STUDIO education resource - Museums & Galleries NSW
STUDIO education resource - Museums & Galleries NSW
STUDIO education resource - Museums & Galleries NSW
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JOHN WOLSELEY<br />
JOHN WOLSELEY<br />
MELBOURNE, VIC<br />
John Wolseley’s studio is a large room in his apartment in St. Kilda,<br />
Melbourne. His preferred studio, however, is just about anywhere in the<br />
Australian bush. Wolseley spends as much time as he can out of the city<br />
- painting in an old train carriage, sketching in a tent or by the banks of a<br />
creek.<br />
Ian Lloyd’s photograph of Wolseley shows him drawing with the naturally<br />
formed charcoal found in a burnt piece of wood. Drawing is central to<br />
his way of working and Wolseley combines detailed natural history style<br />
drawing with expressive mark making where he sometimes uses elements<br />
direct from the landscape to draw with.<br />
The large roll of paper shown in the studio photograph has been covered<br />
in drawings made directly by the environment and as such it bears witness<br />
to the forces of nature. In his own words Wolseley says, ‘in this studio in<br />
St. Kilda, I’ve noticed that things have a more static quality. Whereas, if I’m<br />
outside, under my tarpaulin, I feel the great forces and flux of nature moving<br />
through me.’<br />
Born in 1938, Wolseley is fascinated by geology, science and natural<br />
history. These interests can be seen in A history of parrots, drifting maps<br />
and warming seas 2005 and are expressed in the following statement; ‘I<br />
feel a fundamental connection with nature. What I’m invariably doing in my<br />
work is relating the grasshopper’s leg, or the growth rings on a plant, to the<br />
bigger, more abstract geological systems of the earth.’<br />
Explore the artist’s works:<br />
www.johnwolseley.net/<br />
Survey John Wolseley’s work using Google image search:<br />
Devise a short poem<br />
about the artist John Wolseley<br />
in his studio.<br />
What things seem common<br />
among the painters in the<br />
exhibition? What can you see<br />
that are found in at least five<br />
other studio photographs?<br />
Why do you think<br />
lan Lloyd did not photograph<br />
Wolseley in the natural<br />
environment when he so<br />
often works there? Are there<br />
any other artists who work<br />
outdoors? List and compare<br />
each artist’s practice with<br />
Wolseley’s.<br />
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http://www.google.com.au/images?um=1&hl=en&safe=off&biw=1152&bih=534&tbs=isch:1&aq=f&aqi=g2&oq=&gs_rfai=&q=john%20wolseley<br />
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