STUDIO education resource - Museums & Galleries NSW
STUDIO education resource - Museums & Galleries NSW
STUDIO education resource - Museums & Galleries NSW
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ANNA PLATTEN<br />
ANNA PLATTEN<br />
ADELAIDE, SA<br />
Anna Platten’s crowded studio in inner city Adelaide resembles the prop<br />
room of a theatre. Costumes, furniture, drapes and bric-a-brac all vie for<br />
space and attention. The artist in her paint-splattered coat provides the only<br />
evidence that this is the studio of a painter.<br />
Platten’s process is different to that of many of the artists represented in<br />
<strong>STUDIO</strong>. In preparing to make a painting, Platten will position props and<br />
even sew garments for her models to wear. In her own words ‘I find that<br />
making the prop is essential, it helps me get into the mood of the painting.<br />
It’s a bit like an actor putting on make-up. Sometimes it allows me to flesh<br />
out an idea which is still very tenuous in my head.’<br />
Platten sometimes depicts herself in her paintings, such as in the large<br />
painting Myself as Madonna 2003. Many of the elements in this painting can<br />
be found in the photograph of her studio. Platten alludes to the Christian<br />
convention of Madonna and child paintings but adds a humorous touch with<br />
the inclusion of the pointy bra, a reference or double entendre to pop star<br />
Madonna.<br />
Born in 1957, Platten juggles the demands of being a mother, a teacher and<br />
an artist. Her paintings are frequently the stages on which the drama and<br />
the delight of these many, often competing roles, are performed.<br />
Explore the artist’s current work:<br />
http://www.evabreuerartdealer.com.au/platten.html<br />
Step into the studio<br />
with Platten. What would you<br />
make, assemble or perform in<br />
her space?<br />
Look at other examples of<br />
Platten’s work using Google<br />
image search – what features<br />
are recurring? Can you see<br />
any of her studio props in her<br />
other paintings.<br />
Where do you think<br />
Ian Lloyd has placed lights<br />
to illuminate the studio and<br />
why?<br />
Find photographs of<br />
Madonna in the 1980’s to<br />
see how Platten has been<br />
inspired by her costume.<br />
Make a work inspired by a<br />
photograph of your favourite<br />
musical artist.<br />
Look at this work to discover props used from Platten’s studio:<br />
http://www.unisa.edu.au/samstagmuseum/images/fullimage/support.asp<br />
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