Salome 2024 Programme
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BIOGRAPHIES<br />
WYN PENCARREG<br />
BARITONE<br />
FIRST NAZARENE<br />
Welsh baritone Wyn Pencarreg<br />
studied at the Royal Northern<br />
College of Music where he won<br />
many prizes, scholarships and<br />
awards. He was also a winner of the<br />
Erich Vietheer Memorial Award from<br />
Glyndebourne Festival Opera. Operatic roles include<br />
Alcindoro in Puccini’s La bohème, Padre Sansón in<br />
Thomas Adés’s The Exterminating Angel and Flemish<br />
Deputy in Verdi’s Don Carlos for The Royal Opera;<br />
Le Sire de Béthune in Verdi’s Les vêpres siciliennes,<br />
Sir Walter Raleigh in Donizetti’s Roberto Devereux<br />
and Alcade in Verdi’s La forza del destino for Welsh<br />
National Opera; Surin in Tchaikovsky’s The Queen<br />
of Spades for English National Opera; Sharpless in<br />
Puccini’s Madama Butterfly at the Royal Albert Hall,<br />
and Donner in Wagner’s Das Rheingold (Longborough<br />
Festival Opera). He has also performed roles for Opera<br />
North, Glyndebourne, Grange Park Opera, Opéra<br />
de Monte-Carlo and English Touring Opera. World<br />
premières include Papin in John Browne’s Babette’s<br />
Feast (Royal Opera House) and Lalchand<br />
in David Bruce’s The Firework-Maker’s Daughter<br />
(The Opera Group). He made his INO debut as Le<br />
Bailli in Massenet’s Werther last year.<br />
TÓMAS TÓMASSON<br />
BASS-BARITONE<br />
JOCHANAAN<br />
Following his studies in Reykjavík<br />
and London, Tómas Tómasson<br />
regularly guests at the most<br />
renowned houses and institutions,<br />
including the Royal Opera House,<br />
Covent Garden, Vienna State<br />
Opera, Bavarian State Opera, Semperoper Dresden,<br />
Berlin State Opera, La Scala, Teatro dell’Opera<br />
di Roma, Teatro Real de Madrid, Gran Teatre del<br />
Liceu, Barcelona, Théâtre de la Monnaie, Brussels,<br />
Nederlandse Opera, Amsterdam, Lyric Opera<br />
of Chicago and Los Angeles Opera. His concert<br />
repertoire includes Verdi’s Requiem, Mozart’s<br />
Requiem, Haydn’s Creation, Beethoven’s Choral<br />
Symphony and Mahler’s Symphony No. 8, and he<br />
has collaborated with conductors such as Riccardo<br />
Muti, Daniel Barenboim, Antonio Pappano, Andris<br />
Nelsons, Simone Young and René Jacobs. Recent<br />
highlights include his Wotan in Wagner’s Ring and<br />
Dikoj in Janáček’s Katya Kabanova at Grand Théâtre<br />
de Genève, Wotan in Die Walküre and Tomsky in<br />
Tchaikovsky’s The Queen of Spades at Teatro di<br />
San Carlo, Naples, Amfortas in Wagner’s Parsifal<br />
in Palermo, Saint-Saëns’s Samson et Dalila at<br />
Washington National Opera, and Dmitri Tcherniakov’s<br />
new production of Janáček’s The Makropulos Case<br />
at Zurich Opera House, the world premiere of Péter<br />
Eötvös’s Sleepless at the Berlin State Opera with<br />
revivals in Geneva and Budapest, Orest in Strauss’s<br />
Elektra at Opéra Bastille, Paris, and for INO, Napoleon<br />
in Prokofiev’s War and Peace and the title role in<br />
Aribert Reimann’s Lear at the Bavarian State Opera,<br />
Jochanaan in <strong>Salome</strong> in Tokyo, and most recently<br />
Pizarro in Beethoven’s Fidelio at Berlin State Opera.<br />
VINCENT WOLFSTEINER<br />
TENOR<br />
HERODES<br />
Vincent Wolfsteiner is a versatile<br />
performer on both the concert<br />
and opera stages. His concert<br />
repertoire extends to works as<br />
diverse as Beethoven’s Symphony<br />
No. 9 (Choral), Mendelssohn’s<br />
Elijah, Schoenberg’s Gurrelieder, Mahler’s Symphony<br />
No. 8 and Das Lied von der Erde. Notable opera<br />
appearances include Tristan in Wagner’s Tristan<br />
und Isolde under Daniel Barenboim, Herodes in<br />
Strauss’s <strong>Salome</strong> at the Staatsoper Unter den<br />
Linden in Berlin, and Siegmund in Wagner’s Die<br />
Walküre at the Bayreuth Festival. As a member of<br />
the Frankfurt Opera ensemble, he has sung a wide<br />
range of leading tenor roles, including Wagner’s Ring<br />
cycle, Tristan und Isolde and Lohengrin, Britten’s<br />
Peter Grimes and Verdi’s Otello. Conductors he has<br />
worked with also include Sebastian Weigle, Christoph<br />
Gedschold, Cornelius Meister, and Thomas Guggeis.<br />
His recent projects include performances in Wagner’s<br />
Tannhäuser at the Berlin State Opera, Penderecki’s<br />
The Devils of Loudon at the Bavarian State Opera in<br />
Munich, and Siegmund/Siegfried in concert versions<br />
of Wagner with Marek Janowski and the Dresdner<br />
Philharmonie as well as the Emperor in Strauss’s<br />
Die Frau ohne Schatten. Through Paul in Korngold’s<br />
Die Tote Stadt, he recently added another demanding<br />
dramatic tenor role to his repertoire. He is making his<br />
INO debut in <strong>Salome</strong>.<br />
KEEP THE<br />
MEMORIES!<br />
Our recording of the 2021<br />
concert performance is available<br />
to purchase in the foyer.<br />
Or online from<br />
www.prestomusic.com<br />
/classical/products/9313458--la-boheme<br />
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