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27<br />
Kosovo) complete with court and palaces (cf. Ivanovic 1987, 453). At Gornja Nerodimlja<br />
near Urońevac there was a fourteenth-century monastery of St Michael; it was in its<br />
churchyard that King Milutin died in 1321 (Ivanovic 1987, 423-424). Another St<br />
Michael‟s monastery was in the village of Binaĉ south of Vitina; assumptions that it was<br />
erected in place of a Byzantine bishopric from the time of the Emperor Basil II have not<br />
been supported by archaeological evidence (Ivanovic 1987, 399). Remains of ruined<br />
churches dedicated in honour of Michael are also sited in the villages of Lokvice (near<br />
Prizren, fourteenth century), Ljevońa near Peć (Ivanovic 1987, 473, 476), and Muńutińte<br />
near Suva Reka.<br />
King Milutin‟s grandson, Emperor Duńan, built a monumental establishment in<br />
honour of the Holy Archangels near Prizren, announcing his intention in the charter he<br />
issued to the Monastery of St Peter of Korińa in 1343. A document from the Venetian<br />
Archives dating from 1340 informs us that King Duńan took gravely ill that year. As his<br />
physicians were unable to help, Duńan vowed to build a church of the Archangels in<br />
Jerusalem should he recover. He later changed his mind, promising his sepulchral church<br />
to them while making generous donations to the Jerusalem monastery. The edition of the<br />
Charter is J. Ńafarik: „Хрисовуља цара Стефана Душана којом основа манастир<br />
Светих Арханђела Михаила и Гаврила у Призрену г. 1348‟, Гласник ДСС XV<br />
(1862). its translation by D. Bogdanović in Задужбине Косова, 345-6. This gesture of<br />
Duńan‟s lays emphasis on Michael‟s healing powers, as may be seen clearly from the<br />
surviving part of the preamble to the Charter to the Holy Archangels, where we read the<br />
words of gratitude for the miraculous healing: „What could I give you, O my Lord and<br />
lover of mankind, for all that you gave me? for you raised me up when I fell and revived<br />
me when I died?” Speaking about the dedication of this imperial foundation, it may be<br />
interesting to draw attention to a paper that at first sight belongs to the domain of art<br />
history, dealing with the sculptural decoration of the main church. Proceeding from the<br />
surviving fragments, the author attempts a reconstruction of the contents of the lunette<br />
above the portal between the narthex and the nave. From her reconstruction it follows<br />
that, rather than offering a model of the church to the patron (as was usual for ktetors‟<br />
compositions), the sovereign, on bended knees, is stretching out his empty hands, which<br />
may be interpreted as an offering of faith and hope – instead of giving, the ktetor feels the<br />
need to be given. „In that sense, the empty hands embody a particular form of illuminated<br />
piety – it is a void tending to be filled with God‟s grace.‟ For more details on the subject,<br />
with earlier bibliography, see Danica Popovic 1994, p. 34.<br />
A little digression will be made here in order to emphasise the necessity to examine<br />
the influence of liturgical literature on preambles to charters. This unquestionable but as<br />
yet unexamined relationship may be illustrated by this example – the preamble to<br />
Duńan‟s charter contains the following description of an archangel: „Bright is your fiery<br />
face, and miraculous (your) kindness.‟ The second stihira at Vespers of the Service of<br />
September 6 („On the Lord I call‟) (Bratkov minej) reads literally: „Your face is fiery and<br />
your kindness beautiful, O Michael, leader of angels.‟ Doubtless the quotation from the<br />
preamble is a paraphrase of the Service of the Archangel. In this particular case all the<br />
four services paying homage to the archangels ought to be taken into consideration.<br />
Another interesting detail should not be overlooked either – both in the September and<br />
November services there figures another archangel, Gabriel. His perceived role in the life<br />
of man is equally important, announcing the forthcoming birth of the Saviour. Also, a