25% OFF - Ken Bromley Art Supplies

Recommendations

Info

Oil Mediums Winsor and Newton Oil Painting Mediums 28 Drying Oils Drying oils are the vegetable oils used to make oil colour. They are used to modify the consistency and drying time of colour in much the same way as prepared mediums. We offer a range of drying oils to suit your different needs. Refined Linseed Oil An alkali-refined oil of pale colour that reduces oil colour consistency and increases gloss and transparency. 75ml 3021748 rrp £4.40 £3.74 250ml 3039748 rrp £8.70 £7.40 500ml 3049748 rrp £15.20 £12.92 1 Ltr Tin 3053748 rrp £27.10 £23.03 Solvents Solvents are used to dilute colour, as well as for cleaning brushes and palettes after a painting session. Artists grade solvents leave no residual matter behind. DIY grade solvents, are not refined to the same degree, and will often leave a tacky painting surface, and a paint film that won’t fully dry. Winsor & Newton Brush Cleaner A new addition to the Winsor & Newton range, this water-miscible solvent removes dried oil, alkyd & acrylic colour from brushes. Soak in the cleaner See More Offers and Order Online: www.artsupplies.co.uk Linseed Stand Oil A pale viscous oil that slows drying while imparting a tough, smooth enamel finish with no brush marks. 75ml 3021749 rrp £5.80 £4.93 Cold-Pressed Linseed Oil Slightly yellow, dries slightly quicker than refined linseed oil. 75ml 3021747 rrp £5.80 £4.93 Thickened Linseed Oil Behaves like Linseed Stand Oil but dries quicker & darker. 75ml 3021750 rrp £5.80 £4.93 Drying Linseed Oil Darker than refined Linseed Oil, this oil promotes the fastest drying rate of all the oils, whilst increasing gloss. 75ml 3021742 rrp £5.80 £4.93 Distilled Turpentine The only artists’ grade solvent capable of easily dissolving Dammar resin. Turpentine makes a viscous mixture, evaporates slowly, is the most hazadous and strongest smelling solvent commonly used by artists. 75ml 3021744 rrp £4.40 £3.74 250ml 3039744 rrp £7.60 £6.46 500ml 3049744 rrp £13.00 £11.05 1Ltr Tin 3053744 rrp £23.90 £20.32 Sansodor (Low odour paint thinner) Sansodor makes a viscous mixture, evaporates slowly, is the least hazardous, costs approximately the same as turpentine, does not deteriorate on storage and has minimal odour. This is well suited to artists who prefer to avoid exposure to turpentine. overnight & scrub if necessary. Cleanable with water. 75ml 3021757 rrp £4.40 £3.74 75ml 3021740 rrp £2.75 £2.33 250ml 3039740 rrp £5.25 £4.46 NEW 500ml 3049740 rrp £9.50 £8.07 Artists’ Picture Cleaner Not strictly a solvent, it works by dissolving linseed oil oxidation and will remove surface dirt and the products of oxidation in the old varnish. It contains an emulsified mixture of Copaiba balsam, dipentene and pine oil with ammonia. 75ml 3021735 rrp £5.80 £4.93 250ml 3039735 rrp £10.90 £9.27 Varnishes Varnishes are final coatings which protect finished pictures from the build up of dirt and grease. Oil paintings must be thoroughly dry (at least 6 -12 months) before varnishing. For fine art usage picture varnishes should be removable so that paintings can be cleaned in the future. Different resins used in the varnishes impart varying degrees of gloss. Artists’ Retouching Varnish A clear liquid varnish, which dries to a non-yellowing, glossy film. Gives temporary protection to recently completed oil paintings. 75ml 3021736 rrp £5.80 £4.93 250ml 3039736 rrp £10.90 £9.27 500ml 3049736 rrp £19.60 £16.66 250ml 3039757 rrp £7.60 £6.46 500ml 3049757 rrp £13.00 £11.05 1Ltr Tin 3053757 rrp £23.90 £20.32 Artists’ White Spirit A volatile, flammable diluent (thinner) for oil colours and the cleaning of brushes. Whilst it has a characteristic odour, this is less pronounced than Turpentine. This makes a watery mixture, evaporates quickly, is less hazardous than Distilled Turpentine. 75ml 3021738 rrp £4.40 £3.74 1Ltr Tin 3053738 rrp £7.60 £6.46 Artists’ Varnish Superior quality UV resistant artists’ varnishes. Removable with Artists’ White Spirit or Distilled Turpentine. Quick drying and non-yellowing. Does not bloom or crack. Do not use as a medium. Gloss Matt Satin 75ml 3021732 3021733 3021737 rrp £5.80 £4.93 250ml 3039732 3039733 3039737 rrp £10.90 £9.27 500ml 3049732 3049733 3049737 rrp £19.60 £16.66 W&N Aerosol Varnish 400ml A final clear, removable, non-yellowing varnish for the protection of oil, alkyd and acrylic paintings. Matt 3042981 rrp £12.00 £10.20 Gloss 3042982 rrp £12.00 £10.20 Satin 3042984 rrp £12.00 £10.20 Retouching 3042983 Dammar Varnish rrp £12.00 £10.20 A pale yellow removable varnish. Dries to a high gloss. Use on oil/alkyd paintings. Tends to darken with ageing. 75ml 3021741 rrp £5.80 £4.93
Mediums 1 Mediums are additives which alter or enhance the characteristics of the colour. Oil painting mediums are used to change the rate of drying, increase gloss, improve flow, provide texture etc. Mediums are based on the binders used in milling the colours: linseed oil, alkyd resin and modified oils for water mixable oils. Traditional oil based mediums are made from a combination of oil and solvents, while the alkyd based mediums combine synthetic alkyd resins and solvents. Because alkyd Liquin Original (Painting Medium) A general purpose low gloss medium which improves flow and transparency. It mixes easily with the brush or knife and smooths brushwork. Liquin Original also suits a textured oil technique. Liquin Original will approximately half the drying time of oil colour, dependant on the proportions added. Therefore, depending on the climate, colours used, and film weight, the layer will be touch dry in anything between 1-5 days. 75ml 3021751 rrp £5.80 £4.93 250ml 3039751 rrp £10.90 £9.27 500ml 3049751 rrp £19.60 £16.66 1Ltr 3053751 rrp £31.50 £25.20 Liquin Fine Detail Medium The most fluid of the Liquin family, this gloss medium is ideal for fine detailed work. It is also perfect for producing a smooth surface picture or in smoothly blended areas where you do not want brushmarks. Liquin Fine Detail is the modern alternative to the traditional copal mediums that were based on natural resins and offered fast drying properties to the artist. It will approximately half the drying time of oil colour, dependant on the proportions added. Therefore, depending on the climate, colours used, and film weight, the layer will be touch dry in anything between 1-5 days. 75ml 3021752 rrp £5.80 £4.93 250ml 3039752 rrp £10.90 £9.27 Artists’ Painting Medium This is a prepared medium that thins the colour consistency, improves flow and wetting, slows drying, increases the durability of the film and is resistant to yellowing. Artists’ Painting Medium is well suited for ‘oiling out’ (the application of an oil medium to a painting which has sunk (become dull), or lost its oil to the layer underneath). 75ml 3021734 rrp £5.80 £4.93 250ml 3039734 rrp £10.90 £9.27 500ml 3049734 rrp £19.60 £16.66 resin functions in much the same way as linseed oil, alkyd mediums may be added to conventional oils. Alkyd resin mediums offer dramatic advantages by accelerating the speed of drying, as well as adding a unique, natural translucency. We offer a range of mediums to suit your different needs. All mediums should be used in moderation, they are intended only as an additive to the colour. In addition, you should avoid adding multiple mediums to the colour. The most stable film is likely to contain a single medium. Order By Phone: 08453 30 32 34 (lo-call) Oil Mediums Liquin Impasto Medium A semi-gloss, quick drying, nonyellowing impasto medium. It retains crisp textures and brush strokes without any visible levelling and extends tube colour and provides bulk. It also allows more blending time. When dry, it forms a flexible, tough film that can be varnished in the normal way. Liquin Impasto and Liquin Oleopasto are the only mediums that safely thicken oil colour. For heavier brush or palette knife work. 60ml 3019753 rrp £7.60 £6.46 200ml 3036753 rrp £16.90 £14.37 Liquin Light Gel Medium This Liquin formulation offers a slight gel that breaks down on brushing (thixotropic) and flows out to give a non-drip effect when mixed with colour. It is ideal for glazing. It dries to a gloss film that has an increased resistance to yellowing. This product offers all the handling properties traditionally seen with the historic Meglip mediums but without the tendencies to crack and yellow which are normally associated with mastic mediums. Choosing Liquin Light Gel is like selecting non drip gloss paint for decorating in favour of liquid gloss (Liquin Fine Detail). It provides looser handling. 75ml 3021754 rrp £5.80 £4.93 250ml 3039754 rrp £10.90 £9.27 Blending & Glazing Medium This medium slows drying & improves flow. Ideal for blending, glazing, stroke work, antiquing and staining. 75ml 3021739 rrp £5.80 £4.93 Liquin Oleopasto A semi-matt, quick drying, nonyellowing impasto medium. Allows rapid overpainting. This stiff, translucent gel is specifically for impasto and texture work. It dries to a crack-resistant and virtually non-yellowing film, it extends tube colour, retains knife and brush strokes and will not level out. 200ml 3036755 rrp £16.90 £14.37 29
Page 1 and 2: Autumn/Winter 2012/13 Canvas Carton
Page 3 and 4: How To Order By Post Simply complet
Page 5 and 6: Series 1 722 730 653 267 731 319 72
Page 7 and 8: To complement the Artists’ Waterc
Page 9 and 10: Series 2 15ml: 284 600/... £11.65
Page 11 and 12: Series 1 14ml Tube: 0605/... rrp £
Page 13 and 14: Winsor & Newton drawing inks are fo
Page 15 and 16: Galeria Gesso Developed for stable
Page 19 and 20: Mediums Experiment with the finish,
Page 21 and 22: 25% OFF Series 1 59ml Tube: 4045/..
Page 23 and 24: String Gel A self levelling gel wit
Page 27: Series 1 37ml Tube: 1514/... rrp £
Page 31 and 32: Flower Painting Set Everything you
Page 33 and 34: Caran d’Ache Pastels A new range
Page 35 and 36: Visit our website for more pencil a
Page 37 and 38: PITT Artist Fineliner Pens PITT art
Page 39 and 40: Sceptre Gold II brushes have a uniq
Page 41 and 42: Prolene Series 101 Round Quality sy
Page 43 and 44: Size 1/2” Size 6 Artists’ Value
Page 45 and 46: Size 8 Size 8 Size 8 Size 4 Made fr
Page 47 and 48: Acrylix Brushes Acrylix brushes are
Page 49 and 50: Pro Arte Brush Wallet Series A Hog
Page 51 and 52: up to 65% OFF EASELS Shannon Studio
Page 53 and 54: British Made Premier Portfolio This
Page 55 and 56: Saunders Waterford High White High
Page 57 and 58: Arches Aquarelle Artists Blocks Top
Page 59 and 60: Smooth Surface Drawing Gummed Pad 9
Page 61 and 62: Winsor & Newton Standard Linen Canv
Page 63 and 64: CaNVaS SalE UP TO 65% OFF CaNVaS IN
Page 65 and 66: Manikin ► This male manikin is ma
Page 67 and 68: ► Pro Arte Brush Holder Case Qual
Page 69 and 70: Logan Compact Classic Mount Cutter
Page 71 and 72: Masterson “Painters Pal” Sta-We
Page 73 and 74: Ready to Paint Books A great new se
Page 75 and 76: DVDs £27.95 Portrait Painting in O
Page 77 and 78: � Order Form Date of Order ______
Page 79 and 80:
Ken Bromley with his original paper
show all

25% OFF - Ken Bromley Art Supplies

Create successful ePaper yourself

Delete template?

Save as template?