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<strong>MONDAY</strong><br />

<strong>ARTPOST</strong><br />

<strong>2024</strong>-<strong>0429</strong><br />

ISSN1918-6991<br />

<strong>MONDAY</strong><strong>ARTPOST</strong>.COM<br />

Columns by Artists and Writers<br />

Bob Black / bq / Cem Turgay / Fiona Smyth /<br />

Gary Michael Dault / Holly Lee / Kai Chan /<br />

Kamelia Pezeshki / Lee Ka-sing / Malgorzata<br />

Wolak Dault / Sarah Teitel / Shelley Savor /<br />

Tamara Chatterjee / Tomio Nitto / Yam Lau /<br />

Yvonne Pigott<br />

+ Tinkerbell and Fairy Cakes ( Holly Lee)<br />

<strong>MONDAY</strong> <strong>ARTPOST</strong> published on Mondays. Columns by Artists and Writers. All Right Reserved. Published since 2002.<br />

Edit and Design: DOUBLE DOUBLE studio. Publisher: Ocean and Pounds. ISSN 1918-6991. mail@oceanpounds.com<br />

Free Subscription: https://mondayartpost.substack.com / Support: https://patreon.com/doubledoublestudio


Several ways of not to miss<br />

a single issue of <strong>MONDAY</strong><br />

<strong>ARTPOST</strong>.<br />

subscribe.mondayartpost.com<br />

<strong>ARTPOST</strong> contributors<br />

Cem Turgay lives and works as a photographer in<br />

Turkey.<br />

Fiona Smyth is a painter, illustrator, cartoonist and<br />

instructor in OCAD University's Illustration Program.<br />

For more than three decades, Smyth has made a name<br />

for herself in the local Toronto comic scene as well as<br />

internationally.<br />

http://fiona-smyth.blogspot.com<br />

Gary Michael Dault lives in Canada and is noted for<br />

his art critics and writings. He paints and writes poetry<br />

extensively. In 2022, OCEAN POUNDS published two<br />

of his art notebooks in facsimile editions.<br />

Holly Lee lives in Toronto, where she continues to<br />

produce visual and literal work.<br />

en.wikipedia.org/wiki/Holly_Lee<br />

Kai Chan immigrated to Canada from Hong Kong in<br />

the sixties. He’s a notable multi-disciplinary artist who<br />

has exhibited widely in Canada and abroad.<br />

www.kaichan.art<br />

Kamelia Pezeshki is a photographer living in Toronto.<br />

She continues to use film and alternative processes to<br />

make photographs.<br />

www.kamelia-pezeshki.com<br />

Ken Lee is a poet and an architectural designer based<br />

in Toronto. He has been composing poetry in Chinese,<br />

and is only recently starting to experiment with writing<br />

English poetry under the pen name, “bq”.<br />

Lee Ka-sing, founder of OCEAN POUNDS, lives in<br />

Toronto. He writes with images, recent work mostly<br />

photographs in sequence, some of them were presented<br />

in the format of a book.<br />

www.leekasing.com<br />

Robert Black, born in California, is an award-winning<br />

poet and photographer currently based in Toronto.<br />

His work often deals with themes related to language,<br />

transformation, and disappearance.<br />

Sarah Teitel is a multidisciplinary artist living in<br />

Toronto. She writes poems, songs and prose; draws,<br />

sings and plays instruments.<br />

sarahteitel1.bandcamp.com/album/give-and-take<br />

Shelley Savor lives in Toronto. She paints and draws<br />

with passion, focusing her theme on city life and urban<br />

living experiences.<br />

Tamara Chatterjee is a Toronto photographer who<br />

travels extensively to many parts of the world.<br />

Tomio Nitto is a noted illustrator lives in Toronto. The<br />

sketchbook is the camera, he said.<br />

Yam Lau, born in British Hong Kong, is an artist and<br />

writer based in Toronto; he is currently an Associate<br />

Professor at York University. Lau’s creative work<br />

explores new expressions and qualities of space,<br />

time and the image. He is represented by Christie<br />

Contemporary.


TERRAIN, eight. (Photographs by Lee Ka-sing, haiku by Gary Michael Dault<br />

in response). Read this daily collaborative column at oceanpounds.com<br />

Camera Obscura<br />

the world’s smallest photographer<br />

cloaked in forgetfulness<br />

trying to focus on freedom


TERRAIN available at BLURB<br />

TERRAIN, one<br />

https://www.blurb.ca/b/11625068-terrain-one<br />

TERRAIN, two<br />

https://www.blurb.ca/b/11640008-terrain-two<br />

TERRAIN, three<br />

https://www.blurb.ca/b/11682715-terrain-three<br />

TERRAIN, four<br />

https://www.blurb.ca/b/11740766-terrain-four<br />

TERRAIN, five<br />

https://www.blurb.ca/b/11898660-terrain-five<br />

TERRAIN, six<br />

https://www.blurb.ca/b/11899037-terrain-six


Black Flowers: Drawings<br />

by Malgorzata Wolak Dault


… 談 笑 間 …<br />

Yam Lau<br />

… Let the wind blow through your heart…<br />

From “Wild is the Wind” Performed by David Bowie, Live at BBC Radio<br />

Theatre<br />

Bowie’s performance of “Wild is the Wind” is phenomenal. Simply close your eyes and<br />

imagine him singing the words “… Let the wind blow through your heart…”. Yet, each time<br />

I listen to these words, I think of Matt and what he shared with me.<br />

I met Matt during the days I spent at a Buddhist monastery. In the solemn atmosphere<br />

of monastic silence, I came to know Matt through shared chores, meditation, and several<br />

long walks in the woods. Despite the austerity of the environment, there is a deep joy and<br />

vulnerability shared by residents. Matt revealed to me how he had struggled with harrowing<br />

mental crises all his life. And yet, our conversation is always compassionate and filled with<br />

ease.<br />

He had never sought out therapy of any kind. Meditation and hallucinogenics are his<br />

coping methods. Matt is an expert in the latter. He would readily share his knowledge and<br />

experience. On a pleasant autumn afternoon during one of our walks, perhaps prompted<br />

by the affect of the moment, he told me a vision he received from using magic mushrooms:<br />

the scene was a late autumn afternoon brimming with golden light, and a single tree stood<br />

in silence. Some leaves were gently falling. Suddenly, a breeze blew through the scene.<br />

The leaves fell as the same breeze blew through his heart. The feeling is wonderous and<br />

indescribable.<br />

I imagine all the sins and suffering were cleansed away.


Sketchbook<br />

Tomio Nitto


Poem a Week<br />

Gary Michael Dault<br />

4)<br />

dreaming of tulips<br />

still in their<br />

cellophane<br />

What follows is a selection of six haiku by the little known (in fact entirely unknown) poet<br />

To Fu (1939--). A not very prolific writer, the singular To Fu is so far represented only by<br />

a scattering of what are, quite truthfully, haiku of rather dubious quality. What there is of<br />

Tofu’s work has been patiently unearthed, translated and lovingly collected by poetaster Gary<br />

Michael Dault--who continues to look for sparks of brilliance in what is clearly--so far---a<br />

quite dispiriting collection.<br />

5)<br />

prophylactic flowers<br />

wrapped so the pollen<br />

can’t escape<br />

6)<br />

I have too many books<br />

just as there are<br />

too many leaves in autumn<br />

1)<br />

the moon<br />

hides under the table<br />

like a lonely child<br />

2)<br />

the trees are wet<br />

with cold<br />

like celery from the fridge<br />

3)<br />

buttered toast<br />

warm as the<br />

bed I got out of


Greenwood<br />

Kai Chan<br />

Drawing<br />

28 x 24 cm, acrylic paint on paper


This book comprises the<br />

initial 16 fragments of “ 林 海 ”<br />

(L.H.), an ongoing narrative.<br />

It was published on the<br />

occasion of the exhibition<br />

“THE 50 GLADSTONE” in<br />

Toronto, held from April 27<br />

to July 28, <strong>2024</strong>. This special<br />

edition is limited to twenty<br />

copies only. “ 林 海 ” (L.H.)<br />

is a fictional work written<br />

in Chinese and was initially<br />

serialized weekly in <strong>MONDAY</strong><br />

<strong>ARTPOST</strong> starting January<br />

15, <strong>2024</strong>.<br />

A Fictional Work by Lee Ka-sing<br />

Visit this page to read a Complimentary Copy online<br />

https://reads.oceanpounds.com/<strong>2024</strong>/04/lh.html<br />

Collector’s edition available at BLURB<br />

blurb.ca/b/11978672


Caffeine Reveries<br />

Shelley Savor<br />

Catastrophe


Gary Michael Dault<br />

From the Photographs,<br />

2010-<strong>2024</strong><br />

Number 28: Five Sticky-Label Tube Sculptures (2016)


From the Here and Now<br />

Yvonne Pigott<br />

Some days, it’s hard to pick up a pencil.<br />

Inertia and even boredom move in like<br />

cloud cover. But that’s not to say nothing<br />

can take shape. A cluttered desktop begs for<br />

rearrangement. A sparkly find from a recent<br />

walk catches your eye. The gear-like disk<br />

rescued today on the way to the park needs<br />

placement. And there’s the recent Dollaramasourced,<br />

tropical-themed sheet with neoncoloured<br />

flowers and birds waiting to be<br />

scratched free.


CHEEZ<br />

Fiona Smyth


The Photograph<br />

Selected by<br />

Kamelia Pezeshki<br />

Disabled Gun #2 by Steven James Brown


Travelling Palm<br />

Snapshots<br />

Tamara Chatterjee<br />

Uzbekistan (November, 2019) – We checked<br />

into our lodgings, just as the sun was setting<br />

behind the Itchan Kala walls. From inside<br />

the monumental walled city, we surveyed<br />

our surroundings before descending from the<br />

rooftop to explore before dark. Throughout our<br />

time in Khiva, I marvelled at the complicated<br />

structures of its adobe style construction and<br />

admired the glorious tiled details found in<br />

abundance. For the silk road enthusiasts, it’s<br />

the place to be!


Tinkerbell and Fairy Cakes<br />

written by Holly Lee<br />

I can’t quite recall when I began the tradition of surprising my daughter<br />

with birthday treats every year. On her special day, she receives a<br />

unique cat-themed birthday card to add to her collection, and if time<br />

permits, a personalized cake with her name written on it. But each year,<br />

it becomes more challenging to surpass the previous surprises. Her<br />

expectations drive me to be more creative, sometimes to the point of<br />

absurdity, according to her.<br />

It wasn’t until the new millennium that I thought to start keeping photos<br />

of the birthday cakes, especially those for Iris, for a project I had in<br />

mind. The idea had been brewing in me for twenty years, but many of<br />

the cake pictures had vanished. I nearly gave up on the project, but I<br />

couldn’t let it go. It’s about our family, our bond, and the effort we make<br />

for each other.<br />

Birthday cakes have a rich history, with Western traditions dating back<br />

to ancient Greece. In Chinese culture, birthdays were marked with<br />

shòu táo bao ( 壽 桃 包 ), peach-shaped lotus-paste-filled buns mainly for<br />

elders. Children’s birthdays might involve a trip to restaurants for dim<br />

sum. However, in 1980s Hong Kong, the culture was highly westernized,<br />

and parents often celebrated children’s birthdays with fancy cakes.


The group photo from Iris’s kindergarten days at “Tinkerbell” shows<br />

sixteen kids standing proudly in front of nine birthday cakes, with<br />

Iris positioned second right in the second row. The principal and two<br />

teachers stand in the back. They were celebrating the birthdays of<br />

nine students that month. The parents of the birthday kids were asked<br />

to bring cakes to the school for the group festivities. As I admire the<br />

elaborate decoration of the birthday cakes, I wonder what happened to<br />

the surplus cakes and whether Iris was part of the birthday group. Did I<br />

bring one of those cakes?<br />

For many years, conveniently I often ordered Iris’s birthday cakes from<br />

Dufflet, the pastry shop on Queen Street West. However, I also explored<br />

other bakeries for variety. Lately, Iris has taken to baking birthday<br />

cakes for both me and Ka-sing. She loves it, although it requires a<br />

patience I lack. Last year, she made a stunning fruit cheesecake for<br />

Ka-sing, followed by a pomegranate cheesecake for me. This year, she<br />

even offered to make her own birthday cake – a Tiramisù. I consider us<br />

fortunate to share these intimate moments as a family, reveling in the<br />

sweetness of our bond, basking in our love and care for each other.<br />

Birthday Cakes, an installation work (<strong>2024</strong>) by<br />

Holly Lee, is currently on shown at the exhibition<br />

THE 50 GLADSTONE in Toronto. A book with the<br />

same title, 96 pages, in hard covers, has been<br />

published by OCEAN POUNDS, as an extension to<br />

the installation piece.<br />

March, <strong>2024</strong>


THE 50 GLADSTONE<br />

Lee Ka-sing and Holly Lee Archive<br />

(Works, Objects, Artifacts, 1976 to current)<br />

An exhibition: April 27 to July 28, <strong>2024</strong><br />

50 Gladstone Avenue artsalon, Toronto<br />

(visit by appointment: mail@oceanpounds.com)


The following pages<br />

is an excerpt from the<br />

exhibition catalogue.<br />

Please visit this link<br />

for Footnotes of the<br />

exhibits indicated by<br />

Numbers. 200 items.<br />

t50.leekasing.com


1<br />

2<br />

3<br />

4<br />

5<br />

6<br />

7<br />

151<br />

153<br />

154<br />

148<br />

149 150<br />

144<br />

147<br />

145 146


160<br />

12<br />

142<br />

141<br />

139<br />

140<br />

138


13<br />

108<br />

105<br />

104<br />

14 15<br />

136<br />

23<br />

18<br />

137<br />

9<br />

106<br />

19<br />

20<br />

16<br />

22<br />

123<br />

21<br />

107<br />

17<br />

103


136<br />

24<br />

127<br />

72<br />

70<br />

71<br />

30<br />

69<br />

135<br />

66<br />

25<br />

96<br />

100<br />

28<br />

31<br />

10<br />

26<br />

99<br />

27<br />

29<br />

32<br />

111<br />

112 113 121 114<br />

115<br />

38 58<br />

22<br />

103<br />

101<br />

102<br />

59<br />

133


40<br />

34<br />

36 37<br />

64<br />

124<br />

47<br />

46<br />

67<br />

77<br />

65<br />

97<br />

49<br />

41<br />

42<br />

129<br />

35<br />

95<br />

45<br />

44<br />

98<br />

60 56 57<br />

118<br />

39 122<br />

61<br />

109 110 116<br />

117<br />

120 119<br />

73<br />

125<br />

43<br />

62<br />

94<br />

63<br />

74<br />

33<br />

130<br />

83<br />

134<br />

93<br />

88 89<br />

90<br />

92<br />

87<br />

48<br />

81<br />

91<br />

80


36<br />

37<br />

67<br />

126<br />

75<br />

68<br />

159<br />

50<br />

51<br />

46<br />

76<br />

77<br />

44<br />

88<br />

89<br />

90<br />

48<br />

87<br />

86<br />

11<br />

132<br />

131<br />

92<br />

91<br />

81<br />

80<br />

78<br />

79<br />

85<br />

84<br />

52<br />

53<br />

54<br />

55<br />

82


155<br />

156<br />

158<br />

157


Under the management of Ocean and Pounds<br />

Since 2008, INDEXG B&B have served curators, artists,<br />

art-admirers, collectors and professionals from different<br />

cities visiting and working in Toronto.<br />

INDEXG B&B<br />

48 Gladstone Avenue, Toronto<br />

Booking:<br />

mail@indexgbb.com<br />

416.535.6957

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