Salome 2024 Programme
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BIOGRAPHIES<br />
EOGHAN DESMOND<br />
BARITONE<br />
FIFTH JEW<br />
LUKAS JAKOBSKI<br />
BASS<br />
SECOND SOLDIER<br />
IMELDA DRUMM<br />
MEZZO-SOPRANO<br />
HERODIAS<br />
ANDREW MASTERSON<br />
TENOR<br />
SECOND JEW<br />
Eoghan Desmond is a baritone<br />
from Cork. His oratorio repertoire<br />
includes Mendelssohn’s Elijah and<br />
Die erste Walpurgisnacht, Handel’s<br />
Messiah and Alexander’s Feast,<br />
Bach’s St Matthew Passion, St<br />
John Passion, Mass in B minor, Magnificat, Christmas<br />
Oratorio, Graun’s Der Tod Jesu, Vaughan Williams’s<br />
Hodie, Willow-Wood, Five Mystical Songs, Fantasia<br />
on Christmas Carols, and the Requiems of Brahms,<br />
Duruflé, Fauré, Howells, Mozart and Verdi. He is an<br />
accomplished choral singer, a member of Chamber<br />
Choir Ireland, and a regular guest with choirs<br />
including the BBC singers and I Fagiolini. Outside<br />
of his singing work, he is a sought-after composer.<br />
Recent commissions include a song cycle entitled<br />
New Light, commissioned by tenor Conor Prendiville,<br />
and Nothing in Vain, a choral meditation which can<br />
be heard on a recently released disc by The Sixteen.<br />
He holds a PhD in Composition from The University<br />
of Aberdeen.<br />
Born in Poland, Lukas Jakobski<br />
studied at the Royal College of<br />
Music, and was a member of<br />
the Jette Parker Young Artist<br />
<strong>Programme</strong> at the Royal Opera<br />
House, Covent Garden. His<br />
engagements have included Apprentice in Berg’s<br />
Wozzeck, Peter Quince in Britten’s A Midsummer<br />
Night’s Dream and Hobson in Britten’s Peter Grimes<br />
at the Theater an der Wien; Abbot in Britten’s Curlew<br />
River, Voice of Neptune in Mozart’s Idomeneo and<br />
Pietro in Verdi’s Simon Boccanegra at the Opéra<br />
de Lyon; Hobson in Peter Grimes at the Palau de<br />
les Arts Reina Sofía, Valencia; Zuniga in Bizet’s<br />
Carmen and Colline in Puccini’s La bohème for<br />
Glyndebourne On Tour and INO, Nettuno/Antinoo/<br />
Tempo in Monteverdi’s Il ritorno d’Ulisse in patria<br />
at Drottningholm, the Commendatore in Mozart’s<br />
Don Giovanni for the Nederlandse Reisopera; Don<br />
Cassandro in Mozart’s La finta semplice for Classical<br />
Opera; Truffaldino in Strauss’s Ariadne auf Naxos for<br />
the Warsaw Philharmonic. For Dutch National Opera,<br />
he has sung the Captain in Puccini’s Manon Lescaut,<br />
Tall Englishman in Shostakovich’s The Gambler, the<br />
Cook in Prokofiev’s The Love for Three Oranges and<br />
the Doctor in Verdi’s Macbeth. Recent engagements<br />
have included Melchtal and Walter Furst in Rossini’s<br />
Guillaume Tell for Irish National Opera, Pistola in<br />
Verdi’s Falstaff for Grange Park Opera, Enrico in<br />
Donizetti’s Anna Bolena and the Commendatore<br />
in Mozart’s Don Giovanni for Longborough Festival<br />
Opera, Dziemba in Moniuszko’s Halka at the Theater<br />
an der Wien, Penderecki’s St Luke Passion and<br />
Hobson in Peter Grimes for Polish National Opera<br />
and Opéra de Lyon.<br />
Imelda Drumm has enjoyed a<br />
successful international singing<br />
career as a soloist. She is a graduate<br />
of the National Opera Studio, London<br />
(1997), sponsored by Glyndebourne<br />
Festival Opera, and the Royal Irish<br />
Academy of Music, where she received her doctorate<br />
in 2017. For over 30 years she has forged strong<br />
relationships with opera companies in the UK and<br />
here in Ireland. She made her INO debut as Amneris<br />
in Verdi’s Aida at the Bord Gais Energy Theatre in<br />
2018. Other INO roles include the title role in Conor<br />
Linehan’s The Patient Woman as part of 20 Shots of<br />
Opera in 2020, Klytämnestra in Strauss’s Elektra in<br />
2021 and Hedwige in Rossini’s William Tell in 2022.<br />
She studied singing with Veronica Dunne, and is staff<br />
lecturer in vocal pedagogy and singing at the Royal<br />
Irish Academy of Music. She takes a keen interest in<br />
vocal pedagogy, particularly the method of singing<br />
influenced by the Italian school of bel canto. Her<br />
doctoral research investigated the action of female<br />
reproductive hormones on professional classical<br />
singers and is available in TARA, the open access,<br />
online research repository at Trinity College Dublin.<br />
Andrew Masterson is a lyric tenor<br />
from Omagh, Co. Tyrone, and a<br />
core member of the Irish National<br />
Opera Chorus. He sang his first role<br />
for the company last year as Der<br />
Wirt (Landlord) in Strauss’s Der<br />
Rosenkavalier. He is an alumnus of the Royal Northern<br />
College of Music, and graduated with distinction in<br />
both his Masters and Postgraduate Diploma. His<br />
desire to pursue a career in vocal music derived from<br />
his Bachelor of Music degree at Queen’s University<br />
Belfast. Venues he has performed in include the Royal<br />
Albert Hall in London, the Bord Gáis Energy Theatre in<br />
Dublin, the Grieghallen in Bergen, Oslo Opera House,<br />
and the Usher Hall in Edinburgh. He has recently<br />
joined the Edvard Grieg Kor, which performed at the<br />
2023 BBC Proms with the London Philharmonic<br />
Orchestra under Edward Gardner. He is also a regular<br />
guest tenor in the chorus of Bergen Nasjonale Opera.<br />
He was one of last year’s recipients of a BBC NI and<br />
Arts Council NI Young Musicians’ Platform Award,<br />
supported by the UK National Lottery.<br />
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