Salome 2024 Programme
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BIOGRAPHIES<br />
CHRISTOPHER BOWEN<br />
TENOR<br />
FIRST JEW<br />
SINEAD CAMPBELL WALLACE<br />
SOPRANO<br />
SALOME<br />
JULIAN CLOSE<br />
BASS<br />
FIRST SOLDIER<br />
DOREEN CURRAN<br />
MEZZO-SOPRANO<br />
PAGE OF HERODIAS<br />
Tenor Christopher Bowen, originally<br />
from New Zealand, moved to Dublin<br />
from London in 2020. He made<br />
his INO debut in 2023 creating the<br />
role of James Joyce in Evangelia<br />
Rigaki’s Old Ghosts. Other opera<br />
appearances include Bill in Jonathan Dove’s Flight<br />
and the Queen in Will Todd’s Alice in Wonderland<br />
for Opera Collective Ireland, Samuel Beckett in<br />
Tom Smail’s Blue Electric and a staging of Britten’s<br />
Canticles. He was Rawley Beaunes in Alasdair<br />
Nicolson’s The Iris Murder at the Orkney Festival,<br />
the Black Monk in Peter Maxwell Davies’s Taverner<br />
for BBC Radio 3, and has taken the title role in<br />
Charpentier’s Actéon. In concert, he recently gave the<br />
world premiere of Ina Boyle’s Lament for Bion. Other<br />
performances include Purcell’s The Indian Queen at<br />
Stour festival, Handel’s Solomon at the Dublin Handel<br />
Festival, Bach’s St Matthew Passion and Handel’s<br />
Messiah with the Irish Baroque Orchestra and with<br />
the Dunedin Consort, Bach’s Christmas Oratorio with<br />
the Academy of Ancient Music and the BBC Singers,<br />
and Bach’s St John Passion with the Hanover Band.<br />
He has also sung Haydn’s Creation, Elgar’s Dream of<br />
Gerontius and Britten’s War Requiem. He sang in the<br />
world premiere of Vaughan Williams’s A Cambridge<br />
Mass (which was recorded and later issued on CD),<br />
and has recorded song cycles by Lyell Cresswell for<br />
The Art of Black and White, Purcell duets for The<br />
Hibernian Muse with the Irish Baroque Orchestra,<br />
Delius’s Song of the High Hills and Janáček’s<br />
Excursions of Mr Brouček.<br />
Sinéad Campbell Wallace started<br />
her career as a light-lyric soprano,<br />
and has moved into fuller dramatic<br />
repertoire, to roles including<br />
Leonore in Beethoven’s Fidelio, the<br />
title role in Strauss’s Ariadne auf<br />
Naxos, Agathe in Weber’s Der Freischütz, Helmwige<br />
in Wagner’s Die Walküre and Kaiserin in Strauss’s<br />
Die Frau ohne Schatten. She opened her 2023–24<br />
season with her house debut at the Opéra de Paris<br />
as Elsa in Wagner’s Lohengrin followed by her debut<br />
at the Opéra de Dijon as Leonore. Other season<br />
highlights include Foreign Princess in Christoph<br />
Loy’s new production of Dvořák’s Rusalka at the<br />
Palau de les Arts Reina Sofía, Valencia; Gutrune in a<br />
concert performance of Wagner’s Götterdämmerung<br />
with the London Philharmonic Orchestra under<br />
Vladimir Jurowski; Brünnhilde in an extract from<br />
Götterdämmerung in concert at L’Auditori Barcelona<br />
under Ludovic Morlot; and Elsa at the Savonlinna<br />
Opera Festival, Finland. Future plans include<br />
appearances at Washington National Opera, Welsh<br />
National Opera and Opéra de Rouen. She has also<br />
sung the title role in Puccini’s Tosca with INO and<br />
with English National Opera (getting an Olivier Award<br />
nomination for outstanding achievement in opera),<br />
Bavarian State Opera, Canadian Opera, Tokyo<br />
Symphony Orchestra, Bozar in Brussels, La Seine<br />
Musicale in Paris, the Gstaad Menuhin and Grafenegg<br />
festivals in Switzerland and Austria, Barbican Centre,<br />
Royal Festival Hall, Garsington Opera and Aldeburgh<br />
Festival in the UK, and Wexford Festival Opera in<br />
Ireland. She is is a graduate of the DIT Conservatory of<br />
Music and Drama, the National Opera Studio and the<br />
Britten-Pears young artist programme.<br />
Julian Close began his career<br />
reading for a PhD in Applied<br />
Physics at University of Leeds,<br />
before studying at the Royal<br />
Northern College of Music. He<br />
has since appeared with major<br />
companies throughout the UK including The Royal<br />
Opera, London, English National Opera, Garsington<br />
Opera and Welsh National Opera, as well as with<br />
Dutch National Opera and at Teatro Colón, Buenos<br />
Aires. North American engagements have included<br />
projects at the Metropolitan Opera, Minnesota<br />
Opera, Opéra de Montréal, Pacific Symphony and<br />
Washington National Opera. Recent engagements<br />
have included Indra in Massenet’s Le Roi de<br />
Lahore for Dorset Opera Festival, Commendatore<br />
in Mozart’s Don Giovanni for Saffron Opera Group,<br />
Talpa in Il tabarro and Simone in Gianni Schicchi in<br />
Puccini’s Il trittico for Scottish Opera and Hagen<br />
in Wagner’s Götterdämmerung for Longborough<br />
Festival Opera, as well as a return to the Metropolitan<br />
Opera as Sparafucile in Verdi’s Rigoletto. His future<br />
engagements include Hunding in Wagner’s Die<br />
Walküre and Hagen in Wagner’s Götterdämmerung<br />
for Longborough Festival Opera’s upcoming complete<br />
cycles of Der Ring des Nibelungen. He is making his<br />
INO debut in <strong>Salome</strong>.<br />
Doreen Curran was born in Derry.<br />
Her opera roles include Ottavia in<br />
Monteverdi’s L’incoronazione di<br />
Poppea, Carmen and Mercédès<br />
in Bizet’s Carmen, Blanche in<br />
Prokofiev’s The Gambler, Tamiri<br />
in Vivaldi’s Farnace, Zoë in Respighi’s La fiamma,<br />
Rosina in Rossini’s Barber of Seville, Ernestina in<br />
Rossini’s L’occasione fa il ladro, Cléone in Fauré’s<br />
Pénélope, Cherubino in Mozart’s Le nozze di Figaro,<br />
Dorabella in Mozart’s Così fan tutte, Kate in Gilbert &<br />
Sullivan’s Pirates of Penzance, Radamisto in Handel’s<br />
Radamisto, Bradamante in Handel’s Alcina, Eduige<br />
in Handel’s Rodelinda, Lola in Mascagni’s Cavalleria<br />
rusticana, Second Lady in Mozart’s Die Zauberflöte,<br />
La Ciesca in Puccini’s Gianni Schicchi, Meg in Verdi’s<br />
Falstaff, Pauline in Tchaikovsky’s Queen of Spades,<br />
Dido in Purcell’s Dido and Aeneas, Madame Flora in<br />
Menotti’s The Medium, The Mother in Humperdinck’s<br />
Hansel and Gretel, Mrs Noye in Britten’s Noyes<br />
Fludde, Mary in Wagner’s The Flying Dutchman, Lady<br />
Macbeth’s Lady in waiting in Verdi’s Macbeth, Third<br />
Secretary to Mao in John Adams’s Nixon in China<br />
and Maurya in Vaughan Williams’s Riders to the<br />
Sea. She has worked with English National Opera,<br />
Glyndebourne, Garsington Opera, Opera Holland<br />
Park, Grange Park, Buxton, Landestheater Salzburg,<br />
Savoy Opera, Northern Ireland Opera, Opera Theatre<br />
Company, Opera Ireland, Wexford Festival Opera,<br />
Aldeburgh Festival and made her INO debut as Suzuki<br />
in Puccini’s Madama Butterfly in 2018. She has<br />
worked with the London Philharmonic, RTÉ Concert<br />
Orchestra, Irish Chamber Orchestra, Royal Liverpool<br />
Philharmonic, Ulster Orchestra, BBC Philharmonic,<br />
and has given recitals in Ireland, England, France,<br />
Germany and the USA.<br />
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