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presents<br />

CROSSROADS<br />

a group exhibit by<br />

Fitz Herrera, Binong Javier, Marlon Magbanua<br />

Coeli Manese, Bea Policarpio and Resty Tica<br />

June 6 – August 12, 2023<br />

Gallery C, Conrad Manila


<strong>Crossroads</strong><br />

Conrad Manila proudly unveils its 3 rd exhibit for 2023, the<br />

24th installment of its highly-acclaimed “Of Art and Wine”<br />

exhibition series at Gallery C, featuring the works of Fitz Herrera,<br />

Binong Javier, Marlon Magbanua, Coeli Manese, Bea Policarpio, and<br />

Resty Tica.<br />

In light of its 7 th anniversary celebration, the hotel elevates its<br />

commitment to providing its guests <strong>with</strong> great stays and a glimpse of<br />

perfection – the symbolic representation of number 7, through its<br />

own brand of Filipino hospitality, unique gastronomic experience, and<br />

contemporary art. This seamless interconnection is well represented<br />

by exceptional artworks, albeit crafted by different abstractionists,<br />

each <strong>with</strong> unique approach and style.<br />

“Of Art and Wine: <strong>Crossroads</strong>” will be on exhibit at Conrad<br />

Manila’s Gallery C from June 6 to August 12, 2023. The artworks<br />

are available individually for purchase. For more information,<br />

please call Conrad Manila at +63 2 8833 9999 or email<br />

Ruston.Dongaol@conradhotels.com<br />

2


<strong>Crossroads</strong><br />

CROSSROADS<br />

Over a century later, since the Russian Wassily Kandinsky discovered and<br />

pioneered the art of abstraction in 1906, this manner of painting still puzzles<br />

not a few. Defined as art that "does not attempt to represent an accurate<br />

depiction of a visual reality," abstract art in our country continues to<br />

encounter resistance and bafflement. In the 1950s, pioneers in this idiom –<br />

also known as non-representation or non-objective – were Hernando R.<br />

Ocampo, later proclaimed National Artist; Victor Oteyza; Charito Bitanga;<br />

and Jose Joya, also a future National Artist.<br />

Generation after generation, decade after decade, more Filipino artists,<br />

brash and enthusiastic, have emerged to pursue the challenge of<br />

abstraction, which, because of its nature, is unfettered by reality, ushering<br />

their art into regions and dimensions of human feeling, emotional states,<br />

psychic spaces, and spiritual terrains unreached by images of portraits,<br />

landscapes, nudes, still lifes, and other representational formats.<br />

Today, we see the emergence of Fitz Herrera, Resty Tica, Bea Policarpio,<br />

Coeli Manese, Marlon Magbanua, and Binong Javier. In this exhibition at<br />

Conrad Manila titled "<strong>Crossroads</strong>," curated by Nestor Jardin, the divergent<br />

paths of these six abstractionists have intersected, as it were, in this sitespecific<br />

location. The interrelationships of each individual work of art <strong>with</strong><br />

the others and this exhibition space, are welcome and providential.<br />

"<strong>Crossroads</strong>" is a hallmark of Conrad Manila’s commitment to the promotion<br />

and exhibition of the finest in contemporary Philippine art.<br />

– Cid Reyes<br />

3


FITZ<br />

HERRERA<br />

"The canvas as an arena in which to act" is the famous statement that the<br />

American critic Harold Rosenberg used to describe the newly emerging<br />

movement, which he labeled Action Painting." It was, however, superseded<br />

by the now more acceptable label "abstract expressionism." An exciting<br />

colorist, Fitz Herrera whips the arena of his many canvases <strong>with</strong> lashings of<br />

the thickest impastos in the most luscious colors, each jostling its way for<br />

space. The result is a rousing symphony of bristling and vivid hues,<br />

uninhibited in their brio and bravado, dispensing cheer and joy. Seemingly<br />

humming and bubbling, a long-running series of works titled Happiness,<br />

aptly captures their unique power to bring smiles to the viewer's face. These<br />

paintings sing out!<br />

4


<strong>Crossroads</strong><br />

5


<strong>Crossroads</strong><br />

Fitz Herrera<br />

Smile (Series)<br />

Acrylic on Canvas<br />

23 x 17 in<br />

2023<br />

PHP 50,000<br />

Fitz Herrera<br />

Smile (Series)<br />

Acrylic on Canvas<br />

23 x 17 in<br />

2023<br />

PHP 50,000<br />

6


BINONG<br />

JAVIER<br />

The art of Binong Javier rivets the retina, as if determined not to release the<br />

eyes from the painting’s mesmeric hold. Gazillions of squeezed-out, tiny<br />

globules of pure, unsullied pigment blanket the pictorial space, arrayed in<br />

militantly ordered fashion for the viewer’s delectation. In the artist’s hand,<br />

color and material become one, triumphantly achieving visual cohesiveness,<br />

<strong>with</strong> the eye and the mind inveigled to do the color blending, resulting in a<br />

more intense luminosity. Needless to say, Javier subscribes to the idiom of<br />

pointillism, the revolutionary painting technique pioneered by Georges<br />

Seurat and Paul Signac. Binong Javier, however, used the technique in the<br />

service of pure abstraction, giving it a formal thrust. Indeed, this is a radical<br />

change that will gladden the hearts and eyes of the two French masters.<br />

7


<strong>Crossroads</strong><br />

Binong Javier<br />

In All Its Glory I<br />

Acrylic on Canvas<br />

48 x 24 in<br />

2023<br />

PHP 85,000<br />

Binong Javier<br />

In All Its Glory II<br />

Acrylic on Canvas<br />

48 x 24 in<br />

2023<br />

PHP 85,000<br />

Binong Javier<br />

In All Its Glory III<br />

Acrylic on Canvas<br />

48 x 24 in<br />

2023<br />

PHP 85,000<br />

9


<strong>Crossroads</strong><br />

Binong Javier<br />

One Heart Illuminates Another<br />

Acrylic on Canvas<br />

36 x 36 in<br />

2023<br />

PHP 100,000<br />

Binong Javier<br />

Beyond The Golden Grass<br />

Acrylic on Canvas<br />

36 x 48 in<br />

2023<br />

PHP 140,000<br />

10


MARLON<br />

MAGBANUA<br />

Wassily Kandinsky, the founder, and pioneer of abstraction, was said to<br />

experience synesthesia, meaning "joined perception," a rare condition<br />

whereby one sense (hearing) triggers another sense (sight). Listening to<br />

music while painting, Kandinsky saw corresponding colors to the sound<br />

notes. He even titled his works <strong>with</strong> the musical terms Impressions and<br />

Improvisations. However, Filipino artist Marlon Magbanua does Kandinsky's<br />

one better. The artist is a professional musician playing <strong>with</strong> a band.<br />

Synesthesia being a personal experience, the viewer can only experience<br />

vicariously what Magbanua undergoes in the process of creation. For this<br />

artist, music and art are the most compatible bedfellows.<br />

11


<strong>Crossroads</strong><br />

Marlon Magbanua<br />

Magenta Doppler Effect I<br />

Acrylic on Canvas Laminated<br />

<strong>with</strong> Clear Resin<br />

36 x 36 in<br />

2023<br />

PHP 80,000<br />

Marlon Magbanua<br />

Magenta Doppler Effect II<br />

Acrylic on Canvas Laminated<br />

<strong>with</strong> Clear Resin<br />

36 x 36 in<br />

2023<br />

PHP 80,000<br />

13


<strong>Crossroads</strong><br />

Marlon Magbanua<br />

Blue Doppler Effect I<br />

Acrylic on Canvas Laminated<br />

<strong>with</strong> Clear Resin<br />

36 x 36 in<br />

2023<br />

PHP 80,000<br />

Marlon Magbanua<br />

Blue Doppler Effect II<br />

Acrylic on Canvas Laminated<br />

<strong>with</strong> Clear Resin<br />

36 x 36 in<br />

2023<br />

PHP 80,000<br />

14


COELI<br />

MANESE<br />

Simplified forms germinate from a reductive and gentle geometry that<br />

eschews the hard-edge rigidity of minimalist art – just such a stillness that<br />

brings to mind the mystical lyricism of Mark Rothko, the American Abstract<br />

Expressionist. Manese constructs architecturally, solid tableaux of flat,<br />

undifferentiated planes and surfaces that often allude to horizons and<br />

perspectives, evocative of landscapes surely, but stripped of references to<br />

verdant fields and vegetation. In their underpinnings, they are classical<br />

structures. A technically oriented painter, Coeli Manese calibrates her cool<br />

and elegant walls of light <strong>with</strong> her intuitive predilection for ashen gray,<br />

subdued brown, tan, and beige.<br />

15


6


<strong>Crossroads</strong><br />

Coeli Manese<br />

No Fear In Love #1<br />

Acrylic on Canvas<br />

36 x 36 in<br />

2023<br />

PHP 88,700<br />

Coeli Manese<br />

No Fear In Love II<br />

Acrylic on Canvas<br />

36 x 24 in<br />

2023<br />

PHP 58,700<br />

17


<strong>Crossroads</strong><br />

Coeli Manese<br />

No Fear In Love III<br />

Acrylic on Canvas<br />

36 x 36 in<br />

2023<br />

PHP 88,700<br />

Coeli Manese<br />

No Fear In Love IV<br />

Acrylic on Canvas<br />

36 x 24 in<br />

2023<br />

PHP 58,700<br />

18


BEA<br />

POLICARPIO<br />

The vigorous sweep and velocity of Bea Policarpio’s restless brushstrokes<br />

carry the viewer away into a region where competing forces are at play.<br />

Oceanic vistas, swirling cloudscapes, spectral whirlwinds, volcanic eruptions<br />

– the artist gives tremendous visual weight to the coiling and writhing of paint<br />

as physical material, tearing space asunder – nature in a state of turbulence.<br />

This is artmaking at full throttle and intensity. One imagines the artist’s hand<br />

and arm outstretched, straining the agitated pigments from leaping out into<br />

the air. The artist unleashes paint in torrents. To be caught, willingly and<br />

blissfully, in the vortex of artmaking is the triggering force behind Bea<br />

Policarpio’s artistry.<br />

19


<strong>Crossroads</strong><br />

Bea Policarpio<br />

Do You Realize?<br />

Acrylic on Canvas<br />

36 x 48 in<br />

2023<br />

PHP 101,000<br />

Bea Policarpio<br />

In The Meantime<br />

Acrylic on Canvas<br />

36 x 48 in<br />

2023<br />

PHP 101,000<br />

21


<strong>Crossroads</strong><br />

Bea Policarpio<br />

Spirit In The Sky<br />

Acrylic on Canvas<br />

36 x 48 in<br />

2023<br />

PHP 101,000<br />

Bea Policarpio<br />

Que Sera Sera<br />

Acrylic on Canvas<br />

36 x 48 in<br />

2023<br />

PHP 101,000<br />

22


RESTY<br />

TICA<br />

Resty Tica creates a quiet interplay between the placidity of space and the<br />

contained tension of jewel-like colors, content to glisten in their interiorized<br />

domain. The works may look sparse, awaiting animation, but therein lies<br />

precisely the distillation of their muted elegance. Steeped in introspection<br />

and lingering just a few steps away from theatricality, they solicit silence and<br />

serenity <strong>with</strong> their light-filled atmosphere and open space. Like rosy islands<br />

sunlit and drifting in the midst of a vast sea, in their isolation, they lie beating<br />

still, despite the textures and drips that he wields as trademarks of Abstract<br />

Expressionism. Resty Tica is sensitive to the aesthetics of stillness, a<br />

species of Zen sensibility <strong>with</strong> its detachment from visual clutter and<br />

commotion., but does not shrink away from the wonderment of color.<br />

23


<strong>Crossroads</strong><br />

Resty Tica<br />

Floating Colors<br />

Acrylic on Canvas<br />

36 x 48 in<br />

2023<br />

PHP 120,000<br />

Resty Tica<br />

Purple Dusk<br />

Acrylic on Canvas<br />

36 x 48 in<br />

2023<br />

PHP 120,000<br />

25


<strong>Crossroads</strong><br />

Resty Tica<br />

Sea Jellies<br />

Acrylic on Canvas<br />

36 x 48 in<br />

2023<br />

PHP 120,000<br />

Resty Tica<br />

Sinking Sun<br />

Acrylic on Canvas<br />

36 x 48 in<br />

2023<br />

PHP 120,000<br />

26


Scan this <strong>QR</strong> <strong>Code</strong> to view the digital catalog<br />

Published 2023 by Conrad Manila<br />

All rights reserved @ 2023<br />

No part of this publication may be reproduced or transmitted in any form or by any means,<br />

electronic or mechanical, including photocopy, recording or any information storage and<br />

retrieval system, <strong>with</strong>out prior permission in writing from the publisher and/or artists.<br />

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Seaside Boulevard corner Coral Way, Mall of Asia Complex,<br />

Pasay City 1300, Philippines<br />

Tel.: +632 8833 9999 Email: conradmanila@conradhotels.com<br />

Website: www.conradmanila.com

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