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Cultural tourism making it work for you - Association of Irish Festival ...

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The Supply-Side <strong>of</strong> <strong>Cultural</strong> Tourism in Ireland<br />

Key Findings<br />

The supply-side <strong>of</strong> <strong>Cultural</strong> Tourism in Ireland is diverse and complex. Members <strong>of</strong> this ‘ecosystem’ range from commercial<br />

marketing groups to small, short-lived providers <strong>of</strong> per<strong>for</strong>ming arts, from not-<strong>for</strong>-pr<strong>of</strong><strong>it</strong> inst<strong>it</strong>utions (e.g. National <strong>Cultural</strong><br />

Inst<strong>it</strong>utions) to large commercial or semi-commercial inst<strong>it</strong>utions (e.g. Guinness Storehouse, St. Patrick’s <strong>Festival</strong>, Bunratty),<br />

from inst<strong>it</strong>utions involved w<strong>it</strong>h tangible facil<strong>it</strong>ies (e.g. museums, theatres) to others involved in the organisation and<br />

delivery <strong>of</strong> festivals and events (e.g. Cork Jazz, Water<strong>for</strong>d Opera, etc.).<br />

The system also includes some stakeholders whose primary interest lies outside <strong>tourism</strong> – <strong>for</strong> example in the Arts or the<br />

Environment – and others <strong>for</strong> whom <strong>tourism</strong> development is the sole purpose – <strong>for</strong> example <strong>tourism</strong> agencies (Dublin<br />

Tourism, Fáilte Ireland). This divers<strong>it</strong>y is important to acknowledge as <strong>it</strong> results in vastly different att<strong>it</strong>udes towards, interest<br />

in, and objectives <strong>for</strong> <strong>tourism</strong> that pervade across the spectrum <strong>of</strong> inst<strong>it</strong>utions involved.<br />

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A New Strategy <strong>for</strong> <strong>Cultural</strong> Tourism in Ireland<br />

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