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Salome 2024 Programme

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A new opera every week<br />

to watch for free from home<br />

operavision.eu<br />

OPERAVISION.EU<br />

Eugene Onegin, Deutsche Oper am Rhein © Andreas Etter<br />

WAITING<br />

FOR LA TRAVIATA<br />

“La traviata is one of the first operas<br />

I fell in love with, my first full opera<br />

production as an assistant conductor.<br />

It is still one of the most exciting and<br />

heart-rending pieces I know. From the<br />

very first notes, we sense that tragedy<br />

will ensue. The opera swings between<br />

huge, thrilling party scenes and<br />

incredibly intimate, fragile moments.<br />

It is always an exciting challenge<br />

to bring these contrasts to life in<br />

performance. It feels particularly<br />

fitting that my INO debut is in this<br />

opera, in the same theatre where<br />

I first worked on it.”<br />

KILLIAN FARRELL, CONDUCTOR<br />

MAY <strong>2024</strong><br />

NATIONAL OPERA HOUSE, WEXFORD<br />

FRI 17 MAY<br />

GAIETY THEATRE, DUBLIN<br />

TUE 21, WED 22, THUR 23,<br />

FRI 24 & SAT 25 MAY<br />

CORK OPERA HOUSE, CORK<br />

WED 29 & FRI 31 MAY<br />

BOOKING on www.irishnationalopera.ie<br />

Image: Portrait of<br />

Marie Duplessis<br />

(1823–47),<br />

“La dame aux<br />

camélias,” [the<br />

model for Violetta]<br />

by Jean-Charles<br />

Olivier, ca 1845.<br />

“With exquisite musical mastery Verdi<br />

poured all his compassion, humanity<br />

and support for women, victims<br />

of a harsh patriarchal society, into<br />

his wonderful, heart-breaking La<br />

traviata. The multi-faceted Violetta,<br />

coquette, vamp, courtesan, dreamer,<br />

pragmatist, laughs at all the men who<br />

fall at her feet – until the moment she<br />

is overwhelmed by the sincerity of a<br />

young man, and falls in love. Her story<br />

shows both the joy and fragility of<br />

human existence and throws light on<br />

the harsh realities of a society full of<br />

inequality and hypocrisy.”<br />

OLIVIA FUCHS, DIRECTOR<br />

“INO’s first La traviata is a thrilling<br />

prospect, a tragic tale exquisitely told<br />

in Verdi’s emotional score. I never<br />

cease to marvel at the beauty of<br />

the arias, while the story and tragic<br />

ending can wring the stoniest heart.”<br />

PATRICIA O’HARA INO MEMBER<br />

19

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