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Spring 2013 Catalog - Duke University Press

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8<br />

Annamarie Jagose is<br />

Professor and Head of the<br />

School of Letters, Art, and<br />

Media at the <strong>University</strong> of<br />

Sydney. She is the author<br />

of Inconsequence: Lesbian<br />

Representation and the Logic<br />

of Sexual Sequence, Queer<br />

Theory: An Introduction, and Lesbian Utopics, and a<br />

coeditor of The Routledge Queer Studies Reader. Jagose<br />

is a former editor of GLQ: A Journal of Lesbian and Gay<br />

Studies, also published by <strong>Duke</strong> <strong>University</strong> <strong>Press</strong>.<br />

“Orgasmology disrupts queer doxa through a renewed<br />

emphasis on the materiality of sexual practice. Neither<br />

gay nor straight, queer nor normative, male nor female,<br />

orgasm shows up everywhere; its lability allows<br />

Annamarie Jagose to roam freely across a wide range of<br />

critical discourses, scenes, and textual objects. Sentence<br />

by sentence, this book is extremely rewarding—funny,<br />

finely observed, and smart in all the right places.”<br />

—HEATHER LOVE, author of Feeling Backward: Loss<br />

and the Politics of Queer History<br />

“Just when they told you queer theory was dead, along<br />

comes a book that shows, yet again, what all the excitement<br />

was—and still is—about. Annamarie Jagose’s<br />

patient, systematic demonstration that orgasm is the<br />

deconstruction of sex may seem at first to be pretty<br />

standard stuff, but the picture it discloses of the rise<br />

of twentieth-century sexuality, and of heterosexuality in<br />

particular, is so lucid and so surprising that you wonder<br />

why we never could see it in such eloquent detail before.<br />

You finish this book feeling ten times smarter than<br />

when you started it.”—DAVID M. HALPERIN, author<br />

of How To Be Gay<br />

general interest<br />

Orgasmology<br />

annamarie jagose<br />

For all its vaunted attention to sexuality,<br />

queer theory has had relatively<br />

little to say about sex, the material and<br />

psychic practices through which erotic<br />

gratification is sought. In Orgasmology,<br />

Annamarie Jagose takes orgasm as her<br />

queer scholarly object. From simultaneous<br />

to fake orgasms, from medical<br />

imaging to pornographic visualization,<br />

from impersonal sexual publics<br />

to domestic erotic intimacies, Jagose<br />

traces the career of orgasm across<br />

the twentieth century.<br />

Along the way, she examines<br />

marriage manuals of the 1920s and<br />

1930s, designed to teach heterosexual<br />

couples how to achieve simultaneous<br />

orgasms; provides a queer reading of behavioral modification practices of the<br />

1960s and 1970s aimed at transforming gay men into heterosexuals; and demonstrates<br />

how representations of orgasm have shaped ideas about sexuality and<br />

sexual identity.<br />

A confident and often counterintuitive engagement with feminist and queer traditions<br />

of critical thought, Orgasmology affords fresh perspectives on not just sex,<br />

sexual orientation, and histories of sexuality, but also agency, ethics, intimacy,<br />

modernity, selfhood, and sociality. As modern subjects, we presume we already<br />

know everything there is to know about orgasm. This elegantly argued book<br />

suggests that orgasm still has plenty to teach us.<br />

NEXT WAVE: NEW DIRECTIONS IN WOMEN’S STUDIES<br />

A Series Edited by Inderpal Grewal, Caren Kaplan, and Robyn Wiegman<br />

GAY & LESBIAN STUDIES/FEMINIST THEORY/SEX<br />

January 280 pages, 10 illustrations paper, 978–0–8223–5391–1, $23.95/£15.99 cloth, 978–0–8223–5377–5, $84.95/£64.00

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