Magzoid Magazine - Luxury Magazine in the Creative Space | February 2024 |
People discuss my art and pretend to understand as if it were necessary to understand, when it’s simply necessary to love. — Claude Monet Dive into the vibrant canvas of Magzoid Magazine's February edition, "The Red Edition," as we usher in the month of love with a celebration of passion, creativity, and design. Redefine your senses with the cover story unveiling the depth and intensity of the color red, a symbolic ode to love and artistic expression. In the realm of art, our exclusive interview features Pouran Jinchi, unraveling her exhibition "Fly like a Dandelion" at Third Line, exploring themes of migration. Kamran Samimi takes center stage with "Before Nature (I Am Both Created and Destroyed)," drawing inspiration from Dubai's natural materials, creating a profound dialogue between creation and destruction.
People discuss my art and pretend to understand as if it were necessary to understand, when it’s simply necessary to love.
— Claude Monet
Dive into the vibrant canvas of Magzoid Magazine's February edition, "The Red Edition," as we usher in the month of love with a celebration of passion, creativity, and design. Redefine your senses with the cover story unveiling the depth and intensity of the color red, a symbolic ode to love and artistic expression.
In the realm of art, our exclusive interview features Pouran Jinchi, unraveling her exhibition "Fly like a Dandelion" at Third Line, exploring themes of migration. Kamran Samimi takes center stage with "Before Nature (I Am Both Created and Destroyed)," drawing inspiration from Dubai's natural materials, creating a profound dialogue between creation and destruction.
Transform your PDFs into Flipbooks and boost your revenue!
Leverage SEO-optimized Flipbooks, powerful backlinks, and multimedia content to professionally showcase your products and significantly increase your reach.
GROW YOUR<br />
BUSINESS<br />
We make Short / Long Term<br />
Investments <strong>in</strong> Grow<strong>in</strong>g Bus<strong>in</strong>esses<br />
www.wasaya<strong>in</strong>vestments.com
Editor’s note<br />
Art That Matters<br />
Advertisers advertised <strong>in</strong> this guide are <strong>in</strong>cluded on a sponsored basis. Details are correct at <strong>the</strong> time of go<strong>in</strong>g to press, but offers and prices may change.<br />
EDITORIAL<br />
Editor <strong>in</strong> Chief: Saleha Khanam, saleha@magzoid.com<br />
Assistant Editor: Mus’ab Shaikh, musab@magzoid.com<br />
Guest Contributor: Varsha Sureka, varsha@magzoid.com<br />
SPONSORSHIPS & ADVERTISING<br />
Sakshi Lalwani<br />
+971 58 596 6036<br />
sakshi@magzoid.com<br />
EVENT & MEDIA PARTNERSHIPS<br />
Ashish Kumar<br />
+971 58 579 2570<br />
ashish@magzoid.com<br />
DESIGN<br />
Hassan Khan<br />
hassan@magzoid.com<br />
Get your story featured<br />
artist@magzoid.com<br />
Order a pr<strong>in</strong>ted copy<br />
pr<strong>in</strong>t@magzoid.com<br />
Advertisement queries<br />
advertise@magzoid.com<br />
Art gallery promotion<br />
gallery@magzoid.com<br />
Press Release<br />
press@magzoid.com<br />
For Art News<br />
news@magzoid.com<br />
@magzoidmagaz<strong>in</strong>e<br />
Published By:<br />
Approved and Licensed By:<br />
National Media Council,UAE<br />
PO BOX: 414975, Dubai, UAE<br />
<strong>Magzoid</strong> has taken constant efforts to make sure that content is accurate<br />
as on <strong>the</strong> date of publication. The published articles, editorials, material,<br />
adverts and all o<strong>the</strong>r content is published <strong>in</strong> a good faith and op<strong>in</strong>ions<br />
and views are not necessarily those of <strong>the</strong> publishers. We regret that we<br />
cannot guarantee and accept no liability for any loss or damage of any<br />
k<strong>in</strong>d caused by this magaz<strong>in</strong>e and errors and for <strong>the</strong> accuracy of claims<br />
<strong>in</strong> any forms by any advertisers or readers. We advise <strong>the</strong> readers to seek<br />
<strong>the</strong> advice of specialists before act<strong>in</strong>g on <strong>in</strong>formation published <strong>in</strong> <strong>the</strong><br />
magaz<strong>in</strong>e. The trademarks, logos, pictures, doma<strong>in</strong> names and service<br />
marks (collectively <strong>the</strong> "Trademarks") displayed on this magaz<strong>in</strong>e are<br />
registered and unregistered Trademarks of <strong>Magzoid</strong> and its content<br />
providers. All rights reserved and noth<strong>in</strong>g can be partially or <strong>in</strong> whole be<br />
repr<strong>in</strong>ted or reproduced or stored <strong>in</strong> a retrieval system or transmitted <strong>in</strong><br />
any form without a written consent.<br />
Please recycle <strong>the</strong> magaz<strong>in</strong>e once you've f<strong>in</strong>ished read<strong>in</strong>g it<br />
“People discuss my art and pretend to understand as if it were necessary to<br />
understand, when it’s simply necessary to love.” - Claude Monet<br />
Dive <strong>in</strong>to <strong>the</strong> vibrant canvas of <strong>Magzoid</strong> <strong>Magaz<strong>in</strong>e</strong>’s <strong>February</strong> edition, “The Red Edition,”<br />
as we usher <strong>in</strong> <strong>the</strong> month of love with a celebration of passion, creativity, and<br />
design. Redef<strong>in</strong>e your senses with <strong>the</strong> cover story unveil<strong>in</strong>g <strong>the</strong> depth and <strong>in</strong>tensity of<br />
<strong>the</strong> color red, a symbolic ode to love and artistic expression.<br />
In <strong>the</strong> realm of art, our exclusive <strong>in</strong>terview features Pouran J<strong>in</strong>chi, unravel<strong>in</strong>g her<br />
exhibition “Fly like a Dandelion” at Third L<strong>in</strong>e, explor<strong>in</strong>g <strong>the</strong>mes of migration. Kamran<br />
Samimi takes center stage with “Before Nature (I Am Both Created and Destroyed),”<br />
draw<strong>in</strong>g <strong>in</strong>spiration from Dubai’s natural materials, creat<strong>in</strong>g a profound dialogue between<br />
creation and destruction.<br />
Express<strong>in</strong>g love for art, we spotlight featured artists Asma Belhamar, Hassan Sharif,<br />
and Noura Al Serkal, whose work sets <strong>the</strong> stage for an <strong>in</strong>spir<strong>in</strong>g journey <strong>in</strong>to <strong>the</strong> depths<br />
of creative expression.<br />
Celebrate <strong>February</strong> with special days such as International Development Week, Valent<strong>in</strong>e’s<br />
Day, World Cancer Day, and World Day of Social Justice. Our Designer’s Corner<br />
unveils <strong>the</strong> latest <strong>in</strong> timepieces, jewelry, footwear, and fashion threads, highlight<strong>in</strong>g <strong>the</strong><br />
essence of love and design.<br />
A special segment, “Love Unwrapped,” br<strong>in</strong>gs forth unique gift<strong>in</strong>g ideas for your loved<br />
ones, captur<strong>in</strong>g <strong>the</strong> true essence of love. Architectural wonders grace our pages with<br />
<strong>the</strong> SkyGarden House and Unileão School Veter<strong>in</strong>ary Hospital, showcas<strong>in</strong>g brilliance <strong>in</strong><br />
design and functionality.<br />
Explore “<strong>February</strong>’s Flavorful Love: Dubai’s Div<strong>in</strong>e D<strong>in</strong>es and Cozy Inns,” a curated<br />
list of places to eat and stay, creat<strong>in</strong>g unforgettable moments with your loved ones. We’re<br />
also thrilled to collaborate with Bestune for an extraord<strong>in</strong>ary event celebrat<strong>in</strong>g <strong>the</strong> 70th<br />
anniversary of FAW Group. Immerse yourself <strong>in</strong> <strong>the</strong> artistic collaboration featur<strong>in</strong>g murals<br />
<strong>in</strong> <strong>the</strong> showroom and calligraphy adorn<strong>in</strong>g <strong>the</strong> cars—a testament to <strong>the</strong> harmonious<br />
fusion of art and automotive excellence.<br />
“The Red Edition” promises a passionate journey through <strong>the</strong> colors of love, art, and<br />
design, ensur<strong>in</strong>g your <strong>February</strong> is filled with warmth and <strong>in</strong>spiration. Happy read<strong>in</strong>g!<br />
Editor <strong>in</strong> Chief<br />
Saleha Khanam<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
5
CONTENTS<br />
FEATURED ARTIST<br />
09 Hassan Sharif<br />
15 Asma Belhamar<br />
27 Noura Al Serkal<br />
31 Sandeep Soni<br />
SPECIAL DAY<br />
23 International Development Week<br />
43 Valent<strong>in</strong>e’s Day<br />
49 World Cancer Day<br />
59 World Day of Social Justice<br />
EDITORIAL<br />
25<br />
The Inseparable Bond of Love and<br />
Art: A Palette of Emotions<br />
BESTUNE X MAGZOID<br />
32<br />
Bestune Celebrates 70 Years of<br />
FAW’s Legacy with a Dist<strong>in</strong>ctive<br />
Artistic Showcase<br />
BRUSHTROKES FROM THE PAST<br />
39<br />
Alma-Tadema’s “A Foregone<br />
Conclusion”<br />
6 <strong>February</strong> <strong>2024</strong> www.magzoid.com
CONVERSATIONS<br />
19<br />
44<br />
Kamran Samimi<br />
Pouran J<strong>in</strong>chi<br />
KNOWLEDGE BASE<br />
56<br />
Love and Art: A Timeless Tapestry<br />
of Emotion<br />
DESIGNER’S CORNER<br />
66<br />
68<br />
70<br />
72<br />
74<br />
76<br />
81<br />
87<br />
90<br />
92<br />
93<br />
94<br />
About Time<br />
Bl<strong>in</strong>g Bow<br />
On Foot<br />
Max Mara<br />
Unorthodox<br />
FOG X Adidas<br />
Toons & Manga<br />
Architectural Wonders<br />
Art Exhibitions & Events<br />
Featured Artwork<br />
Featured Photographs<br />
<strong>February</strong>’s Flavorful Love: Dubai’s<br />
Div<strong>in</strong>e D<strong>in</strong>es and Cozy Inns<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
7
FEATURED ARTIST<br />
8 <strong>February</strong> <strong>2024</strong> www.magzoid.com
Exclusive<br />
HASSAN<br />
S H A R I F<br />
Hassan Sharif rema<strong>in</strong>s an <strong>in</strong>delible force with<strong>in</strong> <strong>the</strong> realm of contemporary<br />
art, leav<strong>in</strong>g beh<strong>in</strong>d a legacy that cont<strong>in</strong>ues to resonate with profound<br />
impact and <strong>in</strong>fluence. Born on 1 January 1951 <strong>in</strong> <strong>the</strong> United Arab<br />
Emirates, Sharif’s artistic journey and <strong>in</strong>tellectual contributions have solidified<br />
his reputation as a pivotal figure <strong>in</strong> <strong>the</strong> development and proliferation<br />
of conceptual art with<strong>in</strong> <strong>the</strong> Gulf region.<br />
Based <strong>in</strong> Dubai, Sharif’s multifaceted<br />
practice encompassed a wide array<br />
of mediums, from sculpture and <strong>in</strong>stallation<br />
to performance and draw<strong>in</strong>g.<br />
His <strong>in</strong>novative approach to artmak<strong>in</strong>g<br />
transcended conventional boundaries, challeng<strong>in</strong>g<br />
established norms and redef<strong>in</strong><strong>in</strong>g<br />
<strong>the</strong> parameters of artistic expression. Sharif’s<br />
unwaver<strong>in</strong>g commitment to experimentation<br />
and exploration earned him <strong>the</strong> title of<br />
“fa<strong>the</strong>r of conceptual art <strong>in</strong> <strong>the</strong> Gulf,” a testament<br />
to his groundbreak<strong>in</strong>g contributions<br />
and visionary perspective.<br />
In addition to his prolific artistic practice,<br />
Sharif was also a dedicated writer, articulat<strong>in</strong>g<br />
his thoughts, ideas, and philosophies<br />
with eloquence and <strong>in</strong>sight. His writ<strong>in</strong>gs<br />
provided <strong>in</strong>valuable <strong>in</strong>sights <strong>in</strong>to his creative<br />
process, offer<strong>in</strong>g readers and fellow artists<br />
a deeper understand<strong>in</strong>g of his artistic vision<br />
and <strong>in</strong>tellectual pursuits.<br />
Sharif’s endur<strong>in</strong>g impact on <strong>the</strong> art world<br />
is fur<strong>the</strong>r evidenced by <strong>the</strong> <strong>in</strong>clusion of his<br />
work <strong>in</strong> major public collections across <strong>the</strong><br />
globe. Institutions such as <strong>the</strong> Guggenheim<br />
New York, Guggenheim Abu Dhabi, Centre<br />
Pompidou, Mathaf Arab Museum of Modern<br />
Art, Tate Modern, and Sharjah Art Foundation<br />
have recognized <strong>the</strong> significance of his<br />
contributions, preserv<strong>in</strong>g his artworks for<br />
future generations and ensur<strong>in</strong>g his legacy<br />
endures.<br />
Through his found<strong>in</strong>g of Al Marijah Art<br />
Atelier and his mentorship of emerg<strong>in</strong>g artists,<br />
Sharif played a pivotal role <strong>in</strong> shap<strong>in</strong>g<br />
<strong>the</strong> artistic landscape of <strong>the</strong> United Arab<br />
Emirates. His dedication to foster<strong>in</strong>g creativity,<br />
nurtur<strong>in</strong>g talent, and champion<strong>in</strong>g <strong>the</strong><br />
transformative power of art has left an <strong>in</strong>delible<br />
mark on <strong>the</strong> cultural fabric of <strong>the</strong> region.<br />
Hassan Sharif’s life and work serve as a<br />
testament to <strong>the</strong> profound impact of artistic<br />
vision, <strong>in</strong>tellectual curiosity, and unwaver<strong>in</strong>g<br />
dedication. His endur<strong>in</strong>g legacy cont<strong>in</strong>ues<br />
to <strong>in</strong>spire and resonate, rem<strong>in</strong>d<strong>in</strong>g us of <strong>the</strong><br />
boundless possibilities of artistic exploration<br />
and <strong>the</strong> endur<strong>in</strong>g power of creativity to transcend<br />
boundaries, challenge conventions,<br />
and foster mean<strong>in</strong>gful dialogue.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
9
UAE<br />
ART DUBAI ANNOUNCES<br />
PROGRAMMES AND PARTNERSHIPS<br />
FOR <strong>2024</strong> EDITION<br />
Dubai, United Arab Emirates – 9<br />
January <strong>2024</strong> – Art Dubai today<br />
announces details of <strong>the</strong> programm<strong>in</strong>g<br />
and partnerships for its 17th<br />
edition, which will take place at Mad<strong>in</strong>at Jumeirah,<br />
Dubai from 1 to 3 March, (previews<br />
on Wednesday 28 and Thursday 29 <strong>February</strong>).<br />
Art Dubai’s <strong>2024</strong> will feature an expanded<br />
programme of collaborations with local and<br />
<strong>in</strong>ternational partners, underscor<strong>in</strong>g <strong>the</strong> fair’s<br />
position as <strong>the</strong> meet<strong>in</strong>g po<strong>in</strong>t for <strong>the</strong> Global<br />
South’s creative communities and its mission<br />
to redef<strong>in</strong>e <strong>the</strong> role an art fair can play <strong>in</strong><br />
support<strong>in</strong>g local and regional ecosystems.<br />
Programme highlights will <strong>in</strong>clude major new<br />
commissions and premières by <strong>in</strong>ternationally<br />
renowned artists and <strong>the</strong> most extensive<br />
education, talks and thought-leadership programme<br />
of any <strong>in</strong>ternational art fair.<br />
S<strong>in</strong>ce its found<strong>in</strong>g, Art Dubai has been<br />
committed to work<strong>in</strong>g with <strong>in</strong>stitutional and<br />
commercial partners to develop new commission<strong>in</strong>g<br />
models and long-term <strong>in</strong>novative,<br />
high-impact cultural programm<strong>in</strong>g. These<br />
collaborations place particular emphasis on<br />
education and digital technologies, which<br />
are cornerstones of Art Dubai’s extensive<br />
year-round programm<strong>in</strong>g; <strong>the</strong>y play a crucial<br />
role <strong>in</strong> shap<strong>in</strong>g <strong>the</strong> future of Dubai’s cultural<br />
<strong>in</strong>frastructure, as well as respond<strong>in</strong>g to some<br />
of <strong>the</strong> most important issues of our time.<br />
Pablo del Val, Art Dubai’s Artistic Director<br />
commented:<br />
“Art fairs like Art Dubai have a responsibility<br />
to be far more than commercial platforms<br />
and Art Dubai cont<strong>in</strong>ues to play an important<br />
<strong>in</strong>stitutional role <strong>in</strong> this region’s cultural ecosystem,<br />
support<strong>in</strong>g artists, scholarship, cultural<br />
education and thought-leadership. Our<br />
programme this year reflects <strong>the</strong> <strong>in</strong>creas<strong>in</strong>gly<br />
diverse and multicultural communities of<br />
our home city, provid<strong>in</strong>g more opportunities<br />
than ever for artists from across <strong>the</strong> Global<br />
South. Dubai is a place of relentless re<strong>in</strong>vention,<br />
possibility and opportunity, and <strong>the</strong>se<br />
commercial and <strong>in</strong>stitutional partnerships<br />
are central to all our activity, support<strong>in</strong>g our<br />
world-class non-commercial programmes.”<br />
Art Dubai’s Executive Director Benedetta<br />
Ghione commented:<br />
“The Art Dubai Group is committed to<br />
lay<strong>in</strong>g foundations for a thriv<strong>in</strong>g cultural<br />
and creative ecosystem, <strong>in</strong>spired by and<br />
respond<strong>in</strong>g to our home city of Dubai. The<br />
cultural scene here is matur<strong>in</strong>g rapidly and<br />
we are proud of <strong>the</strong> role we play <strong>in</strong> engag<strong>in</strong>g<br />
and <strong>in</strong>spir<strong>in</strong>g audiences of all ages and<br />
backgrounds, and <strong>in</strong> support<strong>in</strong>g <strong>the</strong> next<br />
generation of cultural professionals. Our<br />
year-round education, scholarship, and<br />
thought-leadership programmes, developed<br />
alongside our long-term partners, create<br />
significant opportunities for people from all<br />
over <strong>the</strong> world to build careers <strong>in</strong> <strong>the</strong> creative<br />
<strong>in</strong>dustries <strong>in</strong> Dubai.”<br />
Art Dubai is held under <strong>the</strong> patronage of<br />
His Highness Sheikh Mohammed b<strong>in</strong> Rashid<br />
Al Maktoum, Vice President and Prime M<strong>in</strong>ister<br />
of <strong>the</strong> UAE and Ruler of Dubai. The event<br />
is held <strong>in</strong> partnership with A.R.M. Hold<strong>in</strong>g. It<br />
is sponsored by Swiss Wealth Management<br />
Group Julius Baer. Art Dubai’s exclusive<br />
high jewellery and watch partner is Piaget.<br />
Culturally driven lifestyle developer HUNA<br />
is a partner of Art Dubai. The Dubai Culture<br />
& Arts Authority (Dubai Culture) is <strong>the</strong> fair’s<br />
strategic partner. Mad<strong>in</strong>at Jumeirah is <strong>the</strong><br />
home of Art Dubai.<br />
Full speaker l<strong>in</strong>e-ups and conference session<br />
tim<strong>in</strong>gs will be released <strong>in</strong> early <strong>February</strong>.<br />
View <strong>the</strong> list of galleries participat<strong>in</strong>g <strong>in</strong><br />
Art Dubai <strong>2024</strong> here.<br />
10 <strong>February</strong> <strong>2024</strong> www.magzoid.com
Thought-leadership<br />
In <strong>the</strong> 21st century, extreme wea<strong>the</strong>r - from<br />
floods, droughts and storms to smog - is no<br />
longer limited to “<strong>the</strong> develop<strong>in</strong>g world,”<br />
but is now happen<strong>in</strong>g everywhere. Meanwhile,<br />
<strong>the</strong> threat of ext<strong>in</strong>ction elicits urgent<br />
<strong>in</strong>novations — and imag<strong>in</strong>ation. Over two<br />
days, Art Dubai’s flagship transdiscipl<strong>in</strong>ary<br />
summit <strong>the</strong> Global Art Forum will present<br />
<strong>the</strong> cultures, technologies, sciences and<br />
<strong>in</strong>itiatives around extreme wea<strong>the</strong>r and extreme<br />
change with many of <strong>the</strong> world’s most<br />
compell<strong>in</strong>g artists, architects, academics,<br />
curators, and th<strong>in</strong>kers. Entitled “Whe<strong>the</strong>r or<br />
Not,” Global Art Forum 17 is organised by<br />
Commissioner Shumon Basar and Curator<br />
Nad<strong>in</strong>e El- Khoury, and will take place on 29<br />
<strong>February</strong> and 1 March <strong>2024</strong>. Speakers contribut<strong>in</strong>g<br />
to <strong>the</strong> forum <strong>in</strong>clude Dr. Stephanie<br />
Rosenthal, Director, Guggenheim Abu Dhabi,<br />
Samir Bantal, Director, AMO at Office of<br />
Metropolitan Architecture, Rotterdam, Anne<br />
Holtrop, Founder, Studio Anne Holtrop, Bahra<strong>in</strong>,<br />
Monira Al Qadiri, Artist, Kuwait and Berl<strong>in</strong>,<br />
Gabriel Alonso, Artist and Researcher,<br />
Madrid, amongst o<strong>the</strong>rs.<br />
Support<strong>in</strong>g Art Dubai’s commitment to<br />
scholarship, Art Dubai Modern and Collector<br />
Talks are presented <strong>in</strong> partnership with<br />
Dubai Collection, <strong>the</strong> first <strong>in</strong>stitutional art<br />
collection for <strong>the</strong> city of Dubai. Art Dubai<br />
Modern Talks will highlight <strong>the</strong> artistic l<strong>in</strong>ks<br />
made possible by Soviet geopolitics of <strong>the</strong><br />
Cold War, shift<strong>in</strong>g <strong>the</strong> focus from Western<br />
metropoles and focus<strong>in</strong>g <strong>the</strong> conversations<br />
on <strong>the</strong> impact of Soviet education and exhibitions<br />
on artists from <strong>the</strong> Middle East, South<br />
Asia, and Africa. Though <strong>the</strong>se East-East<br />
and South-South networks may no longer be<br />
obvious today, <strong>the</strong>y were critical to <strong>the</strong> formation<br />
of modern art <strong>in</strong> <strong>the</strong> region. Br<strong>in</strong>g<strong>in</strong>g<br />
toge<strong>the</strong>r a culturally diverse group of curators,<br />
scholars, and gallerists, each panel will<br />
highlight <strong>the</strong> personal stories of <strong>the</strong> artists<br />
represented <strong>in</strong> Art Dubai Modern. They will<br />
also provide historical context to <strong>the</strong> unique<br />
group<strong>in</strong>g of artists <strong>in</strong> <strong>the</strong> section, reveal<strong>in</strong>g<br />
why <strong>the</strong>se works rema<strong>in</strong> valuable and relevant<br />
to audiences, collectors, and <strong>in</strong>stitutions.<br />
Individual and <strong>in</strong>stitutional collectors<br />
are driv<strong>in</strong>g cultural shifts <strong>in</strong> emerg<strong>in</strong>g cultural<br />
centres. With a focus on topics <strong>in</strong>clud<strong>in</strong>g<br />
philanthropy, corporate support for <strong>the</strong> arts<br />
and <strong>in</strong>stitutional collect<strong>in</strong>g, Art Dubai Collector<br />
Talks will shed light on <strong>the</strong> unique forces,<br />
strategies and passions that are shap<strong>in</strong>g<br />
global arts and culture.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
11
UAE<br />
Education<br />
Re<strong>in</strong>forc<strong>in</strong>g <strong>the</strong> fair’s longstand<strong>in</strong>g commitment<br />
to education, professional development<br />
and thought-leadership will be <strong>the</strong><br />
largest-ever programme of talks, workshops<br />
and events, tak<strong>in</strong>g place across all five days<br />
of <strong>the</strong> fair.<br />
The A.R.M. Hold<strong>in</strong>g Children’s Programme<br />
is now <strong>in</strong> its fourth year and <strong>the</strong> <strong>2024</strong> edition<br />
will be <strong>the</strong> largest to date, reach<strong>in</strong>g more<br />
than 15,000 students <strong>in</strong> over 100 schools <strong>in</strong><br />
what is <strong>the</strong> most ambitious such education<br />
programme <strong>in</strong> <strong>the</strong> UAE. Each year, an artist<br />
is selected to develop <strong>the</strong> workshops, which<br />
beg<strong>in</strong> at Art Dubai before expand<strong>in</strong>g to private,<br />
government, and special educational<br />
needs schools across all seven Emirates.<br />
Goa-based artist Sahil Naik has been selected<br />
to develop <strong>the</strong> <strong>2024</strong> programme and<br />
his sculptural, architectural and arts education-based<br />
practice will take participants<br />
on a journey through creation us<strong>in</strong>g dioramas,<br />
memory and <strong>the</strong> built environment as<br />
sources of <strong>in</strong>spiration. Centr<strong>in</strong>g on <strong>the</strong>mes of<br />
ecology and nature, <strong>the</strong>se workshops will <strong>in</strong>vite<br />
children to explore <strong>the</strong> central question:<br />
“How do younger generations imag<strong>in</strong>e future<br />
cities, and what <strong>the</strong>y will comprise?”<br />
Aimed at nurtur<strong>in</strong>g emerg<strong>in</strong>g talent and<br />
future cultural leaders, <strong>the</strong> fair will cont<strong>in</strong>ue<br />
to run Campus Art Dubai (CAD) professional<br />
development and tra<strong>in</strong>eeship programme.<br />
Celebrat<strong>in</strong>g its 11th year, <strong>the</strong> <strong>in</strong>itiative is<br />
designed to provide recent graduates with<br />
mentorship, masterclasses and hands-on<br />
experience across diverse departments at<br />
<strong>the</strong> fair. Additionally, participants will benefit<br />
from curated tours of lead<strong>in</strong>g cultural organisations<br />
<strong>in</strong> <strong>the</strong> city, provid<strong>in</strong>g practical <strong>in</strong>sights<br />
and a clear pathway for <strong>the</strong>m to enter<br />
and thrive with<strong>in</strong> <strong>the</strong> dynamic art scene.<br />
12 <strong>February</strong> <strong>2024</strong> www.magzoid.com
New Commissions<br />
This year’s Art Dubai Commissions will<br />
feature a series of new performances, films<br />
and activations focus<strong>in</strong>g on topics of hope,<br />
community and <strong>the</strong> power of art to help us<br />
navigate challeng<strong>in</strong>g times. Complement<strong>in</strong>g<br />
Art Dubai’s Bawwaba gallery section, and<br />
curated by Emiliano Valdes, participat<strong>in</strong>g<br />
artists hail from <strong>the</strong> Global South, and will<br />
explore various aspects of <strong>the</strong> heal<strong>in</strong>g process,<br />
creat<strong>in</strong>g spaces for contemplation and<br />
<strong>in</strong>trospection, socially-oriented practices<br />
that engage with local communities as well<br />
as creat<strong>in</strong>g nurtur<strong>in</strong>g and liberat<strong>in</strong>g experiences.<br />
The Swiss Wealth Management Group Julius<br />
Baer, lead partner of Art Dubai will present<br />
a newly commissioned digital <strong>in</strong>stallation<br />
by Canadian-Korean artist Krista Kim. ‘Heart<br />
<strong>Space</strong>’ is an immersive experience that will<br />
allow guests to connect with one ano<strong>the</strong>r<br />
through <strong>the</strong> universal language of <strong>the</strong> human<br />
heartbeat. In real-time, each visitor’s unique<br />
heart rhythm will be visualised through<br />
hypnotic patterns and meditative shapes<br />
displayed across a dynamic LED canvas.<br />
The <strong>in</strong>stallation puts forward <strong>the</strong> concept of<br />
‘oneness’ where participants come toge<strong>the</strong>r<br />
to create a social fabric harness<strong>in</strong>g <strong>the</strong> power<br />
of art and technology. Heart <strong>Space</strong> is a<br />
cont<strong>in</strong>uation of Kim’s ongo<strong>in</strong>g exploration<br />
<strong>in</strong>to <strong>the</strong> creative potential of screens as digital<br />
<strong>in</strong>struments of wellbe<strong>in</strong>g and longevity,<br />
and is part of Julius Baer’s NEXT universe,<br />
which explores <strong>in</strong>vestment <strong>the</strong>matics around<br />
<strong>the</strong> emergence of megatrends across arts,<br />
science, and technology. This is <strong>the</strong> second<br />
major digital commission by Julius Baer to<br />
debut at Art Dubai, follow<strong>in</strong>g <strong>the</strong> acclaimed<br />
collaboration with Refik Anadol <strong>in</strong> 2023.<br />
Inaugurat<strong>in</strong>g a new partnership with Art<br />
Dubai, return<strong>in</strong>g partner Piaget will debut<br />
a new exhibition ‘The House of Gold’ at Art<br />
Dubai <strong>2024</strong>. Spotlight<strong>in</strong>g gold as <strong>the</strong> ultimate<br />
luxury and a symbol of perfection, central to<br />
<strong>the</strong> brand’s philosophy, <strong>the</strong> presentation will<br />
showcase a series of high-end jewellery and<br />
watches, patrimony pieces and private collections<br />
<strong>in</strong> a bespoke booth featur<strong>in</strong>g newly<br />
commissioned artworks, workshops and immersive<br />
experiences.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
13
FEATURED ARTIST<br />
14 <strong>February</strong> <strong>2024</strong><br />
www.magzoid.com
Exclusive<br />
ASMA<br />
B E L H A M A R<br />
Asma Belhamar stands as a prom<strong>in</strong>ent Emirati visual artist, renowned for<br />
her <strong>in</strong>novative exploration of ‘megastructures’ with<strong>in</strong> <strong>the</strong> UAE landscape<br />
and <strong>the</strong> nuanced <strong>in</strong>terplay between visual memory and spatial experience.<br />
With a diverse artistic background encompass<strong>in</strong>g textile design,<br />
surface patterns, and three-dimensional <strong>in</strong>stallations, Belhamar’s work<br />
transcends conventional artistic boundaries, offer<strong>in</strong>g viewers a unique<br />
perspective on <strong>the</strong> evolv<strong>in</strong>g architectural and cultural landscape of <strong>the</strong><br />
Emirates.<br />
as a lead<strong>in</strong>g voice <strong>in</strong> contemporary Emirati<br />
art.<br />
In recognition of her artistic excellence,<br />
Belhamar was honored with <strong>the</strong> Shaikha<br />
Manal Young Artist Award <strong>in</strong> <strong>the</strong> F<strong>in</strong>e Arts<br />
category <strong>in</strong> 2011, underscor<strong>in</strong>g her significant<br />
contributions to <strong>the</strong> cultural landscape<br />
of <strong>the</strong> UAE. Asma Belhamar’s visionary approach<br />
to artistry, coupled with her unwaver<strong>in</strong>g<br />
commitment to <strong>in</strong>novation and exploration,<br />
positions her as a trailblazer <strong>in</strong> <strong>the</strong><br />
realm of contemporary visual arts, <strong>in</strong>spir<strong>in</strong>g<br />
audiences and fellow artists alike with her<br />
transformative creations.<br />
A<br />
dist<strong>in</strong>guished alumna of Zayed University,<br />
where she majored <strong>in</strong> visual<br />
arts, Belhamar fur<strong>the</strong>r honed her<br />
creative acumen at <strong>the</strong> prestigious<br />
Rhode Island School of Design, earn<strong>in</strong>g an<br />
MFA degree <strong>in</strong> textile design <strong>in</strong> 2017. Her<br />
educational journey provided her with a<br />
solid foundation <strong>in</strong> design pr<strong>in</strong>ciples, which<br />
she seamlessly <strong>in</strong>tegrates <strong>in</strong>to her practice,<br />
creat<strong>in</strong>g captivat<strong>in</strong>g fabric and paper wall<br />
<strong>in</strong>stallations that engage viewers on both visual<br />
and tactile levels.<br />
Belhamar’s artistic oeuvre is characterized<br />
by a profound exploration of surface,<br />
pattern, and spatial dynamics. Her meticulous<br />
pr<strong>in</strong>t<strong>in</strong>g and project<strong>in</strong>g techniques<br />
brea<strong>the</strong> life <strong>in</strong>to her creations, transform<strong>in</strong>g<br />
two-dimensional designs <strong>in</strong>to <strong>in</strong>tricate<br />
three-dimensional structures that challenge<br />
perceptions and evoke a sense of wonder.<br />
Through her <strong>in</strong>novative use of materials and<br />
techniques, Belhamar <strong>in</strong>vites viewers to reconsider<br />
<strong>the</strong>ir relationship with <strong>the</strong> built environment,<br />
prompt<strong>in</strong>g contemplation on <strong>the</strong><br />
<strong>in</strong>tersection of memory, identity, and space.<br />
Hav<strong>in</strong>g exhibited extensively <strong>in</strong> <strong>the</strong> UAE<br />
s<strong>in</strong>ce 2009, Belhamar’s work has garnered<br />
acclaim both locally and <strong>in</strong>ternationally. Her<br />
recent exhibitions at <strong>the</strong> 1stdibs gallery <strong>in</strong><br />
New York and <strong>the</strong> Art: Process & Practice<br />
SEAF exhibition at Warehouse 421 <strong>in</strong> Abu<br />
Dhabi have fur<strong>the</strong>r solidified her reputation<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
15
16 <strong>February</strong> <strong>2024</strong><br />
www.magzoid.com
UAE<br />
INLOCO INITIATIVE UNVEILS<br />
GROUNDBREAKING ARTISTIC<br />
ENDEAVOR IN DUBAI: INLOCO<br />
STORAGE PREMIERES WITH FILIPPO<br />
MINELLI’S “THE IDEALISED CITY”<br />
Inloco Initiative has set <strong>the</strong> stage for a<br />
revolutionary art representation with <strong>the</strong><br />
grand open<strong>in</strong>g of Inloco Storage <strong>in</strong> Dubai.<br />
The <strong>in</strong>augural event <strong>in</strong>troduces an entirely<br />
novel form of artistic expression, headl<strong>in</strong>ed<br />
by <strong>the</strong> first solo exhibition <strong>in</strong> <strong>the</strong> UAE by contemporary<br />
artist Filippo M<strong>in</strong>elli, titled “The<br />
Idealised City.”<br />
M<strong>in</strong>elli’s avant-garde approach, rooted <strong>in</strong><br />
<strong>the</strong> concept of art <strong>in</strong>tervention, promises a<br />
profound exploration of urban and cultural<br />
transformations that shape identity <strong>in</strong> <strong>the</strong><br />
post-globalization era. Draw<strong>in</strong>g <strong>in</strong>spiration<br />
from a culm<strong>in</strong>ation of experiences work<strong>in</strong>g <strong>in</strong><br />
rapidly evolv<strong>in</strong>g landscapes worldwide, M<strong>in</strong>elli<br />
crystallized his vision after <strong>the</strong> <strong>in</strong>sightful<br />
Inloco Talks 2023. This event brought<br />
toge<strong>the</strong>r urbanists, architects, curators, and<br />
o<strong>the</strong>r professionals, provid<strong>in</strong>g M<strong>in</strong>elli with a<br />
platform to deepen his understand<strong>in</strong>g of <strong>the</strong><br />
<strong>in</strong>tersection between identity and space.<br />
“The subject came to me after work<strong>in</strong>g <strong>in</strong><br />
various cities on different cont<strong>in</strong>ents, which,<br />
like <strong>the</strong> place I was born, are rapidly chang<strong>in</strong>g<br />
landscapes that cont<strong>in</strong>ually remix references.<br />
However, I developed <strong>the</strong> <strong>in</strong>stallation<br />
after Inloco Talks 2023, where urbanists,<br />
architects, curators, and o<strong>the</strong>r professionals<br />
shared ideas about identity space and<br />
city-mak<strong>in</strong>g. It was a great opportunity to<br />
deepen my understand<strong>in</strong>g of <strong>the</strong>ir th<strong>in</strong>k<strong>in</strong>g<br />
and f<strong>in</strong>d connections between it and my past<br />
research,” says Filippo M<strong>in</strong>elli.<br />
M<strong>in</strong>elli’s artistic practice challenges <strong>the</strong><br />
conventional construction and deconstruction<br />
of narratives that frame recognition. “The<br />
Idealised City” delves <strong>in</strong>to <strong>the</strong> role of architectural<br />
and urban elements <strong>in</strong> personal and<br />
collective self-formation with<strong>in</strong> <strong>the</strong> context of<br />
our globalized world. The exhibition draws<br />
on historical perspectives, juxtapos<strong>in</strong>g Leon<br />
Battista Alberti’s Renaissance ‘Ideal City’<br />
with Al-Farabi’s ‘Virtuous City’ (Mad<strong>in</strong>at al-<br />
Fadilah), explor<strong>in</strong>g modern urbanism and its<br />
departure from past models.<br />
Influential figures such as Khaled Al Alawadi,<br />
Associate Professor of Susta<strong>in</strong>able<br />
Urbanism at Khalifa University, and George<br />
Katodrytis, Professor of Architecture at <strong>the</strong><br />
American University of Sharjah, <strong>in</strong>spired Inloco<br />
Talks 2023. They explored Dubai’s dynamic<br />
landscape, transformative power, and<br />
leadership <strong>in</strong> shap<strong>in</strong>g modern cityscapes.<br />
“The Idealised City” confronts <strong>the</strong> homogeneity<br />
prevalent <strong>in</strong> urban development<br />
globally, contrast<strong>in</strong>g it with <strong>the</strong> dist<strong>in</strong>ct cultural<br />
and historical identities of ancient city<br />
centers, now relegated to tourist attractions.<br />
This stark dichotomy forms <strong>the</strong> foundation<br />
for question<strong>in</strong>g contemporary <strong>in</strong>terpretations<br />
of ‘au<strong>the</strong>nticity’ and ‘collective identity.’<br />
M<strong>in</strong>elli’s exhibition also reflects on <strong>the</strong> profound<br />
<strong>in</strong>fluence of Bedou<strong>in</strong> traditions and<br />
nomadic practices <strong>in</strong> <strong>the</strong> Gulf Region’s urban<br />
development. These elements emerge<br />
as alternative perspectives to traditional<br />
preservation methods, enrich<strong>in</strong>g <strong>the</strong> contemporary<br />
landscape.<br />
Through <strong>the</strong> medium of photography, video,<br />
and <strong>in</strong>stallation art, Filippo M<strong>in</strong>elli crafts<br />
an immersive environment that seamlessly<br />
extends <strong>in</strong>to <strong>the</strong> digital realm. “The Idealised<br />
City” beckons viewers to engage with<br />
profound <strong>the</strong>mes of <strong>in</strong>trospection, au<strong>the</strong>nticity,<br />
and <strong>the</strong> representation of reality <strong>in</strong> <strong>the</strong><br />
ever-evolv<strong>in</strong>g digital age. Inloco Storage <strong>in</strong><br />
Dubai is a testament to <strong>the</strong> convergence of<br />
art, urbanism, and cultural dialogue, sett<strong>in</strong>g<br />
a new benchmark for <strong>the</strong> global art scene.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
17
CONVERSATIONS<br />
Q.Your upcom<strong>in</strong>g exhibition, “Before Nature (I Am Both Created<br />
and Destroyed),” draws <strong>in</strong>spiration from Dubai’s natural<br />
materials. Can you delve <strong>in</strong>to <strong>the</strong> specific aspects of <strong>the</strong><br />
land’s tapestry that have <strong>in</strong>fluenced your work, and how do<br />
you explore <strong>the</strong> ancient tales concealed with<strong>in</strong> its golden<br />
dunes?<br />
Dubai is well-known for its modern metropolis but I wanted to<br />
explore and unearth <strong>the</strong> landscape which envelops and lies beneath<br />
<strong>the</strong> city, to discover and connect with <strong>the</strong> deeper history<br />
of this place. For me this <strong>in</strong>vestigation is a means of connect<strong>in</strong>g<br />
with our ancestors – <strong>the</strong> humans who lived and navigated this<br />
terra<strong>in</strong> over millennia, but also <strong>the</strong> stones, soil, and sand which<br />
<strong>the</strong>ir bodies <strong>in</strong>evitably merged with. When I create a rubb<strong>in</strong>g<br />
from stone, it is a means of <strong>in</strong>troduc<strong>in</strong>g myself to <strong>the</strong> physical<br />
place – a k<strong>in</strong>d of ask<strong>in</strong>g permission to create an artwork from<br />
it. When I’m ready to beg<strong>in</strong>, <strong>the</strong> work emerges pretty quickly, as<br />
<strong>the</strong> earth and I collaborate to create it. The four “Translations”<br />
pa<strong>in</strong>t<strong>in</strong>gs <strong>in</strong> this exhibition were created from four dist<strong>in</strong>ct stone<br />
formations which protruded out of <strong>the</strong> gravel and sand <strong>in</strong> Wadi<br />
Shawka.<br />
Q.The pieces “Small Monuments (2023)” <strong>in</strong>volve stones from<br />
significant global locations. How does your artistic process<br />
change when work<strong>in</strong>g with stones from different parts of <strong>the</strong><br />
world, and what message or narrative are you aim<strong>in</strong>g to convey<br />
through this exploration?<br />
Regardless of where I am <strong>in</strong> <strong>the</strong> world, I always start by ask<strong>in</strong>g<br />
permission of <strong>the</strong> stones which I’m drawn to. If it feels will<strong>in</strong>g to<br />
collaborate with me, I br<strong>in</strong>g it <strong>in</strong>to my studio and study it fur<strong>the</strong>r.<br />
Each stone has a face, a will, and an <strong>in</strong>dividuality, and upon<br />
f<strong>in</strong>d<strong>in</strong>g it, I’m able to understand how best to work with it. I always<br />
beg<strong>in</strong> by ask<strong>in</strong>g myself - ‘what is <strong>the</strong> smallest action I can<br />
take to best reta<strong>in</strong> or express its true essence?’ Some sculptures<br />
take years to fully realize, and o<strong>the</strong>rs take hours – perhaps some<br />
stones are shy and o<strong>the</strong>rs are gregarious.<br />
I aim to communicate two ma<strong>in</strong> ideas –<br />
1. That everyth<strong>in</strong>g <strong>in</strong> this world exists <strong>in</strong> a constant state of<br />
change. “Th<strong>in</strong>gs” as we know <strong>the</strong>m are more like events.<br />
Ie. even a stone, a symbol of permanence, is a process of<br />
m<strong>in</strong>erals slowly erod<strong>in</strong>g over millions of years. By understand<strong>in</strong>g<br />
and embrac<strong>in</strong>g this impermanence, I hope to better<br />
accept my own mortality.<br />
2. Humans have gotten used to controll<strong>in</strong>g and shap<strong>in</strong>g <strong>the</strong><br />
world to suit our needs. I choose to shape my materials accord<strong>in</strong>g<br />
to <strong>the</strong>ir personalities, ra<strong>the</strong>r than impos<strong>in</strong>g my will<br />
as <strong>the</strong> artist. Thus, my sculptures are are asymmetrical and<br />
organic. Even my measured, straight marks are irregular<br />
upon close <strong>in</strong>spection. Michelangelo saw <strong>the</strong> angel hidden<br />
<strong>in</strong> his block of marble, but I see <strong>the</strong> story of <strong>the</strong> stone’s violent<br />
creation, and millenia of stillness. My process of mark<strong>in</strong>g<br />
and form<strong>in</strong>g each stone <strong>in</strong>tegrates its spoken memories<br />
of <strong>the</strong>se moments.<br />
18 <strong>February</strong> <strong>2024</strong> www.magzoid.com
Exclusive<br />
Kamran<br />
Samimi<br />
Step <strong>in</strong>to <strong>the</strong> mesmeriz<strong>in</strong>g world of Kamran Samimi’s upcom<strong>in</strong>g exhibition,<br />
“Before Nature (I Am Both Created and Destroyed),” where <strong>the</strong> artist draws<br />
<strong>in</strong>spiration from Dubai’s natural materials. Delv<strong>in</strong>g <strong>in</strong>to <strong>the</strong> hidden tales of<br />
<strong>the</strong> city’s landscape, Samimi’s work is a dialogue with <strong>the</strong> earth, explor<strong>in</strong>g<br />
<strong>the</strong> ancient history beneath <strong>the</strong> modern metropolis.<br />
From <strong>the</strong> symbolic “Small Monuments (2023)” crafted from stones worldwide<br />
to <strong>the</strong> evocative “Ra<strong>in</strong> Pa<strong>in</strong>t<strong>in</strong>gs (2023)” captur<strong>in</strong>g <strong>the</strong> essence of<br />
childhood memories, each piece is a collaboration between <strong>the</strong> artist and<br />
<strong>the</strong> forces of nature.<br />
In <strong>the</strong> sculpture “Unbroken Column (2023),” Samimi pays homage to ancient<br />
structures, question<strong>in</strong>g <strong>the</strong> endurance of contemporary aspirations<br />
aga<strong>in</strong>st <strong>the</strong> backdrop of Dubai’s modernity. Guided by Zen Buddhism and<br />
Sufi Mysticism, his artistic process delves <strong>in</strong>to <strong>the</strong> relationships and tensions<br />
between human and non-human ancestors, creat<strong>in</strong>g a profound and<br />
immersive experience <strong>in</strong> this exhibition.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
19
CONVERSATIONS<br />
Q.”Ra<strong>in</strong> Pa<strong>in</strong>t<strong>in</strong>gs (2023)” is described as a poetic homage to<br />
your childhood <strong>in</strong> rural Hawai’i. Could you share more about<br />
how <strong>the</strong>se artworks capture <strong>the</strong> essence of nightly ra<strong>in</strong> and<br />
its significance dur<strong>in</strong>g challeng<strong>in</strong>g times? How does personal<br />
experience weave <strong>in</strong>to your artistic narratives?<br />
Dur<strong>in</strong>g traumatic times , <strong>the</strong> sound of <strong>the</strong> ra<strong>in</strong>fall was a lullaby<br />
and source of comfort, wash<strong>in</strong>g away <strong>the</strong> darkness of this world.<br />
Even now, I often return to my memories of <strong>the</strong> ra<strong>in</strong>. Each of<br />
<strong>the</strong>se pa<strong>in</strong>t<strong>in</strong>gs recall a different aspect of <strong>the</strong> ra<strong>in</strong>, embody<strong>in</strong>g<br />
its many forms and expressions, and each has been left out <strong>in</strong><br />
<strong>the</strong> ra<strong>in</strong> at some po<strong>in</strong>t <strong>in</strong> its creation. Thus, <strong>the</strong>y are a collaboration<br />
with <strong>the</strong> very force which <strong>in</strong>spired <strong>the</strong>m, shaped both by<br />
my hands and those of Nature. In <strong>the</strong> early days of plann<strong>in</strong>g this<br />
exhibition, my first thought was to share some of Hawaii’s ra<strong>in</strong> –<br />
my ra<strong>in</strong>– with <strong>the</strong> desert.<br />
All of my work i make is deeply personal and I f<strong>in</strong>d by delv<strong>in</strong>g<br />
<strong>in</strong>to <strong>the</strong>se memories, I’m able to access truths and concepts that<br />
are universal. Each work is a k<strong>in</strong>d of memento mori, conta<strong>in</strong><strong>in</strong>g<br />
my emotional space which surrounded its creation, as well as<br />
expressions of my life on this planet.<br />
Q.The sculpture “Unbroken Column (2023)” is crafted from<br />
limestone segments, pay<strong>in</strong>g tribute to ancient religious<br />
structures <strong>in</strong> <strong>the</strong> region. What symbolism does this sculpture<br />
carry, especially <strong>in</strong> juxtaposition to Dubai’s modernity,<br />
and how does it reflect <strong>the</strong> connection between ancient traditions<br />
and contemporary aspirations?<br />
This sculpture was conceived when I saw an image of a s<strong>in</strong>gle<br />
column stand<strong>in</strong>g from <strong>the</strong> 2500 yr old ru<strong>in</strong>s of Pasargade, <strong>the</strong><br />
palace of K<strong>in</strong>g Cyrus <strong>in</strong> Iran. I’ve never been to <strong>the</strong> country of<br />
my fa<strong>the</strong>r’s birth, but I’ve always been fasc<strong>in</strong>ated with its history<br />
and ru<strong>in</strong>s. Just as ancient peoples created monuments which<br />
commemorate <strong>the</strong>ir story on this earth and <strong>the</strong>ir spiritual beliefs.<br />
I created a tribute to my own. It is both a pillar which unites heaven<br />
and earth, and a means of spiritual transmission to my ancestors<br />
from <strong>the</strong> region and beyond. I don’t speak <strong>the</strong> language of<br />
my ancestors, but this monument is carved with many marks, a<br />
wordless prayer offered to <strong>the</strong>m. In <strong>the</strong> midst of Dubai’s modern<br />
architecture devoted to commerce and progress, it is crucial we<br />
reach back <strong>in</strong>to <strong>the</strong> past and honor <strong>the</strong> people who walked this<br />
earth long before us, but also realize that all civilizations eventually<br />
crumble. It provokes <strong>the</strong> question: <strong>in</strong> 2500 years, what will<br />
rema<strong>in</strong> of this modern city?<br />
As I worked on this sculpture I recalled Omar Khayyam’s poem<br />
on impermanence: ““The Worldly Hope men set <strong>the</strong>ir Hearts<br />
upon Turns Ashes--or it prospers; and anon, Like Snow upon <strong>the</strong><br />
Desert’s dusty Face Light<strong>in</strong>g a little Hour or two--is gone.”<br />
20 <strong>February</strong> <strong>2024</strong> www.magzoid.com
Q.Your artistic process is described as be<strong>in</strong>g <strong>in</strong>formed by<br />
Zen Buddhism and Sufi Mysticism. How do <strong>the</strong>se philosophical<br />
foundations shape your approach to creat<strong>in</strong>g art, particularly<br />
<strong>in</strong> terms of <strong>the</strong> relationships and tensions between<br />
human and non-human ancestors?<br />
The most essential part of my practice is those moments of<br />
deep concentration when <strong>the</strong> artist Kamran Samimi dissolves.<br />
It is <strong>the</strong>se brief seconds, m<strong>in</strong>utes which save me, help<strong>in</strong>g me to<br />
cope with <strong>the</strong> constant barrage of suffer<strong>in</strong>g which fills this earth.<br />
Zen and Sufism both emphasize a direct experience with Nature<br />
and God, and this is what I seek when I work, a k<strong>in</strong>d of merg<strong>in</strong>g<br />
with my materials and a space of solace. As <strong>the</strong> zen say<strong>in</strong>g<br />
goes: “When you do someth<strong>in</strong>g, burn yourself up completely,<br />
leav<strong>in</strong>g no trace of yourself.”<br />
Additionally, each of <strong>the</strong>se traditions present a view of reality <strong>in</strong><br />
which <strong>the</strong>re is no separation between th<strong>in</strong>gs, a worldview which<br />
I have also gleaned from <strong>in</strong>digenous cultures throughout my life<br />
<strong>in</strong> Hawai’i. I see <strong>the</strong> source of all of my materials -both <strong>the</strong> raw<br />
and manufactured - as extend<strong>in</strong>g from nature. When one spends<br />
quiet time observ<strong>in</strong>g <strong>the</strong> natural world, it becomes very clear<br />
how <strong>in</strong>extricably l<strong>in</strong>ked each of us is with <strong>the</strong> w<strong>in</strong>d, <strong>the</strong> ra<strong>in</strong>, <strong>the</strong><br />
soil, and of course, <strong>the</strong> stones.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
21
PICTURE STORY<br />
PHOTO BY ALEXANDER GREY ON UNSPLASH<br />
22 <strong>February</strong> <strong>2024</strong><br />
www.magzoid.com
INTERNATIONAL DEVELOPMENT WEEK:<br />
CELEBRATING GLOBAL<br />
PROGRESS AND COOPERATION<br />
SPECIAL DAY<br />
International Development Week (IDW)<br />
stands as a beacon of hope and a testament<br />
to <strong>the</strong> collective commitment of<br />
nations toward a better, more equitable<br />
world. Celebrated annually, IDW offers an <strong>in</strong>valuable<br />
platform to reflect upon <strong>the</strong> strides<br />
made <strong>in</strong> global development and to reiterate<br />
our shared responsibilities toward <strong>the</strong> most<br />
press<strong>in</strong>g challenges of our times.<br />
At its heart, IDW is a celebration of partnerships—between<br />
countries, organizations,<br />
communities, and <strong>in</strong>dividuals. These<br />
partnerships are <strong>the</strong> driv<strong>in</strong>g force beh<strong>in</strong>d<br />
transformative <strong>in</strong>itiatives that uplift communities,<br />
foster susta<strong>in</strong>able growth, and promote<br />
<strong>in</strong>clusive development. By foster<strong>in</strong>g<br />
collaboration and knowledge-shar<strong>in</strong>g, IDW<br />
nurtures a culture of mutual learn<strong>in</strong>g and understand<strong>in</strong>g,<br />
essential for craft<strong>in</strong>g effective,<br />
context-sensitive solutions to complex global<br />
issues.<br />
Over <strong>the</strong> years, IDW has witnessed remarkable<br />
achievements across various sectors.<br />
From advancements <strong>in</strong> healthcare that<br />
have saved countless lives to educational<br />
<strong>in</strong>itiatives that have empowered generations,<br />
<strong>the</strong> impact of <strong>in</strong>ternational development efforts<br />
is tangible and far-reach<strong>in</strong>g. However,<br />
<strong>the</strong> journey towards susta<strong>in</strong>able development<br />
is ongo<strong>in</strong>g, and IDW serves as a rem<strong>in</strong>der<br />
of <strong>the</strong> work yet to be done.<br />
One of <strong>the</strong> def<strong>in</strong><strong>in</strong>g features of IDW is its<br />
emphasis on <strong>in</strong>clusivity. Recogniz<strong>in</strong>g that<br />
every <strong>in</strong>dividual, regardless of <strong>the</strong>ir background<br />
or circumstances, has a role to<br />
play <strong>in</strong> shap<strong>in</strong>g <strong>the</strong> future, IDW promotes<br />
dialogue and engagement at all levels. By<br />
amplify<strong>in</strong>g diverse voices and perspectives,<br />
IDW enriches <strong>the</strong> discourse on global development,<br />
ensur<strong>in</strong>g that policies and <strong>in</strong>terventions<br />
are <strong>in</strong>clusive and equitable.<br />
Moreover, IDW underscores <strong>the</strong> importance<br />
of resilience and <strong>in</strong>novation <strong>in</strong> navigat<strong>in</strong>g<br />
<strong>the</strong> complex challenges of our <strong>in</strong>terconnected<br />
world. Whe<strong>the</strong>r address<strong>in</strong>g<br />
climate change, promot<strong>in</strong>g gender equality,<br />
or combat<strong>in</strong>g poverty, <strong>the</strong> need for <strong>in</strong>novative<br />
approaches and solutions is paramount.<br />
Through workshops, sem<strong>in</strong>ars, and collaborative<br />
projects, IDW fosters an environment<br />
conducive to <strong>in</strong>novation, <strong>in</strong>spir<strong>in</strong>g stakeholders<br />
to th<strong>in</strong>k creatively and adaptively.<br />
As we commemorate International Development<br />
Week, it is crucial to acknowledge<br />
<strong>the</strong> pivotal role of grassroots movements<br />
and local communities <strong>in</strong> driv<strong>in</strong>g change.<br />
Their resilience, <strong>in</strong>genuity, and unwaver<strong>in</strong>g<br />
commitment to progress serve as a source<br />
of <strong>in</strong>spiration and a powerful rem<strong>in</strong>der of <strong>the</strong><br />
transformative potential <strong>in</strong>herent <strong>in</strong> collective<br />
action.<br />
International Development Week is not<br />
just a celebration but a call to action—a call<br />
to redouble our efforts, forge mean<strong>in</strong>gful<br />
partnerships, and strive relentlessly towards<br />
a world where every <strong>in</strong>dividual can realize<br />
<strong>the</strong>ir full potential. By embrac<strong>in</strong>g <strong>the</strong> spirit<br />
of collaboration and solidarity, we can build<br />
a future that is susta<strong>in</strong>able, <strong>in</strong>clusive, and<br />
prosperous for all.<br />
INTERNATIONAL<br />
DEVELOPMENT WEEK<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
23
EDITORIAL<br />
24 <strong>February</strong> <strong>2024</strong><br />
www.magzoid.com
THE INSEPARABLE BOND<br />
OF LOVE AND ART: A<br />
PALETTE OF EMOTIONS<br />
Love and art, are two <strong>in</strong>tricately woven<br />
threads that have danced toge<strong>the</strong>r<br />
throughout <strong>the</strong> annals of human history.<br />
From <strong>the</strong> immortal words of V<strong>in</strong>cent<br />
van Gogh to <strong>the</strong> passionate strokes of<br />
Frida Kahlo, artists have eternally found <strong>in</strong>spiration<br />
<strong>in</strong> <strong>the</strong> complex tapestry of human<br />
emotions, particularly love. As Valent<strong>in</strong>e’s<br />
Day approaches, it is an opportune moment<br />
to delve <strong>in</strong>to <strong>the</strong> profound connection<br />
between love and art, explor<strong>in</strong>g <strong>the</strong> myriad<br />
ways <strong>in</strong> which artists express and channel<br />
<strong>the</strong> depths of <strong>the</strong>ir affections.<br />
The iconic quote by Van Gogh, “There is<br />
noth<strong>in</strong>g more truly artistic than to love people,”<br />
sets <strong>the</strong> stage for an exploration of <strong>the</strong><br />
<strong>in</strong>tersection between love and artistic creation.<br />
Love, a universal <strong>the</strong>me, has found its<br />
resonance <strong>in</strong> literature, pa<strong>in</strong>t<strong>in</strong>gs, and <strong>the</strong><br />
lives of real-life artistic couples. Georges<br />
Polti’s “The Thirty-Six Dramatic Situations”<br />
attests to <strong>the</strong> centrality of love, with over half<br />
of <strong>the</strong> situations <strong>in</strong>volv<strong>in</strong>g this profound emotion.<br />
Literature, a vast repository of human experiences,<br />
is replete with love stories. From<br />
ancient Greek mythology to Udmurt tales,<br />
<strong>the</strong> essence of love permeates through <strong>the</strong><br />
pages of time. Pygmalion, Ovid’s narrative<br />
about a sculptor who falls <strong>in</strong> love with his<br />
creation, poses <strong>in</strong>trigu<strong>in</strong>g questions about<br />
<strong>the</strong> relationship between art and its creator.<br />
Muses, too, play a pivotal role – <strong>the</strong> union of<br />
Salvador Dali and Gala, or <strong>the</strong> sacrifice of<br />
family for art by Paul Gaugu<strong>in</strong>, exemplify <strong>the</strong><br />
complexities of this <strong>in</strong>tertw<strong>in</strong><strong>in</strong>g.<br />
Visual arts, with its kaleidoscope of expressions,<br />
offer poignant portrayals of love.<br />
Rubens’ “The Honeysuckle Bower,” Rembrandt’s<br />
“The Jewish Bride,” and Canova’s<br />
“Psyche Revived by Cupid’s Kiss” immortalize<br />
moments of love, each artist captur<strong>in</strong>g<br />
<strong>the</strong> tenderness and passion unique to <strong>the</strong>ir<br />
perspectives. Gustav Klimt’s masterpiece,<br />
“The Kiss,” weaves mascul<strong>in</strong>e and fem<strong>in</strong><strong>in</strong>e<br />
energies toge<strong>the</strong>r, symboliz<strong>in</strong>g a moment of<br />
<strong>in</strong>tense sensual pleasure with<strong>in</strong> a stylized<br />
composition.<br />
Mov<strong>in</strong>g <strong>in</strong>to <strong>the</strong> 20th century, Frida Kahlo’s<br />
self-portraits become an emotional canvas<br />
reflect<strong>in</strong>g <strong>the</strong> depth of her love, heartbreak,<br />
and personal identity. From “Self-Portrait<br />
with Thorn Necklace and Humm<strong>in</strong>gbird” express<strong>in</strong>g<br />
<strong>the</strong> desolation post-divorce to <strong>the</strong><br />
celebration of self-love through countless<br />
self-portraits, Kahlo’s art serves as a testament<br />
to <strong>the</strong> multifaceted nature of love.<br />
As we traverse <strong>the</strong> artistic landscape, we<br />
encounter <strong>the</strong> works of V<strong>in</strong>cent van Gogh,<br />
Pablo Picasso, and Claude Monet. Van<br />
Gogh’s “Almond Blossoms” and “The Sower”<br />
speak of familial love and bro<strong>the</strong>rly affection.<br />
Picasso’s “Le Rêve” encapsulates <strong>the</strong><br />
<strong>in</strong>tensity of his feel<strong>in</strong>gs for his mistress, while<br />
Monet’s “Water Lilies” becomes a tribute to<br />
<strong>the</strong> love shared with his wife, Alice.<br />
These artists and <strong>the</strong>ir masterpieces underscore<br />
<strong>the</strong> power of art to express love.<br />
Whe<strong>the</strong>r through grand gestures or subtle<br />
nuances, artists have harnessed <strong>the</strong>ir creativity<br />
to immortalize <strong>the</strong> <strong>in</strong>tricate dance between<br />
hearts. Love <strong>in</strong>spires sonnets, songs,<br />
and portraits – it catalyzes some of <strong>the</strong> most<br />
profound works of literature, music, and visual<br />
art <strong>in</strong> history.<br />
As we approach Valent<strong>in</strong>e’s Day, let us<br />
celebrate <strong>the</strong> synergy between love and art.<br />
Whe<strong>the</strong>r exchang<strong>in</strong>g works of art as gifts or<br />
creat<strong>in</strong>g pieces that express self-love, <strong>the</strong><br />
artistic realm becomes a realm of <strong>in</strong>spiration,<br />
transformation, and celebration of <strong>the</strong><br />
profound and complex emotion that is love.<br />
Love and art, entw<strong>in</strong>ed <strong>in</strong> a timeless dance,<br />
cont<strong>in</strong>ue to pa<strong>in</strong>t <strong>the</strong> canvas of human existence<br />
with strokes of passion, tenderness,<br />
and boundless creativity.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
25
FEATURED ARTIST<br />
26 <strong>February</strong> <strong>2024</strong><br />
www.magzoid.com
Exclusive<br />
NOURA<br />
A L S E R K A L<br />
Noura Alserkal stands as a captivat<strong>in</strong>g presence <strong>in</strong> <strong>the</strong> realm of contemporary<br />
art and jewelry design, seamlessly blend<strong>in</strong>g artistic <strong>in</strong>novation<br />
with profound <strong>in</strong>tellectual <strong>in</strong>quiry. Based <strong>in</strong> Sharjah, Alserkal’s work transcends<br />
traditional boundaries, weav<strong>in</strong>g toge<strong>the</strong>r <strong>in</strong>tricate narratives that<br />
explore <strong>the</strong> <strong>in</strong>tersections of personal history, cultural heritage, and <strong>the</strong><br />
enigmatic <strong>in</strong>terplay between <strong>the</strong> known and <strong>the</strong> unknown.<br />
A<br />
dist<strong>in</strong>guished alumna of <strong>the</strong> Royal<br />
College of Art, Alserkal honed her<br />
craft and expanded her creative<br />
horizons, earn<strong>in</strong>g a Master of Art <strong>in</strong><br />
Jewellery and Metal. Her exceptional talent<br />
and <strong>in</strong>novative approach were recognized<br />
on a global stage when she was awarded<br />
<strong>the</strong> RCA x Swarovski Design Project <strong>in</strong><br />
2018, a testament to her visionary creativity<br />
and technical prowess. This accolade led<br />
to an artist’s talk <strong>in</strong> Wattens, Austria, where<br />
Alserkal engaged with fellow artists, fur<strong>the</strong>r<br />
solidify<strong>in</strong>g her position as a lead<strong>in</strong>g voice <strong>in</strong><br />
contemporary jewelry design.<br />
Alserkal’s artistic practice is deeply rooted<br />
<strong>in</strong> a profound exploration of her family history<br />
and genealogy. Through meticulous archival<br />
research and <strong>the</strong> re-eng<strong>in</strong>eer<strong>in</strong>g of narratives,<br />
she excavates <strong>the</strong> layers of her past,<br />
creat<strong>in</strong>g compell<strong>in</strong>g visual and conceptual<br />
dialogues that resonate with universal<br />
<strong>the</strong>mes of identity, memory, and belong<strong>in</strong>g.<br />
Each piece she creates serves as a tangible<br />
embodiment of her quest for understand<strong>in</strong>g<br />
and connection, <strong>in</strong>vit<strong>in</strong>g viewers to embark<br />
on a journey of <strong>in</strong>trospection and discovery.<br />
In addition to her artistic endeavors, Alserkal<br />
has actively participated <strong>in</strong> various cultural<br />
exchange programs and fellowships,<br />
<strong>in</strong>clud<strong>in</strong>g <strong>the</strong> Dubai-Berl<strong>in</strong> Exchange Program<br />
and <strong>the</strong> Cultural Excellence Fellowship<br />
organized by ADMAF and <strong>the</strong> British Council.<br />
These experiences have enriched her<br />
artistic perspective, foster<strong>in</strong>g cross-cultural<br />
dialogue and collaboration while fur<strong>the</strong>r amplify<strong>in</strong>g<br />
her dist<strong>in</strong>ctive voice with<strong>in</strong> <strong>the</strong> global<br />
art community.<br />
Noura Alserkal’s work transcends mere<br />
aes<strong>the</strong>tic appeal, offer<strong>in</strong>g profound <strong>in</strong>sights<br />
<strong>in</strong>to <strong>the</strong> complexities of personal and collective<br />
identity. Through her exquisite jewelry<br />
and multi-dimensional artworks, she <strong>in</strong>vites<br />
us to contemplate <strong>the</strong> <strong>in</strong>tricate tapestry of<br />
history, memory, and human experience,<br />
<strong>in</strong>spir<strong>in</strong>g a deeper appreciation for <strong>the</strong> profound<br />
connections that unite us all.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
27
PICTURE STORY<br />
PHOTO BY GAELLE MARCEL ON UNSPLASH<br />
28 <strong>February</strong> <strong>2024</strong><br />
www.magzoid.com
ART FACTS<br />
THE EVOLUTION OF HEART<br />
SYMBOLS: FROM ANCIENT ROOTS<br />
TO MODERN EXPRESSIONS<br />
Ancient Elegance:<br />
Heart shapes were employed <strong>in</strong> ancient<br />
societies for decorative art, as seen <strong>in</strong> artifacts<br />
like <strong>the</strong> Indus Valley pendant, showcas<strong>in</strong>g<br />
<strong>the</strong> endur<strong>in</strong>g elegance of this symbol<br />
across centuries.<br />
Botanical Roots:<br />
The heart shape’s evolution may have<br />
been <strong>in</strong>fluenced by botanical elements such<br />
as ivy and <strong>the</strong> silphium seed pods, illustrat<strong>in</strong>g<br />
<strong>the</strong> diverse natural <strong>in</strong>spirations that contributed<br />
to its symbolism.<br />
Medieval Heraldic Splendor:<br />
Medieval German coats of arms featured<br />
heart shapes, reveal<strong>in</strong>g <strong>the</strong> symbol’s <strong>in</strong>corporation<br />
<strong>in</strong>to heraldic art and its role <strong>in</strong> convey<strong>in</strong>g<br />
identity and ideals dur<strong>in</strong>g that historical<br />
period.<br />
Anatomy <strong>in</strong> Art:<br />
The heart shape’s potential connection to<br />
human anatomy, represent<strong>in</strong>g curved body<br />
parts, offers a unique perspective on its orig<strong>in</strong>s<br />
and <strong>the</strong> <strong>in</strong>tersection between art and<br />
anatomy.<br />
Philosophical and Medical Insights:<br />
The heart shape’s l<strong>in</strong>k to ancient philosophical<br />
beliefs, consider<strong>in</strong>g <strong>the</strong> heart as<br />
<strong>the</strong> seat of <strong>the</strong> soul, and medical descriptions<br />
by figures like Galen, add <strong>in</strong>tellectual<br />
depth to its symbolic <strong>in</strong>terpretation.<br />
Courtly Love’s Influence:<br />
The heart shape ga<strong>in</strong>ed prom<strong>in</strong>ence <strong>in</strong><br />
<strong>the</strong> thirteenth century, particularly through<br />
illustrations of courtly love, becom<strong>in</strong>g a symbol<br />
of romance and emotional connection.<br />
Artistic Evolution:<br />
Witness <strong>the</strong> transformation of <strong>the</strong> heart<br />
symbol from its upside-down depictions to<br />
<strong>the</strong> familiar shape we recognize today <strong>in</strong> <strong>the</strong><br />
fifteenth century, signify<strong>in</strong>g a shift <strong>in</strong> artistic<br />
representation.<br />
Church and Symbolism:<br />
Despite <strong>the</strong> Catholic Church’s later claims,<br />
<strong>the</strong> heart symbol’s existence predates Sa<strong>in</strong>t<br />
Margaret Mary Alacoque’s vision, showcas<strong>in</strong>g<br />
<strong>the</strong> church’s role <strong>in</strong> populariz<strong>in</strong>g an already<br />
established symbol.<br />
Valent<strong>in</strong>e’s Day Traditions:<br />
The growth of Valent<strong>in</strong>e’s Day <strong>in</strong> <strong>the</strong> seventeenth<br />
century fur<strong>the</strong>r promoted <strong>the</strong> heart<br />
shape, as it became <strong>in</strong>tricately l<strong>in</strong>ked with<br />
romantic expressions <strong>in</strong> <strong>the</strong> form of love<br />
notes and adornments.<br />
Modern Ubiquity:<br />
From <strong>the</strong> iconic “I ♥ NY” shirt <strong>in</strong> 1977 to<br />
its present use as a nuanced shorthand <strong>in</strong><br />
communication, <strong>the</strong> heart shape rema<strong>in</strong>s a<br />
timeless symbol with evolv<strong>in</strong>g mean<strong>in</strong>gs, reflect<strong>in</strong>g<br />
<strong>the</strong> dynamic nature of our emotions<br />
and language.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
29
FEATURED ARTIST<br />
30 <strong>February</strong> <strong>2024</strong><br />
www.magzoid.com
Exclusive<br />
SANDEEP<br />
S O N I<br />
Sandeep Soni emerges as a captivat<strong>in</strong>g force, seamlessly blend<strong>in</strong>g his<br />
roles as a petroleum eng<strong>in</strong>eer and a versatile artist. Hail<strong>in</strong>g from a background<br />
adorned with academic laurels, <strong>in</strong>clud<strong>in</strong>g an MBA and MS <strong>in</strong><br />
Bus<strong>in</strong>ess Analytics from <strong>the</strong> University of Massachusetts, USA, an MS<br />
<strong>in</strong> Petroleum Eng<strong>in</strong>eer<strong>in</strong>g from Heriot-Watt University, UK, and a B.Tech<br />
from IIT, India, Soni transcends conventional boundaries, embody<strong>in</strong>g<br />
<strong>the</strong> fusion of technology and artistic expression.<br />
Sandeep Soni’s multifaceted journey<br />
unveils a profound love for <strong>the</strong> arts,<br />
where oil pa<strong>in</strong>t<strong>in</strong>g takes center stage<br />
<strong>in</strong> his expressive repertoire. As a<br />
digital technology enthusiast, Soni leverages<br />
his expertise <strong>in</strong> Digital Oil Field solutions,<br />
<strong>in</strong>fus<strong>in</strong>g traditional oil field operations with<br />
data analytics, mach<strong>in</strong>e learn<strong>in</strong>g, and data<br />
science concepts. For him, art is not just a<br />
pastime; it is a way of life that permeates every<br />
facet of his existence.<br />
His artistic endeavors extend beyond conventional<br />
mediums, delv<strong>in</strong>g <strong>in</strong>to <strong>the</strong> world of<br />
speed pa<strong>in</strong>t<strong>in</strong>g with acrylics. This medium<br />
empowers Soni to swiftly translate his modern<br />
and surrealistic imag<strong>in</strong>ations onto canvas,<br />
captur<strong>in</strong>g <strong>the</strong> essence of his creativity<br />
<strong>in</strong> real time. His specialization <strong>in</strong> creat<strong>in</strong>g<br />
giant-sized art on canvases and walls us<strong>in</strong>g<br />
acrylics and mixed media showcases a penchant<br />
for push<strong>in</strong>g artistic boundaries.<br />
Soni’s artistic philosophy revolves around<br />
<strong>the</strong> belief that <strong>the</strong> “art of liv<strong>in</strong>g” propels <strong>in</strong>dividuals<br />
to explore, <strong>in</strong>novate, and <strong>in</strong>fuse<br />
freshness <strong>in</strong>to <strong>the</strong>ir work. His aff<strong>in</strong>ity for oil<br />
pa<strong>in</strong>t<strong>in</strong>g lies <strong>in</strong> its flexibility – a medium that<br />
allows him to dive <strong>in</strong>to a world of imag<strong>in</strong>ation<br />
fueled by textures, colors, subjects, and<br />
strokes. Meanwhile, speed pa<strong>in</strong>t<strong>in</strong>g with<br />
acrylics enables him to embrace spontaneity<br />
and translate his ideas onto <strong>the</strong> canvas<br />
with immediacy.<br />
Beyond <strong>the</strong> canvas, Sandeep Soni explores<br />
a myriad of artistic expressions. From<br />
play<strong>in</strong>g <strong>the</strong> guitar and ukulele to graphic design<strong>in</strong>g,<br />
video edit<strong>in</strong>g, origami, and photography,<br />
his creative spirit knows no bounds.<br />
Whe<strong>the</strong>r immersed <strong>in</strong> <strong>the</strong> serene practice<br />
of yoga or experiment<strong>in</strong>g with cul<strong>in</strong>ary arts,<br />
Soni’s commitment to explor<strong>in</strong>g art <strong>in</strong> every<br />
form is evident.<br />
Soni’s educational journey, coupled with<br />
his professional expertise <strong>in</strong> <strong>the</strong> oil and gas<br />
<strong>in</strong>dustry, forms a unique backdrop for his<br />
artistic pursuits. His ability to <strong>in</strong>tegrate bus<strong>in</strong>ess<br />
analytics and technology with <strong>the</strong> world<br />
of oil pa<strong>in</strong>t<strong>in</strong>g showcases a rare synergy of<br />
left and right-bra<strong>in</strong> th<strong>in</strong>k<strong>in</strong>g.<br />
Sandeep Soni’s artistic odyssey has taken<br />
him to prom<strong>in</strong>ent <strong>in</strong>ternational art exhibitions,<br />
solidify<strong>in</strong>g his presence <strong>in</strong> <strong>the</strong> global<br />
art scene. From <strong>the</strong> MADS Gallery <strong>in</strong> Italy<br />
and art display at Times Square New York<br />
and to <strong>the</strong> BAHI Palace Hotel <strong>in</strong> Ajman,<br />
Dubai, his work has been showcased <strong>in</strong> various<br />
exhibitions such as “GENESI,” “Teslam,”<br />
“LIGHT,” and “BE THE CHANGE,” among<br />
many o<strong>the</strong>rs.<br />
Notably, Soni participated <strong>in</strong> live art<br />
events at <strong>the</strong> Embassy of India <strong>in</strong> Abu Dhabi<br />
and Th8-Palm Dubai Beach Resort, engag<strong>in</strong>g<br />
with diverse audiences. Soni’s artistic<br />
prowess has garnered recognition on a<br />
global scale. From exhibitions <strong>in</strong> prestigious<br />
locations like ArtExpo NYC, Telavi Historic<br />
Museum Georgia, Al-Husse<strong>in</strong> Cultural<br />
Center Amman Jordon, Gallery 21, Tokyo<br />
to be<strong>in</strong>g special featured <strong>in</strong> Artventurous<br />
magaz<strong>in</strong>e-Art Basel Miami Beach edition,<br />
his journey is marked by accolades. Nom<strong>in</strong>ated<br />
for Best Contemporary Artist and Best<br />
Abstract Art categories <strong>in</strong> <strong>the</strong> Magazoid Art<br />
Icon 2023 Event, Soni cont<strong>in</strong>ues to be a ris<strong>in</strong>g<br />
star <strong>in</strong> <strong>the</strong> art world.<br />
Sandeep Soni’s approach to art and life<br />
is encapsulated by <strong>the</strong> philosophy of ‘Carpe<br />
Diem’ – seiz<strong>in</strong>g <strong>the</strong> moment to its fullest while<br />
learn<strong>in</strong>g from <strong>the</strong> past and prepar<strong>in</strong>g for <strong>the</strong><br />
future. His art becomes a vessel through<br />
which he communicates stories, surrealism,<br />
fantasy, <strong>in</strong>tellect, science, imag<strong>in</strong>ation,<br />
love, and life. As he cont<strong>in</strong>ues to evolve as<br />
an artist and eng<strong>in</strong>eer, Sandeep Soni <strong>in</strong>vites<br />
o<strong>the</strong>rs to jo<strong>in</strong> him on this captivat<strong>in</strong>g journey<br />
where art transcends boundaries and connects<br />
diverse worlds.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
31
BESTUNE X MAGZOID<br />
BESTUNE<br />
MURAL SHOWCASE<br />
CELEBRATING 70 YEARS OF FAW<br />
MAGZOID<br />
32 <strong>February</strong> <strong>2024</strong><br />
www.magzoid.com
BESTUNE X MAGZOID<br />
BESTUNE<br />
CELEBRATES 70<br />
YEARS OF FAW’S<br />
LEGACY WITH<br />
A DISTINCTIVE<br />
ARTISTIC<br />
SHOWCASE<br />
The spotlight of <strong>the</strong> even<strong>in</strong>g was on<br />
Bestune’s flagship SUV, <strong>the</strong> T99, which underwent<br />
a stunn<strong>in</strong>g transformation under <strong>the</strong><br />
skilled hands of artist Rubab Zahra. Zahra,<br />
renowned for her mastery <strong>in</strong> Arabic calligraphy,<br />
<strong>in</strong>tricately adorned <strong>the</strong> vehicle with<br />
phrases like “Drive your Senses” and “Start<br />
a new Journey,” captur<strong>in</strong>g <strong>the</strong> essence of<br />
Bestune’s design philosophy.<br />
Add<strong>in</strong>g to <strong>the</strong> artistic fervour was a live<br />
mural pa<strong>in</strong>t<strong>in</strong>g by <strong>the</strong> exceptionally talented<br />
Snehita. Conceptualized by <strong>Magzoid</strong> <strong>Magaz<strong>in</strong>e</strong>,<br />
<strong>the</strong> mural served as a visual ode to<br />
FAW’s seventy years of remarkable progress.<br />
From be<strong>in</strong>g <strong>the</strong> first to mass-produce<br />
vehicles <strong>in</strong> Ch<strong>in</strong>a to achiev<strong>in</strong>g an annual<br />
production of over four million high-end cars,<br />
trucks, and buses, FAW has solidified its position<br />
as one of <strong>the</strong> world’s largest vehicle<br />
manufacturers and a Fortune 500 company.<br />
Mr. Andrew Squires, CEO of Al Khalid<br />
Auto, <strong>the</strong> official distributor of Bestune <strong>in</strong><br />
<strong>the</strong> UAE, expressed his enthusiasm, stat<strong>in</strong>g,<br />
“This marks a true milestone for Bestune and<br />
FAW, encapsulat<strong>in</strong>g seventy years of manufactur<strong>in</strong>g<br />
excellence. We are delighted to<br />
convey our history of design-led vehicles<br />
through <strong>the</strong> lens of art. Our commitment extends<br />
beyond <strong>in</strong>novative vehicles; we are<br />
dedicated to provid<strong>in</strong>g <strong>the</strong> UAE market with<br />
excit<strong>in</strong>g new Bestune products and unparalleled<br />
after-sales care.”<br />
The event successfully bridged <strong>the</strong> realms<br />
of art and automotive design heritage, showcas<strong>in</strong>g<br />
Bestune’s commitment to excellence.<br />
Attendees were immersed <strong>in</strong> a captivat<strong>in</strong>g<br />
fusion of creativity, celebrat<strong>in</strong>g not only <strong>the</strong><br />
legacy of FAW but also <strong>the</strong> promis<strong>in</strong>g future<br />
that Bestune envisions for <strong>the</strong> next seventy<br />
years. This artistic showcase stands as a<br />
testament to <strong>the</strong> brand’s endur<strong>in</strong>g legacy,<br />
<strong>in</strong>tertw<strong>in</strong><strong>in</strong>g <strong>the</strong> sophistication of automotive<br />
design with <strong>the</strong> timeless beauty of art.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
33
34 <strong>February</strong> <strong>2024</strong><br />
www.magzoid.com
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
35
36 <strong>February</strong> <strong>2024</strong><br />
www.magzoid.com
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
37
BRUSHSTROKES FROM THE PAST<br />
38 <strong>February</strong> <strong>2024</strong> www.magzoid.com
ALMA-TADEMA’S “A FOREGONE<br />
CONCLUSION”<br />
In <strong>the</strong> tapestry of art history, certa<strong>in</strong> brushstrokes weave tales of love, societal norms, and <strong>the</strong> <strong>in</strong>tricate dance between<br />
<strong>the</strong> ancient and <strong>the</strong> contemporary. Among <strong>the</strong>se strokes, Sir Lawrence Alma-Tadema’s “A Foregone Conclusion”<br />
stands as a poignant portrayal commissioned by Sir Henry Tate <strong>in</strong> <strong>the</strong> late 19th century. This article delves <strong>in</strong>to <strong>the</strong><br />
nuances of this masterpiece, explor<strong>in</strong>g <strong>the</strong> historical context, artistic evolution, and <strong>the</strong> personal narratives that converged<br />
to create this <strong>in</strong>timate scene from <strong>the</strong> past.<br />
Set aga<strong>in</strong>st <strong>the</strong> backdrop of <strong>the</strong> early<br />
Roman Empire, “A Foregone Conclusion”<br />
unfolds a narrative of courtship,<br />
portray<strong>in</strong>g a man fervently offer<strong>in</strong>g<br />
an engagement r<strong>in</strong>g to his beloved.<br />
Alma-Tadema’s meticulous attention to detail<br />
captures <strong>the</strong> expectant gaze of <strong>the</strong> lady<br />
and her attendant, subtly suggest<strong>in</strong>g that<br />
<strong>the</strong> outcome of this proposal is already predeterm<strong>in</strong>ed—a<br />
‘foregone conclusion.’ The<br />
artist’s exploration of Roman courtship rituals<br />
aligns with <strong>the</strong> societal norms prevalent<br />
dur<strong>in</strong>g <strong>the</strong> depicted era.<br />
Historian Barrow contextualizes Alma-Tadema’s<br />
courtship scenes with<strong>in</strong> <strong>the</strong> framework<br />
of Roman law and practice. Dur<strong>in</strong>g <strong>the</strong><br />
depicted time, marriages among women of<br />
high birth often transpired at a young age,<br />
driven by political alliances and social advantages.<br />
Barrow notes that love <strong>in</strong>terests<br />
frequently developed post-marriage through<br />
<strong>the</strong> acquisition of illicit lovers. While this historical<br />
<strong>in</strong>sight enriches <strong>the</strong> <strong>in</strong>terpretation, it<br />
is essential to recognize that Sir Henry Tate,<br />
<strong>the</strong> commissioner, likely saw <strong>the</strong> pa<strong>in</strong>t<strong>in</strong>g as<br />
a heartfelt tribute to his wife’s affection.<br />
Commissioned by <strong>the</strong> founder of <strong>the</strong> Tate<br />
Gallery, Sir Henry Tate, “A Foregone Conclusion”<br />
serves as a unique w<strong>in</strong>dow <strong>in</strong>to <strong>the</strong><br />
personal life of this self-made bus<strong>in</strong>essman.<br />
Presented as a wedd<strong>in</strong>g gift to his second<br />
wife, Amy Hislop, <strong>the</strong> pa<strong>in</strong>t<strong>in</strong>g reflects <strong>the</strong><br />
Victorian ethos of express<strong>in</strong>g sentiment<br />
through art. Tate, a man of accomplishment,<br />
would have undoubtedly cherished <strong>the</strong><br />
pa<strong>in</strong>t<strong>in</strong>g as a symbol of his endur<strong>in</strong>g love for<br />
Amy, who was 31 years his junior. The <strong>in</strong>timate<br />
scene depicted by Alma-Tadema becomes<br />
a testament to <strong>the</strong> timeless nature of<br />
love and commitment.<br />
Alma-Tadema’s oeuvre underwent a noticeable<br />
transformation over <strong>the</strong> years. While<br />
earlier works, such as “An Audience at<br />
Agrippa’s,” depicted grand historical events<br />
on a large scale, his later pieces, <strong>in</strong>clud<strong>in</strong>g<br />
“A Foregone Conclusion,” embraced smaller,<br />
domestic scenes. The shift <strong>in</strong> scale is<br />
accompanied by a departure from elaborate<br />
historical sett<strong>in</strong>gs, with Alma-Tadema <strong>in</strong>corporat<strong>in</strong>g<br />
fewer statues and artifacts. Instead,<br />
he opts for a more <strong>in</strong>timate focus, often featur<strong>in</strong>g<br />
a limited number of figures aga<strong>in</strong>st a<br />
backdrop of sea and flowers—a departure<br />
from his earlier, more expansive compositions.<br />
Alma-Tadema’s frequent visits to Italy,<br />
particularly <strong>the</strong> ancient sites of Pompeii and<br />
Herculaneum, played a crucial role <strong>in</strong> shap<strong>in</strong>g<br />
his artistic vision. The pa<strong>in</strong>ter, who meticulously<br />
documented his journeys through<br />
photography, drew <strong>in</strong>spiration from <strong>the</strong> Italian<br />
landscape. “A Foregone Conclusion”<br />
bears witness to this <strong>in</strong>fluence, as Alma-Tadema<br />
recreates <strong>the</strong> Italian sett<strong>in</strong>g with <strong>the</strong> <strong>in</strong>clusion<br />
of figures seated on a marble bench,<br />
a semi-circular exedra, and <strong>the</strong> distant sea,<br />
adorned with vibrant flowers.<br />
By <strong>the</strong> time Alma-Tadema pa<strong>in</strong>ted “A<br />
Foregone Conclusion,” he had ascended<br />
to prom<strong>in</strong>ence <strong>in</strong> <strong>the</strong> Victorian art world.<br />
Elected as a Royal Academician <strong>in</strong> 1879,<br />
his stature was fur<strong>the</strong>r solidified with a major<br />
exhibition at <strong>the</strong> Grosvenor Gallery three<br />
years later. This recognition paved <strong>the</strong> way<br />
for his endur<strong>in</strong>g legacy, with Sir Henry Tate<br />
later commission<strong>in</strong>g ano<strong>the</strong>r work, “A Silent<br />
Greet<strong>in</strong>g,” as a companion piece to <strong>the</strong> celebrated<br />
“Foregone Conclusion.”<br />
“A Foregone Conclusion” by Alma-Tadema<br />
is not merely a canvas adorned with<br />
strokes of pa<strong>in</strong>t; it is a testament to <strong>the</strong> <strong>in</strong>tersection<br />
of personal narratives, historical context,<br />
and artistic evolution. Sir Henry Tate’s<br />
commission<strong>in</strong>g of this work as a wedd<strong>in</strong>g<br />
present adds a layer of <strong>in</strong>timacy to <strong>the</strong> pa<strong>in</strong>t<strong>in</strong>g,<br />
while Alma-Tadema’s departure from<br />
grand historical scenes <strong>in</strong> favor of smaller,<br />
domestic sett<strong>in</strong>gs marks a significant chapter<br />
<strong>in</strong> his artistic journey. As we gaze upon<br />
this masterpiece, we are beckoned to unravel<br />
<strong>the</strong> threads of time, transcend<strong>in</strong>g <strong>the</strong><br />
boundaries between ancient Rome and Victorian<br />
England.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
39
40 <strong>February</strong> <strong>2024</strong><br />
www.magzoid.com
UAE<br />
UNRAVEL A MYSTERIOUS STORY OF<br />
ANCIENT EGYPT<br />
The Hatshepsut experience reveals<br />
<strong>the</strong> untold story of <strong>the</strong> woman who<br />
would be k<strong>in</strong>g. In <strong>the</strong>ir newest experience,<br />
kanvas, <strong>the</strong> creative and immersive<br />
hub <strong>in</strong> Dubai’s newest cultural district<br />
<strong>in</strong> Al Quoz 1, transports visitors through<br />
<strong>the</strong> pages of history and lets <strong>the</strong>m step <strong>in</strong>to<br />
<strong>the</strong> world of ancient Egypt <strong>in</strong> <strong>the</strong> first-ever<br />
immersive show to tell <strong>the</strong> story of Hatshepsut,<br />
<strong>the</strong> first female pharaoh of <strong>the</strong> empire.<br />
This extraord<strong>in</strong>ary visual experience, on<br />
show until 18 <strong>February</strong>, blends historical<br />
facts with mesmeriz<strong>in</strong>g storytell<strong>in</strong>g and flies<br />
us back more than 3000 years. Hatshepsut,<br />
<strong>the</strong> audacious pharaoh queen, hail<strong>in</strong>g from<br />
<strong>the</strong> celebrated Eighteenth Dynasty of ancient<br />
Egypt, defied conventions, dared to<br />
transcend traditional roles by stepp<strong>in</strong>g <strong>in</strong>to<br />
<strong>the</strong> shoes of k<strong>in</strong>gs and thus left an <strong>in</strong>delible<br />
mark on <strong>the</strong> legacy of pharaohs.<br />
The ultimate goal of Ram Nath, <strong>the</strong> show’s<br />
producer was to <strong>in</strong>troduce us to <strong>the</strong> once<br />
nearly erased legacy of this trailblaz<strong>in</strong>g pharaoh<br />
queen who has sculpted Egypt <strong>in</strong>to an<br />
era of unprecedented prosperity <strong>in</strong> trade,<br />
culture and architecture.<br />
kanvas, <strong>the</strong> new media art and event hub<br />
<strong>in</strong> Al Khayat Art Avenue serves as <strong>the</strong> perfect<br />
backdrop for this extraord<strong>in</strong>ary experience,<br />
a perfect fusion of enterta<strong>in</strong>ment and<br />
education that unravels <strong>the</strong> enigmatic saga<br />
of <strong>the</strong> queen who dared to be k<strong>in</strong>g.<br />
The groundbreak<strong>in</strong>g Hathsepsut experience<br />
followed a series of exceptional artplugged-<strong>in</strong><br />
exhibitions over <strong>the</strong> past year,<br />
embody<strong>in</strong>g <strong>the</strong> core mission of kanvas: to<br />
become an <strong>in</strong>tegral player on <strong>the</strong> cultural<br />
canvas of <strong>the</strong> Middle East and br<strong>in</strong>g <strong>in</strong>novative<br />
art forms closer to a broader audience.<br />
Build<strong>in</strong>g on <strong>the</strong> narratives of past experiences,<br />
<strong>the</strong>ir upcom<strong>in</strong>g shows promise a visual<br />
feast for art enthusiasts.<br />
First <strong>in</strong> l<strong>in</strong>e is a retrospective solo exhibition<br />
of <strong>the</strong> visionary contemporary visual<br />
artist, Kristel Bechara titled “A Symphony<br />
of Shadows and Light” co<strong>in</strong>cid<strong>in</strong>g with Art<br />
Dubai, <strong>the</strong> region’s largest art fair. In her new<br />
vernissage, Bechara pushes her boundaries<br />
to embrace new dimensions of advanced<br />
technologies.<br />
That will be followed by a trailblaz<strong>in</strong>g<br />
data visualization project titled „What Lies<br />
Beneath” which delves <strong>in</strong>to <strong>the</strong> mysterious<br />
depths of <strong>the</strong> oceans. The unprecedented<br />
visual experience, redesigned and upgraded<br />
for kanvas, is crafted from open-source<br />
datasets of ocean life by talented media artist<br />
and motion graphic designer, Susan Kosti.<br />
The orig<strong>in</strong>al work was commissioned by<br />
NSW Dest<strong>in</strong>ation for Vivid Sydney, one of <strong>the</strong><br />
largest digital art festivals of <strong>the</strong> world.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
41
PICTURE STORY<br />
PHOTO BY ED ROBERTSON ON UNSPLASH<br />
42 <strong>February</strong> <strong>2024</strong><br />
www.magzoid.com
VALENTINE’S DAY:<br />
A CELEBRATION OF LOVE<br />
AND AFFECTION<br />
SPECIAL DAY<br />
Valent<strong>in</strong>e’s Day celebrated annually<br />
on <strong>February</strong> 14th, has transcended<br />
its historical roots to become a global<br />
celebration of love, affection, and<br />
connection. While <strong>the</strong> orig<strong>in</strong>s of this romantic<br />
holiday are shrouded <strong>in</strong> legend and myth, its<br />
contemporary significance is unmistakable:<br />
a day dedicated to express<strong>in</strong>g love, cherish<strong>in</strong>g<br />
relationships, and celebrat<strong>in</strong>g <strong>the</strong> human<br />
heart’s myriad emotions.<br />
Historically, Valent<strong>in</strong>e’s Day traces its l<strong>in</strong>eage<br />
to ancient Rome, where mid-<strong>February</strong><br />
marked <strong>the</strong> Lupercalia festival—a pagan<br />
celebration of fertility. As Christianity spread,<br />
<strong>the</strong> holiday underwent a transformation, with<br />
St. Valent<strong>in</strong>e emerg<strong>in</strong>g as its central figure.<br />
Legend has it that Valent<strong>in</strong>e, a Roman priest,<br />
defied Emperor Claudius II’s decree prohibit<strong>in</strong>g<br />
young men from marry<strong>in</strong>g, believ<strong>in</strong>g<br />
s<strong>in</strong>gle men made better soldiers. For his<br />
defiance, Valent<strong>in</strong>e was martyred, and his<br />
feast day was set for <strong>February</strong> 14th. Over<br />
time, <strong>the</strong> celebration evolved from religious<br />
observance to a more secular, yet deeply romantic,<br />
occasion.<br />
Today, Valent<strong>in</strong>e’s Day is synonymous with<br />
tokens of affection—heart-shaped chocolates,<br />
fragrant roses, and sentimental cards.<br />
It’s a day when lovers exchange gifts, share<br />
<strong>in</strong>timate d<strong>in</strong>ners, and create memories that<br />
endure lifetimes. Yet, beyond <strong>the</strong> chocolates<br />
and roses lies a deeper essence: <strong>the</strong> celebration<br />
of love <strong>in</strong> all its forms. It’s a day that<br />
rem<strong>in</strong>ds us of <strong>the</strong> profound human need to<br />
connect, to feel cherished, and to express<br />
our deepest emotions unabashedly.<br />
However, as with any widely celebrated<br />
occasion, Valent<strong>in</strong>e’s Day has its share of<br />
critics. Some argue it’s overly commercialized,<br />
reduc<strong>in</strong>g love to mere commodities.<br />
O<strong>the</strong>rs po<strong>in</strong>t out that love should be celebrated<br />
every day, not just on a designated<br />
date. While <strong>the</strong>se critiques hold merit,<br />
<strong>the</strong> essence of Valent<strong>in</strong>e’s Day transcends<br />
commercialism. At its core, it serves as a<br />
poignant rem<strong>in</strong>der to pause amidst life’s<br />
hustle and reflect on <strong>the</strong> love that enriches<br />
our lives—be it romantic, platonic, or familial.<br />
Fur<strong>the</strong>rmore, Valent<strong>in</strong>e’s Day has evolved<br />
beyond romantic love. In recent years, <strong>the</strong><br />
concept of ‘Galent<strong>in</strong>e’s Day’ has ga<strong>in</strong>ed<br />
traction—a day preced<strong>in</strong>g Valent<strong>in</strong>e’s, where<br />
women celebrate <strong>the</strong>ir female friendships<br />
and empowerment. Similarly, ‘Palent<strong>in</strong>e’s<br />
Day’ acknowledges <strong>the</strong> importance of platonic<br />
friendships, emphasiz<strong>in</strong>g that love isn’t<br />
conf<strong>in</strong>ed to romantic partnerships.<br />
In essence, Valent<strong>in</strong>e’s Day, with its rich<br />
tapestry of history and contemporary <strong>in</strong>terpretations,<br />
rema<strong>in</strong>s a testament to love’s endur<strong>in</strong>g<br />
power. It encourages us to celebrate<br />
connections, cherish memories, and above<br />
all, recognize love as <strong>the</strong> universal language<br />
that b<strong>in</strong>ds humanity. As we exchange tokens<br />
of affection and whisper sweet noth<strong>in</strong>gs, let’s<br />
also embrace <strong>the</strong> day’s deeper message:<br />
that love, <strong>in</strong> all its myriad forms, is truly <strong>the</strong><br />
greatest gift of all.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
43
CONVERSATIONS<br />
Exclusive<br />
Pouran J<strong>in</strong>chi<br />
WINDS OF CHANGE: EXPLORING RESILIENCE<br />
IN ‘FLY LIKE DANDELIONS<br />
Embark on a visual journey through “Fly Like Dandelions” by Pouran J<strong>in</strong>chi, where <strong>the</strong> artist explores<br />
<strong>the</strong> resilience of <strong>the</strong> human spirit amidst climate challenges. Inspired by Jorge A.’s narrative and landscapes<br />
affected by climate change, J<strong>in</strong>chi merges Persian calligraphy with abstraction, symboliz<strong>in</strong>g<br />
<strong>the</strong> vulnerability of ecosystems. The color palette, a blend of somber tones and hopeful blues signifies<br />
devastation and resilience. The dandelion, rendered <strong>in</strong> calligraphy, becomes a powerful metaphor<br />
for migrant experiences. Rooted <strong>in</strong> Mashhad, Iran, and with a background <strong>in</strong> civil eng<strong>in</strong>eer<strong>in</strong>g and<br />
classical calligraphy, J<strong>in</strong>chi weaves personal and global narratives, offer<strong>in</strong>g a profound exploration of<br />
migration and climate change.<br />
44 <strong>February</strong> <strong>2024</strong> www.magzoid.com
Q.The series “Fly Like Dandelions” was <strong>in</strong>spired by <strong>the</strong> New<br />
York Times article on <strong>the</strong> Great Climate Migration. Could you<br />
delve deeper <strong>in</strong>to how <strong>the</strong> narrative of Jorge A., <strong>the</strong> Guatemalan<br />
farmer, and landscapes affected by climate change <strong>in</strong>fluenced<br />
your artistic exploration <strong>in</strong> this body of work?<br />
The story was an anchor for my artistic exploration. I wanted to<br />
highlight both <strong>the</strong> light and <strong>the</strong> dark. But, more importantly, <strong>the</strong><br />
journey of resilience and strength. The landscapes <strong>in</strong> <strong>the</strong> pieces<br />
are a powerful metaphor for <strong>the</strong> wider shifts happen<strong>in</strong>g <strong>in</strong> our<br />
world. In “Fly Like Dandelions,” I wanted to capture <strong>the</strong>se devastation<br />
and hope, aim<strong>in</strong>g to make people feel, understand, and<br />
appreciate <strong>the</strong> human spirit <strong>in</strong> <strong>the</strong> face of adversity.<br />
Q.Your work merges traditional calligraphy techniques with<br />
abstraction, us<strong>in</strong>g Persian characters to depict trees and tree<br />
trunks. How does this fusion allow you to delve <strong>in</strong>to <strong>the</strong> complexities<br />
of perception, reality, and mean<strong>in</strong>g, especially <strong>in</strong> <strong>the</strong><br />
context of climate change’s impact on landscapes?<br />
The use of Persian characters adds cultural depth, symboliz<strong>in</strong>g<br />
<strong>the</strong> connection between language and nature. By portray<strong>in</strong>g<br />
trees through this lens, I am try<strong>in</strong>g to highlight <strong>the</strong> vulnerability of<br />
ecosystems affected by climate change. The <strong>in</strong>terplay between<br />
traditional script and abstract representation allows for reflection<br />
on <strong>the</strong> evolv<strong>in</strong>g relationship between humans and <strong>the</strong> environment,<br />
this helps <strong>the</strong> viewers contemplate <strong>the</strong> chang<strong>in</strong>g mean<strong>in</strong>gs<br />
embedded <strong>in</strong> <strong>the</strong> landscapes around us.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
45
CONVERSATIONS<br />
Q.The color palette <strong>in</strong> your pa<strong>in</strong>t<strong>in</strong>gs, particularly <strong>the</strong> use of<br />
black, grey, and blue, holds symbolic mean<strong>in</strong>g. Could you<br />
expla<strong>in</strong> how <strong>the</strong>se colors express notions of devastation and<br />
hope with<strong>in</strong> <strong>the</strong> context of your artistic narrative?<br />
Choos<strong>in</strong>g <strong>the</strong>se color palettes is second nature to me. The darker<br />
tones convey urgency and devastation, while blue adds hope<br />
and resilience. The dusty, muted dystopian tones <strong>in</strong> my pa<strong>in</strong>t<strong>in</strong>gs<br />
reflect <strong>the</strong> dark moments of our current climate crisis, symboliz<strong>in</strong>g<br />
loss and ext<strong>in</strong>ction.<br />
Q.The dandelion, transformed <strong>in</strong>to a calligraphic symbol,<br />
seems to carry significant metaphorical weight <strong>in</strong> your work.<br />
How does this delicate imagery serve as a representation of<br />
resilient migrants and <strong>the</strong>ir experiences of displacement and<br />
determ<strong>in</strong>ation to navigate new paths?<br />
Like <strong>the</strong> dandelion’s dispers<strong>in</strong>g seeds, migrants adapt and thrive<br />
<strong>in</strong> diverse environments, embody<strong>in</strong>g <strong>the</strong> human spirit’s despite<br />
challenges. It is <strong>the</strong> universal human experience of seek<strong>in</strong>g a<br />
way forward despite uncerta<strong>in</strong>ties and changes.<br />
46 <strong>February</strong> <strong>2024</strong> www.magzoid.com
Q.Com<strong>in</strong>g from Mashhad, Iran, and with a background <strong>in</strong> civil<br />
eng<strong>in</strong>eer<strong>in</strong>g and classical calligraphy, your work reflects a<br />
unique <strong>in</strong>tersection of culture and diverse <strong>in</strong>fluences. How<br />
do <strong>the</strong>se varied aspects of your background contribute to <strong>the</strong><br />
<strong>in</strong>tricate emotional and narrative layers <strong>in</strong> your art, particularly<br />
<strong>in</strong> address<strong>in</strong>g <strong>the</strong>mes of migration and climate change?<br />
Artists br<strong>in</strong>g <strong>the</strong>ir collective life experience <strong>in</strong>to <strong>the</strong>ir art. This<br />
series is a life lived start<strong>in</strong>g <strong>in</strong> Mashhad to present time. There<br />
is always clues <strong>in</strong> my art <strong>in</strong>fluenced by calligraphy, educational<br />
background and diverse cultures I have experienced. This series<br />
called Fly Like Dandelions reveals <strong>the</strong> layers of of migration<br />
and climate change effect<strong>in</strong>g us globally. At <strong>the</strong> end we are all<br />
dandelions.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
47
PICTURE STORY<br />
PHOTO BY IAN DOOLEY ON UNSPLASH<br />
48 <strong>February</strong> <strong>2024</strong> www.magzoid.com
WORLD CANCER DAY:<br />
A GLOBAL CALL TO ACTION<br />
SPECIAL DAY<br />
Every year, on <strong>February</strong> 4th, <strong>the</strong> world<br />
meets to observe World Cancer Day.<br />
It’s a poignant rem<strong>in</strong>der of <strong>the</strong> global<br />
impact of cancer and <strong>the</strong> collective<br />
effort required to combat this pervasive disease.<br />
Initiated by <strong>the</strong> Union for International<br />
Cancer Control (UICC) and supported by<br />
organizations, governments, and <strong>in</strong>dividuals<br />
worldwide, this day serves as a platform to<br />
raise awareness, encourage prevention, and<br />
promote early detection and treatment.<br />
Cancer knows no boundaries; it affects<br />
<strong>in</strong>dividuals regardless of age, gender, ethnicity,<br />
or socioeconomic status. The statistics<br />
are stagger<strong>in</strong>g. Accord<strong>in</strong>g to <strong>the</strong> World<br />
Health Organization, cancer is <strong>the</strong> second<br />
lead<strong>in</strong>g cause of death globally, account<strong>in</strong>g<br />
for nearly 10 million deaths <strong>in</strong> 2020 alone.<br />
Beh<strong>in</strong>d <strong>the</strong>se numbers lie countless stories<br />
of pa<strong>in</strong>, resilience, hope, and loss.<br />
The <strong>the</strong>me for World Cancer Day often<br />
varies, reflect<strong>in</strong>g <strong>the</strong> multifaceted challenges<br />
posed by cancer. Whe<strong>the</strong>r it’s highlight<strong>in</strong>g<br />
<strong>the</strong> importance of early detection, ad-<br />
vocat<strong>in</strong>g for equitable access to treatment,<br />
or emphasiz<strong>in</strong>g prevention through healthy<br />
lifestyles and vacc<strong>in</strong>ation, each <strong>the</strong>me underscores<br />
<strong>the</strong> urgency and importance of<br />
address<strong>in</strong>g cancer globally.<br />
Awareness is a cornerstone of World Cancer<br />
Day. By foster<strong>in</strong>g a deeper understand<strong>in</strong>g<br />
of cancer, its risk factors, and its impact,<br />
we empower <strong>in</strong>dividuals to take proactive<br />
steps toward prevention and early detection.<br />
Education campaigns, public sem<strong>in</strong>ars, and<br />
media coverage are pivotal <strong>in</strong> dissem<strong>in</strong>at<strong>in</strong>g<br />
accurate <strong>in</strong>formation and dispell<strong>in</strong>g myths<br />
surround<strong>in</strong>g cancer.<br />
Equally crucial is <strong>the</strong> emphasis on prevention.<br />
Adopt<strong>in</strong>g a healthy lifestyle, avoid<strong>in</strong>g<br />
tobacco, limit<strong>in</strong>g alcohol consumption,<br />
ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g a balanced diet, and engag<strong>in</strong>g<br />
<strong>in</strong> regular physical activity can significantly<br />
reduce <strong>the</strong> risk of develop<strong>in</strong>g certa<strong>in</strong> types<br />
of cancer. Fur<strong>the</strong>rmore, vacc<strong>in</strong>ation aga<strong>in</strong>st<br />
viruses such as HPV and Hepatitis B can<br />
prevent <strong>in</strong>fections that may lead to specific<br />
cancers.<br />
However, for those already grappl<strong>in</strong>g with<br />
cancer, timely diagnosis and access to quality<br />
treatment are paramount. World Cancer<br />
Day serves as a rem<strong>in</strong>der of <strong>the</strong> <strong>in</strong>equalities<br />
<strong>in</strong> cancer care worldwide. While advancements<br />
<strong>in</strong> research and treatment have revolutionized<br />
cancer care <strong>in</strong> many high-<strong>in</strong>come<br />
countries, disparities persist, with many lowand<br />
middle-<strong>in</strong>come countries lack<strong>in</strong>g adequate<br />
resources and <strong>in</strong>frastructure.<br />
As we commemorate World Cancer Day,<br />
let us reflect on <strong>the</strong> progress made, celebrate<br />
<strong>the</strong> stories of survival and resilience,<br />
and recommit ourselves to <strong>the</strong> ongo<strong>in</strong>g<br />
fight aga<strong>in</strong>st cancer. It’s a day to unite, <strong>in</strong>spire<br />
change, and work collectively toward<br />
a world where cancer no longer poses a<br />
threat to our loved ones or future generations.<br />
Through awareness, prevention, and<br />
advocacy, we can make strides <strong>in</strong> reduc<strong>in</strong>g<br />
<strong>the</strong> global burden of cancer and ensur<strong>in</strong>g a<br />
brighter, cancer-free future for all.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
49
50 <strong>February</strong> <strong>2024</strong> www.magzoid.com
UAE<br />
MORE THAN 35,000 ATTEND<br />
QUOZ ARTS FEST <strong>2024</strong>:<br />
11th Edition saw a weekend of over 200 cultural activations and live<br />
music performances from morn<strong>in</strong>g to midnight<br />
More than 35,000 visitors of all ages<br />
and from all walks of life attended<br />
<strong>the</strong> <strong>2024</strong> edition of Quoz Arts Fest,<br />
<strong>the</strong> region’s highly anticipated arts<br />
and culture festival. The 11th edition, supported<br />
by Dubai Culture and Arts Authority<br />
(Dubai Culture) as Strategic Partner, took<br />
place on 27 & 28 January, transform<strong>in</strong>g <strong>the</strong><br />
lanes of Alserkal Avenue and <strong>the</strong> Al Quoz<br />
<strong>Creative</strong> Zone <strong>in</strong>to a bustl<strong>in</strong>g and <strong>in</strong>clusive<br />
hive of arts, culture, food and music.<br />
Quoz Arts Fest <strong>2024</strong> featured more than<br />
30 live performances, 16 art exhibitions, 9<br />
art <strong>in</strong>stallations, over 75 food and retail concepts,<br />
and numerous community activations<br />
and workshops, from morn<strong>in</strong>g till midnight,<br />
creat<strong>in</strong>g an emotionally resonant festival experience<br />
for everyone. S<strong>in</strong>ce its <strong>in</strong>ception<br />
<strong>the</strong> festival has become known for br<strong>in</strong>g<strong>in</strong>g<br />
toge<strong>the</strong>r a wide range of <strong>the</strong> creative communities<br />
of <strong>the</strong> UAE and <strong>the</strong> region and al-<br />
low<strong>in</strong>g <strong>the</strong>m to <strong>in</strong>tersect and create shared<br />
dialogue.<br />
A Celebration of <strong>the</strong> region’s contemporary<br />
art scene<br />
The festival launched on <strong>the</strong> morn<strong>in</strong>g of<br />
27 January with a slew of major public <strong>in</strong>stallation<br />
artworks, <strong>in</strong>clud<strong>in</strong>g French-Tunisian<br />
artist eL Seed’s larger-than-life mural, ‘Collection<br />
of Moments’, on <strong>the</strong> facade of his studio;<br />
‘Red Flags’ by Anahita Razmi, courtesy<br />
of CARBON 12, featur<strong>in</strong>g a series of vividly<br />
colourful banners and flags across various<br />
sites; ‘Every Color is a Shade of Black’ by<br />
Hamra Abbas and curated by Lawrie Shabibi,<br />
explor<strong>in</strong>g colour <strong>in</strong> <strong>the</strong> context of faith,<br />
identity, race, and beauty.<br />
With<strong>in</strong> Concrete, ‘Echoes of Nature’ by<br />
London-based Japanese artist Yuri Suzuki,<br />
<strong>in</strong>vited visitors to play with <strong>the</strong> <strong>in</strong>teractive<br />
sound <strong>in</strong>stallation. Basma Choir’s mesmeris<strong>in</strong>g<br />
celebration of Arabic music and heritage<br />
<strong>in</strong> response to Suzuki’s ambient sound<br />
<strong>in</strong>stallation was much-loved by attendees,<br />
draw<strong>in</strong>g a crowd for each of <strong>the</strong>ir hourly performances.<br />
Ano<strong>the</strong>r popular standout work at Quoz<br />
Arts Fest <strong>2024</strong> was <strong>the</strong> light <strong>in</strong>stallation Still<br />
from Here by PHI Studio, draw<strong>in</strong>g <strong>in</strong>spiration<br />
from knowledge possessed by nomadic<br />
Bedou<strong>in</strong>s and orig<strong>in</strong>ally commissioned for<br />
<strong>the</strong> Noor Riyadh Light Festival. Tanzanian-born<br />
artist Dipesh Pandya’s transformation<br />
of a car <strong>in</strong>to a sonic sculpture through a<br />
site-specific spoken word performance, also<br />
surprised festival visitors, creat<strong>in</strong>g a po<strong>in</strong>t<br />
of artistic connection. Sima Dance Company,<br />
a pioneer<strong>in</strong>g force <strong>in</strong> Arab contemporary<br />
dance, put on a visually stunn<strong>in</strong>g and<br />
emotional performance that stole audiences’<br />
hearts.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
51
UAE<br />
52 <strong>February</strong> <strong>2024</strong><br />
www.magzoid.com
Music with Passion & Purpose<br />
In <strong>the</strong> even<strong>in</strong>g, crowds were brought to<br />
<strong>the</strong>ir feet by Sudanese fusion artists MarSimba’s<br />
blend of Sudanese l<strong>in</strong>go and African<br />
beats, and <strong>the</strong> remixed South Asian DJ sets<br />
of UAE-based Stick No Bills, who was accompanied<br />
by musicians play<strong>in</strong>g traditional<br />
South Asian <strong>in</strong>struments such as <strong>the</strong> sitar,<br />
tabla, and harmonium. Festival-goers were<br />
<strong>in</strong> awe of millennial artist Usha Jey’s hybrid<br />
performance of hip-hop and Bharatanatyam<br />
ft. Mithu and Janu, while enthused by <strong>the</strong> return<br />
of Big Hass, a Dubai-based hip-hop DJ<br />
as emcee and show-runner.<br />
The second day of Quoz Arts Fest saw a<br />
huge turnout for <strong>the</strong> highly anticipated live<br />
music performances by The Synaptik and<br />
Friends, helmed by <strong>the</strong> Palest<strong>in</strong>ian-Jordanian<br />
rapper at <strong>the</strong> forefront of a popular wave<br />
of Arabic rap and trap, effortlessly merg<strong>in</strong>g<br />
s<strong>in</strong>g<strong>in</strong>g and rapp<strong>in</strong>g to explore issues such<br />
as migration and social <strong>in</strong>equality. His participation<br />
was <strong>in</strong>vigorated with performances<br />
by Maysa Daw, who captured <strong>the</strong> crowd with<br />
songs explor<strong>in</strong>g her personal experiences,<br />
as well as DJ Sotusura, Egyptian rapper<br />
Feluka, and pioneer of <strong>the</strong> ‘Amman sound’,<br />
Shbash.<br />
Quoz Encore, which has already become<br />
a ma<strong>in</strong>stay of <strong>the</strong> festival, returned for its<br />
sophomore cycle, br<strong>in</strong>g<strong>in</strong>g <strong>in</strong> more than<br />
80 entries by homegrown bands look<strong>in</strong>g<br />
for <strong>the</strong>ir big break. Twenty-four were shortlisted<br />
and auditioned, and twelve bands /<br />
musicians were f<strong>in</strong>ally selected to perform<br />
at Quoz Arts Fest this year. Quoz Encore<br />
has fast become a showcase of <strong>the</strong> most<br />
promis<strong>in</strong>g homegrown emerg<strong>in</strong>g musicians<br />
of all ages, genres, and languages, and a<br />
platform from which to grow.<br />
Inclusive & Inspired<br />
The 11th edition of Quoz Arts Fest <strong>2024</strong><br />
stood out for its <strong>in</strong>clusivity dur<strong>in</strong>g <strong>the</strong> entire<br />
weekend, with performers, participants, and<br />
visitors of all ages, backgrounds, and cultural<br />
<strong>in</strong>terests, com<strong>in</strong>g toge<strong>the</strong>r and fully immers<strong>in</strong>g<br />
<strong>the</strong>mselves <strong>in</strong> <strong>the</strong> myriad activities.<br />
Children and <strong>the</strong>ir families enjoyed a<br />
dedicated lane of arts and activities, while<br />
foodies of all ages and tastes sated <strong>the</strong>ir appetites<br />
thanks to <strong>the</strong> variety of <strong>in</strong>ternational<br />
cul<strong>in</strong>ary food offer<strong>in</strong>gs from pop-ups, food<br />
trucks, and permanent restaurants and cafes<br />
at Alserkal Avenue.<br />
To that end, <strong>the</strong> festival was a profound<br />
experience that resonated <strong>in</strong> unique and nuanced<br />
ways with all visitors.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
53
Giv<strong>in</strong>g Bus<strong>in</strong>esses<br />
Support to ease <strong>the</strong>ir<br />
Cashflow<br />
Contact Us<br />
www.iFundFactor<strong>in</strong>g.com<br />
iFund
KNOWLEDGE BASE<br />
LOVE AND ART: A TIMELESS<br />
TAPESTRY OF EMOTION<br />
Love, a universal and timeless emotion,<br />
has <strong>in</strong>spired artists across centuries<br />
to create masterpieces that capture<br />
<strong>the</strong> essence of this complex and profound<br />
feel<strong>in</strong>g. In <strong>the</strong> realm of art, love serves<br />
as a muse, driv<strong>in</strong>g creativity, and allow<strong>in</strong>g<br />
artists to explore <strong>the</strong> myriad facets of human<br />
connection. This article delves <strong>in</strong>to <strong>the</strong> <strong>in</strong>tersection<br />
of love and art, explor<strong>in</strong>g how this<br />
powerful emotion has shaped and cont<strong>in</strong>ues<br />
to <strong>in</strong>fluence artistic expression.<br />
Art, like love, transcends boundaries and<br />
communicates through a language that sur-<br />
passes words. Whe<strong>the</strong>r expressed through<br />
<strong>the</strong> stroke of a brush, <strong>the</strong> chisel of a sculptor,<br />
or <strong>the</strong> notes of a musician, love f<strong>in</strong>ds its voice<br />
<strong>in</strong> <strong>the</strong> diverse mediums of artistic creation.<br />
The <strong>in</strong>terplay of colors, shapes, and forms<br />
becomes a visual symphony that mirrors <strong>the</strong><br />
complexity of human emotions, offer<strong>in</strong>g a<br />
glimpse <strong>in</strong>to <strong>the</strong> artist’s perception of love.<br />
Throughout art history, love has been a<br />
recurr<strong>in</strong>g <strong>the</strong>me, from <strong>the</strong> mythological tales<br />
of love and tragedy <strong>in</strong> classical art to <strong>the</strong> romantic<br />
depictions of courtly love <strong>in</strong> <strong>the</strong> Renaissance.<br />
Artists like Michelangelo, Leonar-<br />
56 <strong>February</strong> <strong>2024</strong> www.magzoid.com
do da V<strong>in</strong>ci, and Botticelli wove narratives of<br />
love <strong>in</strong>to <strong>the</strong>ir works, immortaliz<strong>in</strong>g timeless<br />
stories of passion, devotion, and heartbreak.<br />
The endur<strong>in</strong>g appeal of <strong>the</strong>se pieces lies <strong>in</strong><br />
<strong>the</strong>ir ability to tap <strong>in</strong>to <strong>the</strong> universal experiences<br />
of love that resonate across cultures<br />
and periods.<br />
The 19th century witnessed <strong>the</strong> emergence<br />
of <strong>the</strong> Romantic movement, where<br />
love took center stage as a powerful force<br />
driv<strong>in</strong>g creativity. Romantic artists sought to<br />
express <strong>the</strong> <strong>in</strong>tensity of emotions, often portray<strong>in</strong>g<br />
love as an idealized and transcendent<br />
force. The works of artists like Caspar<br />
David Friedrich and Eugène Delacroix exemplify<br />
<strong>the</strong> Romantic fasc<strong>in</strong>ation with <strong>the</strong><br />
sublime and <strong>the</strong> emotional depths of love.<br />
As art evolved <strong>in</strong>to <strong>the</strong> 20th and 21st centuries,<br />
so did <strong>the</strong> <strong>in</strong>terpretations of love <strong>in</strong><br />
artistic expression. From <strong>the</strong> cubist explorations<br />
of fragmented emotions to <strong>the</strong> abstract<br />
representations of <strong>the</strong> human connection,<br />
artists like Pablo Picasso and Jackson Pollock<br />
expanded <strong>the</strong> visual vocabulary of<br />
love. Contemporary artists cont<strong>in</strong>ue to push<br />
boundaries, explor<strong>in</strong>g <strong>the</strong>mes of love <strong>in</strong> <strong>the</strong><br />
context of diverse identities, relationships,<br />
and societal shifts.<br />
The spectrum of love extends beyond<br />
romantic relationships, encompass<strong>in</strong>g familial<br />
bonds, friendships, and self-love. Artists<br />
capture <strong>the</strong> nuances of <strong>the</strong>se relationships,<br />
portray<strong>in</strong>g <strong>the</strong> tenderness of a mo<strong>the</strong>r’s embrace,<br />
<strong>the</strong> camaraderie between friends,<br />
and <strong>the</strong> <strong>in</strong>trospective journey of self-discovery.<br />
Each representation adds layers to <strong>the</strong><br />
rich tapestry of love <strong>in</strong> art, showcas<strong>in</strong>g <strong>the</strong><br />
versatility of this profound emotion.<br />
Love and art share an <strong>in</strong>separable bond,<br />
each <strong>in</strong>fluenc<strong>in</strong>g and enrich<strong>in</strong>g <strong>the</strong> o<strong>the</strong>r <strong>in</strong> a<br />
cont<strong>in</strong>uous dance of <strong>in</strong>spiration and expression.<br />
Through <strong>the</strong> ages, artists have harnessed<br />
<strong>the</strong> power of love to create endur<strong>in</strong>g<br />
masterpieces that resonate with viewers on<br />
a deep, emotional level. As we explore <strong>the</strong><br />
world of art, we f<strong>in</strong>d that love, <strong>in</strong> all its forms,<br />
rema<strong>in</strong>s a timeless and captivat<strong>in</strong>g subject<br />
that transcends cultural and temporal<br />
boundaries, connect<strong>in</strong>g us to <strong>the</strong> essence of<br />
what it means to be human.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
57
PICTURE STORY<br />
PHOTO BY ALEXANDER GREY ON UNSPLASH<br />
58 <strong>February</strong> <strong>2024</strong><br />
www.magzoid.com
WORLD DAY OF SOCIAL JUSTICE:<br />
ADVOCATING FOR EQUALITY<br />
AND FAIRNESS<br />
SPECIAL DAY<br />
In a world marred by disparities and <strong>in</strong>equalities,<br />
<strong>the</strong> observance of <strong>the</strong> World<br />
Day of Social Justice on <strong>February</strong> 20th<br />
serves as a poignant rem<strong>in</strong>der of our<br />
collective responsibility to foster <strong>in</strong>clusivity,<br />
equality, and fairness for all. This day underscores<br />
<strong>the</strong> <strong>in</strong>tr<strong>in</strong>sic l<strong>in</strong>k between social justice<br />
and susta<strong>in</strong>able development, highlight<strong>in</strong>g<br />
<strong>the</strong> imperative of address<strong>in</strong>g issues such<br />
as poverty, exclusion, and unemployment to<br />
achieve a more equitable global society.<br />
At its core, social justice revolves around<br />
<strong>the</strong> fair distribution of resources, opportunities,<br />
and privileges with<strong>in</strong> societies. It calls<br />
for <strong>the</strong> elim<strong>in</strong>ation of barriers that prevent<br />
<strong>in</strong>dividuals from realiz<strong>in</strong>g <strong>the</strong>ir full potential<br />
due to factors such as race, gender, ethnicity,<br />
disability, or socioeconomic status. By<br />
promot<strong>in</strong>g social justice, we are not merely<br />
advocat<strong>in</strong>g for <strong>the</strong> eradication of visible <strong>in</strong>equalities<br />
but are also striv<strong>in</strong>g to dismantle<br />
<strong>the</strong> systemic structures that perpetuate <strong>in</strong>justice<br />
and marg<strong>in</strong>alization.<br />
One of <strong>the</strong> key tenets of social justice is<br />
<strong>the</strong> pursuit of economic equality. As econ-<br />
omies become <strong>in</strong>creas<strong>in</strong>gly globalized, <strong>the</strong><br />
gap between <strong>the</strong> rich and <strong>the</strong> poor cont<strong>in</strong>ues<br />
to widen, exacerbat<strong>in</strong>g social tensions and<br />
underm<strong>in</strong><strong>in</strong>g <strong>the</strong> pr<strong>in</strong>ciples of fairness and<br />
solidarity. Address<strong>in</strong>g economic <strong>in</strong>equalities<br />
requires a multi-faceted approach that encompasses<br />
equitable access to education,<br />
healthcare, employment, and o<strong>the</strong>r essential<br />
services. It also necessitates <strong>the</strong> implementation<br />
of progressive taxation policies and<br />
<strong>the</strong> promotion of <strong>in</strong>clusive growth strategies<br />
that prioritize <strong>the</strong> needs of marg<strong>in</strong>alized and<br />
vulnerable populations.<br />
Fur<strong>the</strong>rmore, social justice is <strong>in</strong>tr<strong>in</strong>sically<br />
l<strong>in</strong>ked to <strong>the</strong> realization of human rights. It is<br />
essential to recognize that every <strong>in</strong>dividual,<br />
regardless of <strong>the</strong>ir background or circumstances,<br />
is entitled to fundamental rights<br />
and freedoms. This <strong>in</strong>cludes <strong>the</strong> right to live<br />
a life free from discrim<strong>in</strong>ation, violence, and<br />
oppression. By uphold<strong>in</strong>g human rights pr<strong>in</strong>ciples,<br />
we can create an enabl<strong>in</strong>g environment<br />
where everyone can participate fully<br />
and mean<strong>in</strong>gfully <strong>in</strong> society, irrespective of<br />
<strong>the</strong>ir differences.<br />
Education plays a pivotal role <strong>in</strong> advanc<strong>in</strong>g<br />
social justice objectives. By foster<strong>in</strong>g a<br />
culture of <strong>in</strong>clusivity and diversity with<strong>in</strong> educational<br />
<strong>in</strong>stitutions, we can empower future<br />
generations with <strong>the</strong> knowledge, skills, and<br />
values necessary to challenge prejudice<br />
and discrim<strong>in</strong>ation. Education also serves<br />
as a catalyst for social mobility, provid<strong>in</strong>g<br />
<strong>in</strong>dividuals with <strong>the</strong> tools <strong>the</strong>y need to break<br />
free from <strong>the</strong> cycle of poverty and achieve<br />
<strong>the</strong>ir aspirations.<br />
As we commemorate <strong>the</strong> World Day of Social<br />
Justice, let us reaffirm our commitment<br />
to build<strong>in</strong>g a world where justice, equality,<br />
and dignity prevail. It is <strong>in</strong>cumbent upon<br />
all of us, as global citizens, to work collaboratively<br />
towards creat<strong>in</strong>g a more just and<br />
equitable society, where every <strong>in</strong>dividual<br />
has <strong>the</strong> opportunity to thrive and contribute<br />
to <strong>the</strong> collective well-be<strong>in</strong>g of humanity. By<br />
champion<strong>in</strong>g <strong>the</strong> pr<strong>in</strong>ciples of social justice,<br />
we can pave <strong>the</strong> way for a brighter and more<br />
susta<strong>in</strong>able future for generations to come.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
59
LOVE UNWRAPPED<br />
LOVE UNWRAPPED<br />
An Artful Celebration of Valent<strong>in</strong>e’s Gift<strong>in</strong>g - Elevate Your Expression<br />
of Affection with Unique and <strong>Creative</strong> Gifts<br />
BLOOMINGBOX<br />
ETERNAL EXPRESSIONS:<br />
A SYMPHONY OF LOVE IN<br />
EVERY GIFT<br />
Immerse <strong>in</strong> <strong>the</strong> timeless beauty of an exquisite<br />
assortment carefully curated and<br />
beautifully arranged <strong>in</strong> a signature maroon<br />
box. This classic love box allows <strong>in</strong>dividuals<br />
to declare <strong>the</strong>ir affection with sophistication.<br />
For those seek<strong>in</strong>g an extra touch of<br />
exclusivity, <strong>the</strong>re’s <strong>the</strong> Limited Edition Arabic<br />
Calligraphy Packag<strong>in</strong>g – a true piece of art<br />
that elevates <strong>the</strong> expression of love. In addition,<br />
<strong>the</strong> َتنأ“ ”يرمُع Collection, mean<strong>in</strong>g “You<br />
are my life,” offers a poetic exploration of<br />
love, provid<strong>in</strong>g a unique selection of gifts<br />
that speak volumes <strong>in</strong> <strong>the</strong> language of <strong>the</strong><br />
heart. Whe<strong>the</strong>r one opts for <strong>the</strong> classic or<br />
limited edition, this Valent<strong>in</strong>e’s celebration<br />
is an opportunity to choose <strong>the</strong> perfect embodiment<br />
of love, mak<strong>in</strong>g it a masterpiece of<br />
emotions.<br />
60 <strong>February</strong> <strong>2024</strong> www.magzoid.com
FLOWARD<br />
WHISPERS<br />
OF LOVE: A<br />
SYMPHONY<br />
OF ROSES TO<br />
CAPTIVATE HER<br />
HEART”<br />
Enchant her on Valent<strong>in</strong>e’s Day with a<br />
bouquet that transcends words—25<br />
crimson roses cradled <strong>in</strong> soft p<strong>in</strong>k<br />
packag<strong>in</strong>g, a romantic testament to<br />
your deep affection. This gift encapsulates<br />
a mesmeriz<strong>in</strong>g moment, mirror<strong>in</strong>g <strong>the</strong> profoundness<br />
of your emotions. The scarlet roses<br />
embody <strong>in</strong>tense love and ardor, while <strong>the</strong><br />
delicate p<strong>in</strong>k wrapp<strong>in</strong>g exudes an air of romance.<br />
Revel <strong>in</strong> <strong>the</strong> creation of an ambiance<br />
filled with enchantment and elegance as you<br />
celebrate your love.<br />
Bouquet Composition:<br />
Red Rose: 25<br />
Eucalyptus: 3<br />
P<strong>in</strong>k Wrapp<strong>in</strong>g<br />
FLOWERS.AE<br />
CHERISHED MOMENTS: RADIANT<br />
RED ROSES HATBOX GIFT SET<br />
Indulge <strong>in</strong> <strong>the</strong> perfect gift for any occasion<br />
with our beautiful petite red Roses hatbox.<br />
Overflow<strong>in</strong>g with premium red roses,<br />
this exquisite arrangement is a surefire<br />
way to brighten up any room. Meticulously<br />
hand-crafted with a sturdy and stylish design,<br />
<strong>the</strong> gift box is adorned with a classic<br />
black ribbon, ensur<strong>in</strong>g it captivates <strong>the</strong> eye.<br />
A delightful gesture for anyone fortunate<br />
enough to receive it, <strong>the</strong>se high-quality roses<br />
convey a message of care and affection.<br />
With Balloons (3pcs)<br />
With Teddy Bear<br />
With Chocolates (25pcs)<br />
This Valent<strong>in</strong>e’s, make every moment special<br />
with our Radiant Red Roses Hatbox Gift Set,<br />
a thoughtful expression of love and appreciation.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
61
RASASI<br />
AURA D’AMOUR - POUR FEMME<br />
Aura D’Amour for women captures<br />
<strong>the</strong> essence of everlast<strong>in</strong>g love,<br />
pay<strong>in</strong>g homage to timeless and<br />
universal emotion. This fragrance<br />
encapsulates purity, exudes romance, and<br />
summons enchant<strong>in</strong>g moments of love.<br />
Housed <strong>in</strong> a stunn<strong>in</strong>g bottle adorned<br />
with hues of deep red and silver, reflect<strong>in</strong>g<br />
love and tranquility, Aura D’Amour is a floral<br />
symphony that opens with <strong>the</strong> joyful notes<br />
of bergamot, neroli, and grapefruit. Infused<br />
with <strong>the</strong> qualities that set hearts aflutter, its<br />
heart reveals <strong>the</strong> seductive comb<strong>in</strong>ation of<br />
rose and spice-t<strong>in</strong>ged woods, guid<strong>in</strong>g you<br />
on a romantic olfactory voyage. The base<br />
note wraps up with smoky vetiver, sensuous<br />
lea<strong>the</strong>r, and <strong>the</strong> dark, animalistic allure of Indian<br />
oud, leav<strong>in</strong>g an irresistible and <strong>in</strong>vigorat<strong>in</strong>g<br />
trail of passion and pleasure.<br />
The Aura D’Amour woman embodies <strong>the</strong><br />
epitome of elegance and charm. She is <strong>the</strong><br />
enchantress who captivates hearts with her<br />
grace, courage, and allure. This floral-woody<br />
oriental bouquet is a perfect expression of<br />
love, mak<strong>in</strong>g it an ideal gift for that special<br />
someone.<br />
Top: Bergamot, Neroli, Grapefruit<br />
Middle: Cedarwood, Rose, Cardamom &<br />
C<strong>in</strong>namon<br />
Base: Patchouli, Vetiver, Lea<strong>the</strong>r, Woods &<br />
Indian Oud<br />
62 <strong>February</strong> <strong>2024</strong> www.magzoid.com
RITUALS<br />
OPULENT AROMAS: INDULGE IN THE PRIVATE<br />
COLLECTION XL - SWEET JASMINE GIFT SET XL<br />
Unveil <strong>the</strong> opulence of our Private<br />
Collection XL - Sweet Jasm<strong>in</strong>e Gift<br />
Set XL, a sensory journey that captivates<br />
with every element. This luxurious<br />
ensemble features Fragrance Sticks <strong>in</strong><br />
a generous 450ml size, Hand Soap provid<strong>in</strong>g<br />
a refresh<strong>in</strong>g cleanse <strong>in</strong> a 300ml <strong>in</strong>dulgence,<br />
Hand Balm for a velvety touch <strong>in</strong> an ample<br />
175ml, and a Scented Candle with an <strong>in</strong>vit<strong>in</strong>g<br />
fragrance <strong>in</strong> a substantial 360g size. Elevate<br />
your surround<strong>in</strong>gs with <strong>the</strong> sweet and<br />
enchant<strong>in</strong>g essence of jasm<strong>in</strong>e, creat<strong>in</strong>g an<br />
ambiance of luxury and ref<strong>in</strong>ement. Immerse<br />
yourself <strong>in</strong> <strong>the</strong> grandeur of this lavish collection,<br />
a symphony of scents that transforms<br />
any space <strong>in</strong>to a haven of <strong>in</strong>dulgence.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
63
Welcome to <strong>the</strong> all-new Designer’s Corner,<br />
an excit<strong>in</strong>g space divided <strong>in</strong>to four captivat<strong>in</strong>g segments
ABOUT TIME<br />
VACHERON CONSTANTIN’S<br />
OVERSEAS MOON PHASE RETROGRADE<br />
Embark on a journey through time with <strong>the</strong> Vacheron Constant<strong>in</strong> Overseas Moon Phase<br />
Retrograde, a masterpiece that seamlessly blends technical prowess and artistic f<strong>in</strong>esse.<br />
This article explores <strong>the</strong> captivat<strong>in</strong>g fusion of astronomical precision, <strong>in</strong>novative design, and<br />
<strong>the</strong> Maison’s endur<strong>in</strong>g commitment to elegance.<br />
In <strong>the</strong> realm where technical sophistication meets<br />
aes<strong>the</strong>tic brilliance, <strong>the</strong> Overseas Moon Phase Retrograde<br />
stands as a testament to Vacheron Constant<strong>in</strong>’s<br />
pursuit of excellence. The sta<strong>in</strong>less steel case,<br />
with its 41mm diameter and 10.48mm thickness, exudes<br />
sporty elegance. The Geneva Seal, a hallmark<br />
of craftsmanship, ensures a standard of quality that<br />
transcends time.<br />
At <strong>the</strong> heart of this timepiece is <strong>the</strong> self-w<strong>in</strong>d<strong>in</strong>g<br />
Caliber 2460 R31L/2, a marvel of eng<strong>in</strong>eer<strong>in</strong>g compris<strong>in</strong>g<br />
275 parts and 27 jewels. The precision moon<br />
phase complication, depict<strong>in</strong>g two gold moons<br />
aga<strong>in</strong>st a star-studded sky, only requires adjustment<br />
once every 122 years. This poetic dance of celestial<br />
bodies is a true embodiment of <strong>the</strong> Maison’s commitment<br />
to <strong>the</strong> art of watchmak<strong>in</strong>g.<br />
The Overseas collection, re<strong>in</strong>vented <strong>in</strong> 2016, embraces<br />
<strong>the</strong> spirit of travel. With a self-<strong>in</strong>terchangeable<br />
system offer<strong>in</strong>g three straps – sta<strong>in</strong>less steel,<br />
lea<strong>the</strong>r, and rubber – this timepiece becomes a<br />
canvas for personalization. The watch, weigh<strong>in</strong>g 163<br />
grams, effortlessly transitions from <strong>the</strong> boardroom to<br />
<strong>the</strong> Ural mounta<strong>in</strong>s, a true companion for <strong>the</strong> modern<br />
explorer.<br />
66 <strong>February</strong> <strong>2024</strong> www.magzoid.com
Trac<strong>in</strong>g back to <strong>the</strong> late 19th century, Vacheron<br />
Constant<strong>in</strong> has been at <strong>the</strong> forefront of sports watch<br />
<strong>in</strong>novation. The Overseas collection, born out of this<br />
legacy, pays homage to <strong>the</strong> famous reference “222”<br />
from <strong>the</strong> 1970s.<br />
In <strong>the</strong> spirit of travel, <strong>the</strong> Overseas timepieces<br />
prioritize essential functionalities. With self-w<strong>in</strong>d<strong>in</strong>g<br />
mechanical movements, a generous 40-hour power<br />
reserve, and impeccable water resistance up to 5<br />
bar, <strong>the</strong>se watches promise reliability and durability.<br />
The soft iron carriage protects aga<strong>in</strong>st magnetic disturbances,<br />
ensur<strong>in</strong>g precision <strong>in</strong> any circumstance.<br />
The Overseas Moon Phase Retrograde carries<br />
a signature aes<strong>the</strong>tic that transcends borders. The<br />
hexagonal bezel, rem<strong>in</strong>iscent of <strong>the</strong> Maltese cross,<br />
<strong>the</strong> fluted crown, and <strong>the</strong> translucent lacquered dial<br />
with lum<strong>in</strong>escent gold hour markers create a timeless<br />
yet contemporary allure. The sapphire-crystal-topped<br />
case back reveals a 22-carat gold<br />
oscillat<strong>in</strong>g weight adorned with a compass rose,<br />
symboliz<strong>in</strong>g travel and exploration.<br />
As you delve <strong>in</strong>to <strong>the</strong> artistry and functionality of<br />
<strong>the</strong> Vacheron Constant<strong>in</strong> Overseas Moon Phase Retrograde,<br />
you witness a harmonious marriage of precision<br />
and design. In <strong>the</strong> ever-evolv<strong>in</strong>g landscape of<br />
timepieces, this watch stands as a beacon of celestial<br />
beauty and endur<strong>in</strong>g craftsmanship, <strong>in</strong>vit<strong>in</strong>g you<br />
to explore <strong>the</strong> world with sophistication on your wrist.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
67
BLING BOW<br />
The Elegance of Earr<strong>in</strong>gs: Colours of Love Yellow Gold<br />
Tsavorite Fluted Hoop Earr<strong>in</strong>gs<br />
Handcrafted <strong>in</strong> 18-karat yellow gold, <strong>the</strong>se earr<strong>in</strong>gs are<br />
a testament to timeless elegance. Featur<strong>in</strong>g forty-six round<br />
tsavorites and two round Mozambican rubies, <strong>the</strong>y form a<br />
vibrant symphony of colors. The 15mm diameter hoop design<br />
adds a touch of sophistication, mak<strong>in</strong>g <strong>the</strong>m a perfect<br />
accessory for any occasion.<br />
Pendant Perfection: Colours of Love Plat<strong>in</strong>um Round<br />
Cut Demantoid Garnet Pendant Set With Diamonds Halo<br />
A mesmeriz<strong>in</strong>g pendant crafted <strong>in</strong> plat<strong>in</strong>um, this piece<br />
showcases a round demantoid garnet encircled by a halo<br />
of round white diamonds. The comb<strong>in</strong>ation of precious metals<br />
and gemstones creates a stunn<strong>in</strong>g contrast, mak<strong>in</strong>g it<br />
a show-stopp<strong>in</strong>g centerpiece. Suspended on a 45cm plat<strong>in</strong>um<br />
cha<strong>in</strong>, it epitomizes grace and sophistication.<br />
R<strong>in</strong>g<strong>in</strong>g <strong>in</strong> Style: Colours of Love Plat<strong>in</strong>um Round Cut<br />
Demantoid Garnet R<strong>in</strong>g Set With Diamond Halo<br />
A r<strong>in</strong>g that exudes opulence, this plat<strong>in</strong>um masterpiece<br />
features a round demantoid garnet complemented by a<br />
dazzl<strong>in</strong>g diamond halo. The <strong>in</strong>tricate design and craftsmanship<br />
make it a symbol of timeless beauty. Whe<strong>the</strong>r<br />
worn as a statement piece or as a symbol of love, this r<strong>in</strong>g<br />
is a testament to Fabergé’s commitment to excellence.<br />
Cosmic Curve Eternity: Colours of Love Cosmic Curve<br />
Yellow Gold Tsavorite Garnet Eternity R<strong>in</strong>g<br />
In a celebration of eternal bonds, this 18-karat yellow<br />
gold eternity r<strong>in</strong>g is adorned with twenty round green tsavorite<br />
garnets. The Cosmic Curve design symbolizes <strong>the</strong><br />
everlast<strong>in</strong>g connections between family, friends, and partners.<br />
Delightfully, Fabergé has concealed a ruby <strong>in</strong>side <strong>the</strong><br />
band, add<strong>in</strong>g an element of surprise and discovery to this<br />
mean<strong>in</strong>gful piece.<br />
Hidden Treasures: Colours of Love Yellow Gold Tsavorite<br />
Garnet Fluted Eternity R<strong>in</strong>g<br />
A r<strong>in</strong>g that conceals secrets with<strong>in</strong> its beauty, this 18-karat<br />
fluted yellow gold piece features round Tsavorite Garnets.<br />
The fluted design adds a unique touch, and hidden<br />
with<strong>in</strong> <strong>the</strong> band is a concealed ruby, embody<strong>in</strong>g Fabergé’s<br />
love for delight and surprise. The shank’s measurements of<br />
2.7mm <strong>in</strong> width and 1.9mm <strong>in</strong> depth ensure comfort without<br />
compromis<strong>in</strong>g on style.<br />
Treasures Fire: White Gold 5.68ct Round Demantoid<br />
Garnet & Diamond R<strong>in</strong>g<br />
This white gold r<strong>in</strong>g is a true marvel from <strong>the</strong> charismatic<br />
and diverse Treasures Fire collection. With a 5.68ct round<br />
demantoid garnet and round white diamonds set <strong>in</strong> 18-karat<br />
white gold, it exemplifies <strong>the</strong> Fabergé ethos of embark<strong>in</strong>g<br />
on new adventures and creat<strong>in</strong>g someth<strong>in</strong>g extraord<strong>in</strong>ary.<br />
Fabergé’s “Colours of Love” collection, with its vibrant<br />
garnet gemstones and masterful craftsmanship, offers a<br />
dazzl<strong>in</strong>g array of choices for those seek<strong>in</strong>g to embrace<br />
<strong>the</strong> allure of high jewelry. The “Bl<strong>in</strong>g Bow” presented by<br />
Fabergé <strong>in</strong> this stunn<strong>in</strong>g collection is not merely an accessory<br />
but a testament to <strong>the</strong> artistry and passion that goes<br />
<strong>in</strong>to creat<strong>in</strong>g timeless pieces that transcend generations.<br />
Each jewel tells a story of love, luck, and light, mak<strong>in</strong>g it<br />
<strong>the</strong> perfect adornment for those who appreciate <strong>the</strong> f<strong>in</strong>er<br />
th<strong>in</strong>gs <strong>in</strong> life.<br />
68 <strong>February</strong> <strong>2024</strong> www.magzoid.com
DAZZLING DELIGHTS: FABERGÉ’S<br />
COLOURS OF LOVE COLLECTION<br />
SHINES IN THE BLING BOW<br />
In <strong>the</strong> realm of high jewelry, <strong>the</strong> artistry of Fabergé<br />
cont<strong>in</strong>ues to captivate and enchant. The latest addition<br />
to <strong>the</strong>ir exquisite repertoire is <strong>the</strong> “Colours of Love”<br />
collection, a celebration of new beg<strong>in</strong>n<strong>in</strong>gs and a tribute<br />
to <strong>the</strong> January-born adorned with enchant<strong>in</strong>g garnet<br />
gemstone. As we explore <strong>the</strong> magnificent pieces from<br />
this collection, – a dazzl<strong>in</strong>g array of garnet birthstone<br />
jewelry that promises love, luck, and light.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
69
ON FOOT<br />
Terra Forma: Where Art Meets Utility<br />
The Terra Forma collection is more than just a collaboration;<br />
it’s a testament to <strong>the</strong> harmonious marriage of art<br />
and utility. Inspired by late 80s and early 90s Nike designs,<br />
Virgil Abloh’s vision brea<strong>the</strong>s new life <strong>in</strong>to <strong>the</strong> hik<strong>in</strong>g boot<br />
silhouette. Whe<strong>the</strong>r you choose <strong>the</strong> Matte Olive or Mantra<br />
Orange, each step becomes a canvas, and <strong>the</strong> streets<br />
transform <strong>in</strong>to your gallery.<br />
Off-White and Nike break free, <strong>in</strong>vit<strong>in</strong>g you to tread<br />
lightly, explore boldly, and celebrate <strong>the</strong> beauty of re<strong>in</strong>vention.<br />
The Terra Forma collection is a masterpiece <strong>in</strong> motion,<br />
an on-foot expression that transcends trends and stands<br />
as a testament to <strong>the</strong> transformative power of collaboration.<br />
70 <strong>February</strong> <strong>2024</strong><br />
www.magzoid.com
EXPLORING OFF-WHITE X NIKE’S TERRA FORMA:<br />
A SYMBIOSIS OF ART AND INNOVATION<br />
Step <strong>in</strong>to a realm where fashion transcends its conventional boundaries, and artistic expression takes center stage. The<br />
latest collaboration between Off-White and Nike unveils a mesmeriz<strong>in</strong>g dance of form and function with <strong>the</strong> Terra Forma<br />
collection. In this on-foot exploration, we delve <strong>in</strong>to <strong>the</strong> details of <strong>the</strong> Matte Olive and Mantra Orange colorways, witness<strong>in</strong>g<br />
a syn<strong>the</strong>sis of late 80s and early 90s Nike designs with <strong>the</strong> avant-garde vision of Virgil Abloh.<br />
Matte Olive: Nature Unleashed<br />
The Matte Olive Terra Forma embraces <strong>the</strong> essence of<br />
nature, cloak<strong>in</strong>g <strong>the</strong> silhouette <strong>in</strong> earthy tones that seamlessly<br />
blend with <strong>the</strong> environment. Suede panels grace<br />
<strong>the</strong> upper, each meticulously stitched with a translucent<br />
Swoosh, creat<strong>in</strong>g an e<strong>the</strong>real play of light. Graffiti-style artwork<br />
adorns <strong>the</strong> canvas, celebrat<strong>in</strong>g <strong>the</strong> fusion of urban<br />
culture and outdoor exploration. As you traverse <strong>the</strong> urban<br />
jungle, <strong>the</strong> vibrant splashes on <strong>the</strong> shoe’s canvas become<br />
a canvas of <strong>the</strong>ir own, tell<strong>in</strong>g a story with every step.<br />
The signature spiked Air sole, bear<strong>in</strong>g <strong>the</strong> Off-White<br />
“TREAD” and “LIGHTLY” messages, not only provides unparalleled<br />
comfort but also serves as a powerful rem<strong>in</strong>der<br />
to tread lightly on <strong>the</strong> planet. This Terra Forma iteration<br />
reimag<strong>in</strong>es <strong>the</strong> hik<strong>in</strong>g boot with a cored-out tongue concealed<br />
beneath a zip-up shroud, elevat<strong>in</strong>g <strong>the</strong> design to<br />
new heights of <strong>in</strong>novation.<br />
Mantra Orange: A Blaze of Creativity<br />
In <strong>the</strong> Mantra Orange iteration, <strong>the</strong> Terra Forma becomes<br />
a beacon of creativity, channel<strong>in</strong>g <strong>the</strong> spirit of bold expression.<br />
The fiery hue ignites <strong>the</strong> streets, turn<strong>in</strong>g heads and<br />
spark<strong>in</strong>g conversations. Suede overlays exude luxury, and<br />
<strong>the</strong> stitched translucent Swoosh adds a touch of <strong>in</strong>trigue to<br />
<strong>the</strong> design. The colorful midsole marbl<strong>in</strong>g, fram<strong>in</strong>g a visible<br />
Air unit, becomes a canvas for abstract art, rem<strong>in</strong>iscent of<br />
vibrant brushstrokes on a blank page.<br />
As you walk, <strong>the</strong> outsole detail<strong>in</strong>g sends a poignant message<br />
— a call to treat <strong>the</strong> earth with care. The spiked sole,<br />
adorned with <strong>the</strong> iconic “ZIP TIE” tag, becomes a symbol of<br />
unity between fashion and environmental consciousness.<br />
With every step, you embody a commitment to both style<br />
and susta<strong>in</strong>ability.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
71
MAX MARA<br />
UNIQUELY CURATED CAPSULE<br />
COLLECTION FOR RAMADAN <strong>2024</strong><br />
Max Mara’s limited-edition collection will be <strong>the</strong><br />
perfect addition to your wardrobe this Ramadan.<br />
“The Max Mara Ramadan Capsule Collection is as<br />
fresh as a field of flowers.” said Max Mara <strong>Creative</strong><br />
Director Ian Griffiths.<br />
Evok<strong>in</strong>g <strong>the</strong> profuse herbaceous borders of an English<br />
country garden <strong>in</strong> June, <strong>the</strong>re are floral pr<strong>in</strong>ts<br />
worked <strong>in</strong> head to toe looks.<br />
The modest pieces encapsulate effortless elegance<br />
and ref<strong>in</strong>ement. Dresses, tunics, kaftans and<br />
soft full trousers have a fluid allure. Loose fitt<strong>in</strong>g,<br />
floor skimm<strong>in</strong>g gowns move with subtle fem<strong>in</strong><strong>in</strong>ity<br />
or, c<strong>in</strong>ched at <strong>the</strong> waist, create a draped silhouette.<br />
A simple pyjama style two piece provides a relaxed<br />
solution for day or night.<br />
The focus is on <strong>the</strong> details: contrast pip<strong>in</strong>g, subtle<br />
jewel buttons and discrete hand embroidery are<br />
<strong>the</strong> f<strong>in</strong>ish<strong>in</strong>g touches for looks that will work on any<br />
occasion.<br />
Silk twill scarves and mules <strong>in</strong> delicate floral pr<strong>in</strong>ts<br />
and patent designs adorned with logos f<strong>in</strong>ish <strong>the</strong><br />
look. A glamorous clutch will be <strong>the</strong> perfect pair for a<br />
sumptuous dress.<br />
72 <strong>February</strong> <strong>2024</strong> www.magzoid.com
Fresh floral pr<strong>in</strong>ts and dazzl<strong>in</strong>g bright colours reflect<br />
<strong>the</strong> joyful spirit of this special occasion. Pr<strong>in</strong>ted<br />
or pla<strong>in</strong>, <strong>in</strong> <strong>the</strong> shades of <strong>the</strong> rose garden, <strong>the</strong> collection<br />
shows bright yellows and oranges, a vibrant<br />
purple and a gentle cipria.<br />
These pieces, <strong>the</strong> perfect blend of elegance and<br />
simplicity, are wait<strong>in</strong>g for you to discover.<br />
An exclusive presentation of <strong>the</strong> collection will be<br />
held <strong>in</strong> <strong>the</strong> Majlis Al Ghorfat, <strong>in</strong> <strong>the</strong> heart of Jumeirah,<br />
from <strong>the</strong> 11th to 15th Feb and <strong>the</strong>n it will be available<br />
<strong>in</strong> all three Max Mara UAE stores and at MaxMara.ae.<br />
The Limited Edition Capsule Collection will be also<br />
available on <strong>the</strong> onl<strong>in</strong>e marketplace Ounass.com.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
73
UNORTHODOX<br />
N.HOOLYWOOD’S<br />
TEST PRODUCT EXCHANGE SERVICE:<br />
WHERE FASHION MEETS PREPAREDNESS<br />
In <strong>the</strong> ever-evolv<strong>in</strong>g landscape of fashion, designers<br />
often f<strong>in</strong>d <strong>in</strong>spiration <strong>in</strong> unexpected places. Daisuke<br />
Obana, <strong>the</strong> creative force beh<strong>in</strong>d N. Hollywood,<br />
has once aga<strong>in</strong> pushed <strong>the</strong> boundaries with <strong>the</strong><br />
Spr<strong>in</strong>g <strong>2024</strong> Menswear Collection of <strong>the</strong> Test Product<br />
Exchange Service (TPES). This unorthodox collection<br />
takes cues from military-<strong>in</strong>spired garments,<br />
skillfully adapt<strong>in</strong>g <strong>the</strong>m for what Obana envisions as<br />
“town use.”<br />
The key <strong>the</strong>me runn<strong>in</strong>g through TPES is <strong>the</strong> fusion<br />
of fashion and functionality. As one delves <strong>in</strong>to <strong>the</strong><br />
collection, it becomes apparent that this is not your<br />
typical runway showcase. Models, adorned with<br />
helmets and goggles, employ parachutes as props,<br />
sett<strong>in</strong>g <strong>the</strong> stage for a unique blend of style and preparedness.<br />
74 <strong>February</strong> <strong>2024</strong><br />
www.magzoid.com
Yet, amid <strong>the</strong> avant-garde appeal<br />
of TPES, <strong>the</strong>re is an underly<strong>in</strong>g<br />
message that transcends <strong>the</strong> realm<br />
of fashion. Aga<strong>in</strong>st <strong>the</strong> backdrop of<br />
recent calls for preparedness by authorities<br />
like Sweden’s Civil Defence<br />
M<strong>in</strong>ister and Commander-<strong>in</strong>-Chief,<br />
Obana emphasizes <strong>the</strong> importance<br />
of consider<strong>in</strong>g our situations and responsibilities.<br />
The gray tracksuit and<br />
cargo pants, seem<strong>in</strong>gly ord<strong>in</strong>ary at<br />
first glance, take on new significance<br />
<strong>in</strong> a world where disaster and<br />
emergencies can strike anytime,<br />
anywhere.<br />
Obana’s vision for TPES goes<br />
beyond aes<strong>the</strong>tics; it embraces <strong>the</strong><br />
practicality of military gear designed<br />
for pararescuers. Elements such as<br />
harnesses and padd<strong>in</strong>g, eng<strong>in</strong>eered<br />
to facilitate freedom of movement<br />
and ensure safety <strong>in</strong> challeng<strong>in</strong>g environments,<br />
make a bold statement<br />
on <strong>the</strong> runway. The safety-yellow<br />
hooded topper and tracksuit-<strong>in</strong>spired<br />
looks with adjustable cord<br />
pulls evoke a sense of adventure<br />
and resilience, prompt<strong>in</strong>g onlookers<br />
to question whe<strong>the</strong>r <strong>the</strong> wearer has<br />
just descended from <strong>the</strong> sky or returned<br />
from a dar<strong>in</strong>g mission.<br />
N. Hollywood’s Test Product<br />
Exchange Service challenges<br />
<strong>the</strong> status quo. It transcends <strong>the</strong><br />
boundaries of conventional runway<br />
presentations, offer<strong>in</strong>g a poignant<br />
commentary on <strong>the</strong> importance of<br />
read<strong>in</strong>ess <strong>in</strong> <strong>the</strong> face of uncerta<strong>in</strong>ty.<br />
As Obana brilliantly states, “Yet, <strong>the</strong><br />
best th<strong>in</strong>g is for noth<strong>in</strong>g scary to happen.”<br />
In this unorthodox exploration<br />
of style and substance, TPES stands<br />
as a testament to <strong>the</strong> transformative<br />
power of fashion, urg<strong>in</strong>g us to be not<br />
only trendsetters but also m<strong>in</strong>dful<br />
stewards of our well-be<strong>in</strong>g.<br />
In a statement reflect<strong>in</strong>g <strong>the</strong> ethos<br />
beh<strong>in</strong>d <strong>the</strong> collection, Obana suggests<br />
that it is crucial for viewers to<br />
feel a sense of fear when witness<strong>in</strong>g<br />
TPES. It’s not about spread<strong>in</strong>g panic<br />
but ra<strong>the</strong>r encourag<strong>in</strong>g a thoughtful<br />
contemplation of <strong>the</strong> unpredictable<br />
nature of life. The collection<br />
becomes a canvas for Obana to<br />
advocate for basic knowledge and<br />
understand<strong>in</strong>g, rem<strong>in</strong>d<strong>in</strong>g ord<strong>in</strong>ary<br />
<strong>in</strong>dividuals like us that preparedness<br />
is key.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
75
FOG X ADIDAS<br />
Lorenzo’s journey with Athletics began years<br />
ago, a tale of perseverance and a commitment to<br />
excellence. Unveil<strong>in</strong>g <strong>the</strong> brand’s debut collection<br />
after a three-year wait, Lorenzo is candid about <strong>the</strong><br />
meticulous process that led to this moment. The<br />
focal po<strong>in</strong>t of his attention rests on a pair of tan<br />
basketball shoes, exud<strong>in</strong>g a sleek high-top silhouette<br />
and a thick, gummy sole—<strong>the</strong> result of an unyield<strong>in</strong>g<br />
pursuit of perfection.<br />
The Fear of God Athletics venture is a marriage<br />
of performance and style, a departure from traditional<br />
lifestyle capsules. Lorenzo, known for his uncompromis<strong>in</strong>g<br />
approach, shares <strong>in</strong>sights <strong>in</strong>to <strong>the</strong><br />
brand’s <strong>in</strong>ception, <strong>in</strong>clud<strong>in</strong>g a revelation about <strong>the</strong><br />
<strong>in</strong>itial pitch to Nike <strong>in</strong> 2015. The journey with Nike<br />
took an unexpected turn, but Lorenzo’s <strong>in</strong>domitable<br />
spirit led him to Adidas, where Fear of God<br />
Athletics found a home.<br />
76 <strong>February</strong> <strong>2024</strong><br />
www.magzoid.com
In <strong>the</strong> pulsat<strong>in</strong>g heart of downtown LA, amidst<br />
an unexpected late-Autumn ra<strong>in</strong>storm, Jerry Lorenzo,<br />
<strong>the</strong> visionary founder of Fear of God, sits<br />
at a long wooden table <strong>in</strong> <strong>the</strong> airy conf<strong>in</strong>es of his<br />
brand’s headquarters. Clad <strong>in</strong> a luxurious dark<br />
wool Fear of God jacket, Lorenzo is engrossed <strong>in</strong><br />
a discussion about his latest creation—<strong>the</strong> eagerly<br />
awaited Fear of God Athletics <strong>in</strong> collaboration with<br />
Adidas.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
77
FOG X ADIDAS<br />
The collection draws <strong>in</strong>spiration from <strong>the</strong><br />
late-n<strong>in</strong>eties and early-aughts football gear of Adidas,<br />
with a creative breakthrough sparked by an<br />
encounter with none o<strong>the</strong>r than David Beckham.<br />
Lorenzo’s ambition is clear—no hype, no collabs,<br />
just pure performance. The debut collection, set<br />
to drop <strong>in</strong> December, encompasses a range of<br />
activewear, featur<strong>in</strong>g signature Fear of God silhouettes,<br />
futuristic bonded seams, and a carefully<br />
curated color palette.<br />
The sneaker l<strong>in</strong>eup, a focal po<strong>in</strong>t of Athletics,<br />
undergoes Lorenzo’s meticulous scrut<strong>in</strong>y. He envisions<br />
not just performance but a cultural impact,<br />
aim<strong>in</strong>g to change <strong>the</strong> narrative around sports<br />
footwear. The collaboration with Adidas aims to<br />
transcend <strong>the</strong> court, br<strong>in</strong>g<strong>in</strong>g back <strong>the</strong> era when<br />
sports shoes were more than just utilitarian—<strong>the</strong>y<br />
were a style statement.<br />
78 <strong>February</strong> <strong>2024</strong><br />
www.magzoid.com
Lorenzo’s commitment to youth sports is evident,<br />
with plans to sponsor high school teams and<br />
academies, emphasiz<strong>in</strong>g <strong>the</strong> brand’s potential<br />
impact beyond <strong>the</strong> crowded performance wear<br />
market. The vision extends to creat<strong>in</strong>g a connection<br />
between sports and culture, challeng<strong>in</strong>g <strong>the</strong><br />
notion that performance wear should be limited to<br />
<strong>the</strong> play<strong>in</strong>g field.<br />
The Fear of God Athletics collection, poised to<br />
fill a void left by <strong>the</strong> Yeezy bus<strong>in</strong>ess collapse, is<br />
not positioned as a mere replacement. Lorenzo<br />
asserts his respect for Kanye West’s unique contribution<br />
to Adidas and emphasizes his <strong>in</strong>tent to create<br />
someth<strong>in</strong>g dist<strong>in</strong>ctive with Fear of God. Adidas<br />
CEO Bjorn Gulden sees <strong>the</strong> potential for Fear of<br />
God Athletics to be a game-changer commercially<br />
by <strong>2024</strong>.<br />
As Lorenzo reflects on <strong>the</strong> journey, he speaks<br />
of <strong>the</strong> patience required to build a successful<br />
relationship, echo<strong>in</strong>g <strong>the</strong> sentiment shared with<br />
Adidas. Look<strong>in</strong>g ahead, he promises a trajectory<br />
toward perfection by <strong>the</strong> second half of <strong>2024</strong>—a<br />
culm<strong>in</strong>ation of light, playable, and transcendent<br />
performance shoes that leave noth<strong>in</strong>g compromised.<br />
In Lorenzo’s hands, Fear of God Athletics isn’t<br />
just a collaboration; it’s a testament to unwaver<strong>in</strong>g<br />
dedication, a fusion of style and sport that promises<br />
to redef<strong>in</strong>e <strong>the</strong> landscape of performance wear.<br />
The tan basketball shoes <strong>in</strong> his hands may not be<br />
deemed <strong>the</strong> best on <strong>the</strong> court, but <strong>the</strong>ir status as<br />
one of <strong>the</strong> best-look<strong>in</strong>g sneakers is unquestionable—a<br />
glimpse <strong>in</strong>to <strong>the</strong> world where Fear of God<br />
Athletics and Adidas <strong>in</strong>tersect, creat<strong>in</strong>g a legacy<br />
of <strong>the</strong>ir own.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
79
PICTURE STORY<br />
PHOTO BY ALEXANDRU ACEA ON UNSPLASH<br />
80 <strong>February</strong> <strong>2024</strong><br />
www.magzoid.com
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
81
TOONS AND MANGA<br />
KARASU WA ARUJI O ERABANAI<br />
RELEASE MONTH<br />
APRIL <strong>2024</strong><br />
In an excit<strong>in</strong>g announcement, NHK has<br />
revealed its plans to br<strong>in</strong>g <strong>the</strong> mystical<br />
world of Chisato Abe’s Yatagarasu novel<br />
series to life through a television anime<br />
adaptation. The spotlight is on <strong>the</strong> second<br />
novel <strong>in</strong> <strong>the</strong> series, “Karasu wa Aruji o Erabanai”<br />
(The Raven Does Not Choose its<br />
Master), promis<strong>in</strong>g a visual feast for fans of<br />
Japanese folklore and fantasy. The anime is<br />
scheduled to premiere on NHK <strong>in</strong> April <strong>2024</strong>,<br />
<strong>in</strong>vit<strong>in</strong>g viewers <strong>in</strong>to a realm where mythical<br />
god-crows, known as yatagarasu, navigate<br />
a world of <strong>in</strong>trigue and parallel dimensions.<br />
82 <strong>February</strong> <strong>2024</strong> www.magzoid.com
TOONS AND MANGA<br />
In <strong>the</strong> vast realm of manga and light novels,<br />
<strong>the</strong>re exists a captivat<strong>in</strong>g story that<br />
transcends <strong>the</strong> boundaries of life and<br />
death. “Re:Monster,” crafted by <strong>the</strong> talented<br />
Kanekiru Kogitsune and brought to life<br />
by Alphapolis, <strong>in</strong>vites readers <strong>in</strong>to a world<br />
where <strong>the</strong> unexpected becomes <strong>the</strong> norm<br />
and survival takes center stage.<br />
The narrative centers around Kanata<br />
Tomokui, a once-powerful human whose fate<br />
takes a drastic turn upon his demise. Death,<br />
however, is not <strong>the</strong> end for our protagonist.<br />
Instead, it marks <strong>the</strong> beg<strong>in</strong>n<strong>in</strong>g of a new<br />
and <strong>in</strong>trigu<strong>in</strong>g journey. Re<strong>in</strong>carnated <strong>in</strong>to <strong>the</strong><br />
dim<strong>in</strong>utive form of a gobl<strong>in</strong> named Rou, Kanata<br />
discovers that his second life is a far cry<br />
from <strong>the</strong> first.<br />
RELEASE MONTH APRIL <strong>2024</strong><br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
83
PICTURE STORY<br />
PHOTO BY DIRK RIBBLER ON UNSPLASH<br />
84 <strong>February</strong> <strong>2024</strong><br />
www.magzoid.com
BRAND LOGO<br />
I<br />
THE HEART OF STYLE: DECODING THE COMME DES GARÇONS PLAY LOGO<br />
n <strong>the</strong> vibrant realm of fashion, where every<br />
brand seeks a unique visual identity,<br />
Comme des Garçons Play stands out with<br />
its unmistakable logo—a bold, red heart<br />
adorned with dist<strong>in</strong>ctive eyes. This emblem,<br />
far from <strong>the</strong> conventional expressions<br />
of love, serves as a symbol not only for <strong>the</strong><br />
brand but also for <strong>the</strong> youthful spirit it encapsulates.<br />
Designed by Polish artist Filip<br />
Pagowski at <strong>the</strong> behest of Rei Kawakubo <strong>in</strong><br />
2002, this logo has become an icon <strong>in</strong> <strong>the</strong><br />
world of luxury casual-style products.<br />
Design Philosophy: A Playful Rebellion<br />
The Comme des Garçons Play logo embodies<br />
a rebellious yet playful spirit. Depart<strong>in</strong>g<br />
from <strong>the</strong> conventional symbols of love,<br />
this heart is rendered with angular l<strong>in</strong>es and<br />
a rough texture, impart<strong>in</strong>g a raw and unpolished<br />
aes<strong>the</strong>tic. Its uniqueness lies <strong>in</strong> <strong>the</strong><br />
gaze of <strong>the</strong> almond-shaped eyes, which,<br />
despite <strong>the</strong>ir <strong>in</strong>nocence, carry a h<strong>in</strong>t of provocation.<br />
The eyes, with white sockets and<br />
black pupils, stare with a plead<strong>in</strong>g <strong>in</strong>tensity,<br />
establish<strong>in</strong>g a connection with <strong>the</strong> audience.<br />
The Artist’s Vision: An Immersive Design<br />
Process<br />
Filip Pagowski, <strong>the</strong> visionary beh<strong>in</strong>d <strong>the</strong><br />
emblem, delved <strong>in</strong>to <strong>the</strong> world of Comme<br />
des Garçons Play by attend<strong>in</strong>g several of<br />
Rei Kawakubo’s fashion performances. This<br />
immersion allowed him to grasp <strong>the</strong> essence<br />
of <strong>the</strong> Play l<strong>in</strong>e—a fusion of modernity, youthfulness,<br />
and a touch of provocation. The result<br />
is a symbol that captures <strong>the</strong> uncerta<strong>in</strong>ty<br />
of adolescence, portrayed through uneven<br />
l<strong>in</strong>es and uncalibrated shapes, rem<strong>in</strong>iscent<br />
of a teenager’s tentative attempts at expression.<br />
Typography: Playful Precision<br />
The font chosen for <strong>the</strong> logo is a grotesque<br />
capital font belong<strong>in</strong>g to <strong>the</strong> Helvetica<br />
family, resembl<strong>in</strong>g Neue 75 Bold. The<br />
top row of letters is deliberately arranged<br />
unevenly, add<strong>in</strong>g a playful touch, while <strong>the</strong><br />
bottom row rema<strong>in</strong>s smooth and less bold.<br />
This <strong>in</strong>tentional asymmetry contributes to <strong>the</strong><br />
emblem’s overall sense of playfulness and<br />
non-conformity.<br />
Color Palette: Classic with a Pop of Passion<br />
Comme des Garçons Play adheres to a<br />
classic black-and-white palette, consistent<br />
with its parent company. However, <strong>the</strong> logo<br />
<strong>in</strong>troduces a burst of passion with its bright<br />
red heart. The hue, coded as #ff0000, exudes<br />
energy and adds a dynamic element<br />
to <strong>the</strong> o<strong>the</strong>rwise restra<strong>in</strong>ed color scheme.<br />
The Comme des Garçons Play logo is<br />
not just a visual identifier; it’s a manifesto of<br />
<strong>the</strong> brand’s ethos—youthful, unconventional,<br />
and deeply passionate. It’s a heart that<br />
beats with <strong>the</strong> rhythm of rebellion, <strong>in</strong>vit<strong>in</strong>g<br />
fashion enthusiasts to embrace a style that<br />
transcends <strong>the</strong> ord<strong>in</strong>ary.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
85
ARCHITECTURAL WONDERS<br />
Naturalized Liv<strong>in</strong>g <strong>Space</strong>s:<br />
SkyGarden House <strong>in</strong>geniously <strong>in</strong>tegrates<br />
nature <strong>in</strong>to its design, with large glass panels,<br />
skylights, and glass doors. This not only<br />
illum<strong>in</strong>ates <strong>the</strong> <strong>in</strong>teriors with natural light but<br />
also fosters a seamless connection with <strong>the</strong><br />
surround<strong>in</strong>g greenery, m<strong>in</strong>imiz<strong>in</strong>g reliance<br />
on artificial light<strong>in</strong>g and promot<strong>in</strong>g energy<br />
efficiency.<br />
Strategic Greenery Placement:<br />
The architects strategically position<br />
greenery around bedrooms and sanitary<br />
areas, creat<strong>in</strong>g simulated green gardens.<br />
This not only enhances air quality and reduces<br />
external dust but transforms <strong>the</strong> highest-floor<br />
master bedroom <strong>in</strong>to a verdant paradise.<br />
The garden becomes a focal po<strong>in</strong>t,<br />
blurr<strong>in</strong>g <strong>the</strong> l<strong>in</strong>es between <strong>in</strong>terior and exterior<br />
spaces.<br />
Innovative Glass Solutions:<br />
Overcom<strong>in</strong>g challenges associated with<br />
glass structures, <strong>the</strong> architects implement a<br />
multi-layered glass design with gaps to facilitate<br />
air circulation. This approach not only<br />
dissipates <strong>in</strong>ternal heat but also <strong>in</strong>troduces<br />
outside air, align<strong>in</strong>g with a naturalization approach<br />
to air condition<strong>in</strong>g and ensur<strong>in</strong>g a<br />
well-ventilated liv<strong>in</strong>g environment.<br />
Simplicity Meets <strong>Luxury</strong>:<br />
The exterior of SkyGarden House boasts<br />
a simple yet dist<strong>in</strong>ctive form, featur<strong>in</strong>g extended<br />
green areas as focal po<strong>in</strong>ts. The<br />
surround<strong>in</strong>g pool not only provides a picturesque<br />
view but also serves a functional<br />
purpose by cool<strong>in</strong>g <strong>the</strong> <strong>in</strong>terior on hot days.<br />
Inside, a m<strong>in</strong>imalist design with warm tones<br />
creates a cozy and luxurious liv<strong>in</strong>g space,<br />
showcas<strong>in</strong>g <strong>the</strong> fusion of simplicity, functionality,<br />
and elegance.<br />
86 <strong>February</strong> <strong>2024</strong> www.magzoid.com
SKYGARDEN HOUSE, VIETNAM<br />
In <strong>the</strong> heart of Nha Trang, Vietnam, Pham Huu Son Architects have crafted a masterpiece on a<br />
challeng<strong>in</strong>g 100 sq.m plot of land. SkyGarden House, constructed <strong>in</strong> 2023, stands as a testament to<br />
<strong>in</strong>novative urban design, address<strong>in</strong>g <strong>the</strong> constra<strong>in</strong>ts of limited space while embrac<strong>in</strong>g <strong>the</strong> lush tropical<br />
surround<strong>in</strong>gs of Central Vietnam.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
87
ARCHITECTURAL WONDERS<br />
Harmony with Nature:<br />
The design <strong>in</strong>geniously <strong>in</strong>tegrates a large,<br />
detached roof, resembl<strong>in</strong>g waves, offer<strong>in</strong>g<br />
ample shade to <strong>the</strong> structure below. This<br />
not only provides <strong>the</strong>rmal comfort but also<br />
extends its protective reach over paddocks<br />
and <strong>in</strong>ternment areas for large animals. The<br />
architecture harmonizes with <strong>the</strong> environment,<br />
creat<strong>in</strong>g a symbiotic relationship between<br />
<strong>the</strong> built and natural elements.<br />
Spatial Innovation:<br />
Utiliz<strong>in</strong>g <strong>the</strong> slop<strong>in</strong>g terra<strong>in</strong>, <strong>the</strong> architects<br />
created two platforms with vary<strong>in</strong>g<br />
elevations to house <strong>the</strong> hospital’s facilities.<br />
Divided <strong>in</strong>to six dist<strong>in</strong>ct blocks, <strong>the</strong> spac<strong>in</strong>g<br />
between <strong>the</strong>m allows for cross ventilation,<br />
foster<strong>in</strong>g a pleasant microclimate. The staggered,<br />
vertical w<strong>in</strong>dows contribute to <strong>the</strong> dynamism<br />
of <strong>the</strong> facades, add<strong>in</strong>g an aes<strong>the</strong>tic<br />
appeal to <strong>the</strong> functional design.<br />
Solar Protection Marvel:<br />
Stand<strong>in</strong>g at an impressive seven-meter<br />
high, a solar protection structure made of solid<br />
ceramic bricks filters <strong>the</strong> <strong>in</strong>tense sunlight,<br />
reflect<strong>in</strong>g <strong>the</strong> region’s climatic challenges.<br />
With a serpent<strong>in</strong>e shape, this element not<br />
only shields <strong>the</strong> <strong>in</strong>terior but also serves as a<br />
visually strik<strong>in</strong>g feature, separat<strong>in</strong>g <strong>the</strong> public<br />
and private sectors of <strong>the</strong> build<strong>in</strong>g.<br />
Bioclimatic Oasis:<br />
Designed as an oasis <strong>in</strong> <strong>the</strong> desert, <strong>the</strong><br />
Unileão School Veter<strong>in</strong>ary Hospital <strong>in</strong>corporates<br />
passive bioclimatic strategies to<br />
mitigate <strong>the</strong> effects of <strong>the</strong> semi-arid climate.<br />
The architects have created generous and<br />
pleasant spaces that prioritize susta<strong>in</strong>ability,<br />
mak<strong>in</strong>g this build<strong>in</strong>g not only a functional<br />
educational space but also an architectural<br />
marvel that thrives <strong>in</strong> harmony with its surround<strong>in</strong>gs.<br />
88 <strong>February</strong> <strong>2024</strong><br />
www.magzoid.com
UNILEÃO SCHOOL VETERINARY<br />
HOSPITAL, BRAZIL<br />
Nestled <strong>in</strong> <strong>the</strong> heart of Juazeiro do Norte, Brazil, <strong>the</strong> Unileão School Veter<strong>in</strong>ary Hospital stands as a<br />
testament to <strong>in</strong>novative architectural design with<strong>in</strong> <strong>the</strong> challeng<strong>in</strong>g semi-arid climate of <strong>the</strong> region.<br />
Crafted by L<strong>in</strong>s Arquitetos Associados, this veter<strong>in</strong>ary cl<strong>in</strong>ic serves as a dynamic learn<strong>in</strong>g space for<br />
students while embrac<strong>in</strong>g nature and susta<strong>in</strong>ability.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
89
ART EXIBITIONS<br />
ART EXHIBITIONS AND EVENTS<br />
‘EVERY COLOR IS A SHADE OF<br />
BLACK” BY HAMRA ABBAS<br />
ALSERKAAL AVENUE<br />
8 JANUARY <strong>2024</strong> - 31 AUGUST <strong>2024</strong><br />
Hamra Abbas developed <strong>the</strong> concept “Every Color<br />
is a Shade of Black” over several years, start<strong>in</strong>g with<br />
‘Kaaba Picture as a Mispr<strong>in</strong>t’ (2014). Us<strong>in</strong>g cyan, magenta,<br />
and yellow (CMYK) to symbolize <strong>the</strong> Kaaba’s<br />
identity, she concluded that every color is a shade of<br />
black. This framework connects her work, explor<strong>in</strong>g<br />
color about faith, ideology, race, identity, desire, beauty,<br />
gender, and personal relationships. Abbas, tra<strong>in</strong>ed<br />
<strong>in</strong> sculpture and m<strong>in</strong>iature pa<strong>in</strong>t<strong>in</strong>g, resides between<br />
Boston and Islamabad. Her work has been exhibited<br />
globally, <strong>in</strong>clud<strong>in</strong>g at <strong>the</strong> Victoria and Albert Museum<br />
and <strong>the</strong> Asia Society Triennial.<br />
SHEHER, PRAKRITI, DEVI<br />
ALSERKAAL AVENUE - ISHARA<br />
ART FOUNDATION, WAREHOUSE<br />
3<br />
19 JANUARY <strong>2024</strong> - 1 JUNE <strong>2024</strong><br />
“Sheher, Prakriti, Devi” is a groundbreak<strong>in</strong>g<br />
exhibition curated by artist and<br />
photographer Gauri Gill. Expand<strong>in</strong>g on her<br />
“Rememory” series, <strong>the</strong> show explores <strong>the</strong><br />
<strong>in</strong>terconnectedness of dynamic cities, nature,<br />
and spirituality. Featur<strong>in</strong>g twelve artists<br />
and collectives, <strong>the</strong> exhibition transcends diverse<br />
contexts, reveal<strong>in</strong>g <strong>the</strong> porous nature<br />
of urban and rural spaces. Gill <strong>in</strong>vites viewers<br />
to perceive ecology as a convergence<br />
of cultural, natural, and spiritual realms. The<br />
curated works, <strong>in</strong>clud<strong>in</strong>g pieces by Chamba<br />
Rumal, Chiara Camoni, and o<strong>the</strong>rs,<br />
showcase <strong>the</strong> beauty and truths found <strong>in</strong><br />
<strong>the</strong> mundane to <strong>the</strong> transcendental. Gill acknowledges<br />
artists who persist outside traditional<br />
art networks, foster<strong>in</strong>g a dialogue on<br />
dualistic worlds—depleted and regenerative,<br />
colonial and Indigenous, mundane and<br />
magical. The exhibition, supported by ZEISS<br />
and J. Safra Saras<strong>in</strong> (Middle East) Ltd., is a<br />
unique celebration of diverse voices <strong>in</strong> art.<br />
90 <strong>February</strong> <strong>2024</strong> www.magzoid.com
“BEFORE NATURE (I AM<br />
BOTH CREATED AND DE-<br />
STROYED)” BY KAMRAN<br />
SAMIMI<br />
ALSERKAAL AVENUE - THE<br />
THIRD LINE, WAREHOUSE 78<br />
11 JANUARY <strong>2024</strong> - 16 FEBRUARY <strong>2024</strong><br />
Kamran Samimi’s debut exhibition at The<br />
Third L<strong>in</strong>e, “Before Nature (I Am Both Created<br />
and Destroyed),” draws <strong>in</strong>spiration from<br />
<strong>the</strong> UAE’s natural materials. Translations<br />
(<strong>2024</strong>) explores Dubai’s architecture through<br />
organic shapes <strong>in</strong>spired by <strong>the</strong> local mounta<strong>in</strong>s.<br />
Small Monuments (2023) features<br />
stones from global locations transformed<br />
<strong>in</strong>to unique canvases, while Ra<strong>in</strong> Pa<strong>in</strong>t<strong>in</strong>gs<br />
(2023) pays homage to Samimi’s Hawai’i<br />
childhood. The centerpiece, Unbroken Column<br />
(<strong>2024</strong>), crafted from limestone, reflects<br />
on ancient religious structures <strong>in</strong> <strong>the</strong> region.<br />
The exhibition delves <strong>in</strong>to <strong>the</strong> <strong>in</strong>terplay between<br />
age-old traditions and modern aspirations,<br />
connect<strong>in</strong>g viewers to hidden forces<br />
shap<strong>in</strong>g <strong>the</strong>ir existence.<br />
“FLY LIKE DANDELIONS” BY POURAN JINCHI<br />
ALSERKAAL AVENUE - THE THIRD LINE, WAREHOUSE 78<br />
11 JANUARY <strong>2024</strong> - 16 FEBRUARY <strong>2024</strong><br />
Pouran J<strong>in</strong>chi’s latest series, “Fly Like Dandelions 9” (2023), draws <strong>in</strong>spiration<br />
from <strong>the</strong> New York Times article “Great Climate Migration.” Depict<strong>in</strong>g landscapes<br />
affected by climate change, J<strong>in</strong>chi uses Persian characters for “trees”<br />
to create fad<strong>in</strong>g depictions of tree trunks, merg<strong>in</strong>g traditional calligraphy with<br />
abstraction. Her color palette reflects devastation <strong>in</strong> black and grey, with blue<br />
embody<strong>in</strong>g hope. Dandelions, symboliz<strong>in</strong>g <strong>the</strong> nuanced nature of migration,<br />
drift across <strong>the</strong> pa<strong>in</strong>t<strong>in</strong>gs as calligraphic seed pods, represent<strong>in</strong>g resilient migrants<br />
navigat<strong>in</strong>g new paths amid climate change’s profound impact.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
91
FEATURED ARTWORK<br />
@01000101_01100111_01101111<br />
@philipsue_art<br />
@raphael.vavasseur.art<br />
92 <strong>February</strong> <strong>2024</strong><br />
www.magzoid.com
FEATURED PHOTOGRAPHS<br />
@beautifulslowlife<br />
@moises_levy_street<br />
@novusarte<br />
@dirtyalp<strong>in</strong>e<br />
@fubiz<br />
@panoramachannel<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
93
FEBRUARY’S FLAVORFUL LOVE: DUBAI’S DIVINE DINES AND COZY INNS<br />
FEBRUARY’S<br />
FLAVORFUL LOVE:<br />
DUBAI’S DIVINE DINES AND COZY INNS<br />
Embark on a romantic journey through <strong>the</strong> heart of Dubai with ‘<strong>February</strong>’s Flavorful<br />
Love: Dubai’s Div<strong>in</strong>e D<strong>in</strong>es and Cozy Inns.’ Delight your senses <strong>in</strong> <strong>the</strong> city’s gastronomic<br />
wonders, from exquisite d<strong>in</strong><strong>in</strong>g experiences to <strong>in</strong>timate <strong>in</strong>ns, as you savor <strong>the</strong><br />
perfect blend of love and flavor <strong>in</strong> this enchant<strong>in</strong>g <strong>February</strong> escapade.<br />
OBSERVATORY<br />
BAR & GRILL’S<br />
ENCHANTING DINING<br />
EXPERIENCE<br />
Elevate your Valent<strong>in</strong>e’s Day at Observatory<br />
Bar & Grill, perched on <strong>the</strong><br />
52nd floor of Dubai Marriott Harbour<br />
Hotel & Suites. Immerse yourself <strong>in</strong> an<br />
enchant<strong>in</strong>g even<strong>in</strong>g of love, featur<strong>in</strong>g<br />
a three-course gourmet menu curated<br />
for <strong>the</strong> occasion. With city views that<br />
steal your breath away, enjoy <strong>the</strong> perfect<br />
blend of cul<strong>in</strong>ary mastery and live<br />
enterta<strong>in</strong>ment. Priced at AED 650 per<br />
couple (soft dr<strong>in</strong>ks) or AED 850 per couple<br />
(house beverages), savor a gastronomic<br />
journey crafted by expert chefs.<br />
The romantic ambiance, set aga<strong>in</strong>st <strong>the</strong><br />
backdrop of Palm Jumeirah and Dubai<br />
Mar<strong>in</strong>a’s 360-degree vistas, promises<br />
an unforgettable celebration. Jo<strong>in</strong> us on<br />
<strong>February</strong> 14th from 6:30-11:30 pm for a<br />
night of love and <strong>in</strong>dulgence.<br />
AMO AT<br />
VIA TOLEDO<br />
RSVP, an upscale French f<strong>in</strong>e d<strong>in</strong><strong>in</strong>g<br />
spot <strong>in</strong> Jumeirah Boxpark. This Michel<strong>in</strong><br />
Guide gem <strong>in</strong>vites you to savor a specially<br />
curated weekend breakfast menu,<br />
fus<strong>in</strong>g French tradition with a Mediterranean<br />
twist and subtle Asian flavors.<br />
Highlights <strong>in</strong>clude Omellette au lard,<br />
Tart<strong>in</strong>e à l’avocat, and crowd-pleasers<br />
like Gallete à la benédict<strong>in</strong>é and Croque-madam.<br />
Situated <strong>in</strong> <strong>the</strong> lively Boxpark, RSVP<br />
boasts an aes<strong>the</strong>tically designed space<br />
resembl<strong>in</strong>g a collector’s d<strong>in</strong><strong>in</strong>g room.<br />
Open for breakfast from 9 am to 3:30<br />
pm and brunch from noon to 3:30 pm<br />
on Saturdays and Sundays, RSVP offers<br />
a ref<strong>in</strong>ed yet approachable environment,<br />
emphasiz<strong>in</strong>g <strong>the</strong> joy of d<strong>in</strong><strong>in</strong>g and connect<strong>in</strong>g<br />
over exquisite food. Don’t miss<br />
<strong>the</strong> chance to conclude your experience<br />
on a sweet note with delightful desserts<br />
A CULINARY SYMPHONY OF<br />
ITALIAN OPULENCE IN DUBAI<br />
RSVP: FRENCH ELEGANCE MEETS CULINARY<br />
MASTERY IN BOXPARK<br />
like French toast and Chouquette au<br />
chocolate.<br />
94 <strong>February</strong> <strong>2024</strong> www.magzoid.com
Amo at Via Toledo, <strong>the</strong> epitome of Italian<br />
luxury nestled <strong>in</strong> <strong>the</strong> heart of Dubai’s<br />
Address Beach Resort. This luxurious<br />
Italian haven <strong>in</strong>vites you to experience<br />
<strong>the</strong> cornerstone of gastronomic excellence<br />
with its au<strong>the</strong>ntic and traditional<br />
approach to Italian cuis<strong>in</strong>e.<br />
Step <strong>in</strong>to <strong>the</strong> welcom<strong>in</strong>g embrace of<br />
familial Italian hospitality at this traditional<br />
trattoria, where exquisite quality,<br />
signature recipes, and a friendly atmosphere.<br />
The captivat<strong>in</strong>g ambiance<br />
seamlessly blends modern luxury with<br />
timeless Italian elegance, sett<strong>in</strong>g <strong>the</strong><br />
stage for an unparalleled d<strong>in</strong><strong>in</strong>g experience.<br />
Embark on a cul<strong>in</strong>ary odyssey curated<br />
by esteemed chefs, and masters of <strong>the</strong><br />
art of Italian gastronomy. Each dish is a<br />
masterpiece, meticulously crafted with<br />
<strong>the</strong> f<strong>in</strong>est, freshest <strong>in</strong>gredients sourced<br />
from Italy, promis<strong>in</strong>g an au<strong>the</strong>ntic taste<br />
of <strong>the</strong> Mediterranean. From mouth-water<strong>in</strong>g<br />
handmade pasta to sumptuous<br />
seafood and decadent desserts, every<br />
plate is a celebration of flavor, texture,<br />
and artistry.<br />
Discover <strong>the</strong> art of f<strong>in</strong>e d<strong>in</strong><strong>in</strong>g at Amo<br />
at Via Toledo, where every meal is a<br />
symphony of flavors and a celebration<br />
of Italian cul<strong>in</strong>ary heritage.<br />
SALVAJE UNVEILS EXTRAVAGANT JAPANESE DINING<br />
AT THE ADDRESS OPERA RESIDENCES<br />
Salvaje, <strong>the</strong> globally acclaimed Japanese<br />
d<strong>in</strong><strong>in</strong>g sensation, has debuted<br />
its first Dubai location at The Address<br />
Opera Residences <strong>in</strong> Downtown Dubai.<br />
Boast<strong>in</strong>g panoramic views of <strong>the</strong> Burj<br />
Khalifa, <strong>the</strong> two-floor restaurant features<br />
chic tropical décor by Lázaro Rosa-Violán.<br />
Upstairs, a smart-casual restaurant<br />
seats 250, while <strong>the</strong> SLVJ lounge<br />
downstairs accommodates 190. Headed<br />
by Chef Fermín Azkue, Salvaje Dubai’s<br />
menu offers a fusion of Japanese and<br />
Spanish flavors. Exclusive experiences<br />
<strong>in</strong>clude Omakase and hand-crafted<br />
cocktails by master mixologist Borja<br />
Goikoetxea. Salvaje is set to redef<strong>in</strong>e<br />
Dubai’s cul<strong>in</strong>ary scene, promis<strong>in</strong>g an<br />
electrify<strong>in</strong>g ambiance and wild cul<strong>in</strong>ary<br />
adventure.<br />
For reservations, visit salvajedubai.com<br />
or call 04 570 3653.<br />
Operat<strong>in</strong>g hours: Mon-Fri (12 pm-4 pm,<br />
7 pm-1 am), Sat-Sun (12 pm-4 pm, 7<br />
pm-2 am).<br />
Location: The Address Opera Residences,<br />
Downtown Dubai.<br />
Follow @salvaje.dubai on Instagram for<br />
updates.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
95
www.evonith.com<br />
Alferon Management Private Limited