THE 50 GLADSTONE (by numbers)

1
2
3
4
5
6
7
151
153
154
148
149 150
144
147
145 146

THE 50 GLADSTONE (by numbers)
128
First published in Canada by OCEAN POUNDS
April, 2024
Library and Archives Canada Cataloguing in
Publication
Photography, Art, Hong Kong, Canada
Title -
THE 50 GLADSTONE (by numbers)
Authors -
Lee Ka-sing, Holly Lee
Copyright ©2024 OCEAN POUNDS
Individual Copyrights belongs to the Artist
All Rights Reserved
For information about permission
to reproduce selections from this book,
write to mail@oceanpounds.com
Design by DOUBLE DOUBLE studio
Published by OCEAN POUNDS
50 Gladstone Avenue, Toronto,
Ontario, Canada M6J 3K6
www.oceanpounds.com
143
160
152
t50.leekasing.com
8

160
12
142
141
139
140
138

13
108
105
104
14 15
136
23
18
137
9
106
19
20
16
22
123
21
107
17
103

136
24
127
72
70
71
30
69
135
66
25
96
100
28
31
10
26
99
27
29
32
111
112 113 121 114
115
38 58
22
103
101
102
59
133

40
34
36 37
64
124
47
46
67
77
65
97
49
41
42
129
35
95
45
44
98
60 56 57
118
39 122
61
109 110 116
117
120 119
73
125
43
62
94
63
74
33
130
83
134
93
88 89
90
92
87
48
81
91
80

36
37
67
126
75
68
159
50
51
46
76
77
44
88
89
90
48
87
86
11
132
131
92
91
81
80
78
79
85
84
52
53
54
55
82

155
156
158
157

1
Seeing a Colorful World from a Black and White Negative. On Ryokan Taigu
(LKS, 2013)
從 一 張 黑 白 底 片 看 彩 色 繁 華 世 界 。 閱 讀 良 寬
Mixed media: archival inkjet print, pine wood, acrylic medium
1778mm x 86mm x 36mm
2
On June 2nd, Tse Chi Tak Visits and Presents His Photobook ‘KING HEAVEN AND EARTH
QUEEN’ Documenting the Demolition of Queen’s Pier. (Somehow, a brief note on the
historical past of Hong Kong photography) (LKS, 2013)
六 月 二 日 友 人 謝 至 德 來 訪 並 贈 其 拍 攝 皇 后 碼 頭 拆 卸 之 攝 影 冊 《 皇 天 后 土 》。( 兼 談
香 港 攝 影 過 去 史 )
Mixed media: archival inkjet print, pine wood, acrylic medium
616mm x 86mm x 36mm
3
Listening to one of the two CDs by the Forbidden City Chamber Orchestra, which I
purchased during a brief trip to Guangzhou last month (LKS, 2012)
在 畫 廊 聽 紫 禁 城 室 樂 團 。 月 前 在 廣 州 書 店 所 得 該 團 兩 枚 CD 其 一
Mixed media: archival inkjet print, pine wood, acrylic medium
686mm x 135mm x 35mm
4
I Hope You Are Well (to a contemporary art space in Beijing) (LKS, 2014)
Mixed media: archival inkjet print, pine wood, acrylic medium
1334mm x 86mm x 36mm
5
Holly descending a staircase from the third floor to the gallery, about to go out to
take a photograph at Trinity Bellwoods Park (one day in the spring of our thirtieth
anniversary) (LKS, 2012)
正 在 下 樓 梯 的 Holly, 從 三 樓 走 到 地 面 的 畫 廊 。 她 正 準 備 外 出 到 鐘 活 公 園 拍 攝 一 張
照 片 。( 我 們 結 婚 30 周 年 的 春 季 之 一 天 )
Mixed media: archival inkjet print, spruce wood, acrylic medium
Thirty pieces of wood mounted photograph, 62mm x 62mm x 36mm each
6
Fragments from TIME MACHINE series (LKS, 2018)
Mixed media: archival inkjet print, spruce wood, acrylic medium
(on display) In two horizontal panels, 1810mm x 220mm x 67mm each. Each encased
nine pieces of 190mm x 190mm x 36mm, wood-mounted photographs
(TIME MACHINE series) Approximately 100 pieces of work were created from 2015 to
2019
7
Fragments from ZEN TAO JOURNAL series (LKS, 2010)
Mixed media: archival inkjet print, wood panel, acrylic medium
(on display) Two individual photographs mounted on wood panel, 305mm x 305mm x
38mm each
(ZEN TAO JOURNAL series) Approximately ten pieces of work were created
8
Eight pieces from BOTH SIDE NOW series (HL, 2018)
Front and verso, paired archival inkjet prints in a ready-made frame, works in various
sizes
(BOTH SIDE NOW series) an ongoing project, approximately a dozen pieces were made
9
DUO series (HL, 1991 to 2015)
17x22 inches, archival pigment print
(on display) left: Lady with glossy lips and red nail-polish, 1991 / right: Lady in black
cheongsam with flower patterns, 2015.
10
World Map (HL, 2018)
39”x 19.5”, archival inkjet print in frame
11
Claw Script (HL, 2015)
17”x22”, archival inkjet print
(on display) Selection of one piece from the series
(CLAW SCRIPT series) Nine works in a series

12
Birthday Cakes (HL, 2024)
Installation, approximately 40 x 60 inches
30 individual photographs in ready-made frames, various sizes
13
Friends, Artists and People I Know, Contact prints (HL)
8x10, gelatine silver prints
(on display) Mak Hin Yeung; Leong Ka Tai; Gu Yuan; Chung Ling Ling
(Pictures of Friends, Artists and People I Know series, 1981-86) Approximately 30 work
14
Mothers (HL, 1995)
8x10 chromogenic print
(on display) OP Edition: 18/20
15
Swimming Pool (HL, 1986)
8x10 chromogenic print
(on display) OP Edition: 15/20
16
Holly Lee Selected Photographs (HL, 1996)
5.5” x 5.5”, 24 pages colour booklet
17
Spain Sky (HL, 2018)
3.25” x 3.25”, archival inkjet prints
(on display) 42 photographs in a translucent plastic box
18
Si-Ling and Owltoise series, invitation card, 1985
230mm x 140mm
Holly’s photography exhibition at Photo Center, 1985
19
89 • The Golden Lotus • Footsteps of June, invitation card
200mm x 100mm, chromogenic print, hand-made
89 • The Golden Lotus • Footsteps of June, Holly Lee
Le Carde Gallery, 1989
20
89 • The Golden Lotus • Footsteps of June (HL, 1989)
295mm x 410mm, chromogenic print, in frame
One of the photographs from exhibition “89 • The Golden Lotus • Footsteps of June”
21
Head Scarf (HL, circa 90s)
400mm x 300mm, chromogenic print
Editorial photography assignment, Eve Magazine
22
Eye, nine-sections (HL, 1993)
450mm x 380mm, image transfer on water-colour paper, unique
Photography assignment for paper importer, Polytrade brochure
23
Twenty Photographs (HL, 1995)
10” x 12” photogram, gelatin silver print
For exhibition Restricted Exposure, Fringe Festival 1996
24
(Photo album) An exterior shot of the OP fotogallery in Hong Kong (1998)
4x6 inches, chromogenic print
The former studio of Ka-sing and Holly before they moved to Toronto
25
NCP inauguration booklet (1998)
8.5x11 inches, 8 pages
26
(photo album) NCP inauguration Opening group photo (1998)
8x10 inches, chromogenic print
27
Bauhinia, in front of Hong Kong Harbour, circa 1997 (HL, 1997)
8” x 10”, chromogenic print, an OP edition
From the series “Hollian Thesaurus”. Original photograph in the collection of M+
Museum

28
Firenze Breakfast with Omega 3 Egg (HL, 2000)
8” x 10” archival inkjet print, framed
From the series ‘Hollian Thesaurus’
29
Crane (HL, circa 90s)
20” x 24” photogram, gelatin silver print, unique
30
(object) Butterfly made by Iris when she was eight
120mm x 90mm, clay
An object Ka-sing used in Forty Poems series
31
(publication) Exhibition brochure “holly & wingo, camera works” (1981)
428mm x 290mm, 20 pages
Pao Sui Loong Gallery, Hong Kong Arts Centre, 1981
32
Lomo Sampler 040502_090502 (HL, 2002)
2” x 5.5” x 2”, chromogenic prints, photo prints bound with Chicago screw
33
89 • The Golden Lotus • Footsteps of June, test strip (HL)
(Peter Suart) 100mm x 95mm, Cibachrome
34
89 • The Golden Lotus • Footsteps of June, test strip (HL)
(Pia and Margaret) 95mm x 95mm, Cibachrome
35
Photo-booth self-portrait (HL, 1995)
205mm x 40mm, chromogenic print
For the Photo-booth issue in Dislocation, Feb, 1995
36
Portrait series, Lau Kin Wai and Leung Mei Sang (HL, circa 90s)
11 x 14 inches, direct contact from 8x10 negative, gelatin silver print
37
Portrait series, Iris Lee (HL, 90s)
11 x 14 inches, direct contact from 8x10 negative, gelatin silver print
38
After the tunnel emerge gigantic trees and towers (HL, 2010)
555mm x 200mm, archival inkjet print framed in glass stand
Shan Hai Jing series
39
(object) A large format camera Ka-sing constructed for Holly for her Shan Hai Jing
series (2010)
150mm x 190mm x 40mm, wood, metal, with Schneider lens. For 4x5 sheet or 612 roll
films
40
A diptych of two photographs taken in the same moment of a group of artists
participated in the exhibition at the soon to be demolished Eu Family Mansion
(HL, 1987)
510mm x 210mm, gelatin silver print
A work print for the brochure cover of OUT OF CONTEXT 外 圍 , The 15 Kennedy Road
Exhibition, 1987
41
(object) How to read the lines of the hand
140mm x 60mm, folding card
Holly used this object in her Hong Kong Memories series
42
(photo album) An old photograph of Holly’s mother circa early 50s
135mm x 85mm, gelatin silver print
Holly used this photo in her Hong Kong Memories series
43
Holly Lee name card (circa 93)
87mm x 111mm, 4-colour offset printed on both sides
Photographs by Holly Lee, designed by Ka-sing

44
Holly & Wingo Lee Studio stationary (1977)
Letter-sheet: 290mmx206mm (name card, envelop not on display)
45
One of three original photographs for Holly & Wingo Lee Studio stationary (1977)
8x10 inches gelatin silver print in ready-made frame
One of three self-portrait photographs taken for the usage of studio letterhead
46
Studio branding design for Holly Lee by Philip Kwok of Illustration Workshop (1981)
Name card: 110mm x 90mm); envelope: 90mm x 220mm; letter-sheet (not on display)
47
Studio branding design for Holly Lee by Philip Kwok of Illustration Workshop (1981)
Original Polaroid used for the design, 110mm x 90mm, photo by Philip Kwok
48
A testing with Cibachrome paper directly exposed through a 4x5 view camera
(circa 90s)
4x5 inches, Cibachrome
Holly photographed by Ka-sing
49
(monograph) Hong Kong Memories (HL, 2023)
210mm x 260mm, 110 pages, hard cover
A book featuring the Hong Kong Memories series by Holly Lee created in 1993
50
(photo album) Holly, Diana Thorneycroft and Ka-sing
270mm x 105mm, chromogenic print, taken at 301 Candy Factory Lofts, circa 2005
51
(publication) OP Editions catalogue (1995)
140mm x 140mm, 24 pages each
(on display) Issue 9501, 9502, 9503, 9504
OP editions, a quarterly catalogue for OP Print Program. 17 issues were published
52
Clouds etc. (HL, 2011)
Hand-made flip book, 152mm x 52mm x 23mm, chromogenic photographs
Photograph 2011, flip book produced in 2017, #2 of two editions
53
Woodcut block, image of Donna Lok (HL, circa late 70s)
460mm x 200mm, pine wood (unfinished)
54
Istanbul Postcards (HL, 2019)
Stack of 18 original postcards, 147mm x 94mm each, archival inkjet print, hand-writings
A fictional work by Holly Lee, with images by Ka-sing, and box made by Kai Chan
55
(object) Envelope from Istanbul carrying back the postcards for the Istanbul Postcards
project (2019)
56
(photo album) ON HONG KONG exhibition at City Hall (1996)
125mm x 125mm, chromogenic print, two pieces
57
(photo album) PERSPECTIVES exhibition in New York (1997)
125mm x 125mm, chromogenic print
PERSPECTIVES, exhibition organized by Ka-sing and Holly, Space Untitled Gallery, 10
Hong Kong photographers
58
(publication) PERSPECTIVES exhibition catalogue (1997)
140mm x 140mm, 24 pages
PERSPECTIVES, Space Untitled Gallery. Photographers: Karl Chiu, Lau Ching Ping, Holly
Lee, Lee Ka-sing, Patrick Lee, Leung Chi Wo, So Hing Keung, Bobby Sham, Ringo Tang,
Dickson Yewn
59
(publication) WORKS MAGAZINE, Volume 2, 1988
297mm x 217mm, 16 pages
A promotional publication from the studio of Ka-sing and Holly. Three issues were
released. The displayed issue focused on Ka-sing’s work

60
(publication) 4 VIEWS exhibition catalogue (1996)
140mm x 140mm, 24 pages
Exhibition organized by Ka-sing and Holly, of photography works by So Hing Keung,
Patrick Lee, Yau Leung and Stephen Cheung. Fringe gallery, September 1996
61
(object) Name card holder, the archive of name cards of Holly and Ka-sing in the past
years
105mm x 188mm x 13mm
Name cards for applications of the studio, publications, and gallery, Hong Kong, New
York to Toronto
62
LEE, KA-SING GALLERY Promotional card, Nobuyoshi Araki (2001)
204mm x 152mm
63
LEE, KA-SING GALLERY Promotional card, Xing Danwen (2001)
204mm x 152mm
Featuring Xing Danwen’s China Avant-Garde series, with Christopher Phillips’ writing on
verso of the card
64
(publication) Wingochrome & Holliblad (1979)
430mm x 570mm, printed on both sides
studio promotion, two issues were released
65
(object) Wire Mandala
100mm x 100mm x 50mm, an object Ka-sing used in a photograph of the Z FICTION
series
66
Building a University Through the Lens of Lee Ka-sing, test strip with blue sky
(LKS, 1991)
130mm x 270mm, photogram on Cibachrome paper
Project commissioned by The Hong Kong University of Science and Technology
67
Test strip with clock panel (LKS, 1995)
202mm x 62mm, Cibachrome paper
Test strip for “The Clock and a Classical Interpretation of Time”, Forty Poems series
68
PHOTO PICTORIAL Rebranding (2004-2005)
(on display) 3 issues: #462 (cover: Diana Thorneycroft), #464 (cover: parkeharrison),
#466 (cover: Holly Lee). In 2004 Ka-sing was helping to reform PHOTO PICTORIAL, from
publication redesign to content restructuring. Issue 462 to 477, from 2004 to 2005
69
Test strip with images of ground glass, lens and other objects (LKS, 1991)
180mm x 130mm, gelatin silver print
Test strip of an assignment photo for “Asian Exposure”, DISCOVERY magazine cover
70
(monograph) Forty Poems (LKS, 1998)
207mm x 259mm, 96 pages, OP fotogallery
With publication grant from Hong Kong Arts Development Council
71
(object) Plastic blue figure with movable joints
180mm x 80mm, an object Ka-sing used in the Forty Poems series
72
Think Poetry, an original 8x10 Polariod (LKS, 1995)
203mm x 268mm, Polaroid
Served as key image for one of the layered photographs in Forty Poems series
73
“Water” (The Elements of Nature) for Cathay Pacific flight menu series
(LKS, circa 90s)
445mm x 280mm
One of the five photographs, from a series of commissioned work Ka-sing created for
Cathay Pacific

74
(object) Dried sea horse
140mm x 70mm, an object Ka-sing used in the photograph “Water” for Cathay Pacific
flight menu series
75
(object) The wedding invitation card of Holly and Ka-sing, with woodcuts by Ka-sing
(1981)
180mm x 152mm
76
Self-portrait of Lee Ka-sing taken at his father’s studio with a LINOHF Technika
(LKS, 1974)
244mm x 219mm, gelatin silver print (Kodak mural paper)
77
Ask For A Brand Plastic Harvest (LKS, 1991)
(on display) editioned print in 8x10, chromogenic print
The original work, a 43x58 inch chromogenic print mounted on wood panel with steel
frame, is in the collection of M+ Museum
78
(object) Circular metal instruction plate, an object Ka-sing used in his Forty Poems
series
222mm in diameter
79
三 魚 集 Three Fish, book cover image and design by Lee Ka-sing (1988)
180mm x 183mm, 三 魚 集 a fictional work by Leung Ping Kwan
Tian Yuan Books, 1988
80
劉 霜 陽 畫 框 內 外 The Interior and Exterior of Picture Frames. Book design, cover and
6 section divider images by Lee Ka-sing (1992)
141mm x 208mm, 260 pages, Tian Yuan Books, 1992
A collection of art criticism by Lau Kin Wai
81
Test strip paper with over-printed images by a copying machine (LKS, circa 90s)
278mm x 128mm, chromogenic print
82
(fiction) 林 海 L.H. (LKS, 2024)
A fictional work written in Chinese. A special edition covering the first 16 fragments,
published for the exhibition THE 50 GLADSTONE, 2024
83
(publication) 50 Hong Kong Contemporary Photographers 1996, CD-ROM
142mm x 120mm
A collection of photography works by 50 Hong Kong photographers, edited by Ka-sing,
Holly and the committee of NuNaHeDuo Organization of Hong Kong Contemporary
Photography
84
(object) The Artist’s Proof, exhibition catalogue (1979)
190mm x 190mm, 20 pages, designed by Li Kam Fai
Holly and Ka-sing are founding members of the GRAPIC ART ASSOCIATION
85
(object) Brush for wood-block printing, used by Holly and Ka-sing in the 70s
230mm x 80mm x 80mm
86
Hello, Hong Kong (LKS, 1988)
453mm x 300mm, magazine tear-sheet
Editorial photo for Mandarin Oriental Hotel Magazine, for the “When Worlds Collide”
article by Lyan Pan and Ian Buruma
87
(object) Red Star, used for the photograph “Hello, Hong Kong”
40mm x 40mm, plastic with metallic paint, in box
88
Hua Xiang Zhuan ( 畫 像 磚 ), carved wood block (LKS, circa 76)
105mm x 50mm x 10 mm, wood, ink
Ka-sing created this in the mid seventies, intended to use as the logo for the publishing
venture in planning
Hua Xiang Zhuan was initially launched in 1975 by Ka-sing and Holly, a set (of 6) art
books were published

89
The Floating City, test strip (LKS, 1997)
190mm x 170mm, gelatin silver print
90
Leaves (LKS, 2021)
405mm x 202mm, archival inkjet print with hand painted acrylic medium on both sides
91
(fiction) 花 • 1996 年 10 月 19 日 回 想 錄 • 香 港 A Floral Transformation (LKS, 2024)
8x10 inches, 92 pages
A fictional work presented as a book for the exhibition “Another Day in Hong Kong”, Asia
Art Archive, 2024
92
So You Think You Are God, image by Lee Ka-sing for the Call for Entry poster for Hong
Kong Designers Association HKDA DESIGN 96 (LKS, 1996)
720mm x 434mm, printed with multi layers of metallic colour, poster designed by
Anothermountainman
93
(object) So You Think You Are God, postcard (LKS, 1996)
148mm x 102mm
94
(publication) DISLOCATION (1992-1999), and beyond (2023)
8x10 inches, 336 pages, hard cover. DOUBLE DOUBLE special issue, Feb/Mar 2023
With a main article by Holly, on the story of DISLOCATION, its background history from
the 80s up to the developments in present days
95
(object) “Mr. Lee 真 挈 紳 士 ” Coaster signed by Araki (circa late 90s)
95mm x 95mm
96
(object) Coaster in lip shape, ROUGE Jazz bar (circa late 90s)
“ 祝 李 家 昇 照 片 冊 ”, signed by Nobuyoshi Araki
97
(poetry collection) 十 人 詩 選 之 李 家 昇 散 冊 潔 本 並 序 (early poems 1971-1996)
(LKS, 2023)
8×10 in (20×25 cm), 60 pages, hardcover
A selection of Ka-sing’s early poems written in Chinese, an edition published in 2023
98
2K 5.0 (On the Crown of a Silver Maple) (LKS, 2023)
8x10 inch, 268 page, DOUBLE DOUBLE special issue June-October 2023
A collaboration work with Kai Chan
99
Two Poems (presented in the format of books) (LKS, 2020, and 2022)
“The Travelogue of a Bitter Melon” (8x10, inches, 36 pages, 9 Polaroids, 2020) / “That
Afternoon” on Mubi, a dialogue: Tsai Ming-Liang and Lee Kang-Sheng” (8x10 inches,
36 pages, 16 photographs, 2022)
100
An interview with a movie director (LKS, 2019)
Small print in two versions, 93mm x 143mm each, archival inkjet print
(Jia Zhangke) originally an editorial image created for BEING HONG KONG
101
(object) 梁 秉 鈞 Leung Ping Kwan’s letter to Lee Ka-sing about a special issue of his
poems in QuiYing ShiKan 秋 螢 詩 刊 (1986)
205mm x 275mm, original
102
(publication) QuiYing ShiKan 秋 螢 詩 刊 , #28, a special issue of Leung Ping Kwan’s
poems (1986)
32 x 6 inches in 8 folds
103
(object) XUESHENG SHOUCE 學 生 手 冊 (Student handbook) (1961)
127mm x 174mm
A piece of document of Ka-sing when he was a primary student in Guangzhou. An object
he photographed as a work for the exhibition “holly & wingo camera works” in 1981

104
(object) NEW IMAGES FROM HONG KONG exhibition promotional postcard (1996)
155mm x 105mm, image created by Lee Ka-sing
Tower Gallery, Yokohama, 1996. Exhibition curated by Kōtarō Iizawa
105
NEW IMAGES FROM HONG KONG exhibition promotional image, test print (LKS, 1996)
3 pieces of test prints, electrostatic print, 420mm x 297mm each
106
Lee Ka-sing name card (circa 90s)
176mm x 43mm, both sides, folded
image: detail of an image originally for Lau Kin Wai’s book cover
107
Building a University Through the Lens of Lee Ka-sing, test strip with building in
purple colour (LKS, 1991)
100mm x 305mm, photogram on Cibachrome paper
Project commissioned by The Hong Kong University of Science and Technology
108
Photography for Watsons Personal Store company brochure, test strip with lemon and
lime slices (circa 90s)
100mm x 250mm, photogram on Cibachrome paper
109
Cantonese Rod Puppets, a hand-bound portfolio with 16 photographs (LKS 1976)
260mm x 375mm, 20 pages, 16 toned gelatin silver prints in size 123mm x 200mm and
158mm x 177mm
Mak Siu-Tong 麥 兆 棠 Cantonese Rod Puppet master and his group
110
wingo lee, a photoessay, original card for an photo exhibition (LKS, 1976)
93mm x 223mm, hand-made gelatin silver print
Lee Ka-sing’s first mounted photography exhibition, an exhibition on Cantonese rod
puppets, 8x10 photographs. Art Promotion gallery, 13-26 Novermber 1976
111
(object) A collection of books ( 文 化 視 野 叢 書 ) published by Youth Literary Book Store
(1996-1999)
Format: 140mm x 215mm, each volume in different page counts
Lee Ka-sing created the visual branding of this series, and designed all the book covers.
Over twenty volumes were published
112
An album of Postcards for Holly and Ka-sing from friends and artists (2010 to 2024)
Album size: 120mm x 158mm x 33mm, postcards in various sizes
113
An album of Postcards produced and published by Ka-sing and Holly (1980s to 1990s)
Postcard size: 157mm x 104mm, album size: 118mm x 158mm x 35mm
114
Eight original prints, collaboration with Tsang Tsou Choi 曾 灶 財 (LKS, 1995)
200mm x 255mm, electrostatic print
A series of work, in pair with a local artist (Tsang Tsou Choi) created for the exhibition
CULTURAL CHOP SHUI, curated by Lau Kin Wai
115
CULTURAL CHOP SHUI exhibition catalogue (1995)
253mm x 253mm, 24 pages, exhibition catalogue designed by Lee Ka-sing
Curated by Lau Kin Wai, CULTURAL CHOP SHUI was an exhibition with works by three
contemporary artists: Christopher Doyle, Lee Ka-sing and Ellen Pau. Each artist’s work
was in reaction to a local artist of his choice. Fringe Gallery, 1995
116
Facsimile copies of Lee Ka-sing’s DISLOCATION M column at MILK magazine
(LKS, 2004-2005)
305mm x 203mm, chromogenic print
Lee Ka-sing wrote a column for MILK magazine, based on the materials from
DISLOCATION. From 2004 to 2005, 39 pieces were written

117
A suite of 20 pieces of original 8x10 photograph, used for a special feature at UNITAS
聯 合 文 學 (LKS 1993)
A special feature at UNITAS, co-authored with Ping-kwan, about the 1992 Eastern Europe
journey with Ping Kwan and Holly. UNITAS issue 103, May 1993
118
(photo album) A HONG KONG PORTFOLIO, exhibition organized for Asia Society at
Hong Kong Convention & Exhibition Centre (1997)
Organized by Ka-sing and Holly, an one-day exhibition event on May 15, 1997. Works
by 16 photographers: Chan Wai Man, Karl Chiu, Victor Chiu, Chung Man Lurk, Alfred
Ko, Lau Ching Ping, Holly Lee, Lee Ka-sing, Patrick Lee, Leung Chi Wo, Soman Lo, Mak
Fung, Bobby Sham, So Hing Keung, Ringo Tang and Yau Leung
119
(object) A HONG KONG PORTFOLIO, box set with photo book and event programme
booklet for Asia Society Hong Kong Center 7th Annual Dinner (1997)
145mm x 198mm x 15mm, for an one-day exhibition and event at Hong Kong Convention
& Exhibition Centre on May 15, 1997
120
(publication) ON HONG KONG, Dislocation special issue, volume 8 (1997)
Featuring 18 photographers on Hong Kong, edited by Ka-sing, Holly and the committee
NuNaHeDuo Organization of Hong Kong Contemporary Photography
121
(object) Poésie #88, Chinese Poetry special issue (2001)
Ka-sing created images for cover and inside pages of this special issue featuring four
poets: Zhang Wei, Yu Jian, Leung Ping-kwan, Song Lin
122
(object) Manuscript in notebooks, of Ka-sing’s writing in the eighties (circa 80s)
Writings on photography, for columns at Photo Pictorial, Photo Art, Sing Tao Weekly
123
Walter Ma fashion catalogue (HL, 1989)
260mm x 375 mm, 14 pages
Photography assignment, Holly Lee
THE 50 GLADSTONE: 123
124
(object) At FCC, Kotaro Iizawa ( 飯 沢 耕 太 郎 ) made a sketch of Lee Ka-sing on the back
side of 4 VIEWS exhibition card (1996)
180mm x 125mm, 4 VIEWS was an exhibition at Fringe Gallery, with photography by So
Hing Keung, Patrick
Lee, Yau Leung and Stephen Cheung, curated by Lee Ka-sing
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(object) Araki and other Japanese friends signed on a wine bar (Le Meridien Pacific)
notecard for Ka-sing and Holly (1997)
260mm x 185mm
A gathering on the day after the judging of NEW COSMOS OF PHOTOGRAPHY in Tokyo
126
Diptych, Rose and flower pot with ice (LKS, 2013)
Mixed media: archival inkjet print, spruce wood, acrylic medium
254mm x 125mm x38mm
127
(monograph) Language of Fruits and Vegetables (LKS, 2004)
5.5 x 5.5 inches, 288 pages, with a poem by Leung Ping Kwan, published by Ocean
Pounds. Hong Kong Heritage Museum
128
(object) Two pieces of unfinished print-making woodblocks (LKS, circa 70s)
550mm x 455mm each, pine wood
129
(publication) DOUBLE DOUBLE, a test version (2006)
455mm x 305mm, diptych in two individual sheets, chromogenic print
Ka-sing’s image vs. Leung Ping Kwan’s poem “50 Gladstone Avenue” (with English
translation by Luo Hui)
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A suite of 16 picture-haiku LKS made in the year 2013 (LKS, 2016)
Mixed media: archival inkjet print, spruce wood, acrylic medium
A composition of 16 individual pieces in one vertical wood frame, 56.5x9.5x2.5 in

131
After climbing intensively for three days (LKS, 2010)
17”x22”, archival inkjet print
(on display) Selection of one piece from the series
(Z FICTION series) Approximately 70 pieces were made, 2009- 2013
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Selection from De ci de là des choses series (LKS, 2004)
17”x22”, archival inkjet print
(Z FICTION series) 20 works were made in De ci de là des choses series, for a
collaborative exhibition with Ping Kwan in Paris
133
(object) Some of the archive boxes for bw Negatives / Polaroids / Transparencies
(1976-2000)
134
(publication) OP Print Program catalogue (circa 2000)
140mm x 214mm, 32 pages
135
(publication) OP NEWS (1997-1998)
8.5 x 11 inches, 8 pages each issue, 6 issues were published
136
Mom Says, “Come home for dinner tonight” (LKS, 1996)
30x40 inch, inkjet on canvas, mounted on wood panel
(FOODSCAPE series) 10 works in a series, for exhibition in Vancouver chapter, 1997
137
CITY AT THE END OF TIME at ASIAN VIEW, Tokyo Metropolitan Museum of
Photography (1996)
Exhibition promotional pamphlet, 298mm x 210mm
CITY AT THE END OF TIME (1992) by Lee Ka-sing, the work was acquired by the
museum after exhibition
138
(collection) OP edition INSTITUTION COLLECTION
Approximately 200 original 8x10 photographs in two archival boxes
OP edition INSTITUTION COLLECTION, five sets were organized
139
Istanbul Journal (LKS, 2019)
178 diptych photographs, 329mm x 159mm each
140
Hong Kong. Two Visits, 2016, 2017 (LKS, 2018)
A hand-made book, with 119 diptych photographs. 216mm x 559mm, 125 pages,
archival inkjet print, unique
141
A Trilogy (LKS, 2020-2023)
Ka-sing’s dedication to a city, a suite of three pieces of original work presented in book
form - CODA 終 章 (2020, 227 photographs, 480 pages), Diary of a Sunflower, Book Two
(2022, 176 photographs, 372 pages), fly-in-love 飛 天 情 書 (2023, 193 photographs, 428
pages). The first and the third pieces were created for invitational group exhibitions held
in Hong Kong
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Songs from the Acid-free Paper Box (LKS, 2022)
An installation on-paper. An original work presented in the format of a book, 60
photographs.
(on display) Trade edition (300mm x 300mm, 106 pages), Facsimile edition (200mm x
250mm, 128 pages). Museum edition of this work (not on display) 300mm x 300mm,
106 pages, printed with 7-colour digital offset, and in 5 editions
143
Journey (LKS, 1993)
1220mm x1780mm, chromogenic print, in frame, printed in 1993
A vintage photograph from the exhibition THIRTY-ONE PHOTOGRAPHS, Hong Kong Arts
Center, 1993
144
(publication) DOUBLE DOUBLE paperback editions (2022 January to current)
8x10 inches, page counts for each issue varied from 150 pages to 200 pages or more.
Since January 2022, DOUBLE DOUBLE has become a monthly publication, released in
both paperback (POD) and ebook versions.

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(poetry collection) Nine Years (HL, 2020)
A selection of Holly Lee’s poetry work between 2010 to 2018. The book consists of
158 pages, 57 poems, mostly written in English, except a few in Chinese, or in hybrid
languages, including emoji.
146
(poetry collection) The Air is like a Butterfly (HL, 2021)
108 pages, The Air is like a Butterfly is Holly Lee’s second book of poetry, a compilation
of 49 poems written between 2018 to 2020
147
(publication) Istanbul Postcards (2019)
8x10 inches, 60 pages, DOUBLE DOUBLE Winter 2, 2019 special issue ISTANBUL
POSTCARDS, a fiction by Holly Lee in 18 postcards
148
(publication) The Portrait series (LKS, 2019 to 2023)
Home visiting photographs as a portrait. Three volumes of photographs in book format:
Swan House (published 2019, home of Malgorzata and Gary Michael Dault at Napanee,
156 photographs, 348 pages); An afternoon at Greenwood (published 2022, home of
Kai Chan and Glenn Beech, 38 photographs, 56 pages); Re-visit: Tomio Nitto (published
2023, 20 diptych photographs, 56 pages)
149
(publication) A number of monographs of photography work by Lee Ka-sing
(2021-2022)
Eighty Two Photographs (published 2021, 180 pages); Time Machine (published 2021,
80 photographs from TIME MACHINE series, paired with haiku by Gary Michael Dault,
180 pages); The galloping jelly pink horse with pea green spots (published 2022,
DOUBLE DOUBLE special issue, of Ka-sing’s Z FICTION series, 40 photographs with
English texts, 34 photographs with Chinese texts, 180 pages)
150
(publication) Small Paintings and Notebooks of Gary Michael Dault (2022)
On display, three books Ka-sing designed and published for Gary Michael Dault.
Facsimile edition of his notebooks and small paintings on the occasion of Gary’s
exhibition at the gallery. The Book of the Poem (Facsimile edition, 60 pages): A Book of
Vessels (Facsimile edition, 164 pages); THE NEARBY FARAWAY: Small Paintings on
Cardboard (97 paintings, 216 pages)
151
(publication) Books designed and published for various artists (2011-2013)
Ten books on display, which Ka-sing and Holly published for various artists on occasion
of exhibitions at the gallery. Artists: include: Tomio Nitto, Kai Chan, Fiona Smyth, Shelley
Savor, Libby Hague, Malgorzata Wolak Dault, Bill Grigsby and others
152
(object) DOUBLE DOUBLE: Box-in-a-Valise, signage and introduction in picture frame
(2020)
425mm x 525mm
DOUBLE DOUBLE: Box-in-a-Valise, an exhibition featuring the ARCHIVE of Ka-sing and
Holly held from May to September 2020. The show was not able to open to the public
due to the Covid pandemic. It becomes the blueprint this current exhibition: THE 50
GLADSTONE
153
(publication) DOUBLE DOUBLE: Box-in-a-Valise (on-site), (2020)
220mm x 280mm, 64 pages
Published on the occasion of exhibition DOUBLE DOUBLE: Box-in-a-Valise
154
(publication) DOUBLE DOUBLE: Box-in-a-Valise (a close-cropped), (2020)
220mm x 280mm, 40 pages
Published on the occasion of exhibition DOUBLE DOUBLE: Box-in-a-Valise
155
(object) Tomio Nitto Camerashop signage (2012)
56x18 inch, hand-written by Tomio when he had a small section in the gallery
showcasing his drawings of cameras owned by Ka-sing, Holly, and other artists
156
(publication) TERRAIN, collaborative project with Gary Michael Dault (2022 to present)
On display, six volumes of books - TERRAIN, One to TERRAIN, Six (116 pages,
hardcover, each volume includes 50 photographs by Ka-sing, and 50 responding
haiku from Gary). The project began in 2022, the final goal will be at 20 volumes of
photographs with a thousand pieces of responding haiku

157
(object) HKIPP Biennial Photography Awards Trophy, with original sculpture by
Antonio Mak Hin-yeung (1993 and 1995)
On display, five award trophies for photography: Lee Ka-sing- Best Advertising
Photography (1993), Best Editorial Photography (1993); Holly Lee- Best Digital Imaging
(1995), Grand Award, for The Most Distinguished Photography in HKIPP Awards 1995;
Best Use of Photography Award (1995) for applying test-strip images from Ka-sing and
Holly studio for the Masthead Design of the DISLOCATION publications
143
158
(object) ARTIST OF THE YEAR AWARDS Trophy for Lee Ka-sing, Photographer of the
Year Award 1989
ARTIST OF THE YEAR AWARDS presented by Hong Kong Artists’ Guild
159
Photography for Watsons Personal Store company brochure, test strip (circa 90s)
95mm x 340mm, photogram on Cibachrome paper
160
(object) Red White Blue banner work for INDEXG by Anothermountainman (2006)
Approximately 168x18 inch, plastic
Anothermountainman designed and contributed these exterior banners to Ka-sing and
Holly during the inauguration of their galleries at 50 Gladstone Avenue in 2006. Four
pieces were made, two of them have been used over the years.
8

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161
163
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(object) Calligraphy of Lu Xun 魯 迅 - “ 橫 眉 冷 對 千 夫 指 俯 首 甘 為 孺 子 牛 ”, two
lines from his poem
In pair, 270mm x 770mm each, replica printed in the 70s
161
TIME MACHINE series, on paper version (LKS, 2021)
208mm x 208mm, archival inkjet print with hand painted acrylic medium on both sides.
A test print for the on paper version
163
colour / yanse (LKS, 2016)
Mixed media: archival inkjet print, spruce wood, acrylic medium
A composition of 17 individual pieces in one vertical wood case 69x8x3 inch
Yanse 顏 色 in Chinese means colour, 顏 also means face, and 色 by itself refers to colour

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166
167
164
(collection) Photograph by Elaine Ling
24x30 inch, gelatin silver print, frame size 31x36 inch
165
(collection) Mixed media painting by Henrik Drescher
262mm x 360mm
166
(collection) Mixed media painting by Gary Michael Dault
218mm x 158mm
167
Triptych photograph with hand painted medium on both sides (LKS, 2021)
420mm x 144mm

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168
172
174
169
173
170
168
(collection) A pair of photo work by Leung Chi Wo
Collage gelatin silver prints, each work encased in 31x35 inch frame
169
(collection) Two Women, photograph by Yau Leung
16x20 inch, gelatin silver print, frame size 25x29 inch
170
(collection) Photograph from Eroto series by Nobuyoshi Araki
20x24 inch, gelatin silver print, frame size 29x33 inch
171
A flock of gold-shedding birds flew past the woods (HL, 2010)
555mm x 200mm, archival inkjet print framed in glass stand
Shan Hai Jing series
172
(collection) New York, New York, 1979. Photograph by Tseng Kwong Chi
16x20 inch, frame size 25x29 inch
Series “East Meets West,” 1979–89
173
(collection) Photograph by Diana Thorneycroft
8x10 inch, chromogenic print, frame size 15x19 inch
Doll Mouth series
174
(collection) Photographs in boxes, various artists
Archival boxes, size 390mm x 315mm x 60mm
Works by Christopher Doyle, Tomio Nitto, Kwok Man Ho, and Hideo Suzuki etc.

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175
176
177
175
(collection) Mixed media work by Shelley Savor
150mm x 110mm
176
A love poem for Holly, after her new work - CLAW SCRIPT (LKS, 2013)
Mixed media: archival inkjet print, pine wood, acrylic medium
115mm x 86mm x 36mm
177
(object) Large LCD display panel with wooden frame constructed by Ka-sing, for an
installation of his work “I would have written a long poem” in 2017
46x27.5x2.75 inch
178
(collection) OP EDITION photographs in boxes, various photographers
Photographs in 8x10 inch

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183
182
180
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MOVIOLA (LKS, 2015)
Mixed media: archival inkjet print, pine wood, acrylic medium
47x46.5 inch, composition of 234 pieces of photo squares (2.5”x2.5”x1.5” each)
180
(collection) Mixed media work by Kai Chan
570mm x 100mm
181
An installation of small mixed media works (LKS, 2022)
Mixed media: archival inkjet print, pine, oak, acrylic medium, various size
182
(collection) Painting by Kwok Man Ho (Frog King)
63x15 inch, ink on paper
183
89 • The Golden Lotus • Footsteps of June (HL, 1989)
(Peter Suart) 18x36 inch, frame size 36x49 inch, chromogenic print
This photograph was printed for the exhibition CONTEMPORARY PHOTOGRAPHY
MAINLAND CHINA, HONG KONG AND TAIWAN, 1994

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186
185
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(collection) Self portrait of Rembrandt, a later print from the original lithograph plate
of Rembrandt studio
230mm x 280mm, on paper, frame size 470mm x 380mm
186
(collection) Photograph by Gary Michael Dault
chromogenic print, frame size 155mm x 200mm
185
(collection) Photograph by Shozo Ushiroguchi
gelatin silver print, frame size 670mm x 670mm

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187
190
191
189
192
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(collection) Photograph by Balint Zsako
in frame, 41 x 31 inches, chromogenic print
188
(collection) Photograph by Diana Thorneycroft
650mm x 650mm, chromogenic print, frame szie 1030mm x 770mm
189
(collection) Painting by Rupen Kunugus
290mm x 290mm
190
(collection) Photographs by Patrick Lee
Various sizes, archival inkjet prints, framed
191
(collection) Mixed media object by Kwok Man Ho (Frog King)
80mm x 110mm
192
(collection) Painting by Shelley Savor
610mm x 510mm

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196
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193
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(collection) Photograph by David Donald
Chromogenic print in frame 330 x 330mm
196
On Sunday afternoon, June 10th, at the Sony Centre for the Performing Arts, I
encountered the Spiral Object with Wings during Philip Glass’ ‘Einstein on the Beach’
performance (LKS, 2012)
Mixed media: archival inkjet print, pine wood, acrylic medium
1250mm x 86mm x 36mm
193
(collection) Mixed media object by Kai Chan
230mm x 130mm
197
(collection) Blacksmith from Prague, wooden puppet purchased in 1992
470mm x 130mm x 95mm
194
On Photography (LKS, 2012)
Mixed media: archival inkjet print, pine wood, acrylic medium
1250mm x 86mm x 36mm

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200
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198
(collection) Crane, Kite purchased in Tianjin 1986
36 x 20 inch
199
(collection) Shadow puppet purchased in Beijing 1981
12x12 inch
200
We knew each other since tender age (HL, 1996)
16x20 inch, gelatin silver print
Duo series (1991-2015)