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Spring 2013 Catalog - Duke University Press

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38<br />

Collectivism in 20th-Century Japanese Art<br />

reiko tomii & midori yoshimoto,<br />

special issue editors<br />

a special issue of POSITIONS<br />

Nonagase Banka, Fools on Parade (Obaka no michiyuki),<br />

1916. Wakayama Prefectural Museum of Modern Art.<br />

This special issue<br />

explores the significance<br />

of collectivism in modern<br />

and contemporary<br />

Japanese art. Japanese<br />

artists banded together<br />

throughout the twenti-<br />

eth century to work in<br />

collectives, reflecting<br />

and influencing each<br />

evolution of their culture.<br />

Illuminating the interplay<br />

between individual and community throughout Japan’s tumultuous cen-<br />

tury, the contributors to this issue examine both the practical internal<br />

operations of the collectives and the art that they produced.<br />

One contributor studies the art societies of prewar imperial Japan,<br />

whose juried art salons defined a new nihonga (Japanese-style) paint-<br />

ing tradition. While recent scholarly work on art produced during World<br />

War II has tended to neglect the collectivist tradition, this issue covers<br />

wartime groups like the Art Unit for Promoting the Munitions Industry<br />

and the important questions they pose about the relationship between<br />

artists and the state. Art collectives in post-occupation Japan gained<br />

prominence working in the experimental vanguard of the global art<br />

scene in painting, sculpture, design, and intermedia projects. Adding<br />

a crucial dimension to the study of Japanese art and modernism,<br />

this issue explores how these groups attempted to accommodate the<br />

creative paradox of individualism within collectivism.<br />

Contributors<br />

Maki Kaneko, Kuroda Raiji, John Szostak, Miwako Tezuka, Ming Tiampo, Reiko Tomii,<br />

Alicia Volk, Midori Yoshimoto<br />

Reiko Tomii is an independent art historian and curator in New York.<br />

She is coauthor of Xu Bing. Midori Yoshimoto is Associate Professor<br />

of Art History and curator of two galleries at New Jersey City <strong>University</strong>.<br />

She is the author of Into Performance: Japanese Women Artists in New York.<br />

ART/ASIAN STUDIES<br />

May 233 pages, 59 illustrations Vol. 21, No. 2<br />

paper, 978–0–8223–6789–5, $14.00/£9.99<br />

asian studies political theory/political science<br />

Worldly Ethics<br />

Democratic Politics and Care for the World<br />

ella myers<br />

“Ella Myers’s contribution—to compare self-caring ethics to other-caring<br />

ethics to world-caring ethics—is original, simple, and brilliant. Worldly<br />

Ethics makes its most important contribution in conceptualizing politics<br />

and ethics differently. There is no single book that deals with this topic<br />

in this way. Using caring—for the self, for others, for the world and worldly<br />

things—is unique and powerful. I think that this book is very important<br />

and—I rarely use this word—wise.”—JOAN C. TRONTO, author of Moral<br />

Boundaries: A Political Argument for an Ethic of Care<br />

What is the spirit that animates<br />

collective action? What is the ethos<br />

of democracy? Worldly Ethics offers<br />

a powerful and original response to<br />

these questions, arguing that associative<br />

democratic politics, in which<br />

citizens join together and struggle<br />

to shape shared conditions, requires<br />

a world-centered ethos. This distinctive<br />

ethos, Ella Myers shows, involves<br />

care for “worldly things,” which are<br />

the common and contentious objects<br />

of concern around which democratic<br />

actors mobilize. In articulating the<br />

meaning of worldly ethics, she reveals the limits of previous modes<br />

of ethics, including Michel Foucault’s therapeutic model, based on<br />

a “care of the self,” and Emmanuel Levinas’s charitable model, based<br />

on care for the Other. Myers contends that these approaches occlude<br />

the worldly character of political life and are therefore unlikely to inspire<br />

and support collective democratic activity. The alternative ethics she<br />

proposes is informed by Hannah Arendt’s notion of amor mundi, or love<br />

of the world, and it focuses on the ways democratic actors align around<br />

issues, goals, or things in the world, practicing collaborative care for<br />

them. Myers sees worldly ethics as a resource that can inspire and<br />

motivate ordinary citizens to participate in democratic politics, and the<br />

book highlights civic organizations that already embody its principles.<br />

Ella Myers is Assistant Professor of Political Science and Gender Studies<br />

at the <strong>University</strong> of Utah.<br />

POLITICAL THEORY<br />

February 232 pages<br />

paper, 978–0–8223–5399–7, $23.95/£15.99<br />

cloth, 978–0–8223–5385–0, $84.95/£64.00

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