OAAW Crossroads Catalog (with updated QR Code)
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presents<br />
CROSSROADS<br />
a group exhibit by<br />
Fitz Herrera, Binong Javier, Marlon Magbanua<br />
Coeli Manese, Bea Policarpio and Resty Tica<br />
June 6 – August 12, 2023<br />
Gallery C, Conrad Manila
<strong>Crossroads</strong><br />
Conrad Manila proudly unveils its 3 rd exhibit for 2023, the<br />
24th installment of its highly-acclaimed “Of Art and Wine”<br />
exhibition series at Gallery C, featuring the works of Fitz Herrera,<br />
Binong Javier, Marlon Magbanua, Coeli Manese, Bea Policarpio, and<br />
Resty Tica.<br />
In light of its 7 th anniversary celebration, the hotel elevates its<br />
commitment to providing its guests <strong>with</strong> great stays and a glimpse of<br />
perfection – the symbolic representation of number 7, through its<br />
own brand of Filipino hospitality, unique gastronomic experience, and<br />
contemporary art. This seamless interconnection is well represented<br />
by exceptional artworks, albeit crafted by different abstractionists,<br />
each <strong>with</strong> unique approach and style.<br />
“Of Art and Wine: <strong>Crossroads</strong>” will be on exhibit at Conrad<br />
Manila’s Gallery C from June 6 to August 12, 2023. The artworks<br />
are available individually for purchase. For more information,<br />
please call Conrad Manila at +63 2 8833 9999 or email<br />
Ruston.Dongaol@conradhotels.com<br />
2
<strong>Crossroads</strong><br />
CROSSROADS<br />
Over a century later, since the Russian Wassily Kandinsky discovered and<br />
pioneered the art of abstraction in 1906, this manner of painting still puzzles<br />
not a few. Defined as art that "does not attempt to represent an accurate<br />
depiction of a visual reality," abstract art in our country continues to<br />
encounter resistance and bafflement. In the 1950s, pioneers in this idiom –<br />
also known as non-representation or non-objective – were Hernando R.<br />
Ocampo, later proclaimed National Artist; Victor Oteyza; Charito Bitanga;<br />
and Jose Joya, also a future National Artist.<br />
Generation after generation, decade after decade, more Filipino artists,<br />
brash and enthusiastic, have emerged to pursue the challenge of<br />
abstraction, which, because of its nature, is unfettered by reality, ushering<br />
their art into regions and dimensions of human feeling, emotional states,<br />
psychic spaces, and spiritual terrains unreached by images of portraits,<br />
landscapes, nudes, still lifes, and other representational formats.<br />
Today, we see the emergence of Fitz Herrera, Resty Tica, Bea Policarpio,<br />
Coeli Manese, Marlon Magbanua, and Binong Javier. In this exhibition at<br />
Conrad Manila titled "<strong>Crossroads</strong>," curated by Nestor Jardin, the divergent<br />
paths of these six abstractionists have intersected, as it were, in this sitespecific<br />
location. The interrelationships of each individual work of art <strong>with</strong><br />
the others and this exhibition space, are welcome and providential.<br />
"<strong>Crossroads</strong>" is a hallmark of Conrad Manila’s commitment to the promotion<br />
and exhibition of the finest in contemporary Philippine art.<br />
– Cid Reyes<br />
3
FITZ<br />
HERRERA<br />
"The canvas as an arena in which to act" is the famous statement that the<br />
American critic Harold Rosenberg used to describe the newly emerging<br />
movement, which he labeled Action Painting." It was, however, superseded<br />
by the now more acceptable label "abstract expressionism." An exciting<br />
colorist, Fitz Herrera whips the arena of his many canvases <strong>with</strong> lashings of<br />
the thickest impastos in the most luscious colors, each jostling its way for<br />
space. The result is a rousing symphony of bristling and vivid hues,<br />
uninhibited in their brio and bravado, dispensing cheer and joy. Seemingly<br />
humming and bubbling, a long-running series of works titled Happiness,<br />
aptly captures their unique power to bring smiles to the viewer's face. These<br />
paintings sing out!<br />
4
<strong>Crossroads</strong><br />
5
<strong>Crossroads</strong><br />
Fitz Herrera<br />
Smile (Series)<br />
Acrylic on Canvas<br />
23 x 17 in<br />
2023<br />
PHP 50,000<br />
Fitz Herrera<br />
Smile (Series)<br />
Acrylic on Canvas<br />
23 x 17 in<br />
2023<br />
PHP 50,000<br />
6
BINONG<br />
JAVIER<br />
The art of Binong Javier rivets the retina, as if determined not to release the<br />
eyes from the painting’s mesmeric hold. Gazillions of squeezed-out, tiny<br />
globules of pure, unsullied pigment blanket the pictorial space, arrayed in<br />
militantly ordered fashion for the viewer’s delectation. In the artist’s hand,<br />
color and material become one, triumphantly achieving visual cohesiveness,<br />
<strong>with</strong> the eye and the mind inveigled to do the color blending, resulting in a<br />
more intense luminosity. Needless to say, Javier subscribes to the idiom of<br />
pointillism, the revolutionary painting technique pioneered by Georges<br />
Seurat and Paul Signac. Binong Javier, however, used the technique in the<br />
service of pure abstraction, giving it a formal thrust. Indeed, this is a radical<br />
change that will gladden the hearts and eyes of the two French masters.<br />
7
<strong>Crossroads</strong><br />
Binong Javier<br />
In All Its Glory I<br />
Acrylic on Canvas<br />
48 x 24 in<br />
2023<br />
PHP 85,000<br />
Binong Javier<br />
In All Its Glory II<br />
Acrylic on Canvas<br />
48 x 24 in<br />
2023<br />
PHP 85,000<br />
Binong Javier<br />
In All Its Glory III<br />
Acrylic on Canvas<br />
48 x 24 in<br />
2023<br />
PHP 85,000<br />
9
<strong>Crossroads</strong><br />
Binong Javier<br />
One Heart Illuminates Another<br />
Acrylic on Canvas<br />
36 x 36 in<br />
2023<br />
PHP 100,000<br />
Binong Javier<br />
Beyond The Golden Grass<br />
Acrylic on Canvas<br />
36 x 48 in<br />
2023<br />
PHP 140,000<br />
10
MARLON<br />
MAGBANUA<br />
Wassily Kandinsky, the founder, and pioneer of abstraction, was said to<br />
experience synesthesia, meaning "joined perception," a rare condition<br />
whereby one sense (hearing) triggers another sense (sight). Listening to<br />
music while painting, Kandinsky saw corresponding colors to the sound<br />
notes. He even titled his works <strong>with</strong> the musical terms Impressions and<br />
Improvisations. However, Filipino artist Marlon Magbanua does Kandinsky's<br />
one better. The artist is a professional musician playing <strong>with</strong> a band.<br />
Synesthesia being a personal experience, the viewer can only experience<br />
vicariously what Magbanua undergoes in the process of creation. For this<br />
artist, music and art are the most compatible bedfellows.<br />
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<strong>Crossroads</strong><br />
Marlon Magbanua<br />
Magenta Doppler Effect I<br />
Acrylic on Canvas Laminated<br />
<strong>with</strong> Clear Resin<br />
36 x 36 in<br />
2023<br />
PHP 80,000<br />
Marlon Magbanua<br />
Magenta Doppler Effect II<br />
Acrylic on Canvas Laminated<br />
<strong>with</strong> Clear Resin<br />
36 x 36 in<br />
2023<br />
PHP 80,000<br />
13
<strong>Crossroads</strong><br />
Marlon Magbanua<br />
Blue Doppler Effect I<br />
Acrylic on Canvas Laminated<br />
<strong>with</strong> Clear Resin<br />
36 x 36 in<br />
2023<br />
PHP 80,000<br />
Marlon Magbanua<br />
Blue Doppler Effect II<br />
Acrylic on Canvas Laminated<br />
<strong>with</strong> Clear Resin<br />
36 x 36 in<br />
2023<br />
PHP 80,000<br />
14
COELI<br />
MANESE<br />
Simplified forms germinate from a reductive and gentle geometry that<br />
eschews the hard-edge rigidity of minimalist art – just such a stillness that<br />
brings to mind the mystical lyricism of Mark Rothko, the American Abstract<br />
Expressionist. Manese constructs architecturally, solid tableaux of flat,<br />
undifferentiated planes and surfaces that often allude to horizons and<br />
perspectives, evocative of landscapes surely, but stripped of references to<br />
verdant fields and vegetation. In their underpinnings, they are classical<br />
structures. A technically oriented painter, Coeli Manese calibrates her cool<br />
and elegant walls of light <strong>with</strong> her intuitive predilection for ashen gray,<br />
subdued brown, tan, and beige.<br />
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6
<strong>Crossroads</strong><br />
Coeli Manese<br />
No Fear In Love #1<br />
Acrylic on Canvas<br />
36 x 36 in<br />
2023<br />
PHP 88,700<br />
Coeli Manese<br />
No Fear In Love II<br />
Acrylic on Canvas<br />
36 x 24 in<br />
2023<br />
PHP 58,700<br />
17
<strong>Crossroads</strong><br />
Coeli Manese<br />
No Fear In Love III<br />
Acrylic on Canvas<br />
36 x 36 in<br />
2023<br />
PHP 88,700<br />
Coeli Manese<br />
No Fear In Love IV<br />
Acrylic on Canvas<br />
36 x 24 in<br />
2023<br />
PHP 58,700<br />
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BEA<br />
POLICARPIO<br />
The vigorous sweep and velocity of Bea Policarpio’s restless brushstrokes<br />
carry the viewer away into a region where competing forces are at play.<br />
Oceanic vistas, swirling cloudscapes, spectral whirlwinds, volcanic eruptions<br />
– the artist gives tremendous visual weight to the coiling and writhing of paint<br />
as physical material, tearing space asunder – nature in a state of turbulence.<br />
This is artmaking at full throttle and intensity. One imagines the artist’s hand<br />
and arm outstretched, straining the agitated pigments from leaping out into<br />
the air. The artist unleashes paint in torrents. To be caught, willingly and<br />
blissfully, in the vortex of artmaking is the triggering force behind Bea<br />
Policarpio’s artistry.<br />
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<strong>Crossroads</strong><br />
Bea Policarpio<br />
Do You Realize?<br />
Acrylic on Canvas<br />
36 x 48 in<br />
2023<br />
PHP 101,000<br />
Bea Policarpio<br />
In The Meantime<br />
Acrylic on Canvas<br />
36 x 48 in<br />
2023<br />
PHP 101,000<br />
21
<strong>Crossroads</strong><br />
Bea Policarpio<br />
Spirit In The Sky<br />
Acrylic on Canvas<br />
36 x 48 in<br />
2023<br />
PHP 101,000<br />
Bea Policarpio<br />
Que Sera Sera<br />
Acrylic on Canvas<br />
36 x 48 in<br />
2023<br />
PHP 101,000<br />
22
RESTY<br />
TICA<br />
Resty Tica creates a quiet interplay between the placidity of space and the<br />
contained tension of jewel-like colors, content to glisten in their interiorized<br />
domain. The works may look sparse, awaiting animation, but therein lies<br />
precisely the distillation of their muted elegance. Steeped in introspection<br />
and lingering just a few steps away from theatricality, they solicit silence and<br />
serenity <strong>with</strong> their light-filled atmosphere and open space. Like rosy islands<br />
sunlit and drifting in the midst of a vast sea, in their isolation, they lie beating<br />
still, despite the textures and drips that he wields as trademarks of Abstract<br />
Expressionism. Resty Tica is sensitive to the aesthetics of stillness, a<br />
species of Zen sensibility <strong>with</strong> its detachment from visual clutter and<br />
commotion., but does not shrink away from the wonderment of color.<br />
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<strong>Crossroads</strong><br />
Resty Tica<br />
Floating Colors<br />
Acrylic on Canvas<br />
36 x 48 in<br />
2023<br />
PHP 120,000<br />
Resty Tica<br />
Purple Dusk<br />
Acrylic on Canvas<br />
36 x 48 in<br />
2023<br />
PHP 120,000<br />
25
<strong>Crossroads</strong><br />
Resty Tica<br />
Sea Jellies<br />
Acrylic on Canvas<br />
36 x 48 in<br />
2023<br />
PHP 120,000<br />
Resty Tica<br />
Sinking Sun<br />
Acrylic on Canvas<br />
36 x 48 in<br />
2023<br />
PHP 120,000<br />
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Published 2023 by Conrad Manila<br />
All rights reserved @ 2023<br />
No part of this publication may be reproduced or transmitted in any form or by any means,<br />
electronic or mechanical, including photocopy, recording or any information storage and<br />
retrieval system, <strong>with</strong>out prior permission in writing from the publisher and/or artists.<br />
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Pasay City 1300, Philippines<br />
Tel.: +632 8833 9999 Email: conradmanila@conradhotels.com<br />
Website: www.conradmanila.com