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BEJEWELLED ART : A BALANCING ACT<br />
By: ROBERT JOBSON, Royal Biographer of the British Monarchy<br />
To create art that immerses the soul has always been my goal,” says Philippine-based artist and<br />
jeweller Ivan Co. “We are currently at war with distractions and I want my art to help people<br />
relearn how to focus. This intention and its proper execution, I believe, brings art to a higher<br />
plane.” These are bejewelled works of wonder, made of hand-wrought precious metals and<br />
semiprecious stones, which swing to their own beat. With scientific precision – using<br />
pendulums, axles and intricate balancing points – each piece is a moving sculpture that rocks<br />
and swivels to mesmerising effect.<br />
On view at The Conrad Manila as part of its Art and Wine series is Ivan Co’s “<strong>Paracosm</strong>.”<br />
<strong>Paracosm</strong> is a term used to describe a complex and richly detailed imaginary world created<br />
over the span of a number of years. These latest works gives us a peek into the paracosmic<br />
artist’s belief that all of human creation and concepts has been born in part from the depths of<br />
human imagination, moulded into being through creativity and ingenuity. Imagination is Co’s<br />
most powerful and influential aspect of consciousness. Through his swivelling pieces, we see<br />
that they’re created from the artist’s innate calling to think, explore and create outside the<br />
limits of what his eyes can see. He has created and forged complex worlds in intricate detail<br />
where one can find moments of solace and respite from reality.<br />
Take Ivan’s Fenestra, a wall-hanging sculpture composed of concentric shapes with pendulums<br />
that oscillate at different speeds to draw the audience in a different world. Intended to be a<br />
gateway to an unknown world that only the mind can create, it invites its audience to free the<br />
mind from its limits and peer into its most creative aspects. Then there is Orbis, a spherical<br />
sculpture that features a series of concentric wheels that rotate at different speeds, to<br />
appealingly disorientating effect. These are ornate, ingenious, mobile creations, involving both<br />
art and craftsmanship; natural gems are used as weights, their pendulum action deeply<br />
engrossing. “In a sense, they are collaborations with nature, too,” Co explains, as the effect of<br />
gravity is key in their making and operation. “Every piece is one of a kind. Whether sapphire, or<br />
tourmaline, I weigh each gem to create the perfect balance for a certain movement,” he says.<br />
Having a stress-relieving quality, Co’s sculptures reflect the pushes and pulls and tensions of<br />
everyday life, their elegant movement has a calming and hypnotic effect on the viewer. Energy<br />
fields are balanced and audiences are drawn in by their trance-like qualities and exquisite<br />
workmanship. “I want my pieces to provide an escape, as they do for me,” he says. “I stay with<br />
a piece for an hour; it helps open the mind. I find this in my work: sometimes my hands just<br />
move of their own accord when I am creating.”<br />
In today’s uncertain times, the demand for Co’s work has continued to rise as he enjoys success<br />
in a global scale. Take his Rotundum series, each with moving sceptres that flows elegantly,<br />
creating a paradigm of serene mobility that is undisturbed by global strife or mental stress. To<br />
move rhythmically with the tempo and melody of life is in itself a balancing act. And the artist<br />
reminds us of that majestically through his distinct bejewelled art.