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Art of the American Soldier Art of the American Soldier - US Army ...

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Preface<br />

Helicopter Assault by Roger Blum<br />

We can look at an artist’s work and try to visualize what <strong>the</strong> artist had in<br />

mind when he or she was creating <strong>the</strong> picture. When <strong>the</strong> artist’s thoughts<br />

are available to us, <strong>the</strong>y open a window into <strong>the</strong> creative process. This book,<br />

<strong>Art</strong> <strong>of</strong> <strong>the</strong> <strong>American</strong> <strong>Soldier</strong>, addresses creativity. When possible, <strong>the</strong> artist’s<br />

words are used to enhance <strong>the</strong> visual story <strong>of</strong> <strong>the</strong> completed work. These<br />

words have been found on <strong>the</strong> artwork itself, in diaries, in notes, or in correspondence<br />

with <strong>the</strong> individual. The artist’s statement also conveys information<br />

on <strong>the</strong> circumstances surrounding <strong>the</strong> artist in a combat environment,<br />

<strong>the</strong> artist’s feelings about <strong>the</strong> role <strong>of</strong> a combat artist, or <strong>the</strong> comments <strong>of</strong><br />

o<strong>the</strong>rs who have known <strong>the</strong> individual or who have studied that person’s<br />

works. Unless o<strong>the</strong>rwise noted, <strong>the</strong> information and images are located in <strong>the</strong><br />

Collection Branch files <strong>of</strong> <strong>the</strong> Center <strong>of</strong> Military History’s Museum Division.<br />

To <strong>the</strong> best <strong>of</strong> my knowledge, this is <strong>the</strong> first time this information has been<br />

compiled and presented alongside <strong>the</strong> artwork. It is fascinating to go into <strong>the</strong><br />

artist’s mind and capture those thoughts and ideas that manifested <strong>the</strong>mselves<br />

in a completed image.<br />

I particularly wish to thank and honor <strong>the</strong> combat artists from different<br />

eras or <strong>the</strong>ir family members with whom I have been in contact for <strong>the</strong> past<br />

twelve years. It has been gratifying to deal with each and every one and to<br />

have <strong>the</strong> opportunity to meet many <strong>of</strong> <strong>the</strong>m. One <strong>of</strong> my greatest joys has<br />

been for <strong>the</strong>m to visit <strong>the</strong> <strong>Army</strong> <strong>Art</strong> Collection and “reacquaint” <strong>the</strong>mselves<br />

with <strong>the</strong> artwork that <strong>the</strong>y, <strong>the</strong>ir fa<strong>the</strong>rs, or grandfa<strong>the</strong>rs produced so many<br />

years ago. Seeing <strong>the</strong>ir faces, <strong>the</strong>ir tears, and <strong>the</strong>ir laughter at viewing <strong>the</strong>ir<br />

works and hearing <strong>the</strong>m comment about <strong>the</strong> art to <strong>the</strong>ir family and friends<br />

have been a total pleasure.<br />

I dedicate this book to <strong>the</strong>m.<br />

Washington, D.C. RENÉE KLISH<br />

16 September 2010<br />

v

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