providing a complete resource for choirs from Advent to Epiphany. Featuring newly commissioned carols and arrangements of classic melodies, the collection showcases some of today's most exciting names in choral composition.
for SATB, accompanied, and unaccompanied
To celebrate the centenary of the Oxford University Press Music Department, this volume of 50 new carols complements the five previous volumes, bringing new names and styles to the series while providing a complete resource for choirs from Advent to Epiphany.
Featuring newly commissioned carols and arrangements of classic melodies, the collection showcases some of today's most exciting names in choral composition.
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<strong>for</strong> Kevin Kyle and Mill Hill School Chapel Choir<br />
28. Lute Book Lullaby<br />
169<br />
from William Ballet’s Lute Book (16th cent.)<br />
RICHARD ALLAIN<br />
(b. 1965)<br />
SOPRANO<br />
ALTO<br />
°<br />
& b 4<br />
Tenderly q = 88<br />
∑ 3<br />
4 ∑ 4 ∑ U ∑<br />
3<br />
4<br />
TENOR<br />
BASS<br />
? ¢ b 4<br />
∑ 3<br />
4 ∑ 4 ∑ ∑ u<br />
3<br />
4<br />
& b<br />
œ<br />
4 œ ˙<br />
Tenderly q = 88<br />
œ œ<br />
3<br />
4<br />
˙˙ œ 4 œ ˙˙<br />
œ<br />
œ<br />
Uw<br />
w<br />
3<br />
4<br />
*PIANO,<br />
ORGAN,<br />
or<br />
HARP<br />
{? b<br />
(Ped.)<br />
p<br />
˙ Œ œœœ<br />
4<br />
w<br />
3<br />
4<br />
˙<br />
˙<br />
4<br />
Œ<br />
w<br />
˙<br />
œœœ<br />
œœœ<br />
w<br />
uw<br />
3<br />
4<br />
5<br />
°<br />
3<br />
4<br />
p<br />
œ<br />
& b Sweet<br />
œ œ œ ˙œ œ œœ ˙˙<br />
œ<br />
4<br />
w<br />
3<br />
4<br />
∑<br />
was the song the Vir - gin sang,<br />
? 3<br />
¢ b 4 œ<br />
p<br />
œ œ ˙˙<br />
<strong>for</strong> online perusal only<br />
œ<br />
œ ˙œ j œ œ 4 œw ˙<br />
3<br />
4<br />
∑<br />
3<br />
4<br />
& b<br />
{<br />
† p<br />
œ<br />
œ<br />
œ<br />
œ ˙œ œ œœ<br />
? 3<br />
b 4 œ œ<br />
œ<br />
˙<br />
œ<br />
˙ œ<br />
œ j ˙<br />
˙ œ<br />
œ œ<br />
Œ œœœ<br />
4<br />
w<br />
(Man.) (Ped.)<br />
˙<br />
œ<br />
4<br />
œ œ ˙<br />
mf<br />
œ œ<br />
3<br />
4<br />
3<br />
4<br />
˙˙ <br />
˙<br />
˙<br />
* If per<strong>for</strong>ming on piano, ‘catch’ low bass notes be<strong>for</strong>e chords, alter hand distribution of middle parts, and use the sustain pedal as<br />
necessary. If per<strong>for</strong>ming on organ, omit bracketed notes outside the organ’s compass. This carol may also be per<strong>for</strong>med a cappella by<br />
omitting the accompaniment and bars’ rests.<br />
† Play small notes if required <strong>for</strong> support.<br />
© Ox<strong>for</strong>d University Press 2023. Photocopying this copyright material is ILLEGAL.
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