19.03.2024 Views

Salome 2024 Programme

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

BIOGRAPHIES<br />

WYN PENCARREG<br />

BARITONE<br />

FIRST NAZARENE<br />

Welsh baritone Wyn Pencarreg<br />

studied at the Royal Northern<br />

College of Music where he won<br />

many prizes, scholarships and<br />

awards. He was also a winner of the<br />

Erich Vietheer Memorial Award from<br />

Glyndebourne Festival Opera. Operatic roles include<br />

Alcindoro in Puccini’s La bohème, Padre Sansón in<br />

Thomas Adés’s The Exterminating Angel and Flemish<br />

Deputy in Verdi’s Don Carlos for The Royal Opera;<br />

Le Sire de Béthune in Verdi’s Les vêpres siciliennes,<br />

Sir Walter Raleigh in Donizetti’s Roberto Devereux<br />

and Alcade in Verdi’s La forza del destino for Welsh<br />

National Opera; Surin in Tchaikovsky’s The Queen<br />

of Spades for English National Opera; Sharpless in<br />

Puccini’s Madama Butterfly at the Royal Albert Hall,<br />

and Donner in Wagner’s Das Rheingold (Longborough<br />

Festival Opera). He has also performed roles for Opera<br />

North, Glyndebourne, Grange Park Opera, Opéra<br />

de Monte-Carlo and English Touring Opera. World<br />

premières include Papin in John Browne’s Babette’s<br />

Feast (Royal Opera House) and Lalchand<br />

in David Bruce’s The Firework-Maker’s Daughter<br />

(The Opera Group). He made his INO debut as Le<br />

Bailli in Massenet’s Werther last year.<br />

TÓMAS TÓMASSON<br />

BASS-BARITONE<br />

JOCHANAAN<br />

Following his studies in Reykjavík<br />

and London, Tómas Tómasson<br />

regularly guests at the most<br />

renowned houses and institutions,<br />

including the Royal Opera House,<br />

Covent Garden, Vienna State<br />

Opera, Bavarian State Opera, Semperoper Dresden,<br />

Berlin State Opera, La Scala, Teatro dell’Opera<br />

di Roma, Teatro Real de Madrid, Gran Teatre del<br />

Liceu, Barcelona, Théâtre de la Monnaie, Brussels,<br />

Nederlandse Opera, Amsterdam, Lyric Opera<br />

of Chicago and Los Angeles Opera. His concert<br />

repertoire includes Verdi’s Requiem, Mozart’s<br />

Requiem, Haydn’s Creation, Beethoven’s Choral<br />

Symphony and Mahler’s Symphony No. 8, and he<br />

has collaborated with conductors such as Riccardo<br />

Muti, Daniel Barenboim, Antonio Pappano, Andris<br />

Nelsons, Simone Young and René Jacobs. Recent<br />

highlights include his Wotan in Wagner’s Ring and<br />

Dikoj in Janáček’s Katya Kabanova at Grand Théâtre<br />

de Genève, Wotan in Die Walküre and Tomsky in<br />

Tchaikovsky’s The Queen of Spades at Teatro di<br />

San Carlo, Naples, Amfortas in Wagner’s Parsifal<br />

in Palermo, Saint-Saëns’s Samson et Dalila at<br />

Washington National Opera, and Dmitri Tcherniakov’s<br />

new production of Janáček’s The Makropulos Case<br />

at Zurich Opera House, the world premiere of Péter<br />

Eötvös’s Sleepless at the Berlin State Opera with<br />

revivals in Geneva and Budapest, Orest in Strauss’s<br />

Elektra at Opéra Bastille, Paris, and for INO, Napoleon<br />

in Prokofiev’s War and Peace and the title role in<br />

Aribert Reimann’s Lear at the Bavarian State Opera,<br />

Jochanaan in <strong>Salome</strong> in Tokyo, and most recently<br />

Pizarro in Beethoven’s Fidelio at Berlin State Opera.<br />

VINCENT WOLFSTEINER<br />

TENOR<br />

HERODES<br />

Vincent Wolfsteiner is a versatile<br />

performer on both the concert<br />

and opera stages. His concert<br />

repertoire extends to works as<br />

diverse as Beethoven’s Symphony<br />

No. 9 (Choral), Mendelssohn’s<br />

Elijah, Schoenberg’s Gurrelieder, Mahler’s Symphony<br />

No. 8 and Das Lied von der Erde. Notable opera<br />

appearances include Tristan in Wagner’s Tristan<br />

und Isolde under Daniel Barenboim, Herodes in<br />

Strauss’s <strong>Salome</strong> at the Staatsoper Unter den<br />

Linden in Berlin, and Siegmund in Wagner’s Die<br />

Walküre at the Bayreuth Festival. As a member of<br />

the Frankfurt Opera ensemble, he has sung a wide<br />

range of leading tenor roles, including Wagner’s Ring<br />

cycle, Tristan und Isolde and Lohengrin, Britten’s<br />

Peter Grimes and Verdi’s Otello. Conductors he has<br />

worked with also include Sebastian Weigle, Christoph<br />

Gedschold, Cornelius Meister, and Thomas Guggeis.<br />

His recent projects include performances in Wagner’s<br />

Tannhäuser at the Berlin State Opera, Penderecki’s<br />

The Devils of Loudon at the Bavarian State Opera in<br />

Munich, and Siegmund/Siegfried in concert versions<br />

of Wagner with Marek Janowski and the Dresdner<br />

Philharmonie as well as the Emperor in Strauss’s<br />

Die Frau ohne Schatten. Through Paul in Korngold’s<br />

Die Tote Stadt, he recently added another demanding<br />

dramatic tenor role to his repertoire. He is making his<br />

INO debut in <strong>Salome</strong>.<br />

KEEP THE<br />

MEMORIES!<br />

Our recording of the 2021<br />

concert performance is available<br />

to purchase in the foyer.<br />

Or online from<br />

www.prestomusic.com<br />

/classical/products/9313458--la-boheme<br />

40<br />

41

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!