03 Magazine: December 08, 2023
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the<br />
South<br />
island<br />
lifestyle<br />
magazine<br />
FREE | Dec <strong>2023</strong> / Jan 2024<br />
SUMMER PARTY SEASON KICKS OFF IN STYLE AT QUEENSTOWN’S HOTTEST NEW PRECINCT | DESIGNER HOLIDAYS: KIWI FASHION<br />
FAVOURITES ON THEIR GETAWAY GO-TOS | AWARD-WINNING INTERIORS INSPIRED BY CENTRAL OTAGO’S DRAMATIC LANDSCAPES<br />
HIDDEN GEMS: A SNEAK PEEK AT SOME PREVIOUSLY UNSEEN ART TREASURES IN DUNEDIN | MASTERCHEF NZ WINNER SAM LOW<br />
SHARES HIS DELICIOUSLY UNIQUE FOOD JOURNEY | AN HISTORIC HIGH COUNTRY STATION TURNED STUNNING SECRET GARDEN
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ARTWOOD OUTDOOR COLLECTION<br />
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10 <strong>Magazine</strong> | Editor’s note<br />
Whether it’s a backyard BBQ with mates, a picnic at<br />
the beach, cocktails with colleagues or free-ranging<br />
at a festival, whatever your idea of a party is, set to it – ’tis<br />
the season!<br />
I kicked mine off with a sneak peek at Ayrburn,<br />
Queenstown’s hottest new spot for wining, dining and a whole<br />
lot more (read about it on page 34), and plan to continue with<br />
all of the above once we’ve sent this issue off to print.<br />
With a summer of fun and hopefully sun stretching out<br />
before us, we’ve packed plenty within these pages to entertain<br />
and inspire – from the stylish details of some of our favourite<br />
Kiwi fashion designers’ holiday plans (page 40) and MasterChef<br />
NZ winner Sam Low’s deliciously unique food journey on<br />
page 58 (with recipes – don’t miss the strawberries & cream<br />
sandwiches!) to award-winning interiors that nod to dramatic<br />
Central Otago landscapes (page 46), previously unseen art<br />
gems on display at Dunedin Public Art Gallery (page 64) and<br />
a stunning Mount Maude garden on what was formerly an<br />
historic sheep station (page 50).<br />
Enjoy!<br />
PUBLISHER<br />
Charlotte Smith-Smulders<br />
Allied Press <strong>Magazine</strong>s<br />
Level 1, 359 Lincoln Road, Christchurch<br />
<strong>03</strong> 379 7100<br />
EDITOR<br />
Josie Steenhart<br />
josie@alliedpressmagazines.co.nz<br />
DESIGNER<br />
Emma Rogers<br />
PROOFREADER<br />
Mitch Marks<br />
ACCOUNT EXECUTIVE<br />
Janine Oldfield<br />
027 654 5367<br />
janine@alliedpressmagazines.co.nz<br />
CONTRIBUTORS<br />
Benn Jae, Helen Templeton, Jane Mahoney,<br />
Josephine Meachen, Justin Spiers, Kim Dungey,<br />
Melanie Jenkins, Neville Templeton, Rebecca Fox,<br />
Sam Low, Sophie Bannan, Vaughan Brookfield<br />
Every month, <strong>03</strong> (ISSN 2816-0711) shares the latest in lifestyle, home,<br />
food, fashion, beauty, arts and culture with its discerning readers.<br />
Enjoy <strong>03</strong> online (ISSN 2816-072X) at <strong>03</strong>magazine.co.nz<br />
Allied Press <strong>Magazine</strong>s, a division of Allied Press Ltd, is not responsible for any actions taken<br />
on the information in these articles. The information and views expressed in this publication<br />
are not necessarily the opinion of Allied Press Ltd or its editorial contributors.<br />
Every effort is made to ensure the accuracy of the information within this magazine, however,<br />
Allied Press Ltd can accept no liability for the accuracy of all the information.<br />
Josie Steenhart, editor<br />
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12 <strong>Magazine</strong> | Contents<br />
In this issue<br />
28<br />
GARDENING<br />
50 Secret garden<br />
A former sheep station in full bloom<br />
Resene<br />
Sunshade<br />
COLOURS OF<br />
THE MONTH<br />
COVER FEATURE<br />
34 An historic good time<br />
The hot new wine and food<br />
paradise in a 160-year-old<br />
homestead setting<br />
FASHION<br />
28 Fun in the sun<br />
Sky blue, resort florals and<br />
tropi-cool seasonal accessories<br />
40 Designer holidays<br />
What Aotearoa’s most-loved<br />
designers pack and predict for<br />
summer getaway style<br />
FOOD<br />
58 Yes, chef!<br />
MasterChef NZ winner Sam Low<br />
shares his food journey and<br />
some delicious recipes<br />
HOME & INTERIORS<br />
26 Most wanted<br />
What the <strong>03</strong> team are coveting<br />
right now<br />
46 Indoor heat<br />
Inspired by its Queenstown<br />
surrounds, a dramatic new build<br />
celebrates texture and form<br />
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FREE | DEC <strong>2023</strong> / JAN 2024<br />
SUMMER PARTY SEASON KICKS OFF IN STYLE AT QUEENSTOWN’S HOTTEST NEW PRECINCT | DESIGNER HOLIDAYS: KIWI FASHION<br />
FAVOURITES ON THEIR GETAWAY GO-TOS | AWARD-WINNING INTERIORS INSPIRED BY CENTRAL OTAGO’S DRAMATIC LANDSCAPES<br />
HIDDEN GEMS: A SNEAK PEEK AT SOME PREVIOUSLY UNSEEN ART TREASURES IN DUNEDIN | MASTERCHEF NZ WINNER SAM LOW<br />
SHARES HIS DELICIOUSLY UNIQUE FOOD JOURNEY | AN HISTORIC HIGH COUNTRY STATION TURNED STUNNING SECRET GARDEN<br />
14 <strong>Magazine</strong> | Contents<br />
46<br />
OUR COVER<br />
the<br />
South<br />
iSland<br />
lifeStyle<br />
magazine<br />
A former manure shed at new<br />
Queenstown hotspot Ayrburn<br />
has had a glamorous makeover.<br />
Photo: Benn Jae<br />
READ US ONLINE<br />
Resene<br />
Celery<br />
58<br />
Resene<br />
First Light<br />
ARTS & CULTURE<br />
64 Hidden gems<br />
The significant collection of Old Masters<br />
and contemporary works on display for the<br />
first time in Dunedin<br />
68 Background artist<br />
The daughter of two prominent NZ arts<br />
practitioners finds her own way - in print<br />
72 Book club<br />
Great new reads to please even the<br />
pickiest of bookworms<br />
BEAUTY<br />
30 About face<br />
Sheet masks, serums, skin tints and SPFs<br />
REGULARS<br />
16 Newsfeed<br />
What’s up, in, chat-worthy, cool,<br />
covetable and compelling right now<br />
74 Win<br />
Linden Leaves Memories body oil, Holski<br />
collagen Starter Kits, ghd Gold hair<br />
straightener, Kelly Gibney’s cookbook, Enjoy<br />
FIND US ON SOCIAL<br />
<strong>03</strong>magazine.co.nz | @<strong>03</strong>_magazine<br />
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16 <strong>Magazine</strong> | Newsfeed<br />
Newsfeed<br />
What’s up, in, chat-worthy, cool, covetable<br />
and compelling right now.<br />
Art icon<br />
On now at Christchurch’s Centre of<br />
Contemporary Art (CoCA), Tangata<br />
Whenua is celebrated Aotearoa artist Robyn<br />
Kahukiwa’s first solo exhibition in the South<br />
Island for 20 years. Having painted since the<br />
1970s, Robyn is internationally acclaimed for<br />
her distinctive aesthetic and strong political<br />
commentary. Runs until January 14, 2024.<br />
coca.org.nz<br />
Photo: Owen Spargo<br />
In the spirit of things<br />
News to have fans of Queenstown distillers<br />
Broken Heart in good spirits (pun intended) – the<br />
multi‐award-winning makers have just launched<br />
New Zealand’s first eco-refill spirits pouch (700ml,<br />
$75). Fully recyclable and requiring less energy to<br />
create, transport and reuse, the boozy little baggies<br />
are also pretty perfect for those occasions where<br />
you can’t/don’t want to take glass.<br />
brokenheartspirits.com<br />
Grease, bye<br />
Just in time for what’s shaping up to be a scorcher, Ōtautahi-based<br />
beauty and wellness company Jeuneora has boosted its best-selling<br />
range of cult beauty classics with its first SPF offering, FullStop SPF50<br />
Daily Glow Screen ($57) – a weightless, goodie-packed, non-greasy<br />
UVA + UVB broad spectrum sunscreen that includes hydration, skin<br />
barrier support and blue light protection and leaves a silky smooth<br />
skin finish.<br />
jeuneora.co.nz
From theAmazon<br />
to the Urban Jungle<br />
It’s November, a month that<br />
usually brings significant activity<br />
to both the real estate market that<br />
I know and love, and to most of<br />
us personally as we endeavour to<br />
prepare for Christmas.<br />
I always enter this particular month<br />
with a sense of exhilaration and<br />
expectation.<br />
We’re a business that pivots off<br />
whatever momentum is occurring,<br />
and this spring market is certainly<br />
moving. Sales volumes are larger, ours<br />
currently the most significant in the<br />
country for our brand if you look at<br />
regional and national awards, but I’m<br />
also reflecting on two recent events<br />
that have occurred within a few days<br />
of writing this and I’d like to share<br />
these.<br />
One of these was a trip which opened<br />
my eyes further to the shifts happening<br />
in the world from a climate-change<br />
perspective. The other, a burglary.<br />
Bear with me whilst I lay out my<br />
thoughts.<br />
I’ve just returned from a trip to the<br />
Amazon region, having undertaken<br />
what’s known as an expedition cruise.<br />
It’s certainly an adventure and one for<br />
which I had a number of expectations.<br />
The largest being the opportunity to<br />
see some of the numerous bird and<br />
wildlife species which automatically<br />
come to mind when you think of this<br />
incredible region and its position as<br />
one of the world’s most elaborate<br />
and important ecosystems. I’d learnt<br />
prior to going that there are actually<br />
nearly 2,000 different species of birds<br />
and mammals, 40,000 plant species,<br />
millions of insects (which I wasn’t<br />
overly keen to see!) and some of the<br />
world’s most magnificent trees.<br />
This knowledge preset my<br />
expectations; the reality, however, is<br />
certainly different. The part of the river<br />
that we were able to travel to, as far<br />
as Manaus, has been deeply affected<br />
by changes both environmental<br />
and introduced. An unprecedented<br />
drought, numerous wildfires, large<br />
areas of deforestation, a state of<br />
emergency – and all of this means the<br />
animals have well and truly retreated<br />
into areas that will require a deeper<br />
investigation by me in the future.<br />
The numerous birds and few species<br />
we did see, however, especially<br />
the very special pink dolphin, were<br />
greeted with awe which lifted spirits<br />
and hearts.<br />
I know I’m sounding more like a travel<br />
agent than a real estate professional,<br />
but at heart I think everyone has a<br />
bit of the adventurer in them and at<br />
a professional level it reminds me of<br />
what’s precarious and special about<br />
our own country and way of life.<br />
With a growing drive towards more<br />
sustainable choices to protect our<br />
beautiful natural environment – such<br />
a drawcard for immigrants – trips like<br />
this always heighten my awareness<br />
and appreciation of New Zealand.<br />
Now the burglary, which involved one<br />
of the properties that we had staged<br />
through our staging company being<br />
broken into despite electric gates and<br />
a security system.<br />
What was taken included all bedding<br />
(leaving only the mattresses) and<br />
everything that comprises a staged<br />
bedroom. For those of you who don’t<br />
know, that means six pillows, two<br />
covers, three cushions, a rug at the<br />
end of the bed, matching bedside<br />
tables and lamps!<br />
And then let’s mention chairs, all<br />
kitchen items, special decor rugs …<br />
the list continues. I’d imagine for the<br />
scoundrels that committed the crime,<br />
whilst also leaving a half-opened<br />
can of Coke, it was a busy night. To<br />
everyone who has a vacant property<br />
that’s presented for sale, be vigilant,<br />
neighbours listen out and, for me,<br />
I’ve realized how gut-wrenching and<br />
invasive crimes (petty or not) affect<br />
you.<br />
So, November has started with a roar.<br />
I’d imagine that’s likely to continue as<br />
we move forward into <strong>December</strong>. For<br />
me this means do my best, keep my<br />
adventurous heart alive and be aware<br />
of the weight of expectations and the<br />
requirement for keeping things safe.<br />
Take care out there.<br />
Lynette McFadden<br />
Harcourts gold Business Owner<br />
027 432 0447<br />
lynette.mcfadden@harcourtsgold.co.nz<br />
PAPANUI 352 6166 | INTERNATIONAL DIVISION (+64) 3 662 9811 | REDWOOD 352 <strong>03</strong>52 | PARKLANDS 383 0406 |<br />
SPITFIRE SQUARE 662 9222 | STROWAN 351 0585 | GOLD PROPERTY MANAGEMENT 352 6454 |<br />
SPITFIRE SQUARE PROPERTY MANAGEMENT 027 772 1188<br />
GOLD REAL ESTATE GROUP LTD LICENSED AGENT REAA 20<strong>08</strong> A MEMBER OF THE HARCOURTS GROUP<br />
www.harcourtsgold.co.nz
18 <strong>Magazine</strong> | Newsfeed<br />
Chop chop!<br />
A fusion of clever design and<br />
sustainable practises, these<br />
chic chef-grade chopping<br />
boards are the brainchild<br />
of celebrated Auckland<br />
seafood restaurant Kingi,<br />
local plastics recycler Critical<br />
and NGO LegaSea. Created<br />
from fishing nets and other<br />
plastic waste, 100 percent of<br />
the profit from each board<br />
goes directly to LegaSea to<br />
raise awareness of the impact<br />
commercial fishing has on our<br />
ocean’s ecosystem.<br />
legasea.co.nz<br />
Let them drink cake<br />
Iconic Kiwi cup co Acme and fashion<br />
designer Karen Walker are back with<br />
a fresh take on their covetable Bobby<br />
mug collab. “This year’s collaboration<br />
features contrasting hues that evoke<br />
delightful pairings, from the sweet<br />
allure of ‘Lamington with Chocolate’<br />
to the harmonious ‘Nougat with<br />
Lamington’, each colour duo<br />
embodies that unique KW charm,”<br />
says Karen. “Selected to enhance<br />
your everyday moments, these hues<br />
bring warmth and joy to any home.”<br />
acmecups.nz<br />
Nice knickers<br />
Launched to challenge lingerie industry<br />
standards, push boundaries, but also<br />
ensure its wearers look and feel<br />
fabulous, new local brand Ohen’s<br />
initial offering of four interchangeable<br />
bras and four briefs are designed to<br />
fit diverse bodies and sizes and come<br />
in three versatile and compelling<br />
colourways – Black, Toast and Fennel.<br />
Working with technical pattern,<br />
design and grading experts, Ohen<br />
aims to create luxe undies that offer<br />
expert support, comfort, lift and<br />
coverage without compromising on a<br />
contemporary aesthetic.<br />
ohenunderwear.com<br />
Good pud<br />
Iconic Christchurch restaurant Bloody Mary’s recently<br />
celebrated its 10th birthday by bringing back some very<br />
special dishes from across the decade for a limited time only,<br />
and we’re delighted to learn that the seriously decadent<br />
re-released Cambridge Burnt Cream dessert has been so<br />
popular it will remain on the menu throughout the summer.<br />
bloodymarys.co.nz
稀 攀 戀 爀 愀 渀 漀<br />
猀 椀 稀 攀 猀 㐀 ⬀
20 <strong>Magazine</strong> | Newsfeed<br />
Sweet as<br />
Much-loved Kiwi cocktail company Black<br />
Pineapple is serving up its lavish liquid take<br />
on a world-famous chocolate treat with<br />
a limited-edition cocktail kit release (from<br />
$69) – Rum Rocher. Freshly handcrafted<br />
with Plantation Caribbean rum, Frangelico<br />
hazelnut liqueur, Quick Brown Fox coffee<br />
liqueur and chocolate bitters, the latest<br />
luxe kit comes complete with edible gold<br />
paint, a brush to paint the glass and whole<br />
Ferrero Rocher chocolates for garnishing.<br />
blackpineapple.co.nz<br />
Works of significance<br />
A major new exhibition from Christchurch Art<br />
Gallery features works that tell stories about<br />
personal and collective histories, communication,<br />
distance and relationships to our environment.<br />
Covering the creative spectrum from textiles,<br />
sculpture, painting and photography to moving<br />
image and sound, the 24 artists in Spring Time is<br />
Heart-break: Contemporary Art in Aotearoa explore<br />
the transitions between places and across time to<br />
compelling, captivating and thought-provoking effect.<br />
christchurchartgallery.org.nz<br />
Ilish Thomas, ‘Indira’s Birthday’ (still) 2021. Single-channel<br />
digital video, lace. Courtesy of the artist.<br />
A surprise wing-er<br />
Initially a long-shot and largely unknown contender in<br />
New Zealand’s fiercely fought bird of the century, the now<br />
notorious pūteketeke shot to fame thanks to a passionate<br />
campaign by US chat show host and gatecrasher of bird<br />
elections, John Oliver. To help celebrate this underbird<br />
victory, local co Metalbird have given wings to this tribute<br />
piece (complete with mini John Oliver if you’re that way<br />
inclined), from which 30 percent of proceeds will be<br />
donated to Forest & Bird.<br />
metalbird.co.nz
22 <strong>Magazine</strong> | Newsfeed<br />
Pillow talk<br />
As lovers of stylish snoozing,<br />
we’re more than ready to bed<br />
down with House of March, the<br />
first fairtrade certified luxury<br />
bedding supplier in Aotearoa.<br />
Both chemical-free and made<br />
from fairtrade 100 percent<br />
organic cotton, House of March’s<br />
hot new drop features lush linens<br />
in dreamy colourways from sage<br />
and navy to pounamu green.<br />
We’re particularly partial to their<br />
percale cotton pieces, which are<br />
ideal all year round, but being<br />
crisp, cool, smooth and light are<br />
perfect for the warmer months.<br />
houseofmarch.co.nz<br />
Summer sippin’<br />
Fresh from Kiwi-made premium<br />
mixer brand Alchemy & Tonic comes<br />
a jazzy, juicy new offering. Crafted<br />
using a unique combination of natural<br />
ingredients, Lemongrass & Yuzu<br />
can be enjoyed equally by itself or as<br />
a counterpart to your favourite spirit.<br />
This refreshing new flavour<br />
combo is the perfect balance of bold,<br />
outside-the-box citrus notes,<br />
crafted with a pinch of sea salt for<br />
a bit of magic in every sip.<br />
alchemyandtonic.com<br />
Breathe in<br />
Marlborough-based olfactory wellness trailblazer INXHALE<br />
offers original blends of natural ingredients formulated<br />
to support cognitive function and mood. Founder Kate<br />
Guthrie saw a huge gap in the market while wishing for a<br />
product (that wasn’t caffeinated) to keep her mind alert on<br />
long drives to and from her family farm. Available in Alert<br />
for mental clarity, motivation and cognitive performance,<br />
and Calm for rest, relaxation and emotional restoration,<br />
the innovative inhalers work by engaging with our olfactory<br />
systems – AKA our sense of smell. The aroma follows a<br />
direct pathway to the brain, scientifically proven to impact<br />
our memory function and emotional centres.<br />
inxhaleworld.com<br />
Get some alp<br />
Music-lovers and good vibe-seekers, get set for this year’s<br />
Rhythm & Alps in the stunning surrounds of Wānaka’s<br />
Cardrona Valley. The diverse festival features a blend<br />
of party instigators, including pop sensation Benee, Fat<br />
Freddy’s Drop with their exclusive New Zealand summer<br />
performance, surf-psych collective Ocean Alley, awardwinning<br />
country-pop artist Kaylee Bell and Synthony<br />
presenting a NYE spectacle. <strong>December</strong> 29 to 31, <strong>2023</strong>.<br />
rhythmandalps.co.nz
Shop 5, 1027 Ferry Road, Christchurch<br />
Phone <strong>03</strong> 928 1690 | @ilovewinkshoesnz<br />
ilovewink.co.nz
24 <strong>Magazine</strong> | Newsfeed<br />
Hey pal<br />
Always full of surprises, Pals has switched<br />
the game up yet again with a bonus<br />
release of three new RTD flavours –<br />
Classic Margarita, Chilli Margarita and Gin<br />
Citrus Twist – as well as a fresh look via a<br />
250ml can in checkerboard colourways.<br />
The Classic Marg combines authentic<br />
blanco tequila distilled in Jalisco, Mexico,<br />
triple sec, limes and sea salt while its<br />
Chilli counterpart is a well-balanced, spicy<br />
rendition of the classic cocktail, featuring<br />
habanero chillies. Gin Citrus Twist blends<br />
triple-distilled gin, Sicilian lemons and juicy<br />
tangelos for a zesty concoction with Pals’<br />
bespoke mix of juniper-forward botanicals.<br />
All flavours are finished with sparkling<br />
water, making them refreshingly drinkable.<br />
drinkpals.co.nz<br />
Totally charming<br />
Celebrating its 20th anniversary this year, Karen<br />
Walker Jewellery has revisited cherished classics<br />
with the ‘Adventure Charms’ collection, which<br />
reimagines nine treasured designs, including the<br />
KW bow, iconic runaway girl, carousel horse, girl<br />
robot and signature axe, in charming (geddit?!)<br />
miniature forms. Karen’s love for integrating<br />
precious pieces into the everyday remains, with<br />
many original designs reissued and adored to this<br />
day – an enduring symbol of their timeless appeal.<br />
karenwalker.com<br />
Shine dark like a diamond<br />
Nestled high above the Ahuriri Valley, the latest<br />
stunning addition to luxury accommodation The Lindis<br />
– the Black Diamond – offers bespoke private dining<br />
unlike anything else. Guests travel via their choice<br />
of guided horse trek, hike or private car transfer to<br />
the Black Diamond’s hidden location, where they’re<br />
greeted with a one-of-a-kind dining experience<br />
(including champagne on arrival). The striking structure<br />
features a sun-drenched patio area and full-glass front<br />
allowing uninterrupted views down the valley.<br />
thelindisgroup.com
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26 <strong>Magazine</strong> | Wishlist<br />
Most wanted<br />
From pavlova-scented candles and lamington-hued mugs to much-anticipated<br />
autobiographies, vintage-inspired jewels, chequerboard towels, quirky tees and cut crystal,<br />
here’s what <strong>03</strong>’s editor is coveting right now.<br />
2<br />
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3<br />
7<br />
6<br />
14<br />
8<br />
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12<br />
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11<br />
1. My Name is Barbra, Barbra Streisand hardback, $85; 2. Nicole Rebstock Uno leather slides in Camel, $269;<br />
3. Nevé limited edition Passionfruit Pavlova candle bowl in Amber, $180; 4. Marle Nonna hat in Natural, $90;<br />
5. Acme x Karen Walker Bobby mug in Chocolate with Lamington, $32; 6. Waterford Giftology Heart crystal box, $249 at Ballantynes;<br />
7. Meadowlark Bon Bon pearl and sterling silver necklace, $1449; 8. Baina Essential Bathroom Set 16 in Cement & Rhus, $368;<br />
9. RAAIE Cocoon ceramide cream, $145; 10. Untouched World Dione linen dress in Ink Fleck, $389;<br />
11. ghd Helios Professional hair dryer in limited edition Alluring Jade, $385;<br />
12. Jo by Jo Loves fragrance parfum 100ml, $274; 13. Jasmin Sparrow Ines 18k gold-plated earrings, $350; 14. Kowtow Compost t-shirt, $129
Briarwood Christchurch<br />
4 Normans Road, Strowan<br />
Telephone <strong>03</strong> 420 2923<br />
christchurch@briarwood.co.nz<br />
briarwood.co.nz
28 <strong>Magazine</strong> | Fashion<br />
Fun in the sun<br />
Wear summer on your sleeve with shades of sky blue and sunshine yellow, make a splash<br />
in resort-ready florals or chill out with tropi-cool accessories.<br />
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9<br />
1. Deadly Ponies Mr Porter tote in Rush Horizon, $699; 2. Saben Tilly bag in Melon, $299;<br />
3. Liam Sesame shirt, $249, and Beignet shorts in Dolly Blue, $239; 4. Briarwood Sadie dress in Poppy, $349;<br />
5. Karen Walker Rapture sunglasses in Marigold Multi, $280; 6. A&C Home Sadie tie-back dress in Cornflower, $240;<br />
7. Nicole Rebstock Majesty of the Earth silk scarf, $179; 8. Kate Sylvester Garden Floral t-shirt, $129, and Adriana skirt/dress in Sky Blue, $399;<br />
9. Merchant 1948 Memphis mules in Powder Blue, $240; 10. Curate by Trelise Cooper Barely There shirt in Berry, $299 at Zebrano;<br />
11. Kester Black limited edition nail stickers in Bright Delight, $18; 12. Juliette Hogan Magdalena dress in Citrus, $929;<br />
13. RUBY Jaquetta silk slip dress in Poppy, $399
SUMMER ‘23 - SHOES & ACCESSORIES<br />
THE CROSSING, CHRISTCHURCH CBD<br />
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30 <strong>Magazine</strong> | Beauty<br />
About face<br />
From sought-after sheet masks and heavenly hand serums to sun-kissed skin tints and<br />
powerfully good SPFs, here’s what the <strong>03</strong> team are testing right now.<br />
1. For a loop<br />
As well as an A-MAZ‐ING<br />
new Christchurch store,<br />
Mecca just continue to<br />
kill it with its cult beauty<br />
offering, and this month<br />
we’re ooh-ing over<br />
new‐to-NZ high‐tech<br />
sheet mask brand LOOPS.<br />
Pick up a single mask<br />
(from $10) to target<br />
something specific (such<br />
as brightening, repairing or<br />
targeting dark spots) or try<br />
the rainbow-hued Variety<br />
Loop 5-Pack ($48) so<br />
you’re ready for whatever<br />
the coming silly season<br />
throws at your skin.<br />
4 5<br />
2<br />
2. Hand it to ya<br />
Created with the goal of<br />
making hand care a form of<br />
self care, Canadian brand<br />
Paume has added a dreamy<br />
Renewing Hand Serum<br />
($54) to its luxe line-up of<br />
products. This lightweight<br />
serum is specially formulated<br />
to reduce and prevent the<br />
signs of ageing in your hands<br />
via active ingredients like<br />
Vitamin C, hyaluronic acid,<br />
niacinamide and natural<br />
retinol alternative bakuchiol,<br />
which work to visibly even<br />
skin tone, improve elasticity<br />
and texture and reduce the<br />
appearance of brown spots<br />
and fine lines.<br />
5. Good skin protection<br />
Aussies know their stuff when it comes to sunscreen,<br />
so new People4Ocean SPF50+ Mineral Bioactive Shield<br />
Lightly Tinted Cream ($65) is definitely one to look out<br />
for when it’s time to update the summer protection<br />
kit. Infused with natural pigments for softly blurring<br />
coverage, this hydrating and illuminating tinted mineral<br />
sunscreen provides defence against solar damage and<br />
free radicals and works equally beautifully on its own or<br />
under makeup. Big bonus points for also being free of<br />
both skin- and environment-damaging nasties.<br />
3<br />
1<br />
3. Frizz-free<br />
Get busy on frizzy locks<br />
this sticky season with<br />
Moroccanoil’s latest – Frizz<br />
Shield Spray (from $25).<br />
Formulated with Moroccanoil<br />
HydroResist Technology and<br />
naturally derived ingredients<br />
such as jackfruit oil and the<br />
brand’s signature argan oil,<br />
this weightless, heat-activated<br />
spray forms a shield to repel<br />
humidity and provide longlasting<br />
protection against<br />
unwanted frizz, flyaways and<br />
static for all hair types.<br />
4. Natural glow<br />
From faux tan pros Bondi Sands comes Everyday Skincare<br />
Be Bronze Instant Bronzing & Hydrating Serum ($23) – a<br />
moisturising two-in-one with a universal, sun-kissed tint (and<br />
a very slick dupe of Drunk Elephant’s D-Bronzi for less than a<br />
third of the price) enriched with a blend of botanicals including<br />
cupuaçu butter and squalane for intense, all-day hydrating.
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34 <strong>Magazine</strong> | Feature<br />
An all-in good time<br />
Having just thrown open the gates to Ayrburn,<br />
the 60-hectare, $200 million development set on a<br />
160-year-old estate near Arrowtown, visionary Chris<br />
Meehan talks us through what to expect from the<br />
brand-new-but-also-historic precinct that’s shaping<br />
up to be unlike anything else on offer in Aotearoa.<br />
INTERVIEW JOSIE STEENHART<br />
From brunch beside a bubbling brook, laid-back lunches in a woolshed<br />
full of art by the likes of Goldie and McCahon, private fine dining in<br />
a stunningly restored historic homestead, cocktails inside a centuries-old<br />
stone cottage or wine and oysters in a former speakeasy (and manure<br />
shed) to catching kōura for your own pizza/pasta in the on-site lake,<br />
picking your own flowers, licking lush ice creams and a whole lot more<br />
besides – Ayrburn is set to be the hottest new spot in Central Otago<br />
this summer.<br />
How would you describe Ayrburn, in your own words?<br />
A wine and food paradise.<br />
Tell us a bit about each individual area/space?<br />
Ayrburn offers venues that cater to every taste and occasion.<br />
The heart of Ayrburn, The Woolshed offers fireside or alfresco dining<br />
from dawn to dusk, serving uncomplicated comfort for all. It’s a place<br />
where everyone feels welcome whether just for a coffee or a cocktail.<br />
The Manure Room is, as the name suggests, located in what was<br />
originally the old manure room. It was also known as a bit of a speakeasy<br />
during prohibition, so the perfect spot to savour the flavours of Ayrburn’s<br />
latest vintage wines while basking in an atmosphere that combines<br />
comfort and elegance for an all-in, good time.<br />
The Manure Room offers exclusive Ayrburn wines, unavailable<br />
anywhere else in the world, with wine tastings during the day,<br />
transforming into a sophisticated wine bar during the evening.<br />
For the kids and kids at heart, The Dairy is a quaint, nostalgic gelato<br />
parlour that’s like stepping into a storybook of sweetness.<br />
The Burr Bar is a haven where you can sip on whiskey and cocktails<br />
with close friends. Designed to be generous and flamboyant, the venue<br />
pays homage to an iconic local, Adrian Burr.<br />
And finally The Dell is a central lawn to host vibrant markets, alfresco<br />
lunches, and concerts. Savour a picnic from an Ayrburn venue, relish<br />
freshly pressed coffee from The Bakehouse, or enjoy a bottle of our<br />
Ayrburn vintage with friends.<br />
Ayrburn really does have something for everyone.
“Every building at Ayrburn has been meticulously restored,<br />
right down to preserving the natural sag of barn rooftops,<br />
honouring the original character in every decision.”
Feature | <strong>Magazine</strong> 37<br />
Where/how did the concept come about and how long<br />
has the project been in the works?<br />
We bought the property in 2015 and worked on various<br />
ideas. By about 2018 we thought we had the concept right,<br />
and five years later, here we are…<br />
Tell us a little bit about the history of the land/property…<br />
Established in 1864, Ayrburn is reimagining its heritage<br />
by seamlessly blending a world-class wine and culinary<br />
experience and honouring its proud history as one of the<br />
first farms and more successful in the area.<br />
Every building at Ayrburn has been meticulously restored,<br />
right down to preserving the natural sag of barn rooftops,<br />
honouring the original character in every decision.<br />
From the craftsmanship behind each creation to the stories<br />
behind every door, Ayrburn is a celebration of its heritage.<br />
It has been restored stone by stone – honouring its history,<br />
with its original character evident in every building.<br />
Can you talk about the ways in which you’ve utilised<br />
historic materials/elements?<br />
We’ve done everything we can to preserve and enhance the<br />
history of this remarkable place and the fabulous buildings<br />
and trees that sit on it.<br />
We’ve re-used the historic building materials wherever<br />
possible, which was an extraordinarily expensive and timeconsuming<br />
process. But anyone now seeing these buildings<br />
would appreciate the detail and thought that has gone into<br />
respecting their historic significance.
“Ayrburn is first and foremost for<br />
the locals. They will have the greatest<br />
appreciation for the work we’ve<br />
done and the spaces we’ve created.”
Feature | <strong>Magazine</strong> 39<br />
What have been some of the highlights and<br />
challenges along the way?<br />
Highlights have been the amazing group of designers<br />
and artisans who have shared a passion for Ayrburn<br />
and an enthusiasm for their work that I have never<br />
seen in over 30 years of doing this.<br />
The challenges have been the excessive<br />
bureaucracy and resultant time and money wasting<br />
that the local authorities have put us through.<br />
Ayrburn is both for visitors to the region but also<br />
for locals, right?<br />
Ayrburn is first and foremost for the locals. They<br />
will have the greatest appreciation for the work<br />
we’ve done and the spaces we’ve created.<br />
Ayrburn was the social hub of Queenstown back<br />
in the day and played host to the A&P Show and<br />
many district-wide social events for many years.<br />
We hope it again becomes the hub for locals to<br />
get together and have fun, and this is foremost in<br />
our minds.<br />
As well as our locals, we want visitors to treat<br />
Ayrburn as a must-do every time they come<br />
to Queenstown. Book your flights, book your<br />
Ayrburn visit.<br />
What are some of your personal favourite spaces?<br />
My favourite is The Burr Bar. It’s named after a<br />
great mate that I bought the property from, and<br />
is located in what was Billy Paterson’s original<br />
homestead when he settled the farm in 1864.<br />
These very first settlers to Queenstown had<br />
the pick of where to put their houses and it’s no<br />
accident he put this one where he did.<br />
There’s nothing better than sitting outside<br />
The Burr Bar in the late afternoon sun and then<br />
retreating inside to enjoy the character and<br />
ambiance of the old cottage.<br />
How does it feel to have Ayrburn complete and<br />
open to the public?<br />
It’s fantastic. The highlight for me is seeing people of<br />
all generations getting together to have fun among<br />
all the unique treats that Ayrburn has to offer.<br />
Anything you can tell us about future plans/<br />
developments for Ayrburn?<br />
We have one of our upmarket Northbrook luxury<br />
later living villages approved for the grounds of<br />
Ayrburn. With 150 apartments and loads of<br />
amenities, it will also be a fantastic addition to the<br />
district and will be well sought-after.<br />
We also have seven prestige homes and a 20-room<br />
boutique hotel approved for the wider 55ha site.<br />
Anything else people might be surprised/<br />
interested to learn?<br />
That the Ayrburn food and wine precinct is only<br />
half-done. Stage one is complete, but there are at<br />
least another four amazing venues, including the<br />
flagship Billy’s restaurant opening late next year, as<br />
well as The Bakehouse, RM Butcher and a florist.
40 <strong>Magazine</strong> | Feature<br />
Designer holidays<br />
We check in with some of New Zealand’s most-loved designers on their<br />
oh-so-stylish holiday plans, what they’ll be wearing and what their customers (including<br />
here in the south) are looking to now for the long Kiwi summer.<br />
INTERVIEWS JOSIE STEENHART<br />
“In my own backyard and on<br />
Aotea I go very simple – various<br />
cotton items on high repeat.”<br />
KAREN<br />
WALKER<br />
Summer <strong>2023</strong>/2024 is my usual holiday<br />
plan: a week of recovery from the year in<br />
my backyard – napping, reading, swimming,<br />
pottering; a week at the ASB Classic (looking<br />
forward to seeing Coco again!); a week back<br />
in the office; two weeks on Aotea Great<br />
Barrier Island doing nothing much at all<br />
besides beach walks, swims, naps and books.<br />
In my own backyard and on Aotea<br />
I go very simple – various cotton items<br />
on high repeat. This summer I think it’ll<br />
be our Lotus Tiered Dress and Prairie<br />
Organic Cotton Shirred Dress. These will<br />
be paired with a fresh pair of Arizona EVA<br />
Birkenstocks, a Sensi Studio Panama hat and<br />
some great shades.<br />
When I’m on Aotea I always take a fresh<br />
pair of PJs also as friends drop in at any time<br />
of day and, even though I’m at the beach, I<br />
have standards!<br />
What seems to be shaping up to be<br />
hot in holiday attire are striped shirts in<br />
breezy cotton and our Armeria seersucker<br />
midi dresses.<br />
Anywhere in New Zealand summer can<br />
take you by surprise, so having a raincoat<br />
and a layer of cashmere on standby is always<br />
a good idea.
Feature | <strong>Magazine</strong> 41<br />
“We love to take the boat<br />
out and camp in the<br />
many amazing bays on<br />
Lake Benmore.”<br />
JESS BEACHEN,<br />
JESSICA FLORA<br />
hope to take some time out from the shop and studio<br />
I over the summer to head to the lakes, where we love to<br />
take the boat out and camp in the many amazing bays on<br />
Lake Benmore.<br />
Being a North Island girl originally I’m always blown away by<br />
the vast and incredible landscape on our doorstep. Although I<br />
am very much looking forward to getting back to Hawke’s Bay<br />
briefly for Christmas to catch up with the family.<br />
I will definitely be wearing a lot of our summer pieces on<br />
repeat, our It’s A Done Deal collared shirts are the perfect<br />
throw-over on lake days and we have so many amazing<br />
colours about to be released in this style.<br />
And when the weather warms up I look forward to<br />
wearing our new colourway in the Golden Hour Maxi Skirt<br />
and the Follow My Lead short-sleeve linen blouse for the<br />
perfect fresh summer look.<br />
For summer/holiday attire you can’t go wrong with an easy<br />
long-sleeve button down shirt that can be worn as its own<br />
statement or thrown over your togs on a hot day.<br />
South Island summers… A good jumper is always on me,<br />
either on or over my shoulders. I have been pairing a lot of<br />
our summer collection with a range of jumpers from Ohae<br />
Knitwear while the weather warms up, and they have been<br />
the perfect match. My favourite from there at the moment is<br />
the coral stripe organic cotton jumper, a perfect lightweight<br />
piece for summer.
42 <strong>Magazine</strong> | Feature<br />
“The days are spent<br />
eating, swimming,<br />
walking around the bays,<br />
reading books, building<br />
sandcastles, searching<br />
for pirate money,<br />
collecting tuatua, doing<br />
puzzles and spending<br />
time with the people<br />
you care about most.”<br />
JULIETTE HOGAN<br />
This summer, we’ll be heading up north to the beautiful<br />
Tutukaka Coast for Christmas Day itself and through to<br />
the new year. Mum and dad have a place up there and we,<br />
the whole family, love heading there to be together.<br />
It’s a really social two weeks with loads of people<br />
coming and going. The days are spent eating, swimming,<br />
walking around the bays, reading books, building<br />
sandcastles, searching for pirate money, collecting tuatua,<br />
doing puzzles and spending time with the people you<br />
care about most. The perfect way to see out a year and<br />
welcome in a new one.<br />
I’ve already been loving wearing our summer cotton<br />
prints during the days, and then relaxing in some JHL in<br />
the evenings. I love a matching set, so will be taking a few<br />
to Tutukaka.<br />
Cotton prints are definitely proving super popular so far<br />
this summer, as well as long-sleeve shirts (my Resort shirt<br />
is my favourite beach day shirt), and our summer beach<br />
wraps. I think people have really been gravitating towards<br />
easy and joyful pieces – lots of statement colours.<br />
JHL is a must for a South Island summer – both the shortsleeve<br />
and long-sleeve top options along with the shorts and<br />
trackpants. They are really easy lightweight layering pieces.<br />
I also always pack a puffer jacket [for holidays], even when<br />
heading up north, as I love being wrapped up and warm in<br />
the evenings.
Feature | <strong>Magazine</strong> 43<br />
“My family arrives from the Netherlands<br />
and I can’t wait to show them all of<br />
Otago’s and the South Island’s finest spots.<br />
We’re going to throw a little wedding in<br />
the mix too, in our garden in Clyde.”<br />
MARIELLE<br />
VAN DE VEN,<br />
RECREATE<br />
W<br />
e have quite the line-up this summer!<br />
Next week my family arrives from the<br />
Netherlands, and I can’t wait to show them all<br />
of Otago’s and the South Island’s finest spots.<br />
We’ll be setting up camp at The Camp in<br />
Hāwea, staying at Hooker Hut under Aoraki<br />
Mount Cook and hopefully we’ll catch a good<br />
window of weather to camp at Pūrākaunui Bay<br />
campground in the Catlins. Lots of adventures<br />
and travelling around.<br />
We’re going to throw a little wedding in the<br />
mix too, in our garden in Clyde.<br />
Then, once my family has gone back to the<br />
Netherlands, we’re going to take a month off<br />
work to go camping around the South Island,<br />
before our newest family member arrives.<br />
I’ve been based in Clyde for three years now,<br />
and I’m trying to convince myself that I’m a<br />
‘Lakes girl’, but reality is, I miss the ocean dearly!<br />
So I can’t wait to set up camp at some South<br />
Island beaches. Banks Peninsula, Abel Tasman,<br />
Golden Bay. In between all our adventures,<br />
time at home will be spent in my vege garden.<br />
This summer I’ll be living in my ReCreate<br />
Ash dress, as well as my ReCreate Contour<br />
dress. Both are perfect and very comfy for my<br />
growing belly. I designed the Contour dress<br />
in mind with covering up the chest from the<br />
relentless Central Otago sunshine. For a bit of<br />
layering, I’ll pop the handwoven Charlie top on.<br />
Our ‘Handwoven’ styles have been really<br />
popular this summer, it is such a special and<br />
beautiful fabric. Produced entirely by hand,<br />
the cotton is spun into thread and dyed using<br />
natural and organic materials such as local<br />
barks, vegetable skins and flowers. The thread<br />
is then handwoven on a loom. The finished<br />
fabric is gentle and textured with a ‘perfectly<br />
imperfect’ weave, making each garment unique.<br />
The garments get better and better over time,<br />
they get softer and wear beautifully.
44 <strong>Magazine</strong> | Promotion<br />
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Portugal is definitely an upcoming<br />
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Meet the team<br />
HOUSE OF TRAVEL HIGH ST LANES<br />
Kristen Tetenburg<br />
18+ years experience<br />
Princess Roldan<br />
7+ years experience<br />
Jolene John<br />
10+ years experience<br />
Vicky Baker<br />
20+ years experience<br />
Greece and Croatia are always some of the most soughtafter<br />
destinations for Europe. Ski trips to Canada are also in<br />
hot demand.<br />
Cruising just continues to be fastest growing in the travel<br />
trade. Cruises give amazing value for money, you see a lot,<br />
it’s relaxing travel and cruising is for all ages.<br />
Why choose House of Travel High Street Lanes?<br />
We’re one of the largest retail travel agencies in the South<br />
Island. In our team, we have an airfare guru for technical<br />
itineraries, a groups specialist, someone who knows<br />
airpoints inside out, an Australia and Pacific specialist, a<br />
Europe itinerary designer and a qualified CLIA cruise expert.<br />
We put together tailor-made holidays for Europe all day,<br />
every day, as well as work with multi-generational family<br />
trips and active/adventure holidays.<br />
We have 24-hour emergency assistance and are with you<br />
for the whole journey until you return.<br />
We also work closely with our friends in the House of<br />
Travel corporate side of the business.<br />
We have many well-experienced team members and are<br />
here to guide and assist you in making your ideas become a<br />
reality. We live and breathe travel, so our knowledge is vast<br />
and can enhance your plans to create a better trip than you<br />
could yourself.<br />
Nigel<br />
10+ years experience<br />
Savarnnah Taylor<br />
New to Industry<br />
Torin Wilson<br />
10+ years experience<br />
Sapphire Twyman<br />
Admin Support<br />
High Street Lanes • 255 St Asaph Street • <strong>03</strong> 335 3722 • highstreetlanes@hot.co.nz
Bringing the drama indoors<br />
Inspired by its dramatic surrounding landscapes, this new<br />
Queenstown build showcases rich raw texture, organic forms<br />
and lashings of modern, moody hues.<br />
WORDS KIM DUNGEY | PHOTOS VAUGHAN BROOKFIELD
Interiors | <strong>Magazine</strong> 47<br />
“Celebrating the landscape called<br />
for a textured palette, subtle<br />
lighting and earthy colours…”<br />
“B<br />
ring the outside in” was the brief for this stunning<br />
Queenstown home.<br />
Nestled by the lake, flanked by schist rock and towering<br />
mountains, it will eventually become the owners’ permanent<br />
home and needed to cater for both children and grandchildren.<br />
The interiors, designed by Eternodesign in Christchurch,<br />
include an open-plan kitchen-dining-living area with spectacular<br />
lake views, and luxurious bedrooms and bathrooms.<br />
The kitchen features a basalt grey stone benchtop and<br />
blackened wall units with walnut-stained internal shelves.
48 <strong>Magazine</strong> | Interiors<br />
“‘Bring the outside in’<br />
was the brief for this stunning<br />
Queenstown home.”<br />
This moody colour scheme continues into the scullery<br />
but there the dark units contrast with white finger tiles.<br />
Brass pendant lights hang over the dining table, while an<br />
oversized black slatted door leads to an adjacent media room.<br />
Eternodesign director Emma Morris says celebrating the<br />
landscape called for a textured palette, subtle lighting and<br />
earthy colours in the master en suite.<br />
Subtly textured rippled tiles contrast with large,<br />
grey porcelain tiles and make an ideal backdrop to the<br />
freestanding bath with its matte black bath spout. The<br />
vanity has a sintered stone benchtop, paired with dark<br />
drawer fronts. Black shutters, installed prior to the plumbed<br />
bath, provide privacy but also open to the view.<br />
In the separate powder room, a freestanding, floormounted<br />
concrete basin takes centre stage. The black basin<br />
is complemented by a brass tap and mixer, and a softly<br />
curved mirror hangs above.<br />
Adding interest to the natural stone walls is the light cast<br />
from hand-blown, brass-detailed opal glass lights that turn<br />
on via a hidden sensor.<br />
Completing the powder room was not without its<br />
challenges, Emma says. Because the natural crevices in the<br />
travertine were left unfilled, the wall tiles were brittle and<br />
tricky to work with.<br />
Secondly, the room needed to not only be beautiful in<br />
its own right but connect with the design features of the<br />
living areas.<br />
“We achieved this with discreet, bespoke, vertical slatted<br />
wall panelling and a hidden door to mesh the spaces<br />
together. When the slatted door is closed, there is no sign<br />
of a powder room.”<br />
The attention to detail paid off as the home was<br />
recognised in recent awards run by the National Kitchen<br />
and Bathroom Association.<br />
The kitchen won the Canterbury designers’ award (for<br />
kitchens costing $90,000 to $120,000) and the master<br />
en suite received a platinum award and the distinction<br />
award (for bathrooms up to $50,000), while the powder<br />
room was a runner-up in this year’s Trends International<br />
Design Awards.
The cherry<br />
on top<br />
Reducing stress, maximise your budget and<br />
getting the very best results – Rangiora-based<br />
Feather & Oak Interiors owner and lead designer<br />
Katy Husband on why you should choose to<br />
work with a qualified interior designer.<br />
Katy Husband<br />
There are many benefits to working with an interior designer<br />
and there can be many misconceptions about our profession.<br />
An interior designer is here to guide you through one of the<br />
most stressful events in life – building and renovating. These<br />
major events are likened to the stress of having a child and for<br />
very good reason!<br />
Building and renovating can take years and turn life upside<br />
down when trying to combine life-as-usual with hundreds of<br />
build decisions on what is often our most expensive asset.<br />
An interior designer will get to know you on a personal level<br />
and understand the way you live your life. Are you a foodie,<br />
an entertainer or a homebody? All of these questions will help<br />
define the design of your home.<br />
An interior designer should be someone you feel at ease<br />
with and build a level of trust.<br />
Building fatigue is something that every client on the building<br />
journey will experience at some point. An interior design<br />
is able to breathe zest into a project when you are feeling<br />
overwhelmed by the process.<br />
Think of us as the cherry on the top of the lengthy building<br />
process – someone that can bring the joy back into the building<br />
or renovating process and help to make your interior dreams<br />
a reality.<br />
During your project a good interior designer can alleviate a<br />
lot of the stress – much like a midwife! An interior designer has<br />
the connections to direct you to the right people and to refine<br />
your decisions and material choices.<br />
You can have confidence that you are selecting the best<br />
when you work with a designer who has done the hard<br />
work for you. We are staying abreast of trends and being<br />
in regular contact with suppliers who are sharing the latest<br />
innovations within the design and build industry – a constantly<br />
evolving space.<br />
A misconception about interior designers is that we’re going<br />
to overshoot the budget. An interior designer is actually your<br />
best choice for maximising your budget and ensuring you<br />
spend in the right places.<br />
There are many ways we can go about saving you money<br />
and still achieve the luxurious interior you desire and with a<br />
network of contacts among artisans and manufacturers you<br />
can often be presented with tailor-made, bespoke solutions for<br />
your build.<br />
If you are embarking on the build or renovation path and<br />
you can relate to any of this then we would love to be your<br />
first port of call. It’s never too early (or too late) to engage<br />
the services of an interior designer. We are a full service<br />
interior design and window furnishings business in the heart of<br />
Rangiora, servicing the South Island.<br />
166 High Street, Rangiora | featherandoak.co.nz
Feature | <strong>Magazine</strong> 51<br />
A secret garden<br />
The first in a series of extracts from gorgeous new gardening tome<br />
Secret Gardens of Aotearoa, we travel to Central Otago’s lake district to see the magic<br />
Ali Soper has worked on a very special 113-year-old former sheep station.<br />
Nestled into the gentle eastern slopes of Mount Maude,<br />
just south of Lake Hāwea in Central Otago’s lakes<br />
district, is Crosshill, an established garden set among centuryold<br />
trees. The massive native beech, birch and flowering<br />
cherry trees stand as a testament to the foresight of the<br />
property’s first gardeners.<br />
Crosshill was established as a sheep station in one of the<br />
area’s early agricultural settlements; the original woolshed now<br />
serves as the potting shed and flower-drying area.<br />
Between the rocky under-bed of its mountainous setting<br />
and pockets of rich, fertile soil redolent of its farming days,<br />
the range of the garden’s soil is as extreme as the Central<br />
Otago seasons.<br />
This is both the coldest and driest region of New Zealand,<br />
with hot summers and harsh winters. Early Māori primarily<br />
occupied the area seasonally by way of routes through the<br />
Nevis Valley from the south and the Clutha River from<br />
the north.<br />
ABOUT THE GARDEN<br />
Crosshill is an eclectic garden that includes the original rose<br />
garden, an orchard that is being transformed into a food<br />
forest, a newly created woodland garden, a propagation and<br />
potting shed, a picking garden for the roadside flower stall, a<br />
tea garden and an extensive vegetable garden.<br />
It’s quite a new project for Ali – she and [husband] Nic<br />
bought Crosshill in 2020 – and her vision is still evolving,<br />
guided by her interest in history and observations of the site.<br />
She takes time to be in the garden, to notice what is growing<br />
where, and to plan from there.<br />
Nic is always on hand – often with his tractor, ‘Blue’ –<br />
prepared to drop whatever he’s doing to help Ali realise her<br />
vision. They have banned sprays and replaced much of the<br />
grass with productive plants to feed the soil and their family.<br />
The original double-gabled homestead was built around<br />
1910. A century on, deteriorated beyond repair, it was<br />
provided to the local fire brigade to be burnt to the ground in<br />
a training exercise. At the same time the surrounding gardens<br />
were largely cleared, with the exception of a rose garden<br />
at the front of the house and the magnificent mature trees<br />
planted by the home’s first owners. The native beech, copper<br />
beech, elderberry and liquidambar, as well as heritage plums,<br />
apples and cherries, survived to provide a sense of grandeur<br />
and structure for Ali’s new vision for Crosshill. She suspects<br />
the rose garden was planted around the same time as the<br />
trees, and its original paved walkway connects her to these<br />
gardeners of long ago.<br />
Kānuka and mānuka dotting the old sheep paddocks hint at<br />
what grew here before the land was cleared for agriculture.<br />
In the late nineteenth century the Crown agreed to restore<br />
the land rights to Ngāi Tahu, but the legislation was revoked<br />
in 1909 and the area was divided up for colonial agricultural<br />
settlement. Named after Kati Hāwea, one of the earliest tribes<br />
to occupy the South Island, Lake Hāwea supported seasonal<br />
food resources for Māori, with numerous kāinga mahinga kai<br />
(food-gathering places) and kāinga nōhoanga (settlements)<br />
established around the lake. Edible plants included kāuru<br />
(cabbage tree root), aruhe (bracken fernroot), and māra<br />
(gardens) of potato and turnip.<br />
The hot, dry Central Otago summers facilitate a vegetablegrowing<br />
season that is short, sharp and productive. Everpassionate<br />
about growing food, Ali’s vegetable garden and<br />
adjacent propagation and potting shed are central to Crosshill.<br />
She grows what she and Nic like to eat – brassicas, peas,<br />
cavolo nero (which grows exceptionally well), silverbeet,<br />
potatoes, leeks and carrots. The vegetable beds are fed with<br />
Ali’s own compost, and dotted around the garden are small<br />
fencing-wire bins for collecting weeds as she works. These<br />
self-compost in situ and the contents are returned to the soil<br />
over time.
52 <strong>Magazine</strong> | Feature<br />
“The many gardens of Crosshill are<br />
connected by the mature trees that form<br />
its bones, and Ali’s overarching meditative<br />
gardening approach.”<br />
The property’s varied terrain contributes to the contrasting environments<br />
– dry, wet, sun-drenched, cool – leading to a wide variety of planting<br />
opportunities, and sometimes new discoveries. One of these has been<br />
xeriscaping, a method of dry landscaping developed in Denver, Colorado, in<br />
response to increasing droughts.<br />
The premise is to design plantings that require little or no watering. Ali has<br />
been researching extensively – and mulching heavily! Like all new methods, it’s<br />
a process of trial and error, she says. She is looking at xeriscaping with both<br />
natives and exotics, and has realised that a lot of plants already in her garden,<br />
once well established and mulched, support her xeriscaping model.<br />
The original orchard is being transformed into a five-layer permaculture food<br />
forest, its clipped lawns and sprayed edges replaced by luscious underplantings<br />
of comfrey, garlic chives, peas, lemon balm and other herbs. The deep taproot<br />
of comfrey brings up nutrients from the soil and makes them more accessible<br />
to the fruit trees, and its leaves are harvested for compost and for laying<br />
underneath potatoes when planting. Ali is planning to add grapevines, which will<br />
ramble through the branches of the existing fruit trees – apples, pears, apricots,<br />
peaches, feijoas and a much-loved quince.<br />
The previous owners of Crosshill were passionate, talented gardeners but<br />
health issues meant that when Ali arrived some areas had been let go. The<br />
woodland area was barely accessible, with branches having been cut and left in<br />
situ. This did mean, however, that when Ali brought in a chipper and cleared the<br />
tangle of branches, she found rich, fertile soil underneath, fed by the decaying<br />
timber. The resulting chip was laid in the woodland, and the routes Ali’s dogs<br />
took through the trees dictated the location of new paths.<br />
Excavating a contained patch of Spanish bluebells, Ali discovered a deep<br />
trench of bulbs packed shoulder to shoulder. After careful lifting, dividing and<br />
replanting, these bluebells now line the woodland paths. In a clearing, a table<br />
enclosed in a halo of rhododendrons serves as a venue for family get-togethers<br />
and garden parties.<br />
The many gardens of Crosshill are connected by the mature trees that form<br />
its bones, and Ali’s overarching meditative gardening approach. The garden is<br />
a space for careful observation of all the elements that contribute to its magic<br />
– the seasons, soil conditions, wind direction, orientation of the sun and, most<br />
importantly, what likes to grow where. The constant conversation between<br />
garden and gardener is how each part of Ali’s garden comes alive.
Feature | <strong>Magazine</strong> 53
54 <strong>Magazine</strong> | Feature<br />
WHAT IS XERISCAPING?<br />
Xeriscaping is the technical term for dry landscaping, the art<br />
of choosing the right plants for a dry environment. Usually<br />
they are plants that require little to no water, other than what<br />
the natural climate in the area provides.<br />
Simple tips for a dry landscape garden<br />
‘Right plant, right place’ is my mantra when planning a garden.<br />
The starting point is to understand your landscape. All<br />
gardens have their own special requirements.<br />
Cost is also a factor, so we want to ensure our plants<br />
will thrive where they are planted. Make sure you seek out<br />
drought-tolerant plants (or drought-loving plants, as I prefer to<br />
call them) when you are in the planning stage. Pay particular<br />
attention to plants that are native to your region. Silver, furryleaf<br />
plants are naturally more drought tolerant.<br />
Dry landscaping will be more successful if you follow these<br />
planting tips:<br />
Autumn is a good time to plant, as the natural rainfall of the<br />
cooler months will help the plants establish before the more<br />
demanding warmer weather arrives.<br />
Before planting, soak the plant in a bucket of water and<br />
seaweed tonic while you prepare the soil.<br />
Dig a hole twice the size of the root-ball. Add compost and<br />
water, allowing it to drain away before you plant.<br />
Plant to the same level as the plant sat in the pot. Some<br />
suggest agitating the roots a little to stimulate root growth.<br />
Fill the hole, water again, then mulch.<br />
Mulch your xeriscaped garden with either bark chip or<br />
gravel to retain moisture before the ground heats up in<br />
summer and the soil dries out. Mulch will also help keep the<br />
weeds down. I prefer not to use weedmat/landscaping fabric<br />
because they are not biodegradable.<br />
Irrigation systems are not required – that’s the whole point.<br />
Hand-water with a hose if you have to, and if there are no<br />
restrictions in place. Reduce watering over time as the plants<br />
become established in their environment.<br />
What to plant?<br />
Sempervivum (hen and chicks) succulents are a natural<br />
starting point for a dry garden. They are very useful along<br />
the edge of your border and in pots. From there, the list is<br />
endless when you start to look!<br />
Here are some suggestions to get you started:<br />
Native – Coprosma, griselinia, pseudopanax, phormium,<br />
cordyline, libertia, tussock grasses<br />
Exotic – Lomandra, euphorbia, heuchera, hosta, agave,<br />
santolina, stipa<br />
Bulbs – Daffodil, amaryllis, allium, nerine, scilla<br />
Herbs – Rosemary, sage, oregano, thyme<br />
For a touch of colour – Bearded iris, geranium, kangaroo<br />
paw, lavender, salvia, achillea, anemone, echinacea, cistus,<br />
phlomis, rudbeckia.<br />
Extracted from Secret Gardens<br />
of Aotearoa by Jane Mahoney<br />
& Sophie Bannan, photography<br />
by Jane Mahoney, Josephine<br />
Meachen & Sophie Bannan.<br />
Published by Allen & Unwin<br />
NZ, RRP$49.99.
Walk,<br />
Run, Fun!<br />
6km and 12km<br />
17 th March<br />
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56 <strong>Magazine</strong> | Promotion<br />
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HOME & LIVING<br />
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EXTERNAL AFFAIRS<br />
with Tim Goom<br />
The importance of landscape<br />
architects in navigating<br />
council regulations<br />
When planning for a landscape project in Christchurch and the wider<br />
Canterbury region whether it involves installing a pool, undertaking<br />
earthworks, or managing a site near protected trees or flood<br />
management areas, the role of a landscape architect is crucial.<br />
Here we will explore why engaging a landscape architect can be an<br />
essential step in ensuring your project complies with city council<br />
regulations and why their expertise can make a significant difference in<br />
the success of your project.<br />
Understanding the Complex Regulations<br />
Most city councils have regulations in place for various aspects of building<br />
and landscape design. These regulations cover a wide range of areas<br />
including pools, spas, site coverage, earthworks, protected trees, flood<br />
management areas, and road frontage. The rules are detailed and can<br />
be complex, requiring a deep understanding of local planning laws and<br />
building codes. This is where a landscape architect can provide invaluable<br />
support.<br />
A landscape architect is trained and experienced in the design of outdoor<br />
spaces, taking into account both aesthetic and functional considerations.<br />
They also have a comprehensive understanding of the local regulations<br />
and how they apply to different projects. They can guide you through<br />
the intricacies of the laws, ensuring your project is compliant and avoiding<br />
potential legal complications down the track.<br />
Navigating Specific Regulations<br />
Let’s delve into a few specific areas where a landscape architect’s<br />
expertise really shines:<br />
Pools and Spas<br />
Installing a pool or spa involves more than just choosing the right design<br />
and location. It also requires adherence to safety regulations, including<br />
fencing requirements and water quality standards. A landscape architect<br />
by Goom<br />
Rules are<br />
detailed and can<br />
be complex,<br />
requiring a deep<br />
understanding<br />
of local planning<br />
laws and building<br />
codes.<br />
can design a pool or spa that not only meets your needs but also<br />
complies with all relevant regulations.<br />
Site Coverage and Earthworks<br />
When it comes to site coverage and earthworks, there are rules<br />
around how much of a site can be built on and how land can be altered.<br />
This includes restrictions on cut and fill operations, retaining walls,<br />
and impervious surfaces. With their knowledge of these regulations,<br />
landscape architects can create designs that maximize the use of your<br />
site while ensuring regulatory compliance.<br />
Protected Trees<br />
Protected trees cannot be removed or sometimes even pruned without<br />
permission or in some cases resource consent, and given their ecological<br />
training and understanding of local regulations, landscape architects<br />
can help navigate these sensitive issues, balancing the demands of<br />
development with environmental preservation.<br />
Flood Management Areas<br />
If your property is located in a flood management area, there are specific<br />
regulations you need to follow. Developments in flood management<br />
areas must adhere to rules designed to mitigate flood risk.<br />
Road Frontage<br />
Regulations on road frontage impact how a property can be accessed<br />
and how it interacts with the public. This includes requirements on<br />
driveway locations, sightlines, and setbacks. A landscape architect can<br />
design a property’s frontage to provide safe and efficient access while<br />
adhering to council regulations.<br />
While the regulations imposed by city councils are designed to ensure<br />
safety, protect the environment, and maintain the city’s aesthetics,<br />
navigating them can be a complex task. Engaging a landscape architect<br />
can simplify this process. At Goom Landscapes, our qualified landscape<br />
architects knowledge and expertise can help ensure your project is not<br />
only beautiful and functional but also complies with all the necessary<br />
regulations, providing peace of mind and a successful outcome.<br />
The champions<br />
of landscape<br />
design and build.<br />
7 AWARDS – <strong>2023</strong><br />
DESIGN | MANAGE | CONSTRUCT<br />
Create a Lifespace with us. | goom.nz<br />
IDEATION-GOM0181
Food | <strong>Magazine</strong> 59<br />
Cook your own way<br />
Much-loved MasterChef NZ winner Sam Low shares his deliciously unique food journey,<br />
as well as three moreish recipes from his cool new cookbook Modern Chinese.<br />
WORDS & RECIPES SAM LOW<br />
was born in Fiji. My parents owned a noodle factory so<br />
I I was surrounded by the smell of wheat, wontons and<br />
noodles; I loved jumping on sacks of flour, getting covered in<br />
the stuff. The workers would pack noodles in little tins and<br />
we’d bake them in gigantic ovens. One of my earliest food<br />
memories was hassling the workers for a taste of the roti<br />
and curry they brought from home for their lunches. My<br />
parents kept telling me off but I couldn’t help myself.<br />
I was eight when we moved to New Zealand and my<br />
parents bought a dairy in West Auckland that supplied food<br />
to the largely Pasifika community. Customers could buy taro,<br />
green bananas, cassava, bok choy and kava.<br />
Later, my parents took over a takeaway outlet in the<br />
Māngere town centre, Juan’s Polynesian Takeaway. They<br />
worked all hours selling Polynesian and Chinese fare, including<br />
roasted pigs’ heads, coconut cream and taro leaf.<br />
I helped out from about age 15, the first time I’d cooked in<br />
a commercial environment. I worked the wok station, filling<br />
up the bain-maries with green beans and lamb belly stir-fries<br />
and island-style Chinese chop suey. I loved that what I was<br />
eating on a daily basis was so varied, so full of life and spices<br />
and flavours. I began to understand flavour balance, and I<br />
think this was the first time I really made my parents proud. I<br />
have never seen food as having a hierarchy. Every cuisine has<br />
something to be celebrated.<br />
Da Lin was a pop-up concept where I’d create things like<br />
tofu and century egg purée, salmon roe on steamed salmon,<br />
and my version of char siu (Chinese barbecue pork). Using<br />
the ingredients available around me, I was drawing on my<br />
own experience and influences to assimilate Chinese food<br />
into my environment without even knowing it.<br />
I wasn’t creating the sort of dishes you’d see in a Cantonese<br />
restaurant – it was different. It felt exciting and new, while<br />
still paying homage to my family, and to the cuisine’s place of<br />
origin. Ultimately, my food reflects who I am: this mish-mash<br />
of everywhere and everything I’ve experienced.<br />
It’s taken me a long time to understand the value of the<br />
food I grew up with. Cooking and experimenting with its<br />
flavours feels like a retaliation against the negativity I felt<br />
about my cultural identity when I was younger; it feels like a<br />
political moment where I can go: ‘Hey, this food is worthy<br />
of attention.’<br />
My journey of developing as a cook, and approaching<br />
Chinese food in an unconventional way (my way), has made<br />
me really appreciate the fact that being ‘Chinese’ exists on a<br />
spectrum – everyone has their own way of doing it.<br />
MasterChef felt like a way to do what I loved best: telling<br />
and celebrating diverse food stories. It was, and remains, one<br />
of the hardest things I’ve ever done – physically and mentally.<br />
The show made me a more confident cook, that’s for sure,<br />
and pushed me out of my comfort zone more times than<br />
not. But, more than anything, it gave me an avenue through<br />
which to fully embrace my identity, to cook food that is<br />
meaningful to me, and to spread that to others.
60 <strong>Magazine</strong> | Recipe<br />
CREAMY PEANUT BUTTER<br />
NOODLES<br />
This quick and easy flavour-packed creamy noodle<br />
dish is one of my guilty-pleasure dishes for one when<br />
I’m craving a carb-loaded, high-fat meal. It’s one of<br />
those dishes that is often overlooked because of how<br />
easy it is to prepare. This flavour combination of soy<br />
and nut butters or sesame paste is a common mix<br />
known as ‘strange flavour’ in Chinese cooking. When<br />
adapted to the great nut butter options available to<br />
us, it’s a fun pick-your-own-adventure kinda dish,<br />
where you can have infinite combinations like soba<br />
with almond butter, or rice noodles with tahini. The<br />
world is your noodle and butter choice here! You<br />
can get fresh wheat noodles from your local Asian<br />
grocer and you can easily increase the amount of<br />
ingredients to make as many serves as you want.<br />
Serves 1<br />
200g fresh wheat noodles (or a single serve of your<br />
favourite noodle without the seasoning packet)<br />
60g peanut butter or your favourite nut butter<br />
2 teaspoons sugar<br />
1½ tablespoons light soy sauce<br />
2 teaspoons rice vinegar or white vinegar<br />
1 clove garlic, minced<br />
GARNISH<br />
½ spring onion green, sliced diagonally<br />
1 teaspoon sesame seeds, toasted (optional)<br />
Chilli oil (optional)<br />
Start by boiling a pot of water for your noodles. Follow<br />
packet instructions for the ideal chewy, al dente texture.<br />
Fresh wheat noodles should take about 3–4 minutes to<br />
cook, so make sure to not overcook them. Reserve about<br />
½ cup of the cooking liquid for the sauce.<br />
Mix together the remaining ingredients. Add the reserved<br />
cooking water into the seasoning mix and whisk until a<br />
creamy sauce is formed. Taste and adjust if need be.<br />
Strain the cooked noodles and mix into the sauce. Serve<br />
in a bowl topped with the garnishes. Chilli oil will give it<br />
an extra flavour explosion.
Recipe | <strong>Magazine</strong> 61<br />
SPICY BLACK BEAN BEEF<br />
Growing up in and around my parents’ Chinese takeaway shop, black bean beef<br />
stir-fries have always been a constant on the menu. For me a great black bean<br />
beef is made with tender, juicy beef, minimal vegetables and a touch of chilli<br />
amping it to another level. Here’s my rendition of this takeaway classic.<br />
Serves 2–4 as a protein side with rice<br />
350g beef steak (sirloin, scotch or eye fillet)<br />
3 tablespoons + 1 tablespoon oil<br />
2 tablespoons fermented black bean<br />
1 tablespoon chilli flakes or 1–2 small fresh red<br />
chillies, finely chopped<br />
10g fresh ginger, finely chopped<br />
3 cloves garlic, finely chopped<br />
1 capsicum, deseeded and cut into 2cm pieces<br />
MARINADE<br />
1 tablespoon rice wine<br />
2 teaspoons salt<br />
1 teaspoon light soy sauce<br />
1 teaspoon dark soy sauce<br />
1 teaspoon sugar<br />
1 tablespoon cornflour<br />
½ teaspoon baking soda (optional)<br />
2 tablespoons water<br />
Thinly slice the beef into 3mm thick strips about 4cm<br />
long and place into a bowl. Add in all the marinade<br />
ingredients, mix through the beef well and let sit<br />
for at least 15 minutes to infuse. The baking soda helps<br />
break down the meat protein, allowing it to get even<br />
more tender.<br />
Heat 3 tablespoons oil in a wok/large pan over a high heat<br />
and stir-fry the beef, separating the strips until they are<br />
almost cooked through, about 3–4 minutes. Remove from<br />
the wok and set aside.<br />
In the same wok/pan add the 1 tablespoon oil, black bean,<br />
chilli, ginger and garlic, and stir-fry over a high heat for<br />
30 seconds until aromatic. Add the capsicum and fry for<br />
a further 1 minute. Add the beef back in and fry for a<br />
further 30 seconds. Turn off the heat and serve.
Recipe | <strong>Magazine</strong> 63<br />
STRAWBERRIES & CREAM SANDWICHES<br />
Fruit-and-cream-filled sandwiches are a popular Asian snack. This incredibly easy, not-too-sweet<br />
treat works for any occasion and for all age groups (just remove the alcohol for kids). They are<br />
visually pleasing and make you feel less guilty than eating cake. The best part is they can be made<br />
the night before, stored in the fridge and sliced right before you serve.<br />
Makes 5 sandwiches<br />
500g strawberries or any ripe fresh<br />
seasonal fruit of your choice<br />
60ml rum for strawberries (optional)<br />
400 ml fresh cream, super cold<br />
¼ cup icing sugar<br />
1 teaspoon vanilla essence<br />
60 ml rum for cream (optional)<br />
10 slices thick white sandwich bread,<br />
Asian milk bread or sliced brioche loaf<br />
Prepare the strawberries first – wash and dry and remove the<br />
stems and stalk. Slice the strawberries in half if large. Place in a<br />
bowl, add rum if using, and gently mix.<br />
In a mixing bowl, whip the cream with a balloon or electric<br />
whisk until it is almost thick (like thick pouring gravy).<br />
Add the icing sugar, vanilla and rum, if using, and continue<br />
whisking until thick.<br />
Spread a generous amount of cream on five slices of bread and<br />
arrange the strawberries on top, being aware of where you’re<br />
going to slice the sandwiches. Fill any gaps with more cream.<br />
Spread the top slices of the bread with more cream and cover.<br />
Individually cling-film the sandos and mark where you want<br />
to slice them. Press them down gently with a flat pan/tray and<br />
refrigerate for a minimum of 2 hours.<br />
Unwrap and slice with a clean, sharp knife (a bread knife<br />
works well), wiping with a wet tea towel in between slices for<br />
a clean cut.<br />
Extracted from Modern Chinese: 70+ easy,<br />
everyday recipes from the winner of MasterChef<br />
NZ by Sam Low. Recipe photography by Melanie<br />
Jenkins (Flash Studios). Published by Allen &<br />
Unwin NZ, $49.99.
Hidden gems<br />
From grand Old Masters to significant contemporary works by<br />
Ngāi Tahu artists, a very special collection of pieces from the<br />
Dunedin Public Art Gallery are now on display for the first time as<br />
part of recently opened exhibition Huikaau – where currents meet.<br />
WORDS REBECCA FOX<br />
W<br />
orks from a senior Ngāi Tahu contemporary artist, a Rita Angus watercolour, a<br />
major Joanna Paul work and a monumental urban landscape by an international<br />
artist are among recent acquisitions now on display for the first time in Dunedin.<br />
New exhibition Huikaau – where currents meet celebrates the past, present, and future of<br />
the Dunedin Public Art Gallery (DPAG) collection.
Arts | <strong>Magazine</strong> 65<br />
LEFT TO RIGHT: Claude Monet ‘La Débâcle’, 1880; Henri Le Sidaner<br />
‘La Table, Harmonie Verte’, 1927; Lucien Pissarro ‘Landscape through<br />
Trees, Tilty Wood’, 1915; Margaret Fisher Prout ‘In the Garden’, 1936.<br />
Collection of the Dunedin Public Art Gallery.<br />
Not only are there significant new works on display, but also for the first time there<br />
are works from the Paemanu contemporary Ngāi Tahu art collection. These are on<br />
loan to the gallery, and are being exhibited alongside selected works from the gallery’s<br />
permanent collection.<br />
For curators Lucy Hammonds and Lauren Gutsell it’s an exciting time.<br />
“It has been a journey of discovery and an opportunity to celebrate some of the major<br />
collecting that has happened over the last few years,” Lucy says.<br />
They include Ross Hemera’s (Waitaha, Ngāti Māmoe, Ngāi Tahu) ‘Horotea ngā tapuae<br />
i te awa’, which was created in the gallery this year, Rita Angus’ watercolour ‘Lake<br />
Wanaka, Pembroke’ (1939), Joanna Margaret Paul’s ‘Panoply’ (1984) and visiting artist Yang<br />
Yongliang’s ‘Artificial Wonderland II, Travelers among Mountains and Streams’ (2014).<br />
DPAG, which was New Zealand’s first civic collection of art when established in Dunedin<br />
in 1884, regularly showcases its collection in a major exhibition covering its ground floor<br />
galleries with the aim of taking a deeper look at the collection.<br />
In this exhibition, the curators wanted to look at the history of the collection, its<br />
importance nationally and internationally, as well as display works that have not or have<br />
rarely been exhibited.<br />
It has also been a chance for the gallery to continue the collaborative approach it took<br />
with the recent Paemanu: Tauraka Toi exhibition co-curated by a team of senior Ngāi Tahu<br />
contemporary artists and trustees.<br />
For the new exhibition, Te Rūnaka o Ōtākou and Kāti Huirapa Rūnaka ki Puketeraki,<br />
and in particular Claire Kaahu White, Robert Sullivan and Paulette Tamati-Elliffe have<br />
worked alongside gallery staff to select works in a variety of media that speak of “place and<br />
journeys, of memories and symbols of loss and reclamation”. The works were made from<br />
1914 to 2021.<br />
“In the main, Kai Tahu artists with mana whenua connections to Ōtākou, Puketeraki, and<br />
Moeraki were selected for the taumata toi,” Claire says.<br />
So the exhibition has been named ‘Huikaau’ as it references a particular place at the<br />
mouth of Otago Harbour where the ocean currents join the harbour.<br />
“Conceptually, it’s a way of thinking about the different currents in the collection and<br />
how this exhibition can weave them together and create a meeting point for those<br />
different currents that run through the collection,” Lucy says.<br />
White says those meeting points, or nohoaka, refer to places where Ngāi Tahu stayed to<br />
gather kai and the trails that took Māori from inland to the coast gathering kai.<br />
“The theme of water runs throughout the works, sustainer of life, carrier of voyagers,<br />
the beginning and the end.”<br />
For her, the journey in the gallery begins in D Gallery with the first nohoaka, and from<br />
there visitors can follow the trail through the other galleries to view works that “supported<br />
and sometimes interrupted those themes”.<br />
A key work in D Gallery is the small Eva (Iwa) Burns’ (Kāi Tahu, Kāti Mamoe, Waitaha) oil<br />
painting of Lake Hāwea from 1914, which is on loan from the Hocken Collections.<br />
“That became a critical and important link … ostensibly her work is of the landscape<br />
genre, but the story behind this work became very important to the mauri [life force or<br />
essence] of this exhibition.”<br />
Moving into the Port Otago Gallery those aspects are woven together with Hemera’s<br />
just-completed works referencing the Ngāi Tahu tradition of rock and cave drawings, 2019<br />
Frances Hodgkins’ fellow Imogen Taylor’s ‘Another Word For Abyss’ (2019) and Zanobi<br />
Machiavelli’s 1452 ‘Madonna and Child’.
66 <strong>Magazine</strong> | Arts<br />
ABOVE: Huikaau – where currents meet, <strong>2023</strong>. Installation view, Dunedin Public Art Gallery.<br />
Photo: Justin Spiers<br />
Lucy says the mix of works also acknowledges there is a continuous<br />
and rich visual art tradition in Dunedin and how the gallery’s early<br />
ambitions – to build an important collection of historical art for the benefit<br />
of the community and to support the creation of contemporary art –<br />
continues today.<br />
Another aspect is the recognition of the strong history of significant<br />
donations to the gallery from local families and from the Dunedin Public Art<br />
Gallery Society, such as the recent Taylor work.<br />
The Machiavelli was given to the gallery by Mary, Dora and Esmond de<br />
Beer, three grandchildren of Bendix Hallenstein, to mark the centenary of<br />
the foundation of Hallenstein Brothers. The family played a large part in the<br />
gallery, having one of New Zealand’s most significant collections of historic<br />
European art.<br />
Lucy says it seems fitting to be including the work in an exhibition in<br />
the year Hallenstein Brothers is celebrating its 150th and have it exhibited<br />
alongside two other works donated by the family – Marcus Gheeraerts’<br />
‘Margaret Hay, Countess of Dunfermline’ (1615) and Claude Lorrain’s<br />
‘Landscape with Hagar and the Angel’ (1654).<br />
The gallery also uses exhibitions such as this one to develop new research<br />
and to look at focusing on works that may have not been prioritised much<br />
historically, such as the stories of female artists.<br />
“You find there are challenges in all parts<br />
of collecting.”<br />
In the Port Otago Gallery they have<br />
selected works by Scottish-born, Dunedinraised<br />
artist Edith Bathgate, along with<br />
works by New Zealand painters Doris Lusk<br />
(1916–90), Frances Hodgkins (1869–1947)<br />
and, near the end of the wall, Taylor’s work.<br />
A new find in the collection being<br />
exhibited is British painter Lucy Kemp-<br />
Welch’s (1869–1958) ‘The Harbour’<br />
(20th century).<br />
Lauren says people have been very<br />
interested in the work because the artist<br />
was well known for the painting of horses<br />
in action and war horses.<br />
“She painted the illustrations for<br />
the 1915 edition of Black Beauty [by<br />
Anna Sewell].”<br />
Another work that has not been on<br />
display for a long time, if ever, is Margaret<br />
Fisher Prout’s (1875–1963) oil ‘In the<br />
Garden’ (1936), which sits alongside<br />
works by well-known impressionist artists<br />
Claude Monet, Henri Le Sidaner and<br />
Lucien Pissarro.<br />
“Margaret’s work represents a rare<br />
example of a professional woman artist<br />
working in the Impressionist style.”<br />
Lucy says all of these finds are a<br />
reminder of the depth of the collection and<br />
how much there is still to discover about it.<br />
“I’ve learnt a whole lot of new<br />
information. Some works I’ve worked with<br />
many times over the past few years and<br />
some [I’ve] never seen before. I think that<br />
is true of everyone who has worked on it<br />
and it’s gratifying to see it come out into<br />
the galleries and see the wider team go,<br />
‘Wow I’ve never seen that before’.”<br />
Huikaau – where currents meet runs at Dunedin Public Art Gallery until October 31, 2025.<br />
HARRIET MILLAR<br />
LUKE CALDER<br />
HARRIET COLLINS<br />
TIM MAIN<br />
REBECCA SMALLRIDGE<br />
WISH LIST<br />
23 November - 18 <strong>December</strong> <strong>2023</strong><br />
The secret to<br />
remembering special<br />
occasions<br />
<strong>03</strong> 325 1944 - littlerivergallery.com - art@littlerivergallery.com - Main Rd, Little River<br />
victoriaflorists.co.nz<br />
Find out more
An arts background<br />
Despite best intentions (and a successful career in other fields), it was somewhat inevitable that<br />
Dunedin-born Andrea Hotere, daughter of award-winning poet Cilla McQueen and one of the<br />
country’s most significant artists, the late Ralph Hotere, ended up writing a novel about art.<br />
WORDS REBECCA FOX
Books | <strong>Magazine</strong> 69<br />
“She grew up in Port Chalmers,<br />
Dunedin, with a lot of artists<br />
and writers ‘floating around’<br />
her home.”<br />
As a small child, Andrea Hotere was left reading a book in<br />
the Museo del Prado while her parents investigated the<br />
Madrid museum.<br />
Her parents, poet Cilla McQueen and artist Ralph Hotere,<br />
were in Spain on an arts sabbatical and when Andrea got sick<br />
of trailing around after them she was left in a room to read,<br />
where Diego Velázquez’s ‘Las Meninas’ – one of the most<br />
written-about paintings of all time – hung.<br />
“It got into my consciousness. There’s something about it.”<br />
Decades later she returned to the painting as a subject for<br />
her first novel, The Vanishing Point.<br />
She grew up in Port Chalmers, Dunedin, with a lot of artists<br />
and writers “floating around” her home.<br />
“That was normal for me. I was very lucky … it was quite a<br />
rich environment in that regard.”<br />
Her interest in history developed at Logan Park High School<br />
thanks to some good teachers.<br />
“I took myself off to the university library in the sixth form<br />
to work on my school projects and got a kick out of it.”<br />
That led to studying history at the University of Otago.<br />
Enjoying interviewing as part of oral history projects led her<br />
to study journalism.<br />
“I always thought I might do something like writing a novel<br />
early on, but I think I felt I needed life experience before I<br />
ventured down that path.”<br />
In her thirties, when her children were young, she<br />
attempted a historical biography.<br />
“I got a bit frustrated. I thought I’m just going to write<br />
fiction and make it up. My historical bent was there in the<br />
background so I was naturally drawn to something that was<br />
going to be historical fiction.”<br />
About that time, she was at home folding laundry and<br />
tuned in to an interview on Radio New Zealand. It took a<br />
few minutes before she realised the painting they were talking<br />
about sounded familiar, although she wasn’t sure why.<br />
“Then I had a look at it and I remembered I had seen it and<br />
was quite intrigued when I was younger about the young girl<br />
in the painting and I wondered what had happened to her.”<br />
Curious, she began researching the painting to find<br />
out more.<br />
“While there is a huge amount of material written about<br />
the painting, enormous amounts, I couldn’t find that much<br />
about her and I thought that was interesting. She seemed like<br />
a young woman lost in a historical story.”<br />
So she began to dig deeper, especially into the girl, the<br />
Infanta Margaret Theresa, daughter of King Philip IV of Spain.<br />
“It wasn’t that she was ignored. She became an empress<br />
in Austria and celebrated over the years but I didn’t find<br />
a biography of her. The things were quite slight that were<br />
written about her.”<br />
The more Andrea looked at the painting, the more intrigued<br />
she became with the relationship between the people in the<br />
painting and the way it is constructed.<br />
“The way they look out at us to you as the viewer. So I<br />
guess the more I looked at it the more it intrigued me.”<br />
Andrea, who lives in Auckland, began a creative<br />
writing course with the idea of creating a story around<br />
Margaret Theresa.<br />
“Quite what it was going to be at that stage I didn’t really<br />
know. It was an adventure.”<br />
She was determined to produce a piece of creative work<br />
that was her own.<br />
“Taking the leap from expository writing in journalism …<br />
[it] is actually quite hard to let go of that and go somewhere<br />
different. You are trying to give people as few clues as possible<br />
but just enough so they work it out for themselves.
70 <strong>Magazine</strong> | Books<br />
“In journalism the impulse is to explain and I found when I<br />
started there was far too much of that authorial exposition.”<br />
It has taken a long time for Andrea to get to the end of<br />
the work but she never lost the excitement or interest in<br />
the story.<br />
“When you really launch yourself into the material,<br />
sometimes scenes come to you almost like dreams. It begins<br />
to take over every part of your life, including your sleep.”<br />
She worked on the novel when she could around her<br />
children’s school timetable and the pick-ups and drop-offs,<br />
but came to realise she needed a certain amount of discipline<br />
around when she worked.<br />
Sometimes it was early morning writing sessions, at<br />
other times it was recording her thoughts on her phone in<br />
the car or periods of solid time at home where she could<br />
write full‐time.<br />
“There were times I put it aside for long periods of time. I<br />
put it in a drawer at one point. I certainly wasn’t working on<br />
it full-time. I wasn’t able to work on it full-time, so it has had<br />
bursts of my fervent attention.”<br />
In hindsight, the first drafts of the manuscript did not have<br />
all the components necessary for what she had decided<br />
was going to be a “hidden mystery”, which she found<br />
quite frustrating.<br />
“Some of those final pieces came in within the last two<br />
drafts. Once I had the final revision made, everything<br />
came together.”<br />
Given it was her first novel, Andrea found it hard to stop<br />
wanting to revise it.<br />
“You want to keep improving it and see things you wish<br />
you’d done differently. It had to finish at a certain point.”<br />
Looking back, she especially enjoyed the process of creating<br />
the work as she loved doing research.<br />
“I like being in libraries, I enjoy digging around in archives<br />
and I’ve found the combination of that with trying to work<br />
out from a far distance people’s motivations based on<br />
whatever evidence I can glean and using my own intuition is a<br />
fascinating process. Kind of daunting at times.”<br />
She has been conscious of not wanting to do exactly what<br />
her parents had done, which was one reason she ended up in<br />
journalism. She has also worked in television and production.<br />
“I didn’t write about art really for a long time. Dad’s thing<br />
was his thing and [I] was quietly doing my own thing, looking<br />
at art and having an interest in art.”<br />
It took a while before Andrea felt comfortable about<br />
re‐entering the art world, but she did so with a collaborative<br />
project on 50 years of the Frances Hodgkins Fellowship with<br />
Priscilla Pitts in 2017.<br />
“It was one of the first phases when I put aside the novel<br />
and worked solidly for 18 months.<br />
“At the time, it was really refreshing, as I needed a break<br />
from the novel.”<br />
Doing that book, which included her father, gave her the<br />
opportunity to enter the world of artists again as she visited<br />
them in their studios for interviews.<br />
“The ways they work can be quite different [and that] was<br />
really interesting to me at that point.<br />
“It’s a great survey of those artists going back 50 years.”<br />
She found in a “parallel” way it helped with the novel<br />
although she did not draw on anything specifically said.<br />
“It was just more time in artists’ studios discussing thought<br />
processes that was really enriching.<br />
“I really believe in what artists do. I believe in artists as<br />
practitioners and writers; those roles in the arts are super<br />
important as they reflect things back to us, if we want<br />
to listen.”<br />
She’s on the eve of returning to her hometown for the<br />
Dunedin Writers & Readers Festival, her first as an author.<br />
“I’m honoured. I’ll have family there and mum will be at the<br />
same festival. That will be kind of funny.”<br />
Bluff-based Cilla saw part of the book early on. Andrea<br />
described her as “pretty restrained” in her comments and<br />
both realised writing poetry and novels were different.<br />
Sending her mother the manuscript the first time did leave<br />
Andrea on tenterhooks.<br />
“She’s obviously a real literary powerhouse and she has<br />
now read the book. She’s definitely been supportive.”<br />
However, Andrea felt the need to do the work on her own.<br />
“I’ve appreciated the feedback when she’s given me some.”<br />
With her first novel under her belt, Andrea says ideas for<br />
two more have already come to her. They’re in a similar vein<br />
but different.<br />
“I realise I’ve written one book and you think ‘Oh, yay, I<br />
know how to do it’ but as they say I’ve learnt how to write<br />
that book.<br />
“I think I’ll be quicker next time. They can be all different.”<br />
“I didn’t write about art really<br />
for a long time. Dad’s thing was<br />
his thing and [I] was quietly<br />
doing my own thing…”
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72 <strong>Magazine</strong> | Read<br />
Book club<br />
Great new reads to please even the pickiest of bookworms.<br />
WINNING REVIEW<br />
YOU'VE BEEN<br />
READING<br />
HELD<br />
Anne Michaels | Bloomsbury, $33<br />
From the author of the Orange Prize-winning Fugitive Pieces.<br />
Described by Margaret Atwood as “compelling”, “timely” and<br />
“luminous” and by The Observer’s John Berger as “monumental<br />
… The most important book I have read for 40 years”, the<br />
poetic, uniquely constructed Held begins on a battlefield in<br />
Europe in 1917 and spans four generations.<br />
MURRAY BALL: A CARTOONIST’S LIFE<br />
Mason Ball | HarperCollins, $45<br />
The first biography to be written about farmer, rugby player<br />
and much-loved Kiwi cartoonist Murray Ball, whose son<br />
Mason tells the humorous and heartwarming tale of how his<br />
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his endearing characters evolved and the long years of hard<br />
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ATLAS: THE STORY<br />
OF PA SALT<br />
Lucinda Riley & Harry Whittaker<br />
Pan Macmillan, $30<br />
Twenty-four hours is what it takes<br />
earth to make its daily rotation<br />
around the sun; it’s also how long<br />
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entirely on its gripping nature and<br />
not my lack of willpower. The final<br />
novel in the Seven Sisters saga has<br />
lost none of its charisma, brought<br />
to its thrilling end through the<br />
penmanship of Lucinda Riley’s son<br />
Harry after she lost her years-long<br />
battle with cancer. Buyer beware:<br />
make sure you’ve cleared your<br />
diary ahead of picking this one<br />
up… at least 24 hours of it!<br />
– Melinda Collins<br />
DAY<br />
Michael Cunningham | HarperCollins, $38<br />
From the brilliant mind of Pulitzer Prize winner (for The Hours)<br />
Michael Cunningham, Day, set in a Brooklyn brownstone on<br />
April 5, 2019, 2020 and 2021, is a searing, exquisitely crafted<br />
meditation on love and loss, and the struggles and limitations<br />
of family life – how to live together and apart, and maybe even<br />
escape the marriage plot entirely.<br />
KILL YOUR HUSBANDS<br />
Jack Heath | Allen & Unwin, $37<br />
Three couples rent a house in the mountains for an unplugged<br />
weekend of drinking and bushwalking. No internet, no phones,<br />
no stress. On the first night, the topic of partner-swapping comes<br />
up. It’s a joke, at first, then an agreement is made. But when the<br />
lights come back on, somebody is dead, and the car key is missing.<br />
They’re stranded. And the killer is just getting started… A wild,<br />
witty whodunnit from award-winning Aussie author Jack Heath<br />
(Hangman, Kill Your Brother).
Read | <strong>Magazine</strong> 73<br />
PICCADILLY PICKS<br />
THE SEVEN<br />
Chris Hammer<br />
Allen & Unwin, $37<br />
Chris Hammer again takes<br />
us to the parched interior<br />
of New South Wales where<br />
access to water has always<br />
determined the future of<br />
agriculture, the development<br />
of rural towns and the lives<br />
of land-owning dynasties.<br />
It’s 1900, and the need<br />
for year-round irrigation is<br />
becoming obvious to some,<br />
and seven wealthy farming families adopt a scheme that<br />
would capture access to water. Fast-forward to 1993, a<br />
body has been found, and detectives Ivan Lucic and Nell<br />
Buchanan are brought in to assist area police.<br />
A further murder and the investigation centres on ‘The<br />
Seven’, those now leading the families that remain and their<br />
predecessors back to their early 1900 origins. Lucic and<br />
Buchanan uncover hidden family secrets, unsolved crimes,<br />
deception, corruption and ongoing fraud among politicians,<br />
police and the farming community.<br />
Hammer has studied the Murray and the Riverina, and<br />
writes this thriller with skill and proven authenticity on the<br />
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– Neville Templeton<br />
SECRET GARDENS<br />
OF AOTEAROA<br />
Jane Mahoney &<br />
Sophie Bannan<br />
Allen & Unwin, $50<br />
A beautiful hardcover<br />
book of “field notes and<br />
practical wisdom”, by Jane<br />
Mahoney and Sophie<br />
Bannan. I have just read,<br />
and been captivated by,<br />
this new New Zealand<br />
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private gardens are included,<br />
all owned and nurtured by ardent everyday gardeners<br />
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Every garden is different but all embody the merit of<br />
sustainable gardening practices. Knowledge and skills are<br />
shared freely, along with pages of delightful photographs<br />
from each garden.<br />
In separate chapters, we learn about each individual<br />
garden, and each gardener, along with personal notes and<br />
observations from them, resulting from the creation and<br />
experience they have learned.<br />
I can recommend this book to all garden lovers!<br />
– Helen Templeton<br />
WIN WITH PICCADILLY BOOKSHOP<br />
READ ANY GOOD BOOKS LATELY?<br />
Send us 50–75 words on why you recommend it, with the title and your first and last name for publication,<br />
to josie@alliedpressmagazines.co.nz and you could win a $25 voucher to spend at Piccadilly Bookshop.<br />
we love books<br />
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Shop 1, Avonhead Mall Corner of Merrin Street & Withells Road, Avonhead | P. 358 4835
74 <strong>Magazine</strong> | Win<br />
Win with <strong>03</strong><br />
Every issue, <strong>03</strong> <strong>Magazine</strong> sources a range of exceptional prizes to give away.<br />
It’s easy to enter – simply go to <strong>03</strong>magazine.co.nz and fill in your details on the<br />
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Delightful bites<br />
The second delicious cookbook by wholefood-driven Kiwi<br />
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Beautiful memories<br />
One of the OGs of the Linden Leaves collection, and for<br />
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PREVIOUS WINNERS<br />
Vege Patch from Scratch by Jo McCarroll: Jenny Ansley, Emma Buhler;<br />
Nevé ‘Festive Favourites’ candles: Jeni Sparks; Green Meadows Beef x McClure’s Pickles prize packs: Laura King, Izzy Rose;<br />
Daily Good immunity shots packs: Gareth Clarke, Lynda Hall-Jones<br />
*Conditions: Each entry is limited to one per person. You may enter all giveaways. If you are selected as a winner, your name will be published in the following month’s edition.<br />
By registering your details, entrants give permission for Allied Press <strong>Magazine</strong>s to send further correspondence, which you can opt out of at any stage.
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