15.12.2023 Views

Like Leaves in Autumn by Carlo Pirozzi et al sampler

Published to mark the first centenary of Italy’s entry into the Great War, Like Leaves in Autumn features 21 original Italian poems by Giuseppe Ungaretti, with new English translations by Heather Scott. These are set alongside 21 new poems by contemporary Scottish poets writing in response to Ungaretti, and are illustrated with striking black-and-white artworks from the ARTIST ROOMS collection, owned by National Galleries of Scotland and Tate.

Published to mark the first centenary of Italy’s entry into the Great War, Like Leaves in Autumn features 21 original Italian poems by Giuseppe Ungaretti, with new English translations by Heather Scott. These are set alongside 21 new poems by contemporary Scottish poets writing in response to Ungaretti, and are illustrated with striking black-and-white artworks from the ARTIST ROOMS collection, owned by National Galleries of Scotland and Tate.

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

carnage was terrible, with more than 300,000 It<strong>al</strong>ians and Austro-<br />

Hungarian soldiers los<strong>in</strong>g their lives, but Ungar<strong>et</strong>ti came through the<br />

conflict unscathed.<br />

After the war, Ungar<strong>et</strong>ti s<strong>et</strong>tled <strong>in</strong> Rome with his family, work<strong>in</strong>g <strong>in</strong><br />

the Press Office at the It<strong>al</strong>ian M<strong>in</strong>istry of Foreign Affairs and as a<br />

correspondent for Il Popolo d’It<strong>al</strong>ia, an important politic<strong>al</strong> daily paper<br />

founded <strong>by</strong> Benito Mussol<strong>in</strong>i. His position at the M<strong>in</strong>istry <strong>al</strong>lowed him<br />

to travel cont<strong>in</strong>u<strong>al</strong>ly and he was able to lecture at various European<br />

universities as well as further afield. In 1936 he moved to Brazil, where<br />

he took up a teach<strong>in</strong>g post at São Paulo University. Dur<strong>in</strong>g his stay <strong>in</strong><br />

South America, which lasted until 1942, he managed to forge l<strong>in</strong>ks<br />

with some of the lead<strong>in</strong>g Brazilian po<strong>et</strong>s, <strong>in</strong>clud<strong>in</strong>g a young V<strong>in</strong>icius<br />

de Moraes, for whom he translated sever<strong>al</strong> poems. Ungar<strong>et</strong>ti then<br />

r<strong>et</strong>urned to Rome, where at La Sapienza University, he was given the<br />

Chair of It<strong>al</strong>ian Literature. Dur<strong>in</strong>g the Roman years he cont<strong>in</strong>ued<br />

travell<strong>in</strong>g <strong>in</strong> Europe, Africa, North and South America and Asia. He<br />

came home from his last trip, absolutely exhausted. Immediately after,<br />

on the night of 1 June 1970, he passed away at the age of 82.<br />

Among his many works, of particular note are his translations of<br />

Stéphane M<strong>al</strong>larmé, Jean Rac<strong>in</strong>e and Sa<strong>in</strong>t-John Perse, 40 sonn<strong>et</strong>s <strong>by</strong><br />

Shakespeare and other sonn<strong>et</strong>s <strong>by</strong> Luis de Góngora, a large number of<br />

William Blake’s Visions, and some excellent versions of Ezra Pound,<br />

Sergei Esen<strong>in</strong> and Brazilian po<strong>et</strong>s, such as José Osw<strong>al</strong>d de Souza<br />

Andrade, Mário de Andrade and V<strong>in</strong>icius de Moraes. Out of his<br />

enormous corpus of literary criticism, the university lectures that he<br />

gave dur<strong>in</strong>g his stay <strong>in</strong> Brazil are especi<strong>al</strong>ly memorable, pr<strong>in</strong>cip<strong>al</strong>ly<br />

those centred on the founders of It<strong>al</strong>ian and European literature, Dante<br />

and P<strong>et</strong>rarch. No less important are his lectures on the centr<strong>al</strong>ity and<br />

<strong>in</strong>disputable merit of Leopardi. Ungar<strong>et</strong>ti, moreover, cont<strong>in</strong>ued to<br />

explore Leopardi’s work <strong>in</strong> depth dur<strong>in</strong>g his period at La Sapienza<br />

University (See Vita d’un uomo. Viaggi e lezioni, a cura di Paola<br />

Montefoschi, Milano, Mondadori, 2000).<br />

Ungar<strong>et</strong>ti’s most important collections <strong>in</strong>clude L’Allegria (The Joy,<br />

1919), A Sense of Time (Il Sentimento del Tempo, 1933), Il Dolore<br />

(Affliction, 1947), La Terra Promessa (The Promised Land, 1950) and<br />

Il Taccu<strong>in</strong>o del Vecchio (The Old Man’s Notebook, 1960). These are<br />

the fundament<strong>al</strong> components of his compl<strong>et</strong>e works collected under<br />

18 like leaves <strong>in</strong> autumn

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!