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Cultural tourism making it work for you - Association of Irish Festival ...

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Summary<br />

It is clear that <strong>Cultural</strong> Tourism represents a major area <strong>of</strong> opportun<strong>it</strong>y <strong>for</strong> Ireland, however in many respects the focus and<br />

investment in creating compelling destination marketing themes has caused this to jump ahead <strong>of</strong> the quant<strong>it</strong>y, qual<strong>it</strong>y,<br />

presentation and marketing <strong>of</strong> the underlying <strong>Cultural</strong> Tourism product. The need to make this system more balanced<br />

frames the key strategic challenge to be overcome to deliver on the potential <strong>of</strong> the sector.<br />

Broadly speaking, the ‘building blocks’ <strong>for</strong> success are there. Ireland has a lot to <strong>of</strong>fer <strong>Cultural</strong> tourists – including a range<br />

and divers<strong>it</strong>y <strong>of</strong> locations, s<strong>it</strong>es and experiences that is considerably in excess <strong>of</strong> what vis<strong>it</strong>ors might expect. Those vis<strong>it</strong>ors<br />

who do come and experience what is on <strong>of</strong>fer tend to leave satisfied.<br />

In add<strong>it</strong>ion, tourists in major markets are well-disposed to vis<strong>it</strong>ing Ireland, viewing culture in <strong>it</strong>s broadest sense as being a<br />

major element <strong>of</strong> ‘what Ireland is about’. International trends towards ‘s<strong>of</strong>ter culture’ and more authentic ‘experience-based<br />

<strong>tourism</strong>’ play to our strengths in this regard.<br />

However, cap<strong>it</strong>alising on the <strong>Cultural</strong> Tourism opportun<strong>it</strong>y will require doing things differently to address the weaknesses in<br />

our current model.<br />

n Product development – moving from a concentration <strong>of</strong> focus w<strong>it</strong>hin silos (e.g. Built her<strong>it</strong>age, Natural Her<strong>it</strong>age,<br />

Per<strong>for</strong>ming Arts, etc.) to across silos, and from ‘observation-based’ (‘look but don’t touch’) vis<strong>it</strong>or experiences to<br />

something more embracing and participatory.<br />

n Product Marketing – moving from where the presentation <strong>of</strong> important aspects <strong>of</strong> our <strong>Cultural</strong> Tourism <strong>of</strong>fer <strong>of</strong>ten<br />

resembles ‘a supermarket w<strong>it</strong>h the products arranged in alphabetical order’ to something that is more compelling,<br />

distinctive, joined-up and consumer needs-focused.<br />

0 A New Strategy <strong>for</strong> <strong>Cultural</strong> Tourism in Ireland

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