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Salome 2024 Programme

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BIOGRAPHIES<br />

EOGHAN DESMOND<br />

BARITONE<br />

FIFTH JEW<br />

LUKAS JAKOBSKI<br />

BASS<br />

SECOND SOLDIER<br />

IMELDA DRUMM<br />

MEZZO-SOPRANO<br />

HERODIAS<br />

ANDREW MASTERSON<br />

TENOR<br />

SECOND JEW<br />

Eoghan Desmond is a baritone<br />

from Cork. His oratorio repertoire<br />

includes Mendelssohn’s Elijah and<br />

Die erste Walpurgisnacht, Handel’s<br />

Messiah and Alexander’s Feast,<br />

Bach’s St Matthew Passion, St<br />

John Passion, Mass in B minor, Magnificat, Christmas<br />

Oratorio, Graun’s Der Tod Jesu, Vaughan Williams’s<br />

Hodie, Willow-Wood, Five Mystical Songs, Fantasia<br />

on Christmas Carols, and the Requiems of Brahms,<br />

Duruflé, Fauré, Howells, Mozart and Verdi. He is an<br />

accomplished choral singer, a member of Chamber<br />

Choir Ireland, and a regular guest with choirs<br />

including the BBC singers and I Fagiolini. Outside<br />

of his singing work, he is a sought-after composer.<br />

Recent commissions include a song cycle entitled<br />

New Light, commissioned by tenor Conor Prendiville,<br />

and Nothing in Vain, a choral meditation which can<br />

be heard on a recently released disc by The Sixteen.<br />

He holds a PhD in Composition from The University<br />

of Aberdeen.<br />

Born in Poland, Lukas Jakobski<br />

studied at the Royal College of<br />

Music, and was a member of<br />

the Jette Parker Young Artist<br />

<strong>Programme</strong> at the Royal Opera<br />

House, Covent Garden. His<br />

engagements have included Apprentice in Berg’s<br />

Wozzeck, Peter Quince in Britten’s A Midsummer<br />

Night’s Dream and Hobson in Britten’s Peter Grimes<br />

at the Theater an der Wien; Abbot in Britten’s Curlew<br />

River, Voice of Neptune in Mozart’s Idomeneo and<br />

Pietro in Verdi’s Simon Boccanegra at the Opéra<br />

de Lyon; Hobson in Peter Grimes at the Palau de<br />

les Arts Reina Sofía, Valencia; Zuniga in Bizet’s<br />

Carmen and Colline in Puccini’s La bohème for<br />

Glyndebourne On Tour and INO, Nettuno/Antinoo/<br />

Tempo in Monteverdi’s Il ritorno d’Ulisse in patria<br />

at Drottningholm, the Commendatore in Mozart’s<br />

Don Giovanni for the Nederlandse Reisopera; Don<br />

Cassandro in Mozart’s La finta semplice for Classical<br />

Opera; Truffaldino in Strauss’s Ariadne auf Naxos for<br />

the Warsaw Philharmonic. For Dutch National Opera,<br />

he has sung the Captain in Puccini’s Manon Lescaut,<br />

Tall Englishman in Shostakovich’s The Gambler, the<br />

Cook in Prokofiev’s The Love for Three Oranges and<br />

the Doctor in Verdi’s Macbeth. Recent engagements<br />

have included Melchtal and Walter Furst in Rossini’s<br />

Guillaume Tell for Irish National Opera, Pistola in<br />

Verdi’s Falstaff for Grange Park Opera, Enrico in<br />

Donizetti’s Anna Bolena and the Commendatore<br />

in Mozart’s Don Giovanni for Longborough Festival<br />

Opera, Dziemba in Moniuszko’s Halka at the Theater<br />

an der Wien, Penderecki’s St Luke Passion and<br />

Hobson in Peter Grimes for Polish National Opera<br />

and Opéra de Lyon.<br />

Imelda Drumm has enjoyed a<br />

successful international singing<br />

career as a soloist. She is a graduate<br />

of the National Opera Studio, London<br />

(1997), sponsored by Glyndebourne<br />

Festival Opera, and the Royal Irish<br />

Academy of Music, where she received her doctorate<br />

in 2017. For over 30 years she has forged strong<br />

relationships with opera companies in the UK and<br />

here in Ireland. She made her INO debut as Amneris<br />

in Verdi’s Aida at the Bord Gais Energy Theatre in<br />

2018. Other INO roles include the title role in Conor<br />

Linehan’s The Patient Woman as part of 20 Shots of<br />

Opera in 2020, Klytämnestra in Strauss’s Elektra in<br />

2021 and Hedwige in Rossini’s William Tell in 2022.<br />

She studied singing with Veronica Dunne, and is staff<br />

lecturer in vocal pedagogy and singing at the Royal<br />

Irish Academy of Music. She takes a keen interest in<br />

vocal pedagogy, particularly the method of singing<br />

influenced by the Italian school of bel canto. Her<br />

doctoral research investigated the action of female<br />

reproductive hormones on professional classical<br />

singers and is available in TARA, the open access,<br />

online research repository at Trinity College Dublin.<br />

Andrew Masterson is a lyric tenor<br />

from Omagh, Co. Tyrone, and a<br />

core member of the Irish National<br />

Opera Chorus. He sang his first role<br />

for the company last year as Der<br />

Wirt (Landlord) in Strauss’s Der<br />

Rosenkavalier. He is an alumnus of the Royal Northern<br />

College of Music, and graduated with distinction in<br />

both his Masters and Postgraduate Diploma. His<br />

desire to pursue a career in vocal music derived from<br />

his Bachelor of Music degree at Queen’s University<br />

Belfast. Venues he has performed in include the Royal<br />

Albert Hall in London, the Bord Gáis Energy Theatre in<br />

Dublin, the Grieghallen in Bergen, Oslo Opera House,<br />

and the Usher Hall in Edinburgh. He has recently<br />

joined the Edvard Grieg Kor, which performed at the<br />

2023 BBC Proms with the London Philharmonic<br />

Orchestra under Edward Gardner. He is also a regular<br />

guest tenor in the chorus of Bergen Nasjonale Opera.<br />

He was one of last year’s recipients of a BBC NI and<br />

Arts Council NI Young Musicians’ Platform Award,<br />

supported by the UK National Lottery.<br />

36 37

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