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<strong>MONDAY</strong><br />
<strong>ARTPOST</strong><br />
<strong>2024</strong>-<strong>0429</strong><br />
ISSN1918-6991<br />
<strong>MONDAY</strong><strong>ARTPOST</strong>.COM<br />
Columns by Artists and Writers<br />
Bob Black / bq / Cem Turgay / Fiona Smyth /<br />
Gary Michael Dault / Holly Lee / Kai Chan /<br />
Kamelia Pezeshki / Lee Ka-sing / Malgorzata<br />
Wolak Dault / Sarah Teitel / Shelley Savor /<br />
Tamara Chatterjee / Tomio Nitto / Yam Lau /<br />
Yvonne Pigott<br />
+ Tinkerbell and Fairy Cakes ( Holly Lee)<br />
<strong>MONDAY</strong> <strong>ARTPOST</strong> published on Mondays. Columns by Artists and Writers. All Right Reserved. Published since 2002.<br />
Edit and Design: DOUBLE DOUBLE studio. Publisher: Ocean and Pounds. ISSN 1918-6991. mail@oceanpounds.com<br />
Free Subscription: https://mondayartpost.substack.com / Support: https://patreon.com/doubledoublestudio
Several ways of not to miss<br />
a single issue of <strong>MONDAY</strong><br />
<strong>ARTPOST</strong>.<br />
subscribe.mondayartpost.com<br />
<strong>ARTPOST</strong> contributors<br />
Cem Turgay lives and works as a photographer in<br />
Turkey.<br />
Fiona Smyth is a painter, illustrator, cartoonist and<br />
instructor in OCAD University's Illustration Program.<br />
For more than three decades, Smyth has made a name<br />
for herself in the local Toronto comic scene as well as<br />
internationally.<br />
http://fiona-smyth.blogspot.com<br />
Gary Michael Dault lives in Canada and is noted for<br />
his art critics and writings. He paints and writes poetry<br />
extensively. In 2022, OCEAN POUNDS published two<br />
of his art notebooks in facsimile editions.<br />
Holly Lee lives in Toronto, where she continues to<br />
produce visual and literal work.<br />
en.wikipedia.org/wiki/Holly_Lee<br />
Kai Chan immigrated to Canada from Hong Kong in<br />
the sixties. He’s a notable multi-disciplinary artist who<br />
has exhibited widely in Canada and abroad.<br />
www.kaichan.art<br />
Kamelia Pezeshki is a photographer living in Toronto.<br />
She continues to use film and alternative processes to<br />
make photographs.<br />
www.kamelia-pezeshki.com<br />
Ken Lee is a poet and an architectural designer based<br />
in Toronto. He has been composing poetry in Chinese,<br />
and is only recently starting to experiment with writing<br />
English poetry under the pen name, “bq”.<br />
Lee Ka-sing, founder of OCEAN POUNDS, lives in<br />
Toronto. He writes with images, recent work mostly<br />
photographs in sequence, some of them were presented<br />
in the format of a book.<br />
www.leekasing.com<br />
Robert Black, born in California, is an award-winning<br />
poet and photographer currently based in Toronto.<br />
His work often deals with themes related to language,<br />
transformation, and disappearance.<br />
Sarah Teitel is a multidisciplinary artist living in<br />
Toronto. She writes poems, songs and prose; draws,<br />
sings and plays instruments.<br />
sarahteitel1.bandcamp.com/album/give-and-take<br />
Shelley Savor lives in Toronto. She paints and draws<br />
with passion, focusing her theme on city life and urban<br />
living experiences.<br />
Tamara Chatterjee is a Toronto photographer who<br />
travels extensively to many parts of the world.<br />
Tomio Nitto is a noted illustrator lives in Toronto. The<br />
sketchbook is the camera, he said.<br />
Yam Lau, born in British Hong Kong, is an artist and<br />
writer based in Toronto; he is currently an Associate<br />
Professor at York University. Lau’s creative work<br />
explores new expressions and qualities of space,<br />
time and the image. He is represented by Christie<br />
Contemporary.
TERRAIN, eight. (Photographs by Lee Ka-sing, haiku by Gary Michael Dault<br />
in response). Read this daily collaborative column at oceanpounds.com<br />
Camera Obscura<br />
the world’s smallest photographer<br />
cloaked in forgetfulness<br />
trying to focus on freedom
TERRAIN available at BLURB<br />
TERRAIN, one<br />
https://www.blurb.ca/b/11625068-terrain-one<br />
TERRAIN, two<br />
https://www.blurb.ca/b/11640008-terrain-two<br />
TERRAIN, three<br />
https://www.blurb.ca/b/11682715-terrain-three<br />
TERRAIN, four<br />
https://www.blurb.ca/b/11740766-terrain-four<br />
TERRAIN, five<br />
https://www.blurb.ca/b/11898660-terrain-five<br />
TERRAIN, six<br />
https://www.blurb.ca/b/11899037-terrain-six
Black Flowers: Drawings<br />
by Malgorzata Wolak Dault
… 談 笑 間 …<br />
Yam Lau<br />
… Let the wind blow through your heart…<br />
From “Wild is the Wind” Performed by David Bowie, Live at BBC Radio<br />
Theatre<br />
Bowie’s performance of “Wild is the Wind” is phenomenal. Simply close your eyes and<br />
imagine him singing the words “… Let the wind blow through your heart…”. Yet, each time<br />
I listen to these words, I think of Matt and what he shared with me.<br />
I met Matt during the days I spent at a Buddhist monastery. In the solemn atmosphere<br />
of monastic silence, I came to know Matt through shared chores, meditation, and several<br />
long walks in the woods. Despite the austerity of the environment, there is a deep joy and<br />
vulnerability shared by residents. Matt revealed to me how he had struggled with harrowing<br />
mental crises all his life. And yet, our conversation is always compassionate and filled with<br />
ease.<br />
He had never sought out therapy of any kind. Meditation and hallucinogenics are his<br />
coping methods. Matt is an expert in the latter. He would readily share his knowledge and<br />
experience. On a pleasant autumn afternoon during one of our walks, perhaps prompted<br />
by the affect of the moment, he told me a vision he received from using magic mushrooms:<br />
the scene was a late autumn afternoon brimming with golden light, and a single tree stood<br />
in silence. Some leaves were gently falling. Suddenly, a breeze blew through the scene.<br />
The leaves fell as the same breeze blew through his heart. The feeling is wonderous and<br />
indescribable.<br />
I imagine all the sins and suffering were cleansed away.
Sketchbook<br />
Tomio Nitto
Poem a Week<br />
Gary Michael Dault<br />
4)<br />
dreaming of tulips<br />
still in their<br />
cellophane<br />
What follows is a selection of six haiku by the little known (in fact entirely unknown) poet<br />
To Fu (1939--). A not very prolific writer, the singular To Fu is so far represented only by<br />
a scattering of what are, quite truthfully, haiku of rather dubious quality. What there is of<br />
Tofu’s work has been patiently unearthed, translated and lovingly collected by poetaster Gary<br />
Michael Dault--who continues to look for sparks of brilliance in what is clearly--so far---a<br />
quite dispiriting collection.<br />
5)<br />
prophylactic flowers<br />
wrapped so the pollen<br />
can’t escape<br />
6)<br />
I have too many books<br />
just as there are<br />
too many leaves in autumn<br />
1)<br />
the moon<br />
hides under the table<br />
like a lonely child<br />
2)<br />
the trees are wet<br />
with cold<br />
like celery from the fridge<br />
3)<br />
buttered toast<br />
warm as the<br />
bed I got out of
Greenwood<br />
Kai Chan<br />
Drawing<br />
28 x 24 cm, acrylic paint on paper
This book comprises the<br />
initial 16 fragments of “ 林 海 ”<br />
(L.H.), an ongoing narrative.<br />
It was published on the<br />
occasion of the exhibition<br />
“THE 50 GLADSTONE” in<br />
Toronto, held from April 27<br />
to July 28, <strong>2024</strong>. This special<br />
edition is limited to twenty<br />
copies only. “ 林 海 ” (L.H.)<br />
is a fictional work written<br />
in Chinese and was initially<br />
serialized weekly in <strong>MONDAY</strong><br />
<strong>ARTPOST</strong> starting January<br />
15, <strong>2024</strong>.<br />
A Fictional Work by Lee Ka-sing<br />
Visit this page to read a Complimentary Copy online<br />
https://reads.oceanpounds.com/<strong>2024</strong>/04/lh.html<br />
Collector’s edition available at BLURB<br />
blurb.ca/b/11978672
Caffeine Reveries<br />
Shelley Savor<br />
Catastrophe
Gary Michael Dault<br />
From the Photographs,<br />
2010-<strong>2024</strong><br />
Number 28: Five Sticky-Label Tube Sculptures (2016)
From the Here and Now<br />
Yvonne Pigott<br />
Some days, it’s hard to pick up a pencil.<br />
Inertia and even boredom move in like<br />
cloud cover. But that’s not to say nothing<br />
can take shape. A cluttered desktop begs for<br />
rearrangement. A sparkly find from a recent<br />
walk catches your eye. The gear-like disk<br />
rescued today on the way to the park needs<br />
placement. And there’s the recent Dollaramasourced,<br />
tropical-themed sheet with neoncoloured<br />
flowers and birds waiting to be<br />
scratched free.
CHEEZ<br />
Fiona Smyth
The Photograph<br />
Selected by<br />
Kamelia Pezeshki<br />
Disabled Gun #2 by Steven James Brown
Travelling Palm<br />
Snapshots<br />
Tamara Chatterjee<br />
Uzbekistan (November, 2019) – We checked<br />
into our lodgings, just as the sun was setting<br />
behind the Itchan Kala walls. From inside<br />
the monumental walled city, we surveyed<br />
our surroundings before descending from the<br />
rooftop to explore before dark. Throughout our<br />
time in Khiva, I marvelled at the complicated<br />
structures of its adobe style construction and<br />
admired the glorious tiled details found in<br />
abundance. For the silk road enthusiasts, it’s<br />
the place to be!
Tinkerbell and Fairy Cakes<br />
written by Holly Lee<br />
I can’t quite recall when I began the tradition of surprising my daughter<br />
with birthday treats every year. On her special day, she receives a<br />
unique cat-themed birthday card to add to her collection, and if time<br />
permits, a personalized cake with her name written on it. But each year,<br />
it becomes more challenging to surpass the previous surprises. Her<br />
expectations drive me to be more creative, sometimes to the point of<br />
absurdity, according to her.<br />
It wasn’t until the new millennium that I thought to start keeping photos<br />
of the birthday cakes, especially those for Iris, for a project I had in<br />
mind. The idea had been brewing in me for twenty years, but many of<br />
the cake pictures had vanished. I nearly gave up on the project, but I<br />
couldn’t let it go. It’s about our family, our bond, and the effort we make<br />
for each other.<br />
Birthday cakes have a rich history, with Western traditions dating back<br />
to ancient Greece. In Chinese culture, birthdays were marked with<br />
shòu táo bao ( 壽 桃 包 ), peach-shaped lotus-paste-filled buns mainly for<br />
elders. Children’s birthdays might involve a trip to restaurants for dim<br />
sum. However, in 1980s Hong Kong, the culture was highly westernized,<br />
and parents often celebrated children’s birthdays with fancy cakes.
The group photo from Iris’s kindergarten days at “Tinkerbell” shows<br />
sixteen kids standing proudly in front of nine birthday cakes, with<br />
Iris positioned second right in the second row. The principal and two<br />
teachers stand in the back. They were celebrating the birthdays of<br />
nine students that month. The parents of the birthday kids were asked<br />
to bring cakes to the school for the group festivities. As I admire the<br />
elaborate decoration of the birthday cakes, I wonder what happened to<br />
the surplus cakes and whether Iris was part of the birthday group. Did I<br />
bring one of those cakes?<br />
For many years, conveniently I often ordered Iris’s birthday cakes from<br />
Dufflet, the pastry shop on Queen Street West. However, I also explored<br />
other bakeries for variety. Lately, Iris has taken to baking birthday<br />
cakes for both me and Ka-sing. She loves it, although it requires a<br />
patience I lack. Last year, she made a stunning fruit cheesecake for<br />
Ka-sing, followed by a pomegranate cheesecake for me. This year, she<br />
even offered to make her own birthday cake – a Tiramisù. I consider us<br />
fortunate to share these intimate moments as a family, reveling in the<br />
sweetness of our bond, basking in our love and care for each other.<br />
Birthday Cakes, an installation work (<strong>2024</strong>) by<br />
Holly Lee, is currently on shown at the exhibition<br />
THE 50 GLADSTONE in Toronto. A book with the<br />
same title, 96 pages, in hard covers, has been<br />
published by OCEAN POUNDS, as an extension to<br />
the installation piece.<br />
March, <strong>2024</strong>
THE 50 GLADSTONE<br />
Lee Ka-sing and Holly Lee Archive<br />
(Works, Objects, Artifacts, 1976 to current)<br />
An exhibition: April 27 to July 28, <strong>2024</strong><br />
50 Gladstone Avenue artsalon, Toronto<br />
(visit by appointment: mail@oceanpounds.com)
The following pages<br />
is an excerpt from the<br />
exhibition catalogue.<br />
Please visit this link<br />
for Footnotes of the<br />
exhibits indicated by<br />
Numbers. 200 items.<br />
t50.leekasing.com
1<br />
2<br />
3<br />
4<br />
5<br />
6<br />
7<br />
151<br />
153<br />
154<br />
148<br />
149 150<br />
144<br />
147<br />
145 146
160<br />
12<br />
142<br />
141<br />
139<br />
140<br />
138
13<br />
108<br />
105<br />
104<br />
14 15<br />
136<br />
23<br />
18<br />
137<br />
9<br />
106<br />
19<br />
20<br />
16<br />
22<br />
123<br />
21<br />
107<br />
17<br />
103
136<br />
24<br />
127<br />
72<br />
70<br />
71<br />
30<br />
69<br />
135<br />
66<br />
25<br />
96<br />
100<br />
28<br />
31<br />
10<br />
26<br />
99<br />
27<br />
29<br />
32<br />
111<br />
112 113 121 114<br />
115<br />
38 58<br />
22<br />
103<br />
101<br />
102<br />
59<br />
133
40<br />
34<br />
36 37<br />
64<br />
124<br />
47<br />
46<br />
67<br />
77<br />
65<br />
97<br />
49<br />
41<br />
42<br />
129<br />
35<br />
95<br />
45<br />
44<br />
98<br />
60 56 57<br />
118<br />
39 122<br />
61<br />
109 110 116<br />
117<br />
120 119<br />
73<br />
125<br />
43<br />
62<br />
94<br />
63<br />
74<br />
33<br />
130<br />
83<br />
134<br />
93<br />
88 89<br />
90<br />
92<br />
87<br />
48<br />
81<br />
91<br />
80
36<br />
37<br />
67<br />
126<br />
75<br />
68<br />
159<br />
50<br />
51<br />
46<br />
76<br />
77<br />
44<br />
88<br />
89<br />
90<br />
48<br />
87<br />
86<br />
11<br />
132<br />
131<br />
92<br />
91<br />
81<br />
80<br />
78<br />
79<br />
85<br />
84<br />
52<br />
53<br />
54<br />
55<br />
82
155<br />
156<br />
158<br />
157
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