Art of the American Soldier Art of the American Soldier - US Army ...

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Yank also published artwork that, though considered cartoons, nonetheless showed the poignancy of conflict, capturing moments of fear, death, and battle. Howard Brodie’s work, for example, moved away from humor but still encompassed the soldier’s experience. All in all, soldiers and civilians produced more than five thousand works of art covering World War II Army activities. Importantly, the Army realized that nothing could be left undocumented, and the result is a compelling body of work. A 1943 memorandum to War Art Units provided guidance to the artists: What we insist on is the best work you are individually capable of; and the most integrated picture of war in all its phases that your group is capable of. . . . Any subject is in order, if as artists you feel that it is part of War; battle scenes and the front line; battle landscapes; the wounded, the dying and the dead; prisoners of war; field hospitals and base hospitals; wrecked habitations and bombing scenes; character sketches of our own troops, of prisoners, of the natives of the country you visit;—[but] never official portraits; the tactical implements of war; embarkation and debarkation scenes, the nobility, courage, cowardice, cruelty, boredom of war; all this should form part of a well-rounded picture. Try to omit nothing; duplicate to your heart’s content. Express if you can—realistically or symbolically—the essence and spirit of War. They were told that they were not merely there to gather news but to use the latitude afforded them as outstanding American artists to document, from sketches done on the spot or from their memories, notes, and sketches, all that they saw and the impact it had on them as artists and individuals. A painting and diary entry by Floyd Davis exemplify attempts to capture the ambiance as well as the specifics of warfare. 9
GI’s in Paris by Floyd Davis France, 1944 Oil on canvas 10 IN THE ARTIST’S OWN WORDS October 28. We made a few sketches in the morning. It’s a rare sunny day, cold but wonderful. . . . On the way to lunch we pass the Rainbow Club—a dozen trucks are unloading boys from the front. They are dirty, tired, their eyes are strangely unsmiling. They move slowly in line, with all their equipment, an unforgettable picture. —FLOYD DAVIS Time Inc. archives
Page 1 and 2: Art of the American Soldier Documen
Page 4: Contents iii Page Preface . . . . .
Page 8 and 9: Introduction Greek amphora with bat
Page 10 and 11: World War I The U.S. Army did not o
Page 12 and 13: Storming Machine Gun by George Hard
Page 14 and 15: World War II When the European nati
Page 18 and 19: The Korean Conflict and the Vietnam
Page 20 and 21: Landing Zone by John O. Wehrle 8 No
Page 22 and 23: DeserT sTorm and the New millennium
Page 24 and 25: The Hazara Province by Elzie Golden
Page 26: Why Now? We can now return to the q
Page 29 and 30: Goodbye U.S.A. by Barse Miller San
Page 31 and 32: Front Street, Hamilton, Bermuda by
Page 33 and 34: School Children by Gladys Rockmore
Page 35 and 36: 28 In ThE ArTIST’S oWn WorDS Memb
Page 37 and 38: Martyrdom Denied (alternate title D
Page 39 and 40: 32 Army Camp by George Harding ca.
Page 41 and 42: Chow Line by Ogden Pleissner Alaska
Page 43 and 44: K Rations by Aaron Bohrod Belgium,
Page 45 and 46: Soldier Doing the Laundry by Sieger
Page 47 and 48: Morning Ritual by Augustine G. Acu
Page 49 and 50: Laundry Day by Theodore J. Abraham
Page 51 and 52: Laundry Day by Heather C. Englehart
Page 53 and 54: Easter Sunrise by Michael R. Crook
Page 55 and 56: 48 The Chaplain #1 by Peter G. vari
Page 57 and 58: Baseball Practice by Peter Hurd Asc
Page 59 and 60: 52 GI in Perfume Shop by Floyd Davi
Page 61 and 62: 54 2 Minutes at Home by Brian Fairc
Page 63 and 64: Service Club by Fletcher Martin Uni
Page 65 and 66: K.P. Spud Detail by Barse Miller Un
Page 67 and 68:
Sunday Service in the Field by Harr
Page 69 and 70:
Mail Call by Edward A. Sallenbach O
Page 71 and 72:
Roll ’em by Barse Miller United S
Page 73 and 74:
Sleeping Mechanic by Elzie Golden I
Page 75 and 76:
Saint Mihiel, September 13, 1918, b
Page 77 and 78:
70 In ThE ArTIST’S oWn WorDS Thro
Page 79 and 80:
On the Range by Thomas C. O’Hara
Page 82:
In ThE ArTIST’S oWn WorDS Althoug
Page 85 and 86:
Convoy Live Fire by Heather C. Engl
Page 87 and 88:
Chopper Pick-up by Brian H. Clark v
Page 89 and 90:
Cruising the Panama Canal (Chinook)
Page 91 and 92:
84 ARTIST’S STATEMENT Long Binh b
Page 93 and 94:
86 In ThE ArTIST’S oWn WorDS Conv
Page 95 and 96:
88 In ThE ArTIST’S oWn WorDS Insp
Page 98 and 99:
A Soldier’s Duty A soldier’s en
Page 100:
Salvage Roses by Edward reep Italy,
Page 103 and 104:
Hot Village by Horatio A. Hawks Vie
Page 105 and 106:
98 In THE ArTIST’S oWn WordS Inde
Page 107 and 108:
Satan’s Sandbox by Elzie Golden K
Page 109 and 110:
War and Peace by Peter Hurd united
Page 111 and 112:
Death by Water by Frank mechau Pana
Page 113 and 114:
106 In THE ArTIST’S oWn WordS Poi
Page 115 and 116:
On Watch by Jeffrey T. manuszak Som
Page 117 and 118:
A Huge Responsibility by martin Cer
Page 119 and 120:
Flares over Saigon River by H. lest
Page 121 and 122:
Coning Searchlights by John lavalle
Page 123 and 124:
116 Helicopter Assault by roger Blu
Page 125 and 126:
Guard by Elzie Golden Iraq, 2005 Pa
Page 127 and 128:
Providing Necessities by Peter G. V
Page 129 and 130:
Running Blues by Joseph S. Hindley
Page 131 and 132:
Going thru Gas by George Harding ca
Page 133 and 134:
Bringing in the Ammo by Aaron Bohro
Page 135 and 136:
Combat Engineers by robert DeCoste
Page 137 and 138:
Hill 609 by Fletcher martin Tunisia
Page 139 and 140:
Street Fight by Elzie Golden An naj
Page 141 and 142:
Refueling by Warren W. Buchanan Cu
Page 143 and 144:
136 Military Necessity by Aaron Boh
Page 145 and 146:
Desert Storm 101st Style by Peter G
Page 147 and 148:
Moment of Truth by Al Sprague Panam
Page 149 and 150:
142 Study for Airborne Grounded I b
Page 151 and 152:
144 The Observer by lester G. Hornb
Page 153 and 154:
Infantry Soldier by roger Blum Viet
Page 155 and 156:
Machine Gunner in Late Afternoon by
Page 157 and 158:
Vietnamese Soldiers Board Helicopte
Page 159 and 160:
Under Fire by Howard Brodie Germany
Page 161 and 162:
On Patrol—Full Pack by William li
Page 163 and 164:
156
Page 165 and 166:
George Baker, World War II 158 Time
Page 167 and 168:
Dave Breger, World War II 160 G.I.
Page 169 and 170:
Irwin Caplan, World War II M’gawd
Page 171 and 172:
Ralph Stein, World War II One-Man B
Page 173 and 174:
Bill Mauldin, World War II 166 No,
Page 175 and 176:
Ludwig Bemelmans, World War II You
Page 177 and 178:
James W. Mazzu, Korean War Hello, A
Page 179 and 180:
Army Arts and Crafts DeSeRT SToRM C
Page 181 and 182:
174
Page 183 and 184:
Bound for the St. Lo Front by Ogden
Page 185 and 186:
178
Page 187 and 188:
Buchenwald by Gary Sheahan Germany,
Page 189 and 190:
182
Page 191 and 192:
A Dogfight in the Air at Cunel by L
Page 193 and 194:
186
Page 195 and 196:
Death in the Snow by Edward Laning
Page 197 and 198:
The Beach by Tom Lea Peleliu, 15 Se
Page 199 and 200:
Sundown on Peleliu by Tom Lea Pelel
Page 201 and 202:
The Battle of the Caves by Robert B
Page 203 and 204:
Evacuating Wounded Soldier by Harri
Page 205 and 206:
Night Shift by Joseph Hirsch Italy,
Page 207 and 208:
200 End of a Busy Day by Franklin B
Page 209 and 210:
Casualties by Ogden Pleissner Franc
Page 211 and 212:
Wounded Men (alternate title Short
Page 213 and 214:
Just off the Line by Robert Benney
Page 215 and 216:
Match Sellers—Class of ‘17 by k
Page 217 and 218:
210 Casualty by Howard Brodie germa
Page 219 and 220:
212 Fatigue Casualty by Edward Reep
Page 221 and 222:
214 Burial on the Road to Kokumbona
Page 223 and 224:
Medical Corps Enlisted Man and Litt
Page 225 and 226:
Squad near Kum Tum by Ronald E. Pep
Page 227 and 228:
To the Aid Station by Phillip W. Jo
Page 229 and 230:
222 Night Vigil by Robert Benney ca
Page 231 and 232:
224 Climatic Casualty by Robert Ben
Page 233 and 234:
226 In The arTIST’S OWn WOrdS We
Page 235 and 236:
Fracture Ward by Peter Blume new yo
Page 237 and 238:
Patient in Orthopedic Ward by Lawre
Page 239 and 240:
Operation by Franklin Boggs 1944 In
Page 241 and 242:
Waiting to Lift Off by James Polloc
Page 243 and 244:
Traffic Watcher by Theodore J. Abra
Page 245 and 246:
First Aid Station in an Abandoned G
Page 247 and 248:
240
Page 249 and 250:
242 Don’t Mess with the 101st by
Page 251 and 252:
244 In THe arTIST’S own wordS Com
Page 253 and 254:
Nurses in Operating Tent by John a.
Page 255 and 256:
248 SGT Vickie Hodge, 3d ID Baghdad
Page 257 and 258:
Patrol Duty in Kuwait City by Mario
Page 259 and 260:
252
Page 261 and 262:
Charles Baskerville, World War I Wh
Page 263 and 264:
Robert Knight, Vietnam 256
Page 265 and 266:
John O. Wehrle, Vietnam 258
Page 267 and 268:
James S. Hardy, Vietnam 260
Page 269 and 270:
Heather C. Englehart, Iraq and Kuwa
Page 271 and 272:
264
Page 273 and 274:
266
Page 275 and 276:
268 Robert Benney, 1904-2001, studi
Page 277 and 278:
270 Brian H. Clark Irwin Caplan, 19
Page 279 and 280:
272 D.C., overseeing a project to h
Page 281 and 282:
Robert Knight 274 Peter Hurd, 1904-
Page 283 and 284:
276 Warren Leopold, 1920-1998, stud
Page 285 and 286:
278 Thomas J. O’Hara Thomas J. O
Page 287 and 288:
280 Edward A. Sallenbach, 1918-2002
Page 289 and 290:
282 visual information specialist i
Page 291 and 292:
284
Page 293 and 294:
286 Groth, John. Studio: Asia. Clev
Page 295:
288 26 Letters to the editor, Life
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