21.04.2023 Views

Carols for Choirs 6

for SATB, accompanied, and unaccompanied To celebrate the centenary of the Oxford University Press Music Department, this volume of 50 new carols complements the five previous volumes, bringing new names and styles to the series while providing a complete resource for choirs from Advent to Epiphany. Featuring newly commissioned carols and arrangements of classic melodies, the collection showcases some of today's most exciting names in choral composition.

for SATB, accompanied, and unaccompanied
To celebrate the centenary of the Oxford University Press Music Department, this volume of 50 new carols complements the five previous volumes, bringing new names and styles to the series while providing a complete resource for choirs from Advent to Epiphany.
Featuring newly commissioned carols and arrangements of classic melodies, the collection showcases some of today's most exciting names in choral composition.

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

186<br />

30. Now the Rejoicing<br />

Words and music by<br />

ZANAIDA STEWART ROBLES (b. 1979)<br />

SOPRANO<br />

ALTO<br />

°<br />

& bb<br />

Joyously q = 76<br />

4<br />

f<br />

œ œ œ œ œ œ œ œ œ œ œ œ œ<br />

œ œ<br />

œ<br />

œ œ œ œ œ<br />

5<br />

4<br />

TENOR<br />

BASS<br />

? ¢ b b 4<br />

Glo<br />

f<br />

- ri - a in ex - cel - sis De - o Et in ter - ra pax ho - mi - ni-bus<br />

œ<br />

œ œ œ œ œ œ œ œ œ<br />

œ œ œ œ œ œ<br />

œ œ œ œ œ<br />

5<br />

4<br />

<strong>for</strong> online perusal only<br />

3<br />

° 5<br />

6<br />

& bb œ<br />

9<br />

4 œ œ œ œ &<br />

œ œ œ œ Œ 8 œ œ œ œ œ œ 8<br />

: ‹ ;<br />

1. Now the re - joic - ing<br />

2. Now <strong>for</strong> the child in -<br />

3. Now the re - u - nion of<br />

bo - nae vo - lun - ta - tis.<br />

4. Now that we know we’re no<br />

TENORS & BASSES*<br />

? 5<br />

6 9<br />

¢ b b<br />

œ<br />

4 œ œ ˙<br />

œ œ œ œ œ œ Œ 8<br />

˙<br />

8<br />

Fine<br />

q = q.<br />

SOLO or SMALL GROUP*<br />

mm<br />

5<br />

°<br />

& b b<br />

: ‹ ;<br />

œ œ œ œ œ j ‰ œ j œ œ œ œ œ œ œ œ œ œ œ j<br />

songs<br />

-side<br />

fill<br />

of<br />

the<br />

us<br />

hall.<br />

all:<br />

fam’ - lies and friends.<br />

long - er a - lone;<br />

The<br />

Now the doors o - pen<br />

twink - ling of lights on<br />

Now the <strong>for</strong> - give-ness<br />

and<br />

Now that the mi - ra - cle<br />

wel - com - ing all Of<br />

trees so tall; The<br />

mak - ing a - mends.<br />

has been made known;<br />

?<br />

¢ b b<br />

9 8<br />

9 8<br />

6 8<br />

6 8<br />

˙<br />

˙ ‰<br />

œ<br />

˙<br />

˙<br />

œ<br />

œ<br />

œ<br />

œ<br />

mm<br />

* In the verses, the melody may be sung by any voice or group of voices, with the drone accompaniment hummed by the tenors and basses or<br />

divisi basses, and this may be varied as desired <strong>for</strong> each verse. Humming may be replaced with nn, ah, oo, etc., at the conductor’s discretion.<br />

© Ox<strong>for</strong>d University Press 2023. Photocopying this copyright material is ILLEGAL.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!