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April 2024 - Bay of Plenty Business News

From mid-2016 Bay of Plenty businesses have a new voice, Bay of Plenty Business News. This publication reflects the region’s growth and importance as part of the wider central North Island economy.

From mid-2016 Bay of Plenty businesses have a new voice, Bay of Plenty Business News. This publication reflects the region’s growth and importance as part of the wider central North Island economy.

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<strong>April</strong> <strong>2024</strong> BAY OF PLENTY BUSINESS NEWS 13<br />

CULTURE<br />

> BOP ARTS UPDATE<br />

AROHANOA<br />

MATHEWS<br />

Ngā Toi Māori Navigator<br />

Creative <strong>Bay</strong> <strong>of</strong> <strong>Plenty</strong> | Te Waka Auaha<br />

Toi has announced the new appointment<br />

<strong>of</strong> Arohanoa Mathews in the Ngā Toi Māori<br />

Navigator role.<br />

Arohanoa (Ngāi Te Rangi, Ngāti<br />

Ranginui) is a multifaceted artist<br />

whose creative journey has been<br />

deeply rooted in familial influence and<br />

mentorship spanning generations.<br />

She brings invaluable insight into the<br />

balance between tradition and innovation<br />

within indigenous arts, and passionate<br />

advocacy for the preservation, innovation,<br />

and revitalisation <strong>of</strong> Māori arts,<br />

firmly believing in the empowerment <strong>of</strong><br />

Māori creatives as the cornerstone <strong>of</strong> a<br />

thriving arts community.<br />

Creative <strong>Bay</strong> <strong>of</strong> <strong>Plenty</strong> asked Arohanoa<br />

some pātai about her background<br />

and experience, and what she is looking<br />

forward to…<br />

Can you tell us about your<br />

background as an artist and how<br />

your experiences have shaped<br />

your understanding <strong>of</strong> the Māori<br />

arts landscape?<br />

“My journey as an artist has been cultivated<br />

through generations <strong>of</strong> whānau<br />

influence and mentorship where I was<br />

<strong>of</strong>ten immersed in creative activities<br />

such as painting, kapahaka and weaving.<br />

Being surrounded by creative whānau<br />

instilled in me an appreciation for the<br />

transformative power <strong>of</strong> art.<br />

“I was formally trained at Art and<br />

Design School in Auckland which led me<br />

to working at the Auckland Art Gallery,<br />

where I had the privilege <strong>of</strong> immersing<br />

myself in the cultural landscape <strong>of</strong> New<br />

Zealand’s art and history. Here, I developed<br />

my skills as a budding artist with<br />

group and solo exhibitions showcased<br />

at local galleries but also as an educator,<br />

with 25 years’ experience as an art<br />

teacher.<br />

“Additionally, my connections with<br />

contemporary Māori artists provided<br />

invaluable insights and better understanding<br />

<strong>of</strong> tradition and innovation<br />

within the indigenous arts, further<br />

enriching my own creative perspective<br />

and practice.<br />

“Through these experiences, I have<br />

come to view and execute art as a means<br />

<strong>of</strong> self-expression which has also shaped<br />

for me a better understanding <strong>of</strong> the<br />

Māori arts landscape. I strongly believe<br />

that by recognising the importance <strong>of</strong><br />

cultural preservation, innovation, and<br />

revitalisation within the Māori arts community,<br />

and investing in empowering<br />

indigenous artists, we will thrive.”<br />

What excites you most about<br />

taking on the role <strong>of</strong> Ngā Toi<br />

Māori Navigator at Creative <strong>Bay</strong> <strong>of</strong><br />

<strong>Plenty</strong>?<br />

“What excites me most is the opportunity<br />

to foster cultural empowerment and<br />

advocacy for Māori artists through connection<br />

and understanding <strong>of</strong> our culture,<br />

mātauranga and practices.<br />

“I am energised by the prospect <strong>of</strong><br />

working collaboratively with Māori artists,<br />

community leaders, and stakeholders<br />

to amplify voices that have historically<br />

been marginalised and to create<br />

spaces where cultural identity and heritage<br />

can flourish.”<br />

How do you see the interaction<br />

and relationship between art and<br />

culture?<br />

“Art and culture are deeply intertwined<br />

and serve as a cornerstone <strong>of</strong> Māori<br />

identity, storytelling, and spiritual<br />

expression. It goes beyond aesthetics<br />

but rather is a means <strong>of</strong> communication,<br />

connection, celebration, and cultural<br />

preservation.<br />

“It is most integral to acknowledge<br />

that sovereignty over cultural knowledge<br />

and practice is retained and respected<br />

whether it be traditional or contemporary<br />

art.”<br />

> I strongly believe that by recognising the importance <strong>of</strong><br />

cultural preservation, innovation, and revitalisation within<br />

the Ma _ ori arts community, and investing in empowering<br />

indigenous artists, we will thrive.”<br />

What are your aspirations for<br />

your role within Creative <strong>Bay</strong> <strong>of</strong><br />

<strong>Plenty</strong>?<br />

“Serving in this role means being a catalyst<br />

for positive change, advocating for<br />

the recognition and celebration <strong>of</strong> Māori<br />

art and culture on both local and global<br />

stages. To do this effectively, I aim to confront<br />

cultural injustices, challenge dominant<br />

narratives, and assert Māori sovereignty<br />

and self-determination within key<br />

spaces.<br />

“Additionally, I am passionate about<br />

leveraging the arts as a tool for social<br />

and economic development within the<br />

Māori community, promoting education,<br />

entrepreneurship, and sustainable practices<br />

that contribute to long-term prosperity<br />

and well-being.”<br />

What’s your favourite way to<br />

unwind and recharge creatively<br />

outside <strong>of</strong> work?<br />

“I am privileged to be residing on our<br />

whenua in Matapihi, Tauranga and <strong>of</strong>ten<br />

am recharged and inspired to paint the<br />

rich and beautiful taiao (environment)<br />

that surrounds my whānau and I, daily.<br />

Hauora by way <strong>of</strong> time together, in particular<br />

keeping our health and fitness<br />

as a priority, is also important to my<br />

whānau and I.”<br />

What’s the most interesting or<br />

unusual piece <strong>of</strong> art you’ve ever<br />

created, and what inspired it?<br />

“My most interesting and memorable<br />

pieces <strong>of</strong> art I’ve created were for my<br />

fourth year <strong>of</strong> art school class critique<br />

assessment. I organised my assessment<br />

to be held on Tuhua (Mayor Island) here<br />

in the <strong>Bay</strong> <strong>of</strong> <strong>Plenty</strong>, with my Auckland<br />

class and tutors in tow.<br />

“My paintings were inspired by my<br />

whakapapa to Tuhua and the taiao (environment)<br />

with a focus on translucent<br />

layers and textures to emulate the surrounding<br />

manu, ika, kohatu and obsidian<br />

(rocks).<br />

“The series <strong>of</strong> paintings that I presented<br />

for my critique have been the<br />

foundation <strong>of</strong> my methodology, painting<br />

processes and developed self-identity.”

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