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Salome 2024 Programme

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BIOGRAPHIES<br />

CHRISTOPHER BOWEN<br />

TENOR<br />

FIRST JEW<br />

SINEAD CAMPBELL WALLACE<br />

SOPRANO<br />

SALOME<br />

JULIAN CLOSE<br />

BASS<br />

FIRST SOLDIER<br />

DOREEN CURRAN<br />

MEZZO-SOPRANO<br />

PAGE OF HERODIAS<br />

Tenor Christopher Bowen, originally<br />

from New Zealand, moved to Dublin<br />

from London in 2020. He made<br />

his INO debut in 2023 creating the<br />

role of James Joyce in Evangelia<br />

Rigaki’s Old Ghosts. Other opera<br />

appearances include Bill in Jonathan Dove’s Flight<br />

and the Queen in Will Todd’s Alice in Wonderland<br />

for Opera Collective Ireland, Samuel Beckett in<br />

Tom Smail’s Blue Electric and a staging of Britten’s<br />

Canticles. He was Rawley Beaunes in Alasdair<br />

Nicolson’s The Iris Murder at the Orkney Festival,<br />

the Black Monk in Peter Maxwell Davies’s Taverner<br />

for BBC Radio 3, and has taken the title role in<br />

Charpentier’s Actéon. In concert, he recently gave the<br />

world premiere of Ina Boyle’s Lament for Bion. Other<br />

performances include Purcell’s The Indian Queen at<br />

Stour festival, Handel’s Solomon at the Dublin Handel<br />

Festival, Bach’s St Matthew Passion and Handel’s<br />

Messiah with the Irish Baroque Orchestra and with<br />

the Dunedin Consort, Bach’s Christmas Oratorio with<br />

the Academy of Ancient Music and the BBC Singers,<br />

and Bach’s St John Passion with the Hanover Band.<br />

He has also sung Haydn’s Creation, Elgar’s Dream of<br />

Gerontius and Britten’s War Requiem. He sang in the<br />

world premiere of Vaughan Williams’s A Cambridge<br />

Mass (which was recorded and later issued on CD),<br />

and has recorded song cycles by Lyell Cresswell for<br />

The Art of Black and White, Purcell duets for The<br />

Hibernian Muse with the Irish Baroque Orchestra,<br />

Delius’s Song of the High Hills and Janáček’s<br />

Excursions of Mr Brouček.<br />

Sinéad Campbell Wallace started<br />

her career as a light-lyric soprano,<br />

and has moved into fuller dramatic<br />

repertoire, to roles including<br />

Leonore in Beethoven’s Fidelio, the<br />

title role in Strauss’s Ariadne auf<br />

Naxos, Agathe in Weber’s Der Freischütz, Helmwige<br />

in Wagner’s Die Walküre and Kaiserin in Strauss’s<br />

Die Frau ohne Schatten. She opened her 2023–24<br />

season with her house debut at the Opéra de Paris<br />

as Elsa in Wagner’s Lohengrin followed by her debut<br />

at the Opéra de Dijon as Leonore. Other season<br />

highlights include Foreign Princess in Christoph<br />

Loy’s new production of Dvořák’s Rusalka at the<br />

Palau de les Arts Reina Sofía, Valencia; Gutrune in a<br />

concert performance of Wagner’s Götterdämmerung<br />

with the London Philharmonic Orchestra under<br />

Vladimir Jurowski; Brünnhilde in an extract from<br />

Götterdämmerung in concert at L’Auditori Barcelona<br />

under Ludovic Morlot; and Elsa at the Savonlinna<br />

Opera Festival, Finland. Future plans include<br />

appearances at Washington National Opera, Welsh<br />

National Opera and Opéra de Rouen. She has also<br />

sung the title role in Puccini’s Tosca with INO and<br />

with English National Opera (getting an Olivier Award<br />

nomination for outstanding achievement in opera),<br />

Bavarian State Opera, Canadian Opera, Tokyo<br />

Symphony Orchestra, Bozar in Brussels, La Seine<br />

Musicale in Paris, the Gstaad Menuhin and Grafenegg<br />

festivals in Switzerland and Austria, Barbican Centre,<br />

Royal Festival Hall, Garsington Opera and Aldeburgh<br />

Festival in the UK, and Wexford Festival Opera in<br />

Ireland. She is is a graduate of the DIT Conservatory of<br />

Music and Drama, the National Opera Studio and the<br />

Britten-Pears young artist programme.<br />

Julian Close began his career<br />

reading for a PhD in Applied<br />

Physics at University of Leeds,<br />

before studying at the Royal<br />

Northern College of Music. He<br />

has since appeared with major<br />

companies throughout the UK including The Royal<br />

Opera, London, English National Opera, Garsington<br />

Opera and Welsh National Opera, as well as with<br />

Dutch National Opera and at Teatro Colón, Buenos<br />

Aires. North American engagements have included<br />

projects at the Metropolitan Opera, Minnesota<br />

Opera, Opéra de Montréal, Pacific Symphony and<br />

Washington National Opera. Recent engagements<br />

have included Indra in Massenet’s Le Roi de<br />

Lahore for Dorset Opera Festival, Commendatore<br />

in Mozart’s Don Giovanni for Saffron Opera Group,<br />

Talpa in Il tabarro and Simone in Gianni Schicchi in<br />

Puccini’s Il trittico for Scottish Opera and Hagen<br />

in Wagner’s Götterdämmerung for Longborough<br />

Festival Opera, as well as a return to the Metropolitan<br />

Opera as Sparafucile in Verdi’s Rigoletto. His future<br />

engagements include Hunding in Wagner’s Die<br />

Walküre and Hagen in Wagner’s Götterdämmerung<br />

for Longborough Festival Opera’s upcoming complete<br />

cycles of Der Ring des Nibelungen. He is making his<br />

INO debut in <strong>Salome</strong>.<br />

Doreen Curran was born in Derry.<br />

Her opera roles include Ottavia in<br />

Monteverdi’s L’incoronazione di<br />

Poppea, Carmen and Mercédès<br />

in Bizet’s Carmen, Blanche in<br />

Prokofiev’s The Gambler, Tamiri<br />

in Vivaldi’s Farnace, Zoë in Respighi’s La fiamma,<br />

Rosina in Rossini’s Barber of Seville, Ernestina in<br />

Rossini’s L’occasione fa il ladro, Cléone in Fauré’s<br />

Pénélope, Cherubino in Mozart’s Le nozze di Figaro,<br />

Dorabella in Mozart’s Così fan tutte, Kate in Gilbert &<br />

Sullivan’s Pirates of Penzance, Radamisto in Handel’s<br />

Radamisto, Bradamante in Handel’s Alcina, Eduige<br />

in Handel’s Rodelinda, Lola in Mascagni’s Cavalleria<br />

rusticana, Second Lady in Mozart’s Die Zauberflöte,<br />

La Ciesca in Puccini’s Gianni Schicchi, Meg in Verdi’s<br />

Falstaff, Pauline in Tchaikovsky’s Queen of Spades,<br />

Dido in Purcell’s Dido and Aeneas, Madame Flora in<br />

Menotti’s The Medium, The Mother in Humperdinck’s<br />

Hansel and Gretel, Mrs Noye in Britten’s Noyes<br />

Fludde, Mary in Wagner’s The Flying Dutchman, Lady<br />

Macbeth’s Lady in waiting in Verdi’s Macbeth, Third<br />

Secretary to Mao in John Adams’s Nixon in China<br />

and Maurya in Vaughan Williams’s Riders to the<br />

Sea. She has worked with English National Opera,<br />

Glyndebourne, Garsington Opera, Opera Holland<br />

Park, Grange Park, Buxton, Landestheater Salzburg,<br />

Savoy Opera, Northern Ireland Opera, Opera Theatre<br />

Company, Opera Ireland, Wexford Festival Opera,<br />

Aldeburgh Festival and made her INO debut as Suzuki<br />

in Puccini’s Madama Butterfly in 2018. She has<br />

worked with the London Philharmonic, RTÉ Concert<br />

Orchestra, Irish Chamber Orchestra, Royal Liverpool<br />

Philharmonic, Ulster Orchestra, BBC Philharmonic,<br />

and has given recitals in Ireland, England, France,<br />

Germany and the USA.<br />

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