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wcw JANUARY 2024

Happy New Year! Check out al the exciting things to do, explore and learn in this issue. Love dining out? Then you'll enjoy our feature on Natalia Levey who owns and manages many restaurants in or area including Palm Avenue Deli, Kojo and Bar Hana (to name a few). It's our Lifelong Learning issue. Learn to make some great mocktails and discover what's goin on in historic preservation in Sarasota.

Happy New Year! Check out al the exciting things to do, explore and learn in this issue. Love dining out? Then you'll enjoy our feature on Natalia Levey who owns and manages many restaurants in or area including Palm Avenue Deli, Kojo and Bar Hana (to name a few). It's our Lifelong Learning issue. Learn to make some great mocktails and discover what's goin on in historic preservation in Sarasota.

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travel feature<br />

The Morgan Library & Museum<br />

Turns 100<br />

A noteworthy collections of books, drawings, photographs and more<br />

You’re overwhelmed<br />

with<br />

cultural opportunities<br />

when<br />

you visit New<br />

York City and the pattern<br />

is usually MOMA, The<br />

Met, The Whitney - all<br />

wonderful places to visit.<br />

Decidedly not an also<br />

ran and a place that definitely<br />

should be higher<br />

up on that list is the Morgan<br />

Library & Museum.<br />

Maybe that’s because it’s<br />

primarily known as a library,<br />

but it also has art.<br />

And then there’s that<br />

library—a dazzling collection of rare<br />

books including three copies of the<br />

Gutenberg Bible, the first substantial<br />

book printed from movable type in the<br />

West all beautifully displayed on three<br />

levels. It’s a room right out of a Harry<br />

Potter movie.<br />

Then there’s J.P. Morgan’s original office<br />

where you can imagine one of the world’s wealthiest men<br />

planning his next financial undertakings or purchases for<br />

his collection.<br />

The Morgan Library was founded in 1906 to house the<br />

banker J. P. Morgan’s private library. His private library included<br />

manuscripts, drawings, printed books, and more.<br />

In 1924 the library became a public institution by his son,<br />

John Pierpont Morgan, Jr., as per his father’s will.<br />

The Morgan Library & Museum is located in a non-museum<br />

part of New York at 225 Madison Avenue, between<br />

36th Street to the south and 37th Street to the north. The<br />

Morgan Library & Museum is composed of several structures<br />

including the galleries and the library wing. The private<br />

residence is not open to the public.<br />

Morgan’s library, as it was known in his lifetime, was built<br />

between 1902 and 1906 adjacent to his New York residence<br />

at Madison Avenue and 36th Street. Designed by<br />

Charles McKim of the architectural firm McKim, Mead &<br />

White, the library was intended as something more than<br />

a repository of rare materials. Majestic in appearance yet<br />

intimate in scale, the structure was to reflect the nature<br />

and stature of its holdings. The result was an Italian Renaissance-style<br />

palazzo with three magnificent rooms<br />

epitomizing America’s Age of Elegance.<br />

The largest expansion in the Morgan’s history, adding<br />

75,000 square feet to the campus, was completed in<br />

2006. Designed by architect Renzo Piano, the project increased<br />

exhibition space by more than fifty percent and<br />

added visitor amenities, including a new performance<br />

hall, a welcoming entrance on Madison Avenue, a new<br />

café and a new restaurant, a shop, a new reading room,<br />

and collections storage. Piano’s design integrates the<br />

Morgan’s three historical buildings with three scaled<br />

steel-and-glass pavilions. A central court connects the<br />

buildings and serves as a gathering place for visitors in<br />

the spirit of an Italian piazza.<br />

They’ve got some exciting exhibits for their centennial<br />

including a landmark exhibition exploring the life and<br />

legacy of Belle da Costa Greene, famed librarian and inaugural<br />

director of the Morgan.<br />

J.P. Morgan himself hired Greene to grow and look after<br />

his collection of manuscripts. Throughout her career,<br />

Greene—who came from a prominent Black family in<br />

D.C.—claimed to be of Portuguese descent to pass as<br />

White in a racist and segregated America. This landmark<br />

exhibition explores social issues of the time while celebrating<br />

the life and legacy of Da Costa Greene who, despite<br />

being one of America’s most prominent librarians,<br />

remains an undersung legend.<br />

Beatrix Potter<br />

Another highlight of the Centennial programming is an<br />

exhibition dedicated to the legendary British children’s<br />

books illustrator and author Beatrix Potter, traveling<br />

from the Victoria & Albert Museum in London. Beatrix<br />

Potter: Drawn to Nature, will examine the writer’s deep<br />

connection with the British countryside, which inspired<br />

her fantastic tales populated by animals combining their<br />

natural characteristics with human behaviors.<br />

On view now:<br />

❑ Seen Together: Acquisitions in Photography on display<br />

January 26 through May 26, <strong>2024</strong>.<br />

Seen Together showcases over 40 previously unexhibited<br />

works acquired by the Morgan’s Department of Photography<br />

since its founding in 2012.<br />

One wall of the exhibition features 18 photographs of<br />

prominent figures from many creative disciplines, notably<br />

visual art (Yayoi Kusama, Marcel Duchamp, Saul<br />

Steinberg), literature (Marianne Moore, Jack Kerouac),<br />

performance (Yoko Ono, Harlem Renaissance dancer<br />

Edna Guy), and music (Louis Hardin, aka Moondog). Visually<br />

inventive photography of artists—transcending “portraiture”<br />

in the familiar sense—forms.<br />

Centennial Year Exhibition Program:<br />

❑ Beatrix Potter: Drawn to Nature (February 23 through<br />

June 9, <strong>2024</strong>)<br />

Beatrix Potter: Drawn to Nature brings together artwork,<br />

books, manuscripts, and artifacts from several institutions<br />

in the United Kingdom, including the Victoria and<br />

Albert Museum, the National Trust, and the Armitt Museum<br />

and Library. Paired with the Morgan’s collection of<br />

her picture letters, these objects trace how Potter’s innovative<br />

blend of scientific observation and imaginative<br />

storytelling shaped some of the world’s most popular<br />

children’s books.<br />

❑ Walton Ford: Birds and Beasts of the Studio (April 12<br />

Belle da Costa Greene<br />

through October 6, <strong>2024</strong>)<br />

American artist Walton Ford (b. 1960) established<br />

his reputation in the 1990s with<br />

his monumental watercolor paintings of<br />

wild animals inspired by true or legendary<br />

stories. Fascinated by the perception of wilderness<br />

in the collective imagination and<br />

by the consequences of human behavior—<br />

from colonialism to climate change—for<br />

the future of wildlife species, Ford develops<br />

complex narratives that have renewed the<br />

genre of animal painting.<br />

The exhibition features a selection of animal<br />

drawings by earlier artists—from Peter Paul<br />

Rubens and Maria Sibylla Merian to Eugène<br />

Delacroix, Antoine-Louis Barye, and John<br />

James Audubon—selected by Ford from<br />

the Morgan’s collection.<br />

❑ Belle da Costa Greene: A Librarian’s<br />

Legacy (October 25, <strong>2024</strong> through May 4, 2025)<br />

Belle da Costa Greene (1879–1950) is one of the most<br />

prominent librarians in American history and is widely<br />

recognized as an authority on illuminated manuscripts<br />

and deeply respected as a cultural heritage executive.<br />

Born Belle Marion Greener, she was the daughter of Richard<br />

T. Greener (1844-1922), who was the first Black graduate<br />

of Harvard College.<br />

The exhibition traces Greene’s storied life, from her roots<br />

in a predominantly Black community in Washington,<br />

D.C., to her distinguished career at the helm of the Morgan,<br />

one of the world’s great research libraries. Through<br />

the display of extraordinary objects―from medieval<br />

manuscripts and rare printed books to archival records<br />

and portraits―the exhibition demonstrates the confidence<br />

and savvy Greene brought to her roles as librarian,<br />

scholar, curator, and cultural executive, and honors her<br />

enduring legacy.<br />

Additional exhibitions include:<br />

❑ Liberty to the Imagination: Drawings from the Eveillard<br />

Gift (June 7 through October 6, <strong>2024</strong>)<br />

❑ Crafting the Ballets Russes: The Robert Owen Lehman<br />

Collection (June 28 through September 22, <strong>2024</strong>)<br />

❑ Far and Away: Drawings from the Clement C. Moore<br />

Collection (June 28 through September 22, <strong>2024</strong>)<br />

❑ Franz Kafka (November 22, <strong>2024</strong> through April 13, 2025).<br />

Plan Your Trip:<br />

The Morgan Library & Museum<br />

225 Madison Avenue, New York, NY<br />

The Morgan Library & Museum is open Tuesday,<br />

Wednesday, Thursday, Saturday, and Sunday from 10:30<br />

am to 5 pm, and Friday from 10:30 am to 7 pm.<br />

Entry to the Museum is by timed ticket. For tickets<br />

and information, visit www.themorgan.org<br />

STORY and IMAGES: Louise Bruderle<br />

<strong>JANUARY</strong> <strong>2024</strong> WEST COAST WOMAN 25

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