the arts of africa - Dallas Museum of Art
the arts of africa - Dallas Museum of Art
the arts of africa - Dallas Museum of Art
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96 1 : icons and symbols <strong>of</strong> leadership and status<br />
1 : icons and symbols <strong>of</strong> leadership and status 97<br />
Notes<br />
1. T. Phillips 1995: 531<br />
2. Leloup 2005: 172<br />
3. A wood sample from <strong>the</strong> sculpture was tested in<br />
1988 at <strong>the</strong> Physics and Atmospheric Sciences Laboratory<br />
at <strong>the</strong> University <strong>of</strong> Arizona, Tucson; see also<br />
p. 35, note 3, for additional information.<br />
4. Leloup 2000: 8; Leloup 1994: 111–28; Grunne 2001a:<br />
35–54; Grunne 2001b: 75–88<br />
5. Olfert Dapper (1668) quoted, in Roth [1903] 1972:<br />
160<br />
6. Ben-Amos 1995: 9<br />
7. Blackmun 1983: 64<br />
8. Roth [1903] 1972: xiii<br />
9. Blackmun 2000: 3–4<br />
10. Christie’s 1992: lot 247<br />
11. Egharevba 1968: 26<br />
12. Roese and Bondarenko 2003: 100–1003; Blackmun,<br />
in Plankensteiner 2007: 445–46<br />
13. Blackmun, in Ben-Amos and Rubin 1983: 62<br />
14. Ibid.<br />
15. Ben-Amos 1995: 98<br />
16. Blackmun, in Plankensteiner 2007: 446<br />
17. Ben-Amos 1995: 34<br />
18. A complete figure is reproduced in Eyo 1990: 120;<br />
and in Blackmun, in Plankensteiner 2007: 445<br />
19. Vogel 1983: 350; Willett, in T. Phillips 1995: 428<br />
The corpus includes one in <strong>the</strong> National <strong>Museum</strong>,<br />
Lagos, that is not mentioned in Vogel’s article.<br />
20. Awolalu 1979: 168<br />
21. Thompson 1970: 8–17; Drewal and Mason 1998:<br />
201–205<br />
22. Drewal and Pemberton with Abiodun 1989: 26–33;<br />
Lawal 2002: 80–89<br />
23. Drewal and Pemberton with Abiodun 1989: 26–32<br />
24. Biebuyck 1973: 66–71<br />
25. Rubin 1993: 16–18<br />
26. Biebuyck 1973: 186–87<br />
27. Ibid., [213], plates 60–62; Cameron 2001: 180<br />
28. Garrard, in Barbier 1993, vol. 2: 163<br />
29. Notue, in Mack 2000: 112<br />
30. Nor<strong>the</strong>rn 1984: 53<br />
31. Geary 2000: 5<br />
32. Biebuyck and Abbeele 1984: 96<br />
33. Brown 1944: 431–47<br />
Brown describes chieftainship among <strong>the</strong> Tumba,<br />
who also have a chief (nkumu) who wears a similar<br />
hat called a montolo. Writing in <strong>the</strong> 1940s, Brown notes<br />
that <strong>the</strong> ceremonies connected with <strong>the</strong> nkumu were<br />
rapidly disappearing under <strong>the</strong> influence <strong>of</strong> European<br />
occupation and control.<br />
34. Shamashang, in Mack 2000: 137<br />
35. Darish and Binkley 1995: 168<br />
36. Cameron 2001: 75–76<br />
37. Bastin 1982: 86–89<br />
38. Roberts and Roberts 1996: 154<br />
39. Cameron 1877: 333<br />
40. Roberts and Roberts 1996: 156<br />
41. Sousberghe 1958: 135–37<br />
42. R. Phillips 1995: 75<br />
43. Bassani and Fagg 1988: 231, fig. 52<br />
44. Flickinger 1885: facing p. 32<br />
45. Walker 2005<br />
46. Allison 1944: 49–50<br />
47. Walker 1998<br />
This book includes <strong>the</strong> artist’s biography reconstructed<br />
from various European and African sources,<br />
a catalogue raisonné <strong>of</strong> <strong>the</strong> artist’s works, and an<br />
extensive bibliography.<br />
48. Kloman and Elliott 2004: 120–23<br />
49. Sieber and Walker 1987: 73<br />
50. Wastiau 2006: 18, 120<br />
51. Geary 1983: 108